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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916E5E it is the complementary color #6E91A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916E5E shade: #966E59, #A7806C, #B8927F, #C9A492 and #DAB6A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916E5E shade: #916E5E, #805C4B, #6F4A38, #5E3825 and #4D2612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916E5E shade: #916E5F, #91615F and #915F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916E5E shade: #916E5F, #917C5F, #918A5F, #8B915F and #7D915F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916E5E shade matches the following richer shades: #916E5F, #A4674B, #B86038, #CB5925 and #DF5211

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916E5E shade: #916E5F, #7E7672, #6A7D85, #578499 and #438BAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916E5E shade: #915F6A, #91605F, #916E5F, #917B5F and #91895F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916E5E shade: #5F483E, #785B4E, #916E5F, #A58474 and #B59A8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916E5E shade: #916E5E, #78915F and #5F6491

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916E5E shade: #916E5E, #5F916E and #6E5F91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916E5E shade: #916E5E, #78915F, #5F8291 and #785F91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916E5E shade: #916E5E, #69915F, #5F8291 and #875F91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 35 / 43

HEX #916E5E

RGB 145 110 94

HSL 18.82, 0.21%, 0.47%

LAB 49.47, 11.54, 14.29

 

Complementary color

CMYK 32 / 10 / 0 / 37

HEX #6E91A1

RGB 110 145 161

HSL 198.82, 0.21%, 0.53%

LAB 58.17, -8.17, -12.38

 

CMYK 0 / 27 / 41 / 41

HEX #966E59

RGB 150 110 89

HSL 20.66, 0.26%, 0.47%

LAB 49.93, 13.01, 17.93

 

CMYK 0 / 23 / 35 / 35

HEX #A7806C

RGB 167 128 108

HSL 20.34, 0.25%, 0.54%

LAB 56.82, 12.21, 16.66

 

CMYK 0 / 21 / 31 / 28

HEX #B8927F

RGB 184 146 127

HSL 20, 0.29%, 0.61%

LAB 63.57, 11.52, 15.51

 

CMYK 0 / 18 / 27 / 21

HEX #C9A492

RGB 201 164 146

HSL 19.64, 0.34%, 0.68%

LAB 70.21, 10.92, 14.46

 

CMYK 0 / 17 / 24 / 15

HEX #DAB6A5

RGB 218 182 165

HSL 19.25, 0.42%, 0.75%

LAB 76.73, 10.39, 13.49

 

CMYK 0 / 24 / 35 / 43

HEX #916E5E

RGB 145 110 94

HSL 18.82, 0.21%, 0.47%

LAB 49.47, 11.54, 14.29

 

CMYK 0 / 28 / 41 / 50

HEX #805C4B

RGB 128 92 75

HSL 19.25, 0.26%, 0.4%

LAB 42.39, 12.39, 15.59

 

CMYK 0 / 33 / 50 / 56

HEX #6F4A38

RGB 111 74 56

HSL 19.64, 0.33%, 0.33%

LAB 35.13, 13.42, 17.1

 

CMYK 0 / 40 / 61 / 63

HEX #5E3825

RGB 94 56 37

HSL 20, 0.44%, 0.26%

LAB 27.69, 14.73, 18.89

 

CMYK 0 / 51 / 77 / 70

HEX #4D2612

RGB 77 38 18

HSL 20.34, 0.62%, 0.19%

LAB 20.07, 16.41, 21.03

 

CMYK 0 / 24 / 34 / 43

HEX #916E5F

RGB 145 110 95

HSL 18, 0.21%, 0.47%

LAB 49.49, 11.68, 13.73

 

CMYK 0 / 33 / 34 / 43

HEX #91615F

RGB 145 97 95

HSL 2.4, 0.21%, 0.47%

LAB 46.17, 19.25, 9.09

 

CMYK 0 / 34 / 34 / 43

HEX #915F5F

RGB 145 95 95

HSL 0, 0.21%, 0.47%

LAB 45.68, 20.41, 8.39

 

