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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #913FD2 it is the complementary color #6EC02D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #913FD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #913FD2 shade: #963FCD, #A751E0, #B863F3, #C975FF and #DA87FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #913FD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #913FD2 shade: #913FD2, #802DBF, #6F1BAC, #5E0999 and #4D0086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #913FD2 shade: #9241D2, #B941D2, #D241C4, #D2419D and #D24176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #913FD2 shade: #9241D2, #6B41D2, #4441D2 and #4141D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #913FD2 shade matches the following richer shades: #9241D2, #942EE5 and #971BF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #913FD2 shade: #9241D2, #9054BF, #8E67AC, #8C7A99 and #898D87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #913FD2 shade: #4341D2, #6A41D2, #9141D2, #B841D2 and #D241C6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #913FD2 shade: #67259C, #7D2CBE, #9241D2, #A562DA and #B884E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #913FD2 shade: #913FD2, #D24165 and #41D257

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #913FD2 shade: #913FD2, #D29141 and #41D291

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #913FD2 shade: #913FD2, #D24165, #82D241 and #41D2AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #913FD2 shade: #913FD2, #D24841, #82D241 and #41CBD2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 70 / 0 / 18

HEX #913FD2

RGB 145 63 210

HSL 273.47, 0.62%, 0.54%

LAB 44.56, 59.71, -61.71

 

Complementary color

CMYK 43 / 0 / 77 / 25

HEX #6EC02D

RGB 110 192 45

HSL 93.47, 0.62%, 0.46%

LAB 70.32, -48.52, 61.45

 

CMYK 27 / 69 / 0 / 20

HEX #963FCD

RGB 150 63 205

HSL 276.76, 0.59%, 0.53%

LAB 44.87, 59.59, -58.3

 

CMYK 25 / 64 / 0 / 12

HEX #A751E0

RGB 167 81 224

HSL 276.08, 0.7%, 0.6%

LAB 51.25, 59.18, -58.76

 

CMYK 24 / 59 / 0 / 5

HEX #B863F3

RGB 184 99 243

HSL 275.42, 0.86%, 0.67%

LAB 57.64, 58.54, -59.05

 

CMYK 21 / 54 / 0 / 0

HEX #C975FF

RGB 201 117 255

HSL 276.52, 1%, 0.73%

LAB 63.64, 56.27, -55.99

 

CMYK 15 / 47 / 0 / 0

HEX #DA87FF

RGB 218 135 255

HSL 281.5, 1%, 0.76%

LAB 69.08, 51.52, -47.26

 

CMYK 31 / 70 / 0 / 18

HEX #913FD2

RGB 145 63 210

HSL 273.47, 0.62%, 0.54%

LAB 44.56, 59.71, -61.71

 

CMYK 33 / 76 / 0 / 25

HEX #802DBF

RGB 128 45 191

HSL 274.11, 0.62%, 0.46%

LAB 38.25, 59.78, -61.03

 

CMYK 35 / 84 / 0 / 33

HEX #6F1BAC

RGB 111 27 172

HSL 274.76, 0.73%, 0.39%

LAB 32.13, 59.06, -59.84

 

CMYK 39 / 94 / 0 / 40

HEX #5E0999

RGB 94 9 153

HSL 275.42, 0.89%, 0.32%

LAB 26.38, 56.98, -57.84

 

CMYK 43 / 100 / 0 / 47

HEX #4D0086

RGB 77 0 134

HSL 274.48, 1%, 0.26%

LAB 21.2, 52.79, -54.63

 

CMYK 30 / 69 / 0 / 18

HEX #9241D2

RGB 146 65 210

HSL 273.52, 0.62%, 0.54%

LAB 45, 59.01, -60.98

 

CMYK 12 / 69 / 0 / 18

HEX #B941D2

RGB 185 65 210

HSL 289.66, 0.62%, 0.54%

LAB 50.39, 67.13, -52.03

 

