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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #917EC64C it is the complementary color #6E81394C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #917EC64C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #917EC64C shade: #967EC14C, #A790D44C, #B8A2E74C, #C9B4FA4C and #DAC6FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #917EC64C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #917EC64C shade: #917EC64C, #806CB34C, #6F5AA04C, #5E488D4C and #4D367A4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #917EC64C shade: #927FC7, #A67FC7, #B97FC7, #C77FC2 and #C77FAE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #917EC64C shade: #927FC7 and #7F7FC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #917EC64C shade matches the following richer shades: #927FC7, #8B71D6, #8462E5 and #7D53F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #917EC64C shade: #927FC7, #998EB8, #A09DA9, #A7AC9A and #AEBB8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #917EC64C shade: #7F94C7, #7F81C7, #917FC7, #A47FC7 and #B77FC7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #917EC64C shade: #634AA9, #7A63BA, #927FC7, #AB9CD4 and #C3B9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #917EC64C shade: #917EC6, #C77FA7 and #8AC77F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #917EC64C shade: #917EC6, #C7917F and #7FC791

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #917EC64C shade: #917EC6, #C77FA7, #B5C77F and #7FC7A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #917EC64C shade: #917EC6, #C77F91, #B5C77F and #7FC7B5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 11 / 0 / 7

HEX #917EC64C

RGBA 145 126 198 0.3

HSLA 255.83, 0.39%, 0.64%, 0.3

LABA 57.09, 22.82, -34.89, 0.3

 

Complementary color

CMYK 4 / 0 / 17 / 15

HEX #6E81394C

RGBA 110 129 57 0.3

HSLA 75.83, 0.39%, 0.36%, 0.3

LABA 51.05, -18.69, 36.23, 0.3

 

CMYK 7 / 10 / 0 / 7

HEX #967EC14C

RGBA 150 126 193 0.3

HSLA 261.49, 0.35%, 0.63%, 0.3

LABA 57.32, 23.11, -31.66, 0.3

 

CMYK 6 / 10 / 0 / 5

HEX #A790D44C

RGBA 167 144 212 0.3

HSLA 260.29, 0.44%, 0.7%, 0.3

LABA 64.09, 22.45, -31.72, 0.3

 

CMYK 6 / 9 / 0 / 3

HEX #B8A2E74C

RGBA 184 162 231 0.3

HSLA 259.13, 0.59%, 0.77%, 0.3

LABA 70.73, 21.85, -31.82, 0.3

 

CMYK 6 / 8 / 0 / 1

HEX #C9B4FA4C

RGBA 201 180 250 0.3

HSLA 258, 0.88%, 0.84%, 0.3

LABA 77.26, 21.3, -31.94, 0.3

 

CMYK 4 / 7 / 0 / 0

HEX #DAC6FF4C

RGBA 218 198 255 0.3

HSLA 261.05, 1%, 0.89%, 0.3

LABA 83.19, 17.81, -25.41, 0.3

 

CMYK 8 / 11 / 0 / 7

HEX #917EC64C

RGBA 145 126 198 0.3

HSLA 255.83, 0.39%, 0.64%, 0.3

LABA 57.09, 22.82, -34.89, 0.3

 

CMYK 9 / 12 / 0 / 9

HEX #806CB34C

RGBA 128 108 179 0.3

HSLA 256.9, 0.32%, 0.56%, 0.3

LABA 50.18, 23.6, -34.93, 0.3

 

CMYK 9 / 13 / 0 / 11

HEX #6F5AA04C

RGBA 111 90 160 0.3

HSLA 258, 0.28%, 0.49%, 0.3

LABA 43.11, 24.47, -35.01, 0.3

 

CMYK 10 / 15 / 0 / 13

HEX #5E488D4C

RGBA 94 72 141 0.3

HSLA 259.13, 0.32%, 0.42%, 0.3

LABA 35.86, 25.47, -35.14, 0.3

 

CMYK 11 / 17 / 0 / 16

HEX #4D367A4C

RGBA 77 54 122 0.3

HSLA 260.29, 0.39%, 0.35%, 0.3

LABA 28.44, 26.6, -35.31, 0.3

 

