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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #919896 it is the complementary color #6E6769. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #919896. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #919896 shade: #969891, #A7AAA4, #B8BCB7, #C9CECA and #DAE0DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #919896. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #919896 shade: #919896, #808683, #6F7470, #5E625D and #4D504A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #919896 shade: #919795, #919794, #919792, #919791 and #939791

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #919896 shade: #919795, #919797, #919597, #919497 and #919297

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #919896 shade matches the following richer shades: #919795, #7FA89D, #6EBAA4, #5DCBAC and #4BDCB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #919896 shade: #919795, #A2868E, #B37486, #C5637F and #D65278

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #919896 shade: #919792, #919793, #919795, #919797 and #919697

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #919896 shade: #676E6C, #7B8381, #919795, #A6ABAA and #BBBFBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #919896 shade: #919896, #919197 and #979391

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #919896 shade: #919896, #959197 and #979591

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #919896 shade: #919896, #919197, #979193 and #979691

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #919896 shade: #919896, #929197, #979193 and #969791

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 1 / 40

HEX #919896

RGB 145 152 150

HSL 162.86, 0.03%, 0.58%

LAB 62.24, -2.91, 0.17

 

Complementary color

CMYK 0 / 6 / 5 / 57

HEX #6E6769

RGB 110 103 105

HSL 342.86, 0.03%, 0.42%

LAB 44.28, 3.14, -0.14

 

CMYK 1 / 0 / 5 / 40

HEX #969891

RGB 150 152 145

HSL 77.14, 0.03%, 0.58%

LAB 62.49, -2.06, 3.42

 

CMYK 2 / 0 / 4 / 33

HEX #A7AAA4

RGB 167 170 164

HSL 90, 0.03%, 0.65%

LAB 69.22, -2.19, 2.71

 

CMYK 2 / 0 / 3 / 26

HEX #B8BCB7

RGB 184 188 183

HSL 108, 0.04%, 0.73%

LAB 75.81, -2.32, 2.03

 

CMYK 2 / 0 / 2 / 19

HEX #C9CECA

RGB 201 206 202

HSL 132, 0.05%, 0.8%

LAB 82.28, -2.44, 1.38

 

CMYK 3 / 0 / 1 / 12

HEX #DAE0DD

RGB 218 224 221

HSL 150, 0.09%, 0.87%

LAB 88.66, -2.56, 0.75

 

CMYK 5 / 0 / 1 / 40

HEX #919896

RGB 145 152 150

HSL 162.86, 0.03%, 0.58%

LAB 62.24, -2.91, 0.17

 

CMYK 4 / 0 / 2 / 47

HEX #808683

RGB 128 134 131

HSL 150, 0.02%, 0.51%

LAB 55.36, -2.81, 0.84

 

CMYK 4 / 0 / 3 / 55

HEX #6F7470

RGB 111 116 112

HSL 132, 0.02%, 0.45%

LAB 48.31, -2.71, 1.54

 

CMYK 4 / 0 / 5 / 62

HEX #5E625D

RGB 94 98 93

HSL 108, 0.03%, 0.37%

LAB 41.07, -2.61, 2.3

 

CMYK 4 / 0 / 7 / 69

HEX #4D504A

RGB 77 80 74

HSL 90, 0.04%, 0.3%

LAB 33.58, -2.5, 3.11

 

CMYK 4 / 0 / 1 / 41

HEX #919795

RGB 145 151 149

HSL 160, 0.03%, 0.58%

LAB 61.93, -2.55, 0.29

 

CMYK 4 / 0 / 2 / 41

HEX #919794

RGB 145 151 148

HSL 150, 0.03%, 0.58%

LAB 61.9, -2.75, 0.82

 

CMYK 4 / 0 / 3 / 41

HEX #919792

RGB 145 151 146

HSL 130, 0.03%, 0.58%

LAB 61.85, -3.14, 1.87

 

