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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #915548 it is the complementary color #6EAAB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #915548. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #915548 shade: #965543, #A76756, #B87969, #C98B7C and #DA9D8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #915548. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #915548 shade: #915548, #804335, #6F3122, #5E1F0F and #4D0D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #915548 shade: #935648 and #934848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #915548 shade: #935648, #936A48, #937E48, #939248 and #809348

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #915548 shade matches the following richer shades: #935648, #A54A37, #B63F25, #C83313 and #DA2801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #915548 shade: #935648, #81615A, #6F6C6C, #5E787E and #4C838F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #915548 shade: #934864, #934850, #935548, #936948 and #937D48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #915548 shade: #5C352D, #77463B, #935648, #AD6758 and #BA8074

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #915548 shade: #915548, #789348 and #485A93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #915548 shade: #915548, #489355 and #554893

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #915548 shade: #915548, #789348, #488793 and #644893

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #915548 shade: #915548, #619348, #488793 and #7A4893

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 50 / 43

HEX #915548

RGB 145 85 72

HSL 10.68, 0.34%, 0.43%

LAB 42.74, 23.43, 18.25

 

Complementary color

CMYK 40 / 7 / 0 / 28

HEX #6EAAB7

RGB 110 170 183

HSL 190.68, 0.34%, 0.57%

LAB 66.12, -16.01, -12.81

 

CMYK 0 / 43 / 55 / 41

HEX #965543

RGB 150 85 67

HSL 13.01, 0.38%, 0.43%

LAB 43.34, 25.05, 22.16

 

CMYK 0 / 38 / 49 / 35

HEX #A76756

RGB 167 103 86

HSL 12.59, 0.32%, 0.5%

LAB 50.2, 23.8, 20.41

 

CMYK 0 / 34 / 43 / 28

HEX #B87969

RGB 184 121 105

HSL 12.15, 0.36%, 0.57%

LAB 56.96, 22.71, 18.89

 

CMYK 0 / 31 / 38 / 21

HEX #C98B7C

RGB 201 139 124

HSL 11.69, 0.42%, 0.64%

LAB 63.62, 21.75, 17.54

 

CMYK 0 / 28 / 34 / 15

HEX #DA9D8F

RGB 218 157 143

HSL 11.2, 0.5%, 0.71%

LAB 70.18, 20.9, 16.33

 

CMYK 0 / 41 / 50 / 43

HEX #915548

RGB 145 85 72

HSL 10.68, 0.34%, 0.43%

LAB 42.74, 23.43, 18.25

 

CMYK 0 / 48 / 59 / 50

HEX #804335

RGB 128 67 53

HSL 11.2, 0.41%, 0.35%

LAB 35.71, 24.76, 20.17

 

CMYK 0 / 56 / 69 / 56

HEX #6F3122

RGB 111 49 34

HSL 11.69, 0.53%, 0.28%

LAB 28.62, 26.27, 22.51

 

CMYK 0 / 67 / 84 / 63

HEX #5E1F0F

RGB 94 31 15

HSL 12.15, 0.72%, 0.21%

LAB 21.56, 27.83, 25.25

 

CMYK 0 / 83 / 100 / 70

HEX #4D0D00

RGB 77 13 0

HSL 10.13, 1%, 0.15%

LAB 14.77, 28.92, 22.72

 

CMYK 0 / 41 / 51 / 42

HEX #935648

RGB 147 86 72

HSL 11.2, 0.34%, 0.43%

LAB 43.25, 23.7, 18.98

 

CMYK 0 / 51 / 51 / 42

HEX #934848

RGB 147 72 72

HSL 0, 0.34%, 0.43%

LAB 40.09, 31.52, 14.74

 

CMYK 0 / 41 / 51 / 42

HEX #935648

RGB 147 86 72

HSL 11.2, 0.34%, 0.43%

LAB 43.25, 23.7, 18.98

 

CMYK 0 / 28 / 51 / 42

HEX #936A48

RGB 147 106 72

HSL 27.2, 0.34%, 0.43%

LAB 48.23, 12.15, 25.47

 

CMYK 0 / 14 / 51 / 42

HEX #937E48

RGB 147 126 72

HSL 43.2, 0.34%, 0.43%

LAB 53.59, 0.68, 32.19

 

CMYK 0 / 1 / 51 / 42

HEX #939248

RGB 147 146 72

HSL 59.2, 0.34%, 0.43%

LAB 59.19, -10.34, 38.95

 

CMYK 13 / 0 / 51 / 42

HEX #809348

RGB 128 147 72

HSL 75.2, 0.34%, 0.43%

LAB 57.97, -18.94, 37.13

 

CMYK 0 / 41 / 51 / 42

HEX #935648

RGB 147 86 72

HSL 11.2, 0.34%, 0.43%

LAB 43.25, 23.7, 18.98

 

CMYK 0 / 55 / 67 / 35

HEX #A54A37

RGB 165 74 55

HSL 10.36, 0.5%, 0.43%

LAB 43.02, 36.17, 29.32

 

CMYK 0 / 65 / 80 / 29

HEX #B63F25

RGB 182 63 37

HSL 10.76, 0.66%, 0.43%

LAB 43.7, 46.85, 40.87

 

CMYK 0 / 75 / 91 / 22

HEX #C83313

RGB 200 51 19

HSL 10.61, 0.83%, 0.43%

LAB 45.21, 57.03, 51.66

 

CMYK 0 / 82 / 100 / 15

HEX #DA2801

RGB 218 40 1

HSL 10.78, 0.99%, 0.43%

LAB 47.53, 65.38, 60.19

 