CMYK 0 / 24 / 34 / 43

HEX #916E5F

RGB 145 110 95

HSL 18, 0.21%, 0.47%

LAB 49.49, 11.68, 13.73

 

CMYK 0 / 14 / 34 / 43

HEX #917C5F

RGB 145 124 95

HSL 34.8, 0.21%, 0.47%

LAB 53.23, 3.61, 18.84

 

CMYK 0 / 5 / 34 / 43

HEX #918A5F

RGB 145 138 95

HSL 51.6, 0.21%, 0.47%

LAB 57.1, -4.26, 24.01

 

CMYK 4 / 0 / 34 / 43

HEX #8B915F

RGB 139 145 95

HSL 67.2, 0.21%, 0.47%

LAB 58.57, -10.58, 25.85

 

CMYK 14 / 0 / 34 / 43

HEX #7D915F

RGB 125 145 95

HSL 84, 0.21%, 0.47%

LAB 57.5, -16.23, 24.24

 

CMYK 0 / 24 / 34 / 43

HEX #916E5F

RGB 145 110 95

HSL 18, 0.21%, 0.47%

LAB 49.49, 11.68, 13.73

 

CMYK 0 / 37 / 54 / 36

HEX #A4674B

RGB 164 103 75

HSL 18.88, 0.37%, 0.47%

LAB 49.62, 21.48, 25.95

 

CMYK 0 / 48 / 70 / 28

HEX #B86038

RGB 184 96 56

HSL 18.75, 0.53%, 0.47%

LAB 50.5, 32.27, 38.22

 

CMYK 0 / 56 / 82 / 20

HEX #CB5925

RGB 203 89 37

HSL 18.8, 0.69%, 0.47%

LAB 51.81, 42.52, 49.87

 

CMYK 0 / 63 / 92 / 13

HEX #DF5211

RGB 223 82 17

HSL 18.93, 0.86%, 0.47%

LAB 53.77, 52.61, 60.15

 

CMYK 0 / 24 / 34 / 43

HEX #916E5F

RGB 145 110 95

HSL 18, 0.21%, 0.47%

LAB 49.49, 11.68, 13.73

 

CMYK 0 / 6 / 10 / 51

HEX #7E7672

RGB 126 118 114

HSL 20, 0.05%, 0.47%

LAB 50.22, 2.32, 3.3

 

CMYK 20 / 6 / 0 / 48

HEX #6A7D85

RGB 106 125 133

HSL 197.78, 0.11%, 0.47%

LAB 51.18, -5.06, -6.67

 

CMYK 43 / 14 / 0 / 40

HEX #578499

RGB 87 132 153

HSL 199.09, 0.28%, 0.47%

LAB 52.76, -9.62, -16.08

 

CMYK 61 / 19 / 0 / 33

HEX #438BAC

RGB 67 139 172

HSL 198.86, 0.44%, 0.47%

LAB 54.7, -12.4, -24.16

 

CMYK 0 / 34 / 27 / 43

HEX #915F6A

RGB 145 95 106

HSL 346.8, 0.21%, 0.47%

LAB 45.97, 21.99, 2.17

 

CMYK 0 / 34 / 34 / 43

HEX #91605F

RGB 145 96 95

HSL 1.2, 0.21%, 0.47%

LAB 45.92, 19.83, 8.74

 

CMYK 0 / 24 / 34 / 43

HEX #916E5F

RGB 145 110 95

HSL 18, 0.21%, 0.47%

LAB 49.49, 11.68, 13.73

 

CMYK 0 / 15 / 34 / 43

HEX #917B5F

RGB 145 123 95

HSL 33.6, 0.21%, 0.47%

LAB 52.96, 4.18, 18.48

 

CMYK 0 / 6 / 34 / 43

HEX #91895F

RGB 145 137 95

HSL 50.4, 0.21%, 0.47%

LAB 56.82, -3.71, 23.64

 

