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Color name
HEX #91AB0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91AB0A it is the complementary color #6E54F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91AB0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91AB0A shade: #96AB05, #A7BD18, #B8CF2B, #C9E13E and #DAF351

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91AB0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91AB0A shade: #91AB0A, #809900, #6F8700, #5E7500 and #4D6300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91AB0A shade: #8FA90A, #A9970A, #A96D0A, #A9420A and #A9170A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91AB0A shade: #8FA90A, #64A90A, #39A90A, #0FA90A and #0AA930

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91AB0A shade matches the following richer shades: #8FA90A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91AB0A shade: #8FA90A, #859A18, #7B8C27, #727D35 and #686F44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91AB0A shade: #A96C0A, #A9960A, #91A90A, #66A90A and #3CA90A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91AB0A shade: #4D5B05, #6E8208, #8FA90A, #B0D00C and #CEF114

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91AB0A shade: #91AB0A, #0AA941 and #810AA9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91AB0A shade: #91AB0A, #0A91A9 and #A90A91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91AB0A shade: #91AB0A, #0AA941, #220AA9 and #A90A71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91AB0A shade: #91AB0A, #0AA971, #220AA9 and #A90A41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 0 / 94 / 33

HEX #91AB0A

RGB 145 171 10

HSL 69.69, 0.89%, 0.35%

LAB 65.88, -27.13, 66.4

 

Complementary color

CMYK 55 / 66 / 0 / 4

HEX #6E54F5

RGB 110 84 245

HSL 249.69, 0.89%, 0.65%

LAB 47.3, 52.08, -77.27

 

CMYK 12 / 0 / 97 / 33

HEX #96AB05

RGB 150 171 5

HSL 67.59, 0.94%, 0.35%

LAB 66.23, -25.07, 67.45

 

CMYK 12 / 0 / 87 / 26

HEX #A7BD18

RGB 167 189 24

HSL 68, 0.77%, 0.42%

LAB 72.68, -26.26, 70.26

 

CMYK 11 / 0 / 79 / 19

HEX #B8CF2B

RGB 184 207 43

HSL 68.41, 0.66%, 0.49%

LAB 79.04, -27.25, 71.68

 

CMYK 11 / 0 / 72 / 12

HEX #C9E13E

RGB 201 225 62

HSL 68.83, 0.73%, 0.56%

LAB 85.31, -28.05, 72.12

 

CMYK 10 / 0 / 67 / 5

HEX #DAF351

RGB 218 243 81

HSL 69.26, 0.87%, 0.64%

LAB 91.51, -28.71, 71.94

 

CMYK 15 / 0 / 94 / 33

HEX #91AB0A

RGB 145 171 10

HSL 69.69, 0.89%, 0.35%

LAB 65.88, -27.13, 66.4

 

CMYK 16 / 0 / 100 / 40

HEX #809900

RGB 128 153 0

HSL 69.8, 1%, 0.3%

LAB 59.32, -25.8, 62.21

 

CMYK 18 / 0 / 100 / 47

HEX #6F8700

RGB 111 135 0

HSL 70.67, 1%, 0.26%

LAB 52.63, -24.3, 56.64

 

CMYK 20 / 0 / 100 / 54

HEX #5E7500

RGB 94 117 0

HSL 71.79, 1%, 0.23%

LAB 45.77, -22.77, 50.93

 

CMYK 22 / 0 / 100 / 61

HEX #4D6300

RGB 77 99 0

HSL 73.33, 1%, 0.19%

LAB 38.73, -21.22, 45.06

 

CMYK 15 / 0 / 94 / 34

HEX #8FA90A

RGB 143 169 10

HSL 69.81, 0.89%, 0.35%

LAB 65.15, -27.01, 65.77

 

CMYK 0 / 11 / 94 / 34

HEX #A9970A

RGB 169 151 10

HSL 53.21, 0.89%, 0.35%

LAB 62.16, -6.26, 64.39

 

CMYK 0 / 36 / 94 / 34

HEX #A96D0A

RGB 169 109 10

HSL 37.36, 0.89%, 0.35%

LAB 51.15, 17.04, 56.2

 

CMYK 0 / 61 / 94 / 34

HEX #A9420A

RGB 169 66 10

HSL 21.13, 0.89%, 0.35%

LAB 41.77, 40.04, 49.58

 

CMYK 0 / 86 / 94 / 34

HEX #A9170A

RGB 169 23 10

HSL 4.91, 0.89%, 0.35%

LAB 36.12, 55.53, 45.9

 

CMYK 15 / 0 / 94 / 34

HEX #8FA90A

RGB 143 169 10

HSL 69.81, 0.89%, 0.35%

LAB 65.15, -27.01, 65.77

 

CMYK 41 / 0 / 94 / 34

HEX #64A90A

RGB 100 169 10

HSL 86.04, 0.89%, 0.35%

LAB 62.6, -43.9, 62.66

 

CMYK 66 / 0 / 94 / 34

HEX #39A90A

RGB 57 169 10

HSL 102.26, 0.89%, 0.35%

LAB 61.02, -56.3, 60.71

 

CMYK 91 / 0 / 94 / 34

HEX #0FA90A

RGB 15 169 10

HSL 118.11, 0.89%, 0.35%

LAB 60.34, -62.25, 59.87

 

CMYK 94 / 0 / 72 / 34

HEX #0AA930

RGB 10 169 48

HSL 134.34, 0.89%, 0.35%

LAB 60.47, -60.36, 49.71

 

CMYK 15 / 0 / 94 / 34

HEX #8FA90A

RGB 143 169 10

HSL 69.81, 0.89%, 0.35%

LAB 65.15, -27.01, 65.77

 

