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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #918FD8CE it is the complementary color #6E7027CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #918FD8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #918FD8CE shade: #968FD3CE, #A7A1E6CE, #B8B3F9CE, #C9C5FFCE and #DAD7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #918FD8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #918FD8CE shade: #918FD8CE, #807DC5CE, #6F6BB2CE, #5E599FCE and #4D478CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #918FD8CE shade: #908ED7, #A48ED7, #B78ED7, #CB8ED7 and #D78ECF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #918FD8CE shade: #908ED7 and #8E8ED7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #918FD8CE shade matches the following richer shades: #908ED7, #8481E4, #7875F0 and #6D69FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #918FD8CE shade: #908ED7, #9B9ACB, #A7A7BE, #B3B3B2 and #BFBFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #918FD8CE shade: #8EB4D7, #8EA0D7, #8F8ED7, #A38ED7 and #B68ED7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #918FD8CE shade: #5451C2, #726FCC, #908ED7, #AEACE2 and #CCCBED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #918FD8CE shade: #918FD8, #D78EC7 and #AAD78E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #918FD8CE shade: #918FD8, #D78F8E and #8ED78F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #918FD8CE shade: #918FD8, #D78EC7, #D6D78E and #8ED79E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #918FD8CE shade: #918FD8, #D78EB1, #D6D78E and #8ED7B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 27 / 0 / 12

HEX #918FD8CE

RGBA 145 143 216 0.81

HSLA 241.64, 0.48%, 0.7%, 0.81

LABA 62.19, 17.55, -37.06, 0.81

 

Complementary color

CMYK 1 / 0 / 53 / 45

HEX #6E7027CE

RGBA 110 112 39 0.81

HSLA 61.64, 0.48%, 0.3%, 0.81

LABA 45.7, -11.08, 39.02, 0.81

 

CMYK 23 / 26 / 0 / 14

HEX #968FD3CE

RGBA 150 143 211 0.81

HSLA 246.18, 0.44%, 0.69%, 0.81

LABA 62.37, 17.7, -33.96, 0.81

 

CMYK 22 / 24 / 0 / 8

HEX #A7A1E6CE

RGBA 167 161 230 0.81

HSLA 245.22, 0.58%, 0.77%, 0.81

LABA 69.05, 17.12, -33.98, 0.81

 

CMYK 21 / 23 / 0 / 2

HEX #B8B3F9CE

RGBA 184 179 249 0.81

HSLA 244.29, 0.85%, 0.84%, 0.81

LABA 75.62, 16.6, -34.04, 0.81

 

CMYK 17 / 18 / 0 / 0

HEX #C9C5FFCE

RGBA 201 197 255 0.81

HSLA 244.14, 1%, 0.89%, 0.81

LABA 81.6, 13.17, -27.94, 0.81

 

CMYK 12 / 13 / 0 / 0

HEX #DAD7FFCE

RGBA 218 215 255 0.81

HSLA 244.5, 1%, 0.92%, 0.81

LABA 87.35, 8.75, -19.09, 0.81

 

CMYK 27 / 27 / 0 / 12

HEX #918FD8CE

RGBA 145 143 216 0.81

HSLA 241.64, 0.48%, 0.7%, 0.81

LABA 62.19, 17.55, -37.06, 0.81

 

CMYK 28 / 30 / 0 / 18

HEX #807DC5CE

RGBA 128 125 197 0.81

HSLA 242.5, 0.38%, 0.63%, 0.81

LABA 55.37, 18.26, -37.13, 0.81

 

CMYK 30 / 32 / 0 / 24

HEX #6F6BB2CE

RGBA 111 107 178 0.81

HSLA 243.38, 0.32%, 0.56%, 0.81

LABA 48.4, 19.07, -37.25, 0.81

 

CMYK 33 / 36 / 0 / 30

HEX #5E599FCE

RGBA 94 89 159 0.81

HSLA 244.29, 0.28%, 0.49%, 0.81

LABA 41.26, 20.03, -37.44, 0.81

 