CMYK 0 / 69 / 7 / 18

HEX #D241C4

RGB 210 65 196

HSL 305.79, 0.62%, 0.54%

LAB 53.46, 70.35, -38.89

 

CMYK 0 / 69 / 25 / 18

HEX #D2419D

RGB 210 65 157

HSL 321.93, 0.62%, 0.54%

LAB 51.74, 64.86, -18.78

 

CMYK 0 / 69 / 44 / 18

HEX #D24176

RGB 210 65 118

HSL 338.07, 0.62%, 0.54%

LAB 50.44, 60.5, 2.61

 

CMYK 30 / 69 / 0 / 18

HEX #9241D2

RGB 146 65 210

HSL 273.52, 0.62%, 0.54%

LAB 45, 59.01, -60.98

 

CMYK 49 / 69 / 0 / 18

HEX #6B41D2

RGB 107 65 210

HSL 257.38, 0.62%, 0.54%

LAB 40.51, 51.77, -68.5

 

CMYK 68 / 69 / 0 / 18

HEX #4441D2

RGB 68 65 210

HSL 241.24, 0.62%, 0.54%

LAB 37.23, 46.1, -73.99

 

CMYK 69 / 69 / 0 / 18

HEX #4141D2

RGB 65 65 210

HSL 240, 0.62%, 0.54%

LAB 37.04, 45.75, -74.32

 

CMYK 30 / 69 / 0 / 18

HEX #9241D2

RGB 146 65 210

HSL 273.52, 0.62%, 0.54%

LAB 45, 59.01, -60.98

 

CMYK 35 / 80 / 0 / 10

HEX #942EE5

RGB 148 46 229

HSL 273.44, 0.78%, 0.54%

LAB 44.1, 70.98, -73.3

 

CMYK 39 / 89 / 0 / 3

HEX #971BF8

RGB 151 27 248

HSL 273.67, 0.94%, 0.54%

LAB 44.43, 80.31, -83.47

 

CMYK 30 / 69 / 0 / 18

HEX #9241D2

RGB 146 65 210

HSL 273.52, 0.62%, 0.54%

LAB 45, 59.01, -60.98

 

CMYK 25 / 56 / 0 / 25

HEX #9054BF

RGB 144 84 191

HSL 273.64, 0.46%, 0.54%

LAB 47.02, 44.74, -46.79

 

CMYK 17 / 40 / 0 / 33

HEX #8E67AC

RGB 142 103 172

HSL 273.91, 0.29%, 0.54%

LAB 50.01, 29.07, -31.02

 

CMYK 8 / 20 / 0 / 40

HEX #8C7A99

RGB 140 122 153

HSL 274.84, 0.13%, 0.54%

LAB 53.81, 13.03, -14.12

 

CMYK 3 / 0 / 4 / 45

HEX #898D87

RGB 137 141 135

HSL 100, 0.03%, 0.54%

LAB 58.15, -2.64, 2.68

 

CMYK 68 / 69 / 0 / 18

HEX #4341D2

RGB 67 65 210

HSL 240.83, 0.62%, 0.54%

LAB 37.16, 45.98, -74.1

 

CMYK 50 / 69 / 0 / 18

HEX #6A41D2

RGB 106 65 210

HSL 256.97, 0.62%, 0.54%

LAB 40.41, 51.6, -68.67

 

CMYK 31 / 69 / 0 / 18

HEX #9141D2

RGB 145 65 210

HSL 273.1, 0.62%, 0.54%

LAB 44.88, 58.81, -61.2

 

CMYK 12 / 69 / 0 / 18

HEX #B841D2

RGB 184 65 210

HSL 289.24, 0.62%, 0.54%

LAB 50.24, 66.91, -52.28

 

CMYK 0 / 69 / 6 / 18

HEX #D241C6

RGB 210 65 198

HSL 304.97, 0.62%, 0.54%

LAB 53.56, 70.66, -39.89

 

