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Color name
HEX #916549

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #916549 it is the complementary color #6E9AB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #916549. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #916549 shade: #966544, #A77757, #B8896A, #C99B7D and #DAAD90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #916549. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #916549 shade: #916549, #805336, #6F4123, #5E2F10 and #4D1D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #916549 shade: #926649, #925249 and #924949

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #916549 shade: #926649, #927949, #928D49, #849249 and #709249

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #916549 shade matches the following richer shades: #926649, #A46238, #B55E26, #C75A14 and #D95603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #916549 shade: #926649, #806A5B, #6E6D6D, #5D717F and #4B7590

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #916549 shade: #924954, #925249, #926549, #927949 and #928C49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #916549 shade: #5B3F2E, #76523C, #926649, #AB7959 and #B98F75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #916549 shade: #916549, #689249 and #494B92

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #916549 shade: #916549, #499265 and #654992

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #916549 shade: #916549, #689249, #497692 and #744992

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #916549 shade: #916549, #529249, #497692 and #894992

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 50 / 43

HEX #916549

RGB 145 101 73

HSL 23.33, 0.33%, 0.43%

LAB 46.72, 14.28, 22.9

 

Complementary color

CMYK 40 / 15 / 0 / 29

HEX #6E9AB6

RGB 110 154 182

HSL 203.33, 0.33%, 0.57%

LAB 61.48, -7.63, -19.27

 

CMYK 0 / 33 / 55 / 41

HEX #966544

RGB 150 101 68

HSL 24.15, 0.38%, 0.43%

LAB 47.25, 15.97, 26.58

 

CMYK 0 / 29 / 48 / 35

HEX #A77757

RGB 167 119 87

HSL 24, 0.31%, 0.5%

LAB 54.13, 14.85, 25.01

 

CMYK 0 / 26 / 42 / 28

HEX #B8896A

RGB 184 137 106

HSL 23.85, 0.35%, 0.57%

LAB 60.89, 13.91, 23.61

 

CMYK 0 / 23 / 38 / 21

HEX #C99B7D

RGB 201 155 125

HSL 23.68, 0.41%, 0.64%

LAB 67.53, 13.11, 22.33

 

CMYK 0 / 21 / 34 / 15

HEX #DAAD90

RGB 218 173 144

HSL 23.51, 0.5%, 0.71%

LAB 74.07, 12.41, 21.16

 

CMYK 0 / 30 / 50 / 43

HEX #916549

RGB 145 101 73

HSL 23.33, 0.33%, 0.43%

LAB 46.72, 14.28, 22.9

 

CMYK 0 / 35 / 58 / 50

HEX #805336

RGB 128 83 54

HSL 23.51, 0.41%, 0.36%

LAB 39.65, 15.48, 24.55

 

CMYK 0 / 41 / 68 / 56

HEX #6F4123

RGB 111 65 35

HSL 23.68, 0.52%, 0.29%

LAB 32.44, 16.97, 26.41

 

CMYK 0 / 50 / 83 / 63

HEX #5E2F10

RGB 94 47 16

HSL 23.85, 0.71%, 0.22%

LAB 25.11, 18.82, 28.34

 

CMYK 0 / 62 / 100 / 70

HEX #4D1D00

RGB 77 29 0

HSL 22.6, 1%, 0.15%

LAB 17.72, 21, 26.41

 

CMYK 0 / 30 / 50 / 43

HEX #926649

RGB 146 102 73

HSL 23.84, 0.33%, 0.43%

LAB 47.1, 14.13, 23.41

 

CMYK 0 / 44 / 50 / 43

HEX #925249

RGB 146 82 73

HSL 7.4, 0.33%, 0.43%

LAB 42.2, 25.66, 16.94

 

CMYK 0 / 50 / 50 / 43

HEX #924949

RGB 146 73 73

HSL 0, 0.33%, 0.43%

LAB 40.18, 30.68, 14.21

 

CMYK 0 / 30 / 50 / 43

HEX #926649

RGB 146 102 73

HSL 23.84, 0.33%, 0.43%

LAB 47.1, 14.13, 23.41

 

CMYK 0 / 17 / 50 / 43

HEX #927949

RGB 146 121 73

HSL 39.45, 0.33%, 0.43%

LAB 52.14, 3.17, 29.82

 

CMYK 0 / 3 / 50 / 43

HEX #928D49

RGB 146 141 73

HSL 55.89, 0.33%, 0.43%

LAB 57.7, -7.98, 36.64

 

CMYK 10 / 0 / 50 / 43

HEX #849249

RGB 132 146 73

HSL 71.51, 0.33%, 0.43%

LAB 57.98, -16.64, 36.71

 

CMYK 23 / 0 / 50 / 43

HEX #709249

RGB 112 146 73

HSL 87.95, 0.33%, 0.43%

LAB 56.57, -24.8, 34.67

 

CMYK 0 / 30 / 50 / 43

HEX #926649

RGB 146 102 73

HSL 23.84, 0.33%, 0.43%

LAB 47.1, 14.13, 23.41

 

CMYK 0 / 40 / 66 / 36

HEX #A46238

RGB 164 98 56

HSL 23.33, 0.49%, 0.43%

LAB 48.15, 22.81, 34.79

 

CMYK 0 / 48 / 79 / 29

HEX #B55E26

RGB 181 94 38

HSL 23.5, 0.65%, 0.43%

LAB 49.46, 31.26, 46

 

CMYK 0 / 55 / 90 / 22

HEX #C75A14

RGB 199 90 20

HSL 23.46, 0.82%, 0.43%

LAB 51.27, 40.07, 55.68

 

CMYK 0 / 60 / 99 / 15

HEX #D95603

RGB 217 86 3

HSL 23.27, 0.97%, 0.43%

LAB 53.4, 48.55, 62.55

 