CMYK 27 / 36 / 0 / 22

HEX #927FC7

RGB 146 127 199

HSL 255.83, 0.39%, 0.64%

LAB 57.48, 22.79, -34.85

 

CMYK 17 / 36 / 0 / 22

HEX #A67FC7

RGB 166 127 199

HSL 272.5, 0.39%, 0.64%

LAB 59.35, 28.83, -31.79

 

CMYK 7 / 36 / 0 / 22

HEX #B97FC7

RGB 185 127 199

HSL 288.33, 0.39%, 0.64%

LAB 61.32, 34.75, -28.58

 

CMYK 0 / 36 / 3 / 22

HEX #C77FC2

RGB 199 127 194

HSL 304.17, 0.39%, 0.64%

LAB 62.69, 38.24, -23.52

 

CMYK 0 / 36 / 13 / 22

HEX #C77FAE

RGB 199 127 174

HSL 320.83, 0.39%, 0.64%

LAB 61.98, 34.74, -13.27

 

CMYK 27 / 36 / 0 / 22

HEX #927FC7

RGB 146 127 199

HSL 255.83, 0.39%, 0.64%

LAB 57.48, 22.79, -34.85

 

CMYK 36 / 36 / 0 / 22

HEX #7F7FC7

RGB 127 127 199

HSL 240, 0.39%, 0.64%

LAB 55.9, 17.34, -37.43

 

CMYK 27 / 36 / 0 / 22

HEX #927FC7

RGB 146 127 199

HSL 255.83, 0.39%, 0.64%

LAB 57.48, 22.79, -34.85

 

CMYK 35 / 47 / 0 / 16

HEX #8B71D6

RGB 139 113 214

HSL 255.45, 0.55%, 0.64%

LAB 54.19, 32.86, -48.57

 

CMYK 42 / 57 / 0 / 10

HEX #8462E5

RGB 132 98 229

HSL 255.57, 0.72%, 0.64%

LAB 51.03, 43.86, -62.13

 

CMYK 49 / 66 / 0 / 4

HEX #7D53F4

RGB 125 83 244

HSL 255.65, 0.88%, 0.64%

LAB 48.36, 54.81, -74.92

 

CMYK 27 / 36 / 0 / 22

HEX #927FC7

RGB 146 127 199

HSL 255.83, 0.39%, 0.64%

LAB 57.48, 22.79, -34.85

 

CMYK 17 / 23 / 0 / 28

HEX #998EB8

RGB 153 142 184

HSL 255.71, 0.23%, 0.64%

LAB 61.29, 12.73, -20.42

 

CMYK 5 / 7 / 0 / 34

HEX #A09DA9

RGB 160 157 169

HSL 255, 0.07%, 0.64%

LAB 65.32, 3.43, -5.85

 

CMYK 3 / 0 / 10 / 33

HEX #A7AC9A

RGB 167 172 154

HSL 76.67, 0.1%, 0.64%

LAB 69.51, -5.07, 8.65

 

CMYK 7 / 0 / 25 / 27

HEX #AEBB8C

RGB 174 187 140

HSL 76.6, 0.26%, 0.64%

LAB 73.83, -12.61, 22.36

 

CMYK 36 / 26 / 0 / 22

HEX #7F94C7

RGB 127 148 199

HSL 222.5, 0.39%, 0.64%

LAB 61.49, 5.08, -28.72

 

CMYK 36 / 35 / 0 / 22

HEX #7F81C7

RGB 127 129 199

HSL 238.33, 0.39%, 0.64%

LAB 56.42, 16.16, -36.62

 

CMYK 27 / 36 / 0 / 22

HEX #917FC7

RGB 145 127 199

HSL 255, 0.39%, 0.64%

LAB 57.39, 22.49, -35

 

CMYK 18 / 36 / 0 / 22

HEX #A47FC7

RGB 164 127 199

HSL 270.83, 0.39%, 0.64%

LAB 59.15, 28.22, -32.11

 