CMYK 34 / 76 / 0 / 39

HEX #67259C

RGB 103 37 156

HSL 273.28, 0.62%, 0.38%

LAB 30.89, 50.47, -52.23

 

CMYK 34 / 77 / 0 / 25

HEX #7D2CBE

RGB 125 44 190

HSL 273.29, 0.62%, 0.46%

LAB 37.62, 59.42, -61.47

 

CMYK 30 / 69 / 0 / 18

HEX #9241D2

RGB 146 65 210

HSL 273.52, 0.62%, 0.54%

LAB 45, 59.01, -60.98

 

CMYK 24 / 55 / 0 / 15

HEX #A562DA

RGB 165 98 218

HSL 273.5, 0.62%, 0.62%

LAB 53.81, 48.87, -51.28

 

CMYK 19 / 42 / 0 / 11

HEX #B884E2

RGB 184 132 226

HSL 273.19, 0.62%, 0.7%

LAB 63.49, 37.42, -40.32

 

CMYK 31 / 70 / 0 / 18

HEX #913FD2

RGB 145 63 210

HSL 273.47, 0.62%, 0.54%

LAB 44.56, 59.71, -61.71

 

CMYK 0 / 69 / 52 / 18

HEX #D24165

RGB 210 65 101

HSL 345.1, 0.62%, 0.54%

LAB 50, 59, 12.27

 

CMYK 69 / 0 / 59 / 18

HEX #41D257

RGB 65 210 87

HSL 129.1, 0.62%, 0.54%

LAB 74.77, -62.76, 49.13

 

CMYK 31 / 70 / 0 / 18

HEX #913FD2

RGB 145 63 210

HSL 273.47, 0.62%, 0.54%

LAB 44.56, 59.71, -61.71

 

CMYK 0 / 31 / 69 / 18

HEX #D29141

RGB 210 145 65

HSL 33.1, 0.62%, 0.54%

LAB 65.23, 17.12, 50.9

 

CMYK 69 / 0 / 31 / 18

HEX #41D291

RGB 65 210 145

HSL 153.1, 0.62%, 0.54%

LAB 75.61, -53.18, 21.35

 

CMYK 31 / 70 / 0 / 18

HEX #913FD2

RGB 145 63 210

HSL 273.47, 0.62%, 0.54%

LAB 44.56, 59.71, -61.71

 

CMYK 0 / 69 / 52 / 18

HEX #D24165

RGB 210 65 101

HSL 345.1, 0.62%, 0.54%

LAB 50, 59, 12.27

 

CMYK 38 / 0 / 69 / 18

HEX #82D241

RGB 130 210 65

HSL 93.1, 0.62%, 0.54%

LAB 76.81, -47.9, 61.19

 

CMYK 69 / 0 / 17 / 18

HEX #41D2AE

RGB 65 210 174

HSL 165.1, 0.62%, 0.54%

LAB 76.24, -46.62, 6.8

 

CMYK 31 / 70 / 0 / 18

HEX #913FD2

RGB 145 63 210

HSL 273.47, 0.62%, 0.54%

LAB 44.56, 59.71, -61.71

 

CMYK 0 / 66 / 69 / 18

HEX #D24841

RGB 210 72 65

HSL 2.9, 0.62%, 0.54%

LAB 50.36, 53.85, 34.13

 

CMYK 38 / 0 / 69 / 18

HEX #82D241

RGB 130 210 65

HSL 93.1, 0.62%, 0.54%

LAB 76.81, -47.9, 61.19

 

CMYK 69 / 3 / 0 / 18

HEX #41CBD2

RGB 65 203 210

HSL 182.9, 0.62%, 0.54%

LAB 75.13, -33.85, -14.23

 

Description

Color code: HEX #913FD2 | qconv.com Color code: HEX #913FD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 63 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 63 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 70 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 70% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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