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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91AEF9 it is the complementary color #6E5106. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91AEF9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91AEF9 shade: #96AEF4, #A7C0FF, #B8D2FF, #C9E4FF and #DAF6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91AEF9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91AEF9 shade: #91AEF9, #809CE6, #6F8AD3, #5E78C0 and #4D66AD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91AEF9 shade: #90ADF9, #9091F9, #AB90F9, #C890F9 and #E490F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91AEF9 shade: #90ADF9, #9091F9 and #9090F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91AEF9 shade matches the following richer shades: #90ADF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91AEF9 shade: #90ADF9, #99B1F0, #A3B5E6, #ACBADD and #B6BED3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91AEF9 shade: #90E6F9, #90CAF9, #90ADF9, #9091F9 and #AA90F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91AEF9 shade: #4173F5, #6890F7, #90ADF9, #B7CAFB and #DEE7FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91AEF9 shade: #91AEF9, #F090F9 and #D8F990

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91AEF9 shade: #91AEF9, #F990AD and #ADF990

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91AEF9 shade: #91AEF9, #F090F9, #F9DB90 and #98F990

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91AEF9 shade: #91AEF9, #F990E2, #F9DB90 and #90F9A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 30 / 0 / 2

HEX #91AEF9

RGB 145 174 249

HSL 223.27, 0.9%, 0.77%

LAB 71.64, 8.76, -40.42

 

Complementary color

CMYK 0 / 26 / 95 / 57

HEX #6E5106

RGB 110 81 6

HSL 43.27, 0.9%, 0.23%

LAB 36.39, 5.45, 42.87

 

CMYK 39 / 29 / 0 / 4

HEX #96AEF4

RGB 150 174 244

HSL 224.68, 0.81%, 0.77%

LAB 71.75, 8.68, -37.53

 

CMYK 35 / 25 / 0 / 0

HEX #A7C0FF

RGB 167 192 255

HSL 222.95, 1%, 0.83%

LAB 77.95, 6.14, -33.75

 

CMYK 28 / 18 / 0 / 0

HEX #B8D2FF

RGB 184 210 255

HSL 218.03, 1%, 0.86%

LAB 83.71, 1.2, -24.84

 

CMYK 21 / 11 / 0 / 0

HEX #C9E4FF

RGB 201 228 255

HSL 210, 1%, 0.89%

LAB 89.45, -3.25, -16.05

 

CMYK 15 / 4 / 0 / 0

HEX #DAF6FF

RGB 218 246 255

HSL 194.59, 1%, 0.93%

LAB 95.18, -7.28, -7.4

 

CMYK 42 / 30 / 0 / 2

HEX #91AEF9

RGB 145 174 249

HSL 223.27, 0.9%, 0.77%

LAB 71.64, 8.76, -40.42

 

CMYK 44 / 32 / 0 / 10

HEX #809CE6

RGB 128 156 230

HSL 223.53, 0.67%, 0.7%

LAB 65.03, 9.39, -40.46

 

CMYK 47 / 35 / 0 / 17

HEX #6F8AD3

RGB 111 138 211

HSL 223.8, 0.53%, 0.63%

LAB 58.28, 10.12, -40.55

 

CMYK 51 / 38 / 0 / 25

HEX #5E78C0

RGB 94 120 192

HSL 224.08, 0.44%, 0.56%

LAB 51.4, 11.01, -40.68

 

CMYK 55 / 41 / 0 / 32

HEX #4D66AD

RGB 77 102 173

HSL 224.38, 0.38%, 0.49%

LAB 44.37, 12.09, -40.86

 

CMYK 42 / 31 / 0 / 2

HEX #90ADF9

RGB 144 173 249

HSL 223.43, 0.9%, 0.77%

LAB 71.32, 9.07, -40.93

 

CMYK 42 / 42 / 0 / 2

HEX #9091F9

RGB 144 145 249

HSL 239.43, 0.9%, 0.77%

LAB 64.18, 25.08, -52.17

 

CMYK 31 / 42 / 0 / 2

HEX #AB90F9

RGB 171 144 249

HSL 255.43, 0.9%, 0.77%

LAB 66.09, 32.55, -49

 

CMYK 20 / 42 / 0 / 2

HEX #C890F9

RGB 200 144 249

HSL 272, 0.9%, 0.77%

LAB 68.8, 40.5, -44.56

 

CMYK 8 / 42 / 0 / 2

HEX #E490F9

RGB 228 144 249

HSL 288, 0.9%, 0.77%

LAB 71.74, 48.47, -39.73

 

CMYK 42 / 31 / 0 / 2

HEX #90ADF9

RGB 144 173 249

HSL 223.43, 0.9%, 0.77%

LAB 71.32, 9.07, -40.93

 

CMYK 42 / 42 / 0 / 2

HEX #9091F9

RGB 144 145 249

HSL 239.43, 0.9%, 0.77%

LAB 64.18, 25.08, -52.17

 

CMYK 42 / 42 / 0 / 2

HEX #9090F9

RGB 144 144 249

HSL 240, 0.9%, 0.77%

LAB 63.93, 25.66, -52.56

 

CMYK 42 / 31 / 0 / 2

HEX #90ADF9

RGB 144 173 249

HSL 223.43, 0.9%, 0.77%

LAB 71.32, 9.07, -40.93

 

CMYK 42 / 31 / 0 / 2

HEX #90ADF9

RGB 144 173 249

HSL 223.43, 0.9%, 0.77%

LAB 71.32, 9.07, -40.93

 