CMYK 4 / 0 / 4 / 41

HEX #919791

RGB 145 151 145

HSL 120, 0.03%, 0.58%

LAB 61.82, -3.33, 2.4

 

CMYK 3 / 0 / 4 / 41

HEX #939791

RGB 147 151 145

HSL 100, 0.03%, 0.58%

LAB 61.98, -2.6, 2.64

 

CMYK 4 / 0 / 1 / 41

HEX #919795

RGB 145 151 149

HSL 160, 0.03%, 0.58%

LAB 61.93, -2.55, 0.29

 

CMYK 4 / 0 / 0 / 41

HEX #919797

RGB 145 151 151

HSL 180, 0.03%, 0.58%

LAB 61.99, -2.16, -0.76

 

CMYK 4 / 1 / 0 / 41

HEX #919597

RGB 145 149 151

HSL 200, 0.03%, 0.58%

LAB 61.44, -1.05, -1.56

 

CMYK 4 / 2 / 0 / 41

HEX #919497

RGB 145 148 151

HSL 210, 0.03%, 0.58%

LAB 61.16, -0.49, -1.97

 

CMYK 4 / 3 / 0 / 41

HEX #919297

RGB 145 146 151

HSL 230, 0.03%, 0.58%

LAB 60.62, 0.63, -2.77

 

CMYK 4 / 0 / 1 / 41

HEX #919795

RGB 145 151 149

HSL 160, 0.03%, 0.58%

LAB 61.93, -2.55, 0.29

 

CMYK 24 / 0 / 7 / 34

HEX #7FA89D

RGB 127 168 157

HSL 163.9, 0.19%, 0.58%

LAB 65.71, -16.21, 1.16

 

CMYK 41 / 0 / 12 / 27

HEX #6EBAA4

RGB 110 186 164

HSL 162.63, 0.36%, 0.58%

LAB 70.26, -28.77, 3.78

 

CMYK 54 / 0 / 15 / 20

HEX #5DCBAC

RGB 93 203 172

HSL 163.09, 0.51%, 0.58%

LAB 74.84, -38.99, 5.96

 

CMYK 66 / 0 / 19 / 14

HEX #4BDCB3

RGB 75 220 179

HSL 163.03, 0.67%, 0.58%

LAB 79.58, -48.11, 8.95

 

CMYK 4 / 0 / 1 / 41

HEX #919795

RGB 145 151 149

HSL 160, 0.03%, 0.58%

LAB 61.93, -2.55, 0.29

 

CMYK 0 / 17 / 12 / 36

HEX #A2868E

RGB 162 134 142

HSL 342.86, 0.13%, 0.58%

LAB 58.68, 12.01, -0.29

 

CMYK 0 / 35 / 25 / 30

HEX #B37486

RGB 179 116 134

HSL 342.86, 0.29%, 0.58%

LAB 55.88, 27.3, 0.48

 

CMYK 0 / 50 / 36 / 23

HEX #C5637F

RGB 197 99 127

HSL 342.86, 0.46%, 0.58%

LAB 54.37, 42.02, 2.67

 

CMYK 0 / 62 / 44 / 16

HEX #D65278

RGB 214 82 120

HSL 342.73, 0.62%, 0.58%

LAB 53.69, 55.02, 6.18

 

CMYK 4 / 0 / 3 / 41

HEX #919792

RGB 145 151 146

HSL 130, 0.03%, 0.58%

LAB 61.85, -3.14, 1.87

 

CMYK 4 / 0 / 3 / 41

HEX #919793

RGB 145 151 147

HSL 140, 0.03%, 0.58%

LAB 61.88, -2.95, 1.34

 

CMYK 4 / 0 / 1 / 41

HEX #919795

RGB 145 151 149

HSL 160, 0.03%, 0.58%

LAB 61.93, -2.55, 0.29

 

CMYK 4 / 0 / 0 / 41

HEX #919797

RGB 145 151 151

HSL 180, 0.03%, 0.58%

LAB 61.99, -2.16, -0.76

 

