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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #913E80 it is the complementary color #6EC17F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #913E80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #913E80 shade: #963E7B, #A7508E, #B862A1, #C974B4 and #DA86C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #913E80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #913E80 shade: #913E80, #802C6D, #6F1A5A, #5E0847 and #4D0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #913E80 shade: #923F81, #923F6B, #923F54 and #923F3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #913E80 shade: #923F81, #8D3F92, #763F92, #603F92 and #493F92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #913E80 shade matches the following richer shades: #923F81, #A32E8B, #B41D95 and #C50C9F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #913E80 shade: #923F81, #815077, #71616D, #607163 and #4F8259

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #913E80 shade: #763F92, #8D3F92, #923F82, #923F6B and #923F55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #913E80 shade: #59264E, #753268, #923F81, #AF4B9B and #BD66AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #913E80 shade: #913E80, #92603F and #3F9282

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #913E80 shade: #913E80, #82923F and #3F8292

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #913E80 shade: #913E80, #92603F, #3F924F and #3F7192

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #913E80 shade: #913E80, #92793F, #3F924F and #3F5892

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 12 / 43

HEX #913E80

RGB 145 62 128

HSL 312.29, 0.4%, 0.41%

LAB 39.62, 43.6, -20.82

 

Complementary color

CMYK 43 / 0 / 34 / 24

HEX #6EC17F

RGB 110 193 127

HSL 132.29, 0.4%, 0.59%

LAB 71.55, -39.47, 25.56

 

CMYK 0 / 59 / 18 / 41

HEX #963E7B

RGB 150 62 123

HSL 318.41, 0.42%, 0.42%

LAB 40.18, 44.32, -16.81

 

CMYK 0 / 52 / 15 / 35

HEX #A7508E

RGB 167 80 142

HSL 317.24, 0.35%, 0.48%

LAB 46.85, 43.74, -17.92

 

CMYK 0 / 47 / 13 / 28

HEX #B862A1

RGB 184 98 161

HSL 316.05, 0.38%, 0.55%

LAB 53.49, 43.04, -18.81

 

CMYK 0 / 42 / 10 / 21

HEX #C974B4

RGB 201 116 180

HSL 314.82, 0.44%, 0.62%

LAB 60.07, 42.28, -19.55

 

CMYK 0 / 39 / 9 / 15

HEX #DA86C7

RGB 218 134 199

HSL 313.57, 0.53%, 0.69%

LAB 66.58, 41.52, -20.19

 

CMYK 0 / 57 / 12 / 43

HEX #913E80

RGB 145 62 128

HSL 312.29, 0.4%, 0.41%

LAB 39.62, 43.6, -20.82

 

CMYK 0 / 66 / 15 / 50

HEX #802C6D

RGB 128 44 109

HSL 313.57, 0.49%, 0.34%

LAB 32.91, 43.89, -19.55

 

CMYK 0 / 77 / 19 / 56

HEX #6F1A5A

RGB 111 26 90

HSL 314.82, 0.62%, 0.27%

LAB 26.32, 43.52, -17.71

 

CMYK 0 / 91 / 24 / 63

HEX #5E0847

RGB 94 8 71

HSL 316.05, 0.84%, 0.2%

LAB 20.08, 41.8, -14.88

 

CMYK 0 / 100 / 32 / 70

HEX #4D0034

RGB 77 0 52

HSL 319.48, 1%, 0.15%

LAB 14.54, 37.5, -10.36

 

CMYK 0 / 57 / 12 / 43

HEX #923F81

RGB 146 63 129

HSL 312.29, 0.4%, 0.41%

LAB 40, 43.58, -20.83

 

CMYK 0 / 57 / 27 / 43

HEX #923F6B

RGB 146 63 107

HSL 328.19, 0