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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #918F39 it is the complementary color #6E70C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #918F39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #918F39 shade: #968F34, #A7A147, #B8B35A, #C9C56D and #DAD780

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #918F39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #918F39 shade: #918F39, #807D26, #6F6B13, #5E5900 and #4D4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #918F39 shade: #939139, #937939, #936039, #934839 and #933939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #918F39 shade: #939139, #7D9339, #659339, #4C9339 and #39933E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #918F39 shade matches the following richer shades: #939139, #A3A129, #B4B018 and #C4C008

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #918F39 shade: #939139, #82814A, #72715A, #61626B and #51527B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #918F39 shade: #936039, #937839, #939039, #7E9339 and #669339

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #918F39 shade: #575622, #75742E, #939139, #B1AE45 and #C0BE5E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #918F39 shade: #918F39, #399348 and #6C3993

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #918F39 shade: #918F39, #399390 and #903993

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #918F39 shade: #918F39, #399348, #393C93 and #933984

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #918F39 shade: #918F39, #399363, #393C93 and #933969

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 61 / 43

HEX #918F39

RGB 145 143 57

HSL 58.64, 0.44%, 0.4%

LAB 58, -10.86, 44.84

 

Complementary color

CMYK 44 / 43 / 0 / 22

HEX #6E70C6

RGB 110 112 198

HSL 238.64, 0.44%, 0.6%

LAB 50.66, 21.58, -45.21

 

CMYK 0 / 5 / 65 / 41

HEX #968F34

RGB 150 143 52

HSL 55.71, 0.49%, 0.4%

LAB 58.39, -8.99, 47.66

 

CMYK 0 / 4 / 57 / 35

HEX #A7A147

RGB 167 161 71

HSL 56.25, 0.4%, 0.47%

LAB 65.09, -9.78, 46.71

 

CMYK 0 / 3 / 51 / 28

HEX #B8B35A

RGB 184 179 90

HSL 56.81, 0.4%, 0.54%

LAB 71.67, -10.41, 45.58

 

CMYK 0 / 2 / 46 / 21

HEX #C9C56D

RGB 201 197 109

HSL 57.39, 0.46%, 0.61%

LAB 78.14, -10.92, 44.39

 

CMYK 0 / 1 / 41 / 15

HEX #DAD780

RGB 218 215 128

HSL 58, 0.55%, 0.68%

LAB 84.52, -11.35, 43.21

 

CMYK 0 / 1 / 61 / 43

HEX #918F39

RGB 145 143 57

HSL 58.64, 0.44%, 0.4%

LAB 58, -10.86, 44.84

 

CMYK 0 / 2 / 70 / 50

HEX #807D26

RGB 128 125 38

HSL 58, 0.54%, 0.33%

LAB 51.15, -10.03, 45.6

 

CMYK 0 / 4 / 83 / 56

HEX #6F6B13

RGB 111 107 19

HSL 57.39, 0.71%, 0.25%

LAB 44.15, -8.92, 45.54

 

CMYK 0 / 5 / 100 / 63

HEX #5E5900

RGB 94 89 0

HSL 56.81, 1%, 0.18%

LAB 36.98, -7.51, 44.41

 

CMYK 0 / 8 / 100 / 70

HEX #4D4700

RGB 77 71 0

HSL 55.32, 1%, 0.15%

LAB 29.62, -5.47, 38.28

 

CMYK 0 / 1 / 61 / 42

HEX #939139

RGB 147 145 57

HSL 58.67, 0.44%, 0.4%

LAB 58.74, -11.05, 45.7

 

CMYK 0 / 18 / 61 / 42

HEX #937939

RGB 147 121 57

HSL 42.67, 0.44%, 0.4%

LAB 52.03, 2.2, 38.22

 

CMYK 0 / 35 / 61 / 42

HEX #936039

RGB 147 96 57

HSL 26, 0.44%, 0.4%

LAB 45.45, 16.6, 30.49

 