CMYK 4 / 1 / 0 / 41

HEX #919697

RGB 145 150 151

HSL 190, 0.03%, 0.58%

LAB 61.71, -1.6, -1.16

 

CMYK 6 / 0 / 2 / 57

HEX #676E6C

RGB 103 110 108

HSL 162.86, 0.03%, 0.42%

LAB 45.8, -3.08, 0.19

 

CMYK 6 / 0 / 2 / 49

HEX #7B8381

RGB 123 131 129

HSL 165, 0.03%, 0.5%

LAB 54.06, -3.36, 0.05

 

CMYK 4 / 0 / 1 / 41

HEX #919795

RGB 145 151 149

HSL 160, 0.03%, 0.58%

LAB 61.93, -2.55, 0.29

 

CMYK 3 / 0 / 1 / 33

HEX #A6ABAA

RGB 166 171 170

HSL 168, 0.03%, 0.66%

LAB 69.57, -1.95, -0.11

 

CMYK 2 / 0 / 1 / 25

HEX #BBBFBE

RGB 187 191 190

HSL 165, 0.03%, 0.74%

LAB 77.01, -1.57, 0.01

 

CMYK 5 / 0 / 1 / 40

HEX #919896

RGB 145 152 150

HSL 162.86, 0.03%, 0.58%

LAB 62.24, -2.91, 0.17

 

CMYK 4 / 4 / 0 / 41

HEX #919197

RGB 145 145 151

HSL 240, 0.03%, 0.58%

LAB 60.34, 1.19, -3.17

 

CMYK 0 / 3 / 4 / 41

HEX #979391

RGB 151 147 145

HSL 20, 0.03%, 0.58%

LAB 61.21, 1.09, 1.57

 

CMYK 5 / 0 / 1 / 40

HEX #919896

RGB 145 152 150

HSL 162.86, 0.03%, 0.58%

LAB 62.24, -2.91, 0.17

 

CMYK 1 / 4 / 0 / 41

HEX #959197

RGB 149 145 151

HSL 280, 0.03%, 0.58%

LAB 60.67, 2.63, -2.65

 

CMYK 0 / 1 / 4 / 41

HEX #979591

RGB 151 149 145

HSL 40, 0.03%, 0.58%

LAB 61.76, -0.02, 2.36

 

CMYK 5 / 0 / 1 / 40

HEX #919896

RGB 145 152 150

HSL 162.86, 0.03%, 0.58%

LAB 62.24, -2.91, 0.17

 

CMYK 4 / 4 / 0 / 41

HEX #919197

RGB 145 145 151

HSL 240, 0.03%, 0.58%

LAB 60.34, 1.19, -3.17

 

CMYK 0 / 4 / 3 / 41

HEX #979193

RGB 151 145 147

HSL 340, 0.03%, 0.58%

LAB 60.73, 2.59, -0.28

 

CMYK 0 / 1 / 4 / 41

HEX #979691

RGB 151 150 145

HSL 50, 0.03%, 0.58%

LAB 62.03, -0.58, 2.75

 

CMYK 5 / 0 / 1 / 40

HEX #919896

RGB 145 152 150

HSL 162.86, 0.03%, 0.58%

LAB 62.24, -2.91, 0.17

 

CMYK 3 / 4 / 0 / 41

HEX #929197

RGB 146 145 151

HSL 250, 0.03%, 0.58%

LAB 60.42, 1.55, -3.04

 

CMYK 0 / 4 / 3 / 41

HEX #979193

RGB 151 145 147

HSL 340, 0.03%, 0.58%

LAB 60.73, 2.59, -0.28

 

CMYK 1 / 0 / 4 / 41

HEX #969791

RGB 150 151 145

HSL 70, 0.03%, 0.58%

LAB 62.22, -1.5, 3.02

 

Description

Color code: HEX #919896 | qconv.com Color code: HEX #919896 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 152 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 152 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 1 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 1% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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