CMYK 36 / 40 / 0 / 37

HEX #4D478CCE

RGBA 77 71 140 0.81

HSLA 245.22, 0.33%, 0.41%, 0.81

LABA 33.94, 21.17, -37.7, 0.81

 

CMYK 33 / 34 / 0 / 16

HEX #908ED7

RGB 144 142 215

HSL 241.64, 0.48%, 0.7%

LAB 61.81, 17.59, -37.09

 

CMYK 24 / 34 / 0 / 16

HEX #A48ED7

RGB 164 142 215

HSL 258.08, 0.48%, 0.7%

LAB 63.46, 23.39, -34.39

 

CMYK 15 / 34 / 0 / 16

HEX #B78ED7

RGB 183 142 215

HSL 273.7, 0.48%, 0.7%

LAB 65.22, 29.15, -31.54

 

CMYK 6 / 34 / 0 / 16

HEX #CB8ED7

RGB 203 142 215

HSL 290.14, 0.48%, 0.7%

LAB 67.24, 35.38, -28.25

 

CMYK 0 / 34 / 4 / 16

HEX #D78ECF

RGB 215 142 207

HSL 306.58, 0.48%, 0.7%

LAB 68.24, 37.71, -22.16

 

CMYK 33 / 34 / 0 / 16

HEX #908ED7

RGB 144 142 215

HSL 241.64, 0.48%, 0.7%

LAB 61.81, 17.59, -37.09

 

CMYK 34 / 34 / 0 / 16

HEX #8E8ED7

RGB 142 142 215

HSL 240, 0.48%, 0.7%

LAB 61.66, 17.03, -37.34

 

CMYK 33 / 34 / 0 / 16

HEX #908ED7

RGB 144 142 215

HSL 241.64, 0.48%, 0.7%

LAB 61.81, 17.59, -37.09

 

CMYK 42 / 43 / 0 / 11

HEX #8481E4

RGB 132 129 228

HSL 241.82, 0.65%, 0.7%

LAB 58.23, 25.56, -50.05

 

CMYK 50 / 51 / 0 / 6

HEX #7875F0

RGB 120 117 240

HSL 241.46, 0.8%, 0.7%

LAB 55.08, 33.43, -61.82

 

CMYK 57 / 58 / 0 / 1

HEX #6D69FC

RGB 109 105 252

HSL 241.63, 0.96%, 0.7%

LAB 52.27, 42.08, -73.08

 

CMYK 33 / 34 / 0 / 16

HEX #908ED7

RGB 144 142 215

HSL 241.64, 0.48%, 0.7%

LAB 61.81, 17.59, -37.09

 

CMYK 24 / 24 / 0 / 20

HEX #9B9ACB

RGB 155 154 203

HSL 241.22, 0.32%, 0.7%

LAB 65.27, 10.96, -24.97

 

CMYK 12 / 12 / 0 / 25

HEX #A7A7BE

RGB 167 167 190

HSL 240, 0.15%, 0.7%

LAB 69.16, 4.62, -11.77

 

CMYK 0 / 0 / 1 / 30

HEX #B3B3B2

RGB 179 179 178

HSL 60, 0.01%, 0.7%

LAB 72.92, -0.18, 0.5

 

CMYK 0 / 0 / 13 / 25

HEX #BFBFA6

RGB 191 191 166

HSL 60, 0.16%, 0.7%

LAB 76.73, -4.33, 12.63

 

CMYK 34 / 16 / 0 / 16

HEX #8EB4D7

RGB 142 180 215

HSL 208.77, 0.48%, 0.7%

LAB 71.76, -4.38, -21.76

 

CMYK 34 / 26 / 0 / 16

HEX #8EA0D7

RGB 142 160 215

HSL 225.21, 0.48%, 0.7%

LAB 66.37, 6.71, -30.03

 

CMYK 33 / 34 / 0 / 16

HEX #8F8ED7

RGB 143 142 215

HSL 240.82, 0.48%, 0.7%

LAB 61.73, 17.31, -37.22

 

CMYK 24 / 34 / 0 / 16

HEX #A38ED7

RGB 163 142 215

HSL 257.26, 0.48%, 0.7%

LAB 63.37, 23.09, -34.54

 