CMYK 0 / 51 / 61 / 42

HEX #934839

RGB 147 72 57

HSL 10, 0.44%, 0.4%

LAB 39.8, 30.2, 23.54

 

CMYK 0 / 61 / 61 / 42

HEX #933939

RGB 147 57 57

HSL 0, 0.44%, 0.4%

LAB 36.79, 37.98, 19.69

 

CMYK 0 / 1 / 61 / 42

HEX #939139

RGB 147 145 57

HSL 58.67, 0.44%, 0.4%

LAB 58.74, -11.05, 45.7

 

CMYK 15 / 0 / 61 / 42

HEX #7D9339

RGB 125 147 57

HSL 74.67, 0.44%, 0.4%

LAB 57.58, -21.61, 43.93

 

CMYK 31 / 0 / 61 / 42

HEX #659339

RGB 101 147 57

HSL 90.67, 0.44%, 0.4%

LAB 56.02, -31.28, 41.76

 

CMYK 48 / 0 / 61 / 42

HEX #4C9339

RGB 76 147 57

HSL 107.33, 0.44%, 0.4%

LAB 54.76, -39.99, 39.99

 

CMYK 61 / 0 / 58 / 42

HEX #39933E

RGB 57 147 62

HSL 123.33, 0.44%, 0.4%

LAB 54.12, -44.68, 36.65

 

CMYK 0 / 1 / 61 / 42

HEX #939139

RGB 147 145 57

HSL 58.67, 0.44%, 0.4%

LAB 58.74, -11.05, 45.7

 

CMYK 0 / 1 / 75 / 36

HEX #A3A129

RGB 163 161 41

HSL 59.02, 0.6%, 0.4%

LAB 64.51, -13.36, 58.46

 

CMYK 0 / 2 / 87 / 29

HEX #B4B018

RGB 180 176 24

HSL 58.46, 0.76%, 0.4%

LAB 70.05, -14.19, 68.53

 

CMYK 0 / 2 / 96 / 23

HEX #C4C008

RGB 196 192 8

HSL 58.72, 0.92%, 0.4%

LAB 75.73, -15.59, 75.89

 

CMYK 0 / 1 / 61 / 42

HEX #939139

RGB 147 145 57

HSL 58.67, 0.44%, 0.4%

LAB 58.74, -11.05, 45.7

 

CMYK 0 / 1 / 43 / 49

HEX #82814A

RGB 130 129 74

HSL 58.93, 0.27%, 0.4%

LAB 52.88, -8.24, 29.89

 

CMYK 0 / 1 / 21 / 55

HEX #72715A

RGB 114 113 90

HSL 57.5, 0.12%, 0.4%

LAB 47.14, -3.82, 12.94

 

CMYK 9 / 8 / 0 / 58

HEX #61626B

RGB 97 98 107

HSL 234, 0.05%, 0.4%

LAB 41.75, 1.58, -5.22

 

CMYK 34 / 33 / 0 / 52

HEX #51527B

RGB 81 82 123

HSL 238.57, 0.21%, 0.4%

LAB 36.39, 10.1, -23.34

 

CMYK 0 / 35 / 61 / 42

HEX #936039

RGB 147 96 57

HSL 26, 0.44%, 0.4%

LAB 45.45, 16.6, 30.49

 

CMYK 0 / 18 / 61 / 42

HEX #937839

RGB 147 120 57

HSL 42, 0.44%, 0.4%

LAB 51.76, 2.77, 37.9

 

CMYK 0 / 2 / 61 / 42

HEX #939039

RGB 147 144 57

HSL 58, 0.44%, 0.4%

LAB 58.46, -10.52, 45.39

 

CMYK 14 / 0 / 61 / 42

HEX #7E9339

RGB 126 147 57

HSL 74, 0.44%, 0.4%

LAB 57.65, -21.19, 44.03

 