CMYK 36 / 26 / 0 / 6

HEX #99B1F0

RGB 153 177 240

HSL 223.45, 0.74%, 0.77%

LAB 72.57, 6.75, -34.07

 

CMYK 29 / 21 / 0 / 10

HEX #A3B5E6

RGB 163 181 230

HSL 223.88, 0.57%, 0.77%

LAB 73.9, 4.81, -26.54

 

CMYK 22 / 16 / 0 / 13

HEX #ACBADD

RGB 172 186 221

HSL 222.86, 0.42%, 0.77%

LAB 75.52, 2.65, -19.13

 

CMYK 14 / 10 / 0 / 17

HEX #B6BED3

RGB 182 190 211

HSL 223.45, 0.25%, 0.77%

LAB 76.97, 1.46, -11.47

 

CMYK 42 / 8 / 0 / 2

HEX #90E6F9

RGB 144 230 249

HSL 190.86, 0.9%, 0.77%

LAB 86.68, -21.21, -17.37

 

CMYK 42 / 19 / 0 / 2

HEX #90CAF9

RGB 144 202 249

HSL 206.86, 0.9%, 0.77%

LAB 79.05, -6.81, -28.98

 

CMYK 42 / 31 / 0 / 2

HEX #90ADF9

RGB 144 173 249

HSL 223.43, 0.9%, 0.77%

LAB 71.32, 9.07, -40.93

 

CMYK 42 / 42 / 0 / 2

HEX #9091F9

RGB 144 145 249

HSL 239.43, 0.9%, 0.77%

LAB 64.18, 25.08, -52.17

 

CMYK 32 / 42 / 0 / 2

HEX #AA90F9

RGB 170 144 249

HSL 254.86, 0.9%, 0.77%

LAB 66.01, 32.28, -49.14

 

CMYK 73 / 53 / 0 / 4

HEX #4173F5

RGB 65 115 245

HSL 223.33, 0.9%, 0.61%

LAB 51.81, 27.18, -70.04

 

CMYK 58 / 42 / 0 / 3

HEX #6890F7

RGB 104 144 247

HSL 223.22, 0.9%, 0.69%

LAB 61.31, 16.29, -55.78

 

CMYK 42 / 31 / 0 / 2

HEX #90ADF9

RGB 144 173 249

HSL 223.43, 0.9%, 0.77%

LAB 71.32, 9.07, -40.93

 

CMYK 27 / 20 / 0 / 2

HEX #B7CAFB

RGB 183 202 251

HSL 223.24, 0.89%, 0.85%

LAB 81.44, 4.24, -26.17

 

CMYK 12 / 9 / 0 / 1

HEX #DEE7FD

RGB 222 231 253

HSL 222.58, 0.89%, 0.93%

LAB 91.58, 1.24, -11.66

 

CMYK 42 / 30 / 0 / 2

HEX #91AEF9

RGB 145 174 249

HSL 223.27, 0.9%, 0.77%

LAB 71.64, 8.76, -40.42

 

CMYK 4 / 42 / 0 / 2

HEX #F090F9

RGB 240 144 249

HSL 294.86, 0.9%, 0.77%

LAB 73.1, 51.93, -37.53

 

CMYK 13 / 0 / 42 / 2

HEX #D8F990

RGB 216 249 144

HSL 78.86, 0.9%, 0.77%

LAB 93.61, -26.96, 46.79

 

CMYK 42 / 30 / 0 / 2

HEX #91AEF9

RGB 145 174 249

HSL 223.27, 0.9%, 0.77%

LAB 71.64, 8.76, -40.42

 

CMYK 0 / 42 / 31 / 2

HEX #F990AD

RGB 249 144 173

HSL 343.43, 0.9%, 0.77%

LAB 71.63, 42.92, 2.24

 

CMYK 31 / 0 / 42 / 2

HEX #ADF990

RGB 173 249 144

HSL 103.43, 0.9%, 0.77%

LAB 91.08, -42.01, 43.06

 

CMYK 42 / 30 / 0 / 2

HEX #91AEF9

RGB 145 174 249

HSL 223.27, 0.9%, 0.77%

LAB 71.64, 8.76, -40.42

 

CMYK 4 / 42 / 0 / 2

HEX #F090F9

RGB 240 144 249

HSL 294.86, 0.9%, 0.77%

LAB 73.1, 51.93, -37.53

 

CMYK 0 / 12 / 42 / 2

HEX #F9DB90

RGB 249 219 144

HSL 42.86, 0.9%, 0.77%

LAB 88.36, 0.48, 40.64

 

CMYK 39 / 0 / 42 / 2

HEX #98F990

RGB 152 249 144

HSL 115.43, 0.9%, 0.77%

LAB 90.06, -48.6, 41.56

 

CMYK 42 / 30 / 0 / 2

HEX #91AEF9

RGB 145 174 249

HSL 223.27, 0.9%, 0.77%

LAB 71.64, 8.76, -40.42

 

CMYK 0 / 42 / 9 / 2

HEX #F990E2

RGB 249 144 226

HSL 313.14, 0.9%, 0.77%

LAB 73.27, 50.63, -24.61

 

CMYK 0 / 12 / 42 / 2

HEX #F9DB90

RGB 249 219 144

HSL 42.86, 0.9%, 0.77%

LAB 88.36, 0.48, 40.64

 

CMYK 42 / 0 / 33 / 2

HEX #90F9A6

RGB 144 249 166

HSL 132.57, 0.9%, 0.77%

LAB 90.06, -47.54, 30.57

 

Description

Color code: HEX #91AEF9 | qconv.com Color code: HEX #91AEF9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 174 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 174 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 30 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 30% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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