CMYK 15 / 0 / 94 / 34

HEX #8FA90A

RGB 143 169 10

HSL 69.81, 0.89%, 0.35%

LAB 65.15, -27.01, 65.77

 

CMYK 14 / 0 / 84 / 40

HEX #859A18

RGB 133 154 24

HSL 69.69, 0.73%, 0.35%

LAB 60.04, -23.6, 58.66

 

CMYK 12 / 0 / 72 / 45

HEX #7B8C27

RGB 123 140 39

HSL 70.1, 0.56%, 0.35%

LAB 55.19, -20.18, 49.09

 

CMYK 9 / 0 / 58 / 51

HEX #727D35

RGB 114 125 53

HSL 69.17, 0.4%, 0.35%

LAB 50.1, -15.22, 37.21

 

CMYK 6 / 0 / 39 / 56

HEX #686F44

RGB 104 111 68

HSL 69.77, 0.24%, 0.35%

LAB 45.26, -10.22, 23.07

 

CMYK 0 / 36 / 94 / 34

HEX #A96C0A

RGB 169 108 10

HSL 36.98, 0.89%, 0.35%

LAB 50.9, 17.61, 56.02

 

CMYK 0 / 11 / 94 / 34

HEX #A9960A

RGB 169 150 10

HSL 52.83, 0.89%, 0.35%

LAB 61.89, -5.73, 64.18

 

CMYK 14 / 0 / 94 / 34

HEX #91A90A

RGB 145 169 10

HSL 69.06, 0.89%, 0.35%

LAB 65.29, -26.16, 65.94

 

CMYK 40 / 0 / 94 / 34

HEX #66A90A

RGB 102 169 10

HSL 85.28, 0.89%, 0.35%

LAB 62.7, -43.19, 62.78

 

CMYK 64 / 0 / 94 / 34

HEX #3CA90A

RGB 60 169 10

HSL 101.13, 0.89%, 0.35%

LAB 61.1, -55.63, 60.81

 

CMYK 15 / 0 / 95 / 64

HEX #4D5B05

RGB 77 91 5

HSL 69.77, 0.9%, 0.19%

LAB 36.12, -16.79, 41.55

 

CMYK 15 / 0 / 94 / 49

HEX #6E8208

RGB 110 130 8

HSL 69.84, 0.88%, 0.27%

LAB 51.03, -22.04, 53.9

 

CMYK 15 / 0 / 94 / 34

HEX #8FA90A

RGB 143 169 10

HSL 69.81, 0.89%, 0.35%

LAB 65.15, -27.01, 65.77

 

CMYK 15 / 0 / 94 / 18

HEX #B0D00C

RGB 176 208 12

HSL 69.8, 0.89%, 0.43%

LAB 78.68, -31.75, 77.07

 

CMYK 15 / 0 / 92 / 5

HEX #CEF114

RGB 206 241 20

HSL 69.5, 0.89%, 0.51%

LAB 89.9, -34.72, 85.79

 

CMYK 15 / 0 / 94 / 33

HEX #91AB0A

RGB 145 171 10

HSL 69.69, 0.89%, 0.35%

LAB 65.88, -27.13, 66.4

 

CMYK 94 / 0 / 62 / 34

HEX #0AA941

RGB 10 169 65

HSL 140.75, 0.89%, 0.35%

LAB 60.62, -58.48, 42.6

 

CMYK 24 / 94 / 0 / 34

HEX #810AA9

RGB 129 10 169

HSL 284.91, 0.89%, 0.35%

LAB 33.45, 64.76, -55.76

 

CMYK 15 / 0 / 94 / 33

HEX #91AB0A

RGB 145 171 10

HSL 69.69, 0.89%, 0.35%

LAB 65.88, -27.13, 66.4

 

CMYK 94 / 14 / 0 / 34

HEX #0A91A9

RGB 10 145 169

HSL 189.06, 0.89%, 0.35%

LAB 55.26, -23.17, -21.67

 

CMYK 0 / 94 / 14 / 34

HEX #A90A91

RGB 169 10 145

HSL 309.06, 0.89%, 0.35%

LAB 39.06, 67.69, -31.81

 

CMYK 15 / 0 / 94 / 33

HEX #91AB0A

RGB 145 171 10

HSL 69.69, 0.89%, 0.35%

LAB 65.88, -27.13, 66.4

 

CMYK 94 / 0 / 62 / 34

HEX #0AA941

RGB 10 169 65

HSL 140.75, 0.89%, 0.35%

LAB 60.62, -58.48, 42.6

 

CMYK 80 / 94 / 0 / 34

HEX #220AA9

RGB 34 10 169

HSL 249.06, 0.89%, 0.35%

LAB 21.66, 56.15, -75.61

 

CMYK 0 / 94 / 33 / 34

HEX #A90A71

RGB 169 10 113

HSL 321.13, 0.89%, 0.35%

LAB 37.56, 63.78, -14.28

 

CMYK 15 / 0 / 94 / 33

HEX #91AB0A

RGB 145 171 10

HSL 69.69, 0.89%, 0.35%

LAB 65.88, -27.13, 66.4

 

CMYK 94 / 0 / 33 / 34

HEX #0AA971

RGB 10 169 113

HSL 158.87, 0.89%, 0.35%

LAB 61.34, -50.02, 18.84

 

CMYK 80 / 94 / 0 / 34

HEX #220AA9

RGB 34 10 169

HSL 249.06, 0.89%, 0.35%

LAB 21.66, 56.15, -75.61

 

CMYK 0 / 94 / 62 / 34

HEX #A90A41

RGB 169 10 65

HSL 339.25, 0.89%, 0.35%

LAB 36.05, 59.69, 14.37

 

Description

Color code: HEX #91AB0A | qconv.com Color code: HEX #91AB0A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 171 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 171 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, none magenta, 94 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 0% 94% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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