CMYK 8 / 36 / 0 / 22

HEX #B77FC7

RGB 183 127 199

HSL 286.67, 0.39%, 0.64%

LAB 61.11, 34.13, -28.93

 

CMYK 41 / 56 / 0 / 34

HEX #634AA9

RGB 99 74 169

HSL 255.79, 0.39%, 0.48%

LAB 38.58, 33.48, -47.66

 

CMYK 34 / 47 / 0 / 27

HEX #7A63BA

RGB 122 99 186

HSL 255.86, 0.39%, 0.56%

LAB 47.76, 29.12, -42.85

 

CMYK 27 / 36 / 0 / 22

HEX #927FC7

RGB 146 127 199

HSL 255.83, 0.39%, 0.64%

LAB 57.48, 22.79, -34.85

 

CMYK 19 / 26 / 0 / 17

HEX #AB9CD4

RGB 171 156 212

HSL 256.07, 0.39%, 0.72%

LAB 67.42, 16.89, -26.56

 

CMYK 13 / 17 / 0 / 12

HEX #C3B9E0

RGB 195 185 224

HSL 255.38, 0.39%, 0.8%

LAB 77.09, 11.09, -18.21

 

CMYK 27 / 36 / 0 / 22

HEX #917EC6

RGB 145 126 198

HSL 255.83, 0.39%, 0.64%

LAB 57.09, 22.82, -34.89

 

CMYK 0 / 36 / 16 / 22

HEX #C77FA7

RGB 199 127 167

HSL 326.67, 0.39%, 0.64%

LAB 61.75, 33.59, -9.62

 

CMYK 31 / 0 / 36 / 22

HEX #8AC77F

RGB 138 199 127

HSL 110.83, 0.39%, 0.64%

LAB 74.69, -33.42, 29.98

 

CMYK 27 / 36 / 0 / 22

HEX #917EC6

RGB 145 126 198

HSL 255.83, 0.39%, 0.64%

LAB 57.09, 22.82, -34.89

 

CMYK 0 / 27 / 36 / 22

HEX #C7917F

RGB 199 145 127

HSL 15, 0.39%, 0.64%

LAB 64.9, 18.03, 17.59

 

CMYK 36 / 0 / 27 / 22

HEX #7FC791

RGB 127 199 145

HSL 135, 0.39%, 0.64%

LAB 74.45, -33.93, 20.08

 

CMYK 27 / 36 / 0 / 22

HEX #917EC6

RGB 145 126 198

HSL 255.83, 0.39%, 0.64%

LAB 57.09, 22.82, -34.89

 

CMYK 0 / 36 / 16 / 22

HEX #C77FA7

RGB 199 127 167

HSL 326.67, 0.39%, 0.64%

LAB 61.75, 33.59, -9.62

 

CMYK 9 / 0 / 36 / 22

HEX #B5C77F

RGB 181 199 127

HSL 75, 0.39%, 0.64%

LAB 77.4, -17.84, 34.05

 

CMYK 36 / 0 / 20 / 22

HEX #7FC7A0

RGB 127 199 160

HSL 147.5, 0.39%, 0.64%

LAB 74.76, -31.05, 12.49

 

CMYK 27 / 36 / 0 / 22

HEX #917EC6

RGB 145 126 198

HSL 255.83, 0.39%, 0.64%

LAB 57.09, 22.82, -34.89

 

CMYK 0 / 36 / 27 / 22

HEX #C77F91

RGB 199 127 145

HSL 345, 0.39%, 0.64%

LAB 61.1, 30.27, 2.01

 

CMYK 9 / 0 / 36 / 22

HEX #B5C77F

RGB 181 199 127

HSL 75, 0.39%, 0.64%

LAB 77.4, -17.84, 34.05

 

CMYK 36 / 0 / 9 / 22

HEX #7FC7B5

RGB 127 199 181

HSL 165, 0.39%, 0.64%

LAB 75.26, -26.59, 1.89

 

Description

Color code: HEX #917EC64C | qconv.com Color code: HEX #917EC64C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 126 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 126 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 11 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 11% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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