CMYK 0 / 24 / 35 / 63

HEX #5F483E

RGB 95 72 62

HSL 18.18, 0.21%, 0.31%

LAB 32.73, 8.2, 9.77

 

CMYK 0 / 24 / 35 / 53

HEX #785B4E

RGB 120 91 78

HSL 18.57, 0.21%, 0.39%

LAB 41.26, 9.91, 12.08

 

CMYK 0 / 24 / 34 / 43

HEX #916E5F

RGB 145 110 95

HSL 18, 0.21%, 0.47%

LAB 49.49, 11.68, 13.73

 

CMYK 0 / 20 / 30 / 35

HEX #A58474

RGB 165 132 116

HSL 19.59, 0.21%, 0.55%

LAB 57.81, 10.21, 13.43

 

CMYK 0 / 15 / 22 / 29

HEX #B59A8D

RGB 181 154 141

HSL 19.5, 0.21%, 0.63%

LAB 65.64, 7.92, 10.53

 

CMYK 0 / 24 / 35 / 43

HEX #916E5E

RGB 145 110 94

HSL 18.82, 0.21%, 0.47%

LAB 49.47, 11.54, 14.29

 

CMYK 17 / 0 / 34 / 43

HEX #78915F

RGB 120 145 95

HSL 90, 0.21%, 0.47%

LAB 57.14, -18.19, 23.71

 

CMYK 34 / 31 / 0 / 43

HEX #5F6491

RGB 95 100 145

HSL 234, 0.21%, 0.47%

LAB 43.64, 9.4, -25.33

 

CMYK 0 / 24 / 35 / 43

HEX #916E5E

RGB 145 110 94

HSL 18.82, 0.21%, 0.47%

LAB 49.47, 11.54, 14.29

 

CMYK 34 / 0 / 24 / 43

HEX #5F916E

RGB 95 145 110

HSL 138, 0.21%, 0.47%

LAB 55.9, -24.59, 13.35

 

CMYK 24 / 34 / 0 / 43

HEX #6E5F91

RGB 110 95 145

HSL 258, 0.21%, 0.47%

LAB 43.57, 17.18, -25.34

 

CMYK 0 / 24 / 35 / 43

HEX #916E5E

RGB 145 110 94

HSL 18.82, 0.21%, 0.47%

LAB 49.47, 11.54, 14.29

 

CMYK 17 / 0 / 34 / 43

HEX #78915F

RGB 120 145 95

HSL 90, 0.21%, 0.47%

LAB 57.14, -18.19, 23.71

 

CMYK 34 / 10 / 0 / 43

HEX #5F8291

RGB 95 130 145

HSL 198, 0.21%, 0.47%

LAB 52.33, -8.41, -12.03

 

CMYK 17 / 34 / 0 / 43

HEX #785F91

RGB 120 95 145

HSL 270, 0.21%, 0.47%

LAB 44.55, 20.44, -23.75

 

CMYK 0 / 24 / 35 / 43

HEX #916E5E

RGB 145 110 94

HSL 18.82, 0.21%, 0.47%

LAB 49.47, 11.54, 14.29

 

CMYK 28 / 0 / 34 / 43

HEX #69915F

RGB 105 145 95

HSL 108, 0.21%, 0.47%

LAB 56.17, -23.85, 22.24

 

CMYK 34 / 10 / 0 / 43

HEX #5F8291

RGB 95 130 145

HSL 198, 0.21%, 0.47%

LAB 52.33, -8.41, -12.03

 

CMYK 7 / 34 / 0 / 43

HEX #875F91

RGB 135 95 145

HSL 288, 0.21%, 0.47%

LAB 46.15, 25.46, -21.15

 

Description

Color code: HEX #916E5E | qconv.com Color code: HEX #916E5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 110 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 110 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 35 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 35% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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