CMYK 0 / 41 / 51 / 42

HEX #935648

RGB 147 86 72

HSL 11.2, 0.34%, 0.43%

LAB 43.25, 23.7, 18.98

 

CMYK 0 / 25 / 30 / 49

HEX #81615A

RGB 129 97 90

HSL 10.77, 0.18%, 0.43%

LAB 44.17, 11.89, 9.02

 

CMYK 0 / 3 / 3 / 56

HEX #6F6C6C

RGB 111 108 108

HSL 0, 0.01%, 0.43%

LAB 45.89, 1.16, 0.41

 

CMYK 25 / 5 / 0 / 51

HEX #5E787E

RGB 94 120 126

HSL 191.25, 0.15%, 0.43%

LAB 48.66, -7.91, -6.38

 

CMYK 47 / 8 / 0 / 44

HEX #4C838F

RGB 76 131 143

HSL 190.75, 0.31%, 0.43%

LAB 51.56, -14.8, -12.13

 

CMYK 0 / 51 / 32 / 42

HEX #934864

RGB 147 72 100

HSL 337.6, 0.34%, 0.43%

LAB 40.83, 34.82, -1.62

 

CMYK 0 / 51 / 46 / 42

HEX #934850

RGB 147 72 80

HSL 353.6, 0.34%, 0.43%

LAB 40.27, 32.35, 10.03

 

CMYK 0 / 42 / 51 / 42

HEX #935548

RGB 147 85 72

HSL 10.4, 0.34%, 0.43%

LAB 43.02, 24.27, 18.67

 

CMYK 0 / 29 / 51 / 42

HEX #936948

RGB 147 105 72

HSL 26.4, 0.34%, 0.43%

LAB 47.97, 12.73, 25.14

 

CMYK 0 / 15 / 51 / 42

HEX #937D48

RGB 147 125 72

HSL 42.4, 0.34%, 0.43%

LAB 53.32, 1.25, 31.86

 

CMYK 0 / 42 / 51 / 64

HEX #5C352D

RGB 92 53 45

HSL 10.21, 0.34%, 0.27%

LAB 26.77, 16.51, 12.5

 

CMYK 0 / 41 / 50 / 53

HEX #77463B

RGB 119 70 59

HSL 11, 0.34%, 0.35%

LAB 35.24, 19.72, 15.58

 

CMYK 0 / 41 / 51 / 42

HEX #935648

RGB 147 86 72

HSL 11.2, 0.34%, 0.43%

LAB 43.25, 23.7, 18.98

 

CMYK 0 / 40 / 49 / 32

HEX #AD6758

RGB 173 103 88

HSL 10.59, 0.34%, 0.51%

LAB 51.02, 26.45, 20.48

 

CMYK 0 / 31 / 38 / 27

HEX #BA8074

RGB 186 128 116

HSL 10.29, 0.34%, 0.59%

LAB 59.1, 20.91, 15.57

 

CMYK 0 / 41 / 50 / 43

HEX #915548

RGB 145 85 72

HSL 10.68, 0.34%, 0.43%

LAB 42.74, 23.43, 18.25

 

CMYK 18 / 0 / 51 / 42

HEX #789348

RGB 120 147 72

HSL 81.6, 0.34%, 0.43%

LAB 57.39, -22.22, 36.31

 

CMYK 51 / 39 / 0 / 42

HEX #485A93

RGB 72 90 147

HSL 225.6, 0.34%, 0.43%

LAB 39.24, 9.89, -33.56

 

CMYK 0 / 41 / 50 / 43

HEX #915548

RGB 145 85 72

HSL 10.68, 0.34%, 0.43%

LAB 42.74, 23.43, 18.25

 

CMYK 51 / 0 / 42 / 42

HEX #489355

RGB 72 147 85

HSL 130.4, 0.34%, 0.43%

LAB 54.97, -37.24, 25.84

 

CMYK 42 / 51 / 0 / 42

HEX #554893

RGB 85 72 147

HSL 250.4, 0.34%, 0.43%

LAB 35.35, 24.76, -39.68

 

CMYK 0 / 41 / 50 / 43

HEX #915548

RGB 145 85 72

HSL 10.68, 0.34%, 0.43%

LAB 42.74, 23.43, 18.25

 

CMYK 18 / 0 / 51 / 42

HEX #789348

RGB 120 147 72

HSL 81.6, 0.34%, 0.43%

LAB 57.39, -22.22, 36.31

 

CMYK 51 / 8 / 0 / 42

HEX #488793

RGB 72 135 147

HSL 189.6, 0.34%, 0.43%

LAB 52.74, -16.81, -12.69

 

CMYK 32 / 51 / 0 / 42

HEX #644893

RGB 100 72 147

HSL 262.4, 0.34%, 0.43%

LAB 36.84, 28.8, -37.21

 

CMYK 0 / 41 / 50 / 43

HEX #915548

RGB 145 85 72

HSL 10.68, 0.34%, 0.43%

LAB 42.74, 23.43, 18.25

 

CMYK 34 / 0 / 51 / 42

HEX #619348

RGB 97 147 72

HSL 100, 0.34%, 0.43%

LAB 55.96, -31.08, 34.24

 

CMYK 51 / 8 / 0 / 42

HEX #488793

RGB 72 135 147

HSL 189.6, 0.34%, 0.43%

LAB 52.74, -16.81, -12.69

 

CMYK 17 / 51 / 0 / 42

HEX #7A4893

RGB 122 72 147

HSL 280, 0.34%, 0.43%

LAB 39.38, 35.13, -33.03

 

Description

Color code: HEX #915548 | qconv.com Color code: HEX #915548 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 85 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 85 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 50 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 50% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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