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Color name
HEX #919CDC

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #919CDC it is the complementary color #6E6323. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #919CDC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #919CDC shade: #969CD7, #A7AEEA, #B8C0FD, #C9D2FF and #DAE4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #919CDC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #919CDC shade: #919CDC, #808AC9, #6F78B6, #5E66A3 and #4D5490

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #919CDC shade: #929DDD, #9C92DD, #B092DD, #C492DD and #D892DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #919CDC shade: #929DDD and #9292DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #919CDC shade matches the following richer shades: #929DDD, #8795E8 and #7B8DF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #919CDC shade: #929DDD, #9EA6D1, #AAAEC6, #B5B6BA and #C1BEAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #919CDC shade: #92C5DD, #92B1DD, #929EDD, #9B92DD and #AF92DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #919CDC shade: #5465C9, #7381D3, #929DDD, #B2BAE7 and #D1D6F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #919CDC shade: #919CDC, #DD92D9 and #BBDD92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #919CDC shade: #919CDC, #DD929E and #9EDD92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #919CDC shade: #919CDC, #DD92D9, #DDD292 and #92DD96

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #919CDC shade: #919CDC, #DD92C3, #DDD292 and #92DDAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 29 / 0 / 14

HEX #919CDC

RGB 145 156 220

HSL 231.2, 0.52%, 0.72%

LAB 65.72, 11.13, -33.78

 

Complementary color

CMYK 0 / 10 / 68 / 57

HEX #6E6323

RGB 110 99 35

HSL 51.2, 0.52%, 0.28%

LAB 41.78, -3.97, 36.73

 

CMYK 30 / 27 / 0 / 16

HEX #969CD7

RGB 150 156 215

HSL 234.46, 0.45%, 0.72%

LAB 65.88, 11.27, -30.74

 

CMYK 29 / 26 / 0 / 8

HEX #A7AEEA

RGB 167 174 234

HSL 233.73, 0.61%, 0.79%

LAB 72.51, 10.82, -30.82

 

CMYK 27 / 24 / 0 / 1

HEX #B8C0FD

RGB 184 192 253

HSL 233.04, 0.95%, 0.86%

LAB 79.03, 10.41, -30.93

 

CMYK 21 / 18 / 0 / 0

HEX #C9D2FF

RGB 201 210 255

HSL 230, 1%, 0.89%

LAB 84.86, 6.19, -22.98

 

CMYK 15 / 11 / 0 / 0

HEX #DAE4FF

RGB 218 228 255

HSL 223.78, 1%, 0.93%

LAB 90.6, 1.94, -14.2

 

CMYK 34 / 29 / 0 / 14

HEX #919CDC

RGB 145 156 220

HSL 231.2, 0.52%, 0.72%

LAB 65.72, 11.13, -33.78

 

CMYK 36 / 31 / 0 / 21

HEX #808AC9

RGB 128 138 201

HSL 231.78, 0.4%, 0.65%

LAB 58.96, 11.69, -33.78

 

CMYK 39 / 34 / 0 / 29

HEX #6F78B6

RGB 111 120 182

HSL 232.39, 0.33%, 0.57%

LAB 52.05, 12.34, -33.83

 

CMYK 42 / 37 / 0 / 36

HEX #5E66A3

RGB 94 102 163

HSL 233.04, 0.27%, 0.5%

LAB 44.98, 13.11, -33.94

 

CMYK 47 / 42 / 0 / 44

HEX #4D5490

RGB 77 84 144

HSL 233.73, 0.3%, 0.43%

LAB 37.72, 14.05, -34.12

 

CMYK 34 / 29 / 0 / 13

HEX #929DDD

RGB 146 157 221

HSL 231.2, 0.52%, 0.72%

LAB 66.09, 11.1, -33.74

 

CMYK 29 / 34 / 0 / 13

HEX #9C92DD

RGB 156 146 221

HSL 248, 0.52%, 0.72%

LAB 64.04, 20.23, -36.89

 

CMYK 20 / 34 / 0 / 13

HEX #B092DD

RGB 176 146 221

HSL 264, 0.52%, 0.72%

LAB 65.76, 26.12, -34.08

 

CMYK 11 / 34 / 0 / 13

HEX #C492DD

RGB 196 146 221

HSL 280, 0.52%, 0.72%

LAB 67.66, 32.23, -30.98

 

CMYK 2 / 34 / 0 / 13

HEX #D892DD

RGB 216 146 221

HSL 296, 0.52%, 0.72%

LAB 69.74, 38.46, -27.6

 

CMYK 34 / 29 / 0 / 13

HEX #929DDD

RGB 146 157 221

HSL 231.2, 0.52%, 0.72%

LAB 66.09, 11.1, -33.74

 

CMYK 34 / 34 / 0 / 13

HEX #9292DD

RGB 146 146 221

HSL 240, 0.52%, 0.72%

LAB 63.25, 17.41, -38.17

 

CMYK 34 / 29 / 0 / 13

HEX #929DDD

RGB 146 157 221

HSL 231.2, 0.52%, 0.72%

LAB 66.09, 11.1, -33.74

 

CMYK 42 / 36 / 0 / 9

HEX #8795E8

RGB 135 149 232

HSL 231.34, 0.68%, 0.72%

LAB 63.73, 15.75, -43.57

 

CMYK 50 / 42 / 0 / 4

HEX #7B8DF4

RGB 123 141 244

HSL 231.07, 0.85%, 0.72%

LAB 61.47, 21.07, -53.8

 

CMYK 34 / 29 / 0 / 13

HEX #929DDD

RGB 146 157 221

HSL 231.2, 0.52%, 0.72%

LAB 66.09, 11.1, -33.74

 