CMYK 15 / 34 / 0 / 16

HEX #B68ED7

RGB 182 142 215

HSL 272.88, 0.48%, 0.7%

LAB 65.12, 28.85, -31.69

 

CMYK 57 / 58 / 0 / 24

HEX #5451C2

RGB 84 81 194

HSL 241.59, 0.48%, 0.54%

LAB 40.68, 33.69, -59.04

 

CMYK 44 / 46 / 0 / 20

HEX #726FCC

RGB 114 111 204

HSL 241.94, 0.48%, 0.62%

LAB 51.04, 24.94, -48.02

 

CMYK 33 / 34 / 0 / 16

HEX #908ED7

RGB 144 142 215

HSL 241.64, 0.48%, 0.7%

LAB 61.81, 17.59, -37.09

 

CMYK 23 / 24 / 0 / 11

HEX #AEACE2

RGB 174 172 226

HSL 242.22, 0.48%, 0.78%

LAB 72.22, 12.1, -26.86

 

CMYK 14 / 14 / 0 / 7

HEX #CCCBED

RGB 204 203 237

HSL 241.76, 0.49%, 0.86%

LAB 82.73, 6.99, -16.61

 

CMYK 33 / 34 / 0 / 15

HEX #918FD8

RGB 145 143 216

HSL 241.64, 0.48%, 0.7%

LAB 62.19, 17.55, -37.06

 

CMYK 0 / 34 / 7 / 16

HEX #D78EC7

RGB 215 142 199

HSL 313.15, 0.48%, 0.7%

LAB 67.96, 36.3, -18.13

 

CMYK 21 / 0 / 34 / 16

HEX #AAD78E

RGB 170 215 142

HSL 96.99, 0.48%, 0.7%

LAB 81.35, -27.72, 31.38

 

CMYK 33 / 34 / 0 / 15

HEX #918FD8

RGB 145 143 216

HSL 241.64, 0.48%, 0.7%

LAB 62.19, 17.55, -37.06

 

CMYK 0 / 33 / 34 / 16

HEX #D78F8E

RGB 215 143 142

HSL 0.82, 0.48%, 0.7%

LAB 66.55, 27.19, 11.77

 

CMYK 34 / 0 / 33 / 16

HEX #8ED78F

RGB 142 215 143

HSL 120.82, 0.48%, 0.7%

LAB 79.8, -36.97, 28.53

 

CMYK 33 / 34 / 0 / 15

HEX #918FD8

RGB 145 143 216

HSL 241.64, 0.48%, 0.7%

LAB 62.19, 17.55, -37.06

 

CMYK 0 / 34 / 7 / 16

HEX #D78EC7

RGB 215 142 199

HSL 313.15, 0.48%, 0.7%

LAB 67.96, 36.3, -18.13

 

CMYK 0 / 0 / 34 / 16

HEX #D6D78E

RGB 214 215 142

HSL 60.82, 0.48%, 0.7%

LAB 84.41, -11.35, 35.97

 

CMYK 34 / 0 / 27 / 16

HEX #8ED79E

RGB 142 215 158

HSL 133.15, 0.48%, 0.7%

LAB 80.08, -34.42, 21.09

 

CMYK 33 / 34 / 0 / 15

HEX #918FD8

RGB 145 143 216

HSL 241.64, 0.48%, 0.7%

LAB 62.19, 17.55, -37.06

 

CMYK 0 / 34 / 18 / 16

HEX #D78EB1

RGB 215 142 177

HSL 331.23, 0.48%, 0.7%

LAB 67.25, 32.67, -6.88

 

CMYK 0 / 0 / 34 / 16

HEX #D6D78E

RGB 214 215 142

HSL 60.82, 0.48%, 0.7%

LAB 84.41, -11.35, 35.97

 

CMYK 34 / 0 / 16 / 16

HEX #8ED7B4

RGB 142 215 180

HSL 151.23, 0.48%, 0.7%

LAB 80.54, -30.24, 10.12

 

Description

Color code: HEX #918FD8CE | qconv.com Color code: HEX #918FD8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 143 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 143 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 27 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 27% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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