CMYK 31 / 0 / 61 / 42

HEX #669339

RGB 102 147 57

HSL 90, 0.44%, 0.4%

LAB 56.08, -30.89, 41.84

 

CMYK 0 / 1 / 61 / 66

HEX #575622

RGB 87 86 34

HSL 58.87, 0.44%, 0.24%

LAB 35.59, -7.47, 29.82

 

CMYK 0 / 1 / 61 / 54

HEX #75742E

RGB 117 116 46

HSL 59.15, 0.44%, 0.32%

LAB 47.59, -9.55, 37.9

 

CMYK 0 / 1 / 61 / 42

HEX #939139

RGB 147 145 57

HSL 58.67, 0.44%, 0.4%

LAB 58.74, -11.05, 45.7

 

CMYK 0 / 2 / 61 / 31

HEX #B1AE45

RGB 177 174 69

HSL 58.33, 0.44%, 0.48%

LAB 69.5, -12.43, 52.74

 

CMYK 0 / 1 / 51 / 25

HEX #C0BE5E

RGB 192 190 94

HSL 58.78, 0.44%, 0.56%

LAB 75.35, -12.4, 48.16

 

CMYK 0 / 1 / 61 / 43

HEX #918F39

RGB 145 143 57

HSL 58.64, 0.44%, 0.4%

LAB 58, -10.86, 44.84

 

CMYK 61 / 0 / 51 / 42

HEX #399348

RGB 57 147 72

HSL 130, 0.44%, 0.4%

LAB 54.24, -43.25, 31.74

 

CMYK 27 / 61 / 0 / 42

HEX #6C3993

RGB 108 57 147

HSL 274, 0.44%, 0.4%

LAB 34.44, 39.64, -40.99

 

CMYK 0 / 1 / 61 / 43

HEX #918F39

RGB 145 143 57

HSL 58.64, 0.44%, 0.4%

LAB 58, -10.86, 44.84

 

CMYK 61 / 0 / 2 / 42

HEX #399390

RGB 57 147 144

HSL 178, 0.44%, 0.4%

LAB 55.84, -27.08, -6.38

 

CMYK 2 / 61 / 0 / 42

HEX #903993

RGB 144 57 147

HSL 298, 0.44%, 0.4%

LAB 39.52, 49.06, -32.6

 

CMYK 0 / 1 / 61 / 43

HEX #918F39

RGB 145 143 57

HSL 58.64, 0.44%, 0.4%

LAB 58, -10.86, 44.84

 

CMYK 61 / 0 / 51 / 42

HEX #399348

RGB 57 147 72

HSL 130, 0.44%, 0.4%

LAB 54.24, -43.25, 31.74

 

CMYK 61 / 59 / 0 / 42

HEX #393C93

RGB 57 60 147

HSL 238, 0.44%, 0.4%

LAB 29.93, 26.22, -48.52

 

CMYK 0 / 61 / 10 / 42

HEX #933984

RGB 147 57 132

HSL 310, 0.44%, 0.4%

LAB 39.23, 47.24, -23.85

 

CMYK 0 / 1 / 61 / 43

HEX #918F39

RGB 145 143 57

HSL 58.64, 0.44%, 0.4%

LAB 58, -10.86, 44.84

 

CMYK 61 / 0 / 33 / 42

HEX #399363

RGB 57 147 99

HSL 148, 0.44%, 0.4%

LAB 54.7, -38.35, 17.65

 

CMYK 61 / 59 / 0 / 42

HEX #393C93

RGB 57 60 147

HSL 238, 0.44%, 0.4%

LAB 29.93, 26.22, -48.52

 

CMYK 0 / 61 / 29 / 42

HEX #933969

RGB 147 57 105

HSL 328, 0.44%, 0.4%

LAB 38.11, 43.11, -8.79

 

Description

Color code: HEX #918F39 | qconv.com Color code: HEX #918F39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 143 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 143 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 61 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 61% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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