CMYK 0 / 30 / 50 / 43

HEX #926649

RGB 146 102 73

HSL 23.84, 0.33%, 0.43%

LAB 47.1, 14.13, 23.41

 

CMYK 0 / 17 / 29 / 50

HEX #806A5B

RGB 128 106 91

HSL 24.32, 0.17%, 0.43%

LAB 46.52, 6.29, 11.69

 

CMYK 0 / 1 / 1 / 57

HEX #6E6D6D

RGB 110 109 109

HSL 0, 0%, 0.43%

LAB 46.12, 0.39, 0.13

 

CMYK 27 / 11 / 0 / 50

HEX #5D717F

RGB 93 113 127

HSL 204.71, 0.15%, 0.43%

LAB 46.54, -3.94, -10.16

 

CMYK 48 / 19 / 0 / 44

HEX #4B7590

RGB 75 117 144

HSL 203.48, 0.32%, 0.43%

LAB 47.28, -6.84, -19.23

 

CMYK 0 / 50 / 42 / 43

HEX #924954

RGB 146 73 84

HSL 350.96, 0.33%, 0.43%

LAB 40.44, 31.87, 7.75

 

CMYK 0 / 44 / 50 / 43

HEX #925249

RGB 146 82 73

HSL 7.4, 0.33%, 0.43%

LAB 42.2, 25.66, 16.94

 

CMYK 0 / 31 / 50 / 43

HEX #926549

RGB 146 101 73

HSL 23.01, 0.33%, 0.43%

LAB 46.84, 14.71, 23.08

 

CMYK 0 / 17 / 50 / 43

HEX #927949

RGB 146 121 73

HSL 39.45, 0.33%, 0.43%

LAB 52.14, 3.17, 29.82

 

CMYK 0 / 4 / 50 / 43

HEX #928C49

RGB 146 140 73

HSL 55.07, 0.33%, 0.43%

LAB 57.41, -7.43, 36.3

 

CMYK 0 / 31 / 49 / 64

HEX #5B3F2E

RGB 91 63 46

HSL 22.67, 0.33%, 0.27%

LAB 29.35, 9.87, 15.27

 

CMYK 0 / 31 / 49 / 54

HEX #76523C

RGB 118 82 60

HSL 22.76, 0.33%, 0.35%

LAB 38.22, 12.18, 18.88

 

CMYK 0 / 30 / 50 / 43

HEX #926649

RGB 146 102 73

HSL 23.84, 0.33%, 0.43%

LAB 47.1, 14.13, 23.41

 

CMYK 0 / 29 / 48 / 33

HEX #AB7959

RGB 171 121 89

HSL 23.41, 0.33%, 0.51%

LAB 55.13, 15.62, 25.27

 

CMYK 0 / 23 / 37 / 27

HEX #B98F75

RGB 185 143 117

HSL 22.94, 0.33%, 0.59%

LAB 62.71, 12.29, 19.94

 

CMYK 0 / 30 / 50 / 43

HEX #916549

RGB 145 101 73

HSL 23.33, 0.33%, 0.43%

LAB 46.72, 14.28, 22.9

 

CMYK 29 / 0 / 50 / 43

HEX #689249

RGB 104 146 73

HSL 94.52, 0.33%, 0.43%

LAB 56.07, -27.88, 33.94

 

CMYK 50 / 49 / 0 / 43

HEX #494B92

RGB 73 75 146

HSL 238.36, 0.33%, 0.43%

LAB 35.05, 19.5, -39.6

 

CMYK 0 / 30 / 50 / 43

HEX #916549

RGB 145 101 73

HSL 23.33, 0.33%, 0.43%

LAB 46.72, 14.28, 22.9

 

CMYK 50 / 0 / 31 / 43

HEX #499265

RGB 73 146 101

HSL 143.01, 0.33%, 0.43%

LAB 54.98, -33.53, 17.01

 

CMYK 31 / 50 / 0 / 43

HEX #654992

RGB 101 73 146

HSL 263.01, 0.33%, 0.43%

LAB 37.13, 28.2, -36.14

 

CMYK 0 / 30 / 50 / 43

HEX #916549

RGB 145 101 73

HSL 23.33, 0.33%, 0.43%

LAB 46.72, 14.28, 22.9

 

CMYK 29 / 0 / 50 / 43

HEX #689249

RGB 104 146 73

HSL 94.52, 0.33%, 0.43%

LAB 56.07, -27.88, 33.94

 

CMYK 50 / 19 / 0 / 43

HEX #497692

RGB 73 118 146

HSL 203.01, 0.33%, 0.43%

LAB 47.56, -7.32, -19.99

 

CMYK 21 / 50 / 0 / 43

HEX #744992

RGB 116 73 146

HSL 275.34, 0.33%, 0.43%

LAB 38.82, 32.55, -33.35

 

CMYK 0 / 30 / 50 / 43

HEX #916549

RGB 145 101 73

HSL 23.33, 0.33%, 0.43%

LAB 46.72, 14.28, 22.9

 

CMYK 44 / 0 / 50 / 43

HEX #529249

RGB 82 146 73

HSL 112.6, 0.33%, 0.43%

LAB 54.9, -35.63, 32.24

 

CMYK 50 / 19 / 0 / 43

HEX #497692

RGB 73 118 146

HSL 203.01, 0.33%, 0.43%

LAB 47.56, -7.32, -19.99

 

CMYK 6 / 50 / 0 / 43

HEX #894992

RGB 137 73 146

HSL 292.6, 0.33%, 0.43%

LAB 41.47, 38.83, -29

 

Description

Color code: HEX #916549 | qconv.com Color code: HEX #916549 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 101 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 101 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 50 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 50% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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