CMYK 24 / 21 / 0 / 18

HEX #9EA6D1

RGB 158 166 209

HSL 230.59, 0.36%, 0.72%

LAB 68.86, 6.56, -22.79

 

CMYK 14 / 12 / 0 / 22

HEX #AAAEC6

RGB 170 174 198

HSL 231.43, 0.2%, 0.72%

LAB 71.48, 3.47, -12.67

 

CMYK 3 / 2 / 0 / 27

HEX #B5B6BA

RGB 181 182 186

HSL 228, 0.03%, 0.72%

LAB 74.08, 0.41, -2.16

 

CMYK 0 / 2 / 9 / 24

HEX #C1BEAF

RGB 193 190 175

HSL 50, 0.13%, 0.72%

LAB 76.84, -1.59, 7.94

 

CMYK 34 / 11 / 0 / 13

HEX #92C5DD

RGB 146 197 221

HSL 199.2, 0.52%, 0.72%

LAB 76.84, -10.84, -17.3

 

CMYK 34 / 20 / 0 / 13

HEX #92B1DD

RGB 146 177 221

HSL 215.2, 0.52%, 0.72%

LAB 71.4, -0.09, -25.56

 

CMYK 34 / 29 / 0 / 13

HEX #929EDD

RGB 146 158 221

HSL 230.4, 0.52%, 0.72%

LAB 66.36, 10.54, -33.34

 

CMYK 30 / 34 / 0 / 13

HEX #9B92DD

RGB 155 146 221

HSL 247.2, 0.52%, 0.72%

LAB 63.96, 19.95, -37.02

 

CMYK 21 / 34 / 0 / 13

HEX #AF92DD

RGB 175 146 221

HSL 263.2, 0.52%, 0.72%

LAB 65.66, 25.82, -34.23

 

CMYK 58 / 50 / 0 / 21

HEX #5465C9

RGB 84 101 201

HSL 231.28, 0.52%, 0.56%

LAB 46.19, 23.54, -54.19

 

CMYK 45 / 39 / 0 / 17

HEX #7381D3

RGB 115 129 211

HSL 231.25, 0.52%, 0.64%

LAB 56.14, 16.44, -43.91

 

CMYK 34 / 29 / 0 / 13

HEX #929DDD

RGB 146 157 221

HSL 231.2, 0.52%, 0.72%

LAB 66.09, 11.1, -33.74

 

CMYK 23 / 19 / 0 / 9

HEX #B2BAE7

RGB 178 186 231

HSL 230.94, 0.52%, 0.8%

LAB 76.29, 6.77, -23.34

 

CMYK 13 / 11 / 0 / 5

HEX #D1D6F1

RGB 209 214 241

HSL 230.63, 0.53%, 0.88%

LAB 86.01, 3.57, -13.79

 

CMYK 34 / 29 / 0 / 14

HEX #919CDC

RGB 145 156 220

HSL 231.2, 0.52%, 0.72%

LAB 65.72, 11.13, -33.78

 

CMYK 0 / 34 / 2 / 13

HEX #DD92D9

RGB 221 146 217

HSL 303.2, 0.52%, 0.72%

LAB 70.13, 39.3, -24.74

 

CMYK 15 / 0 / 34 / 13

HEX #BBDD92

RGB 187 221 146

HSL 87.2, 0.52%, 0.72%

LAB 84.15, -23.95, 33.23

 

CMYK 34 / 29 / 0 / 14

HEX #919CDC

RGB 145 156 220

HSL 231.2, 0.52%, 0.72%

LAB 65.72, 11.13, -33.78

 

CMYK 0 / 34 / 29 / 13

HEX #DD929E

RGB 221 146 158

HSL 350.4, 0.52%, 0.72%

LAB 68.31, 29.91, 5.4

 

CMYK 29 / 0 / 34 / 13

HEX #9EDD92

RGB 158 221 146

HSL 110.4, 0.52%, 0.72%

LAB 82.41, -34.06, 30.61

 

CMYK 34 / 29 / 0 / 14

HEX #919CDC

RGB 145 156 220

HSL 231.2, 0.52%, 0.72%

LAB 65.72, 11.13, -33.78

 

CMYK 0 / 34 / 2 / 13

HEX #DD92D9

RGB 221 146 217

HSL 303.2, 0.52%, 0.72%

LAB 70.13, 39.3, -24.74

 

CMYK 0 / 5 / 34 / 13

HEX #DDD292

RGB 221 210 146

HSL 51.2, 0.52%, 0.72%

LAB 83.73, -5.62, 33.14

 

CMYK 34 / 0 / 32 / 13

HEX #92DD96

RGB 146 221 150

HSL 123.2, 0.52%, 0.72%

LAB 81.85, -37.3, 27.7

 

CMYK 34 / 29 / 0 / 14

HEX #919CDC

RGB 145 156 220

HSL 231.2, 0.52%, 0.72%

LAB 65.72, 11.13, -33.78

 

CMYK 0 / 34 / 12 / 13

HEX #DD92C3

RGB 221 146 195

HSL 320.8, 0.52%, 0.72%

LAB 69.38, 35.48, -13.7

 

CMYK 0 / 5 / 34 / 13

HEX #DDD292

RGB 221 210 146

HSL 51.2, 0.52%, 0.72%

LAB 83.73, -5.62, 33.14

 

CMYK 34 / 0 / 22 / 13

HEX #92DDAC

RGB 146 221 172

HSL 140.8, 0.52%, 0.72%

LAB 82.27, -33.44, 16.81

 

Description

Color code: HEX #919CDC | qconv.com Color code: HEX #919CDC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 156 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 156 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 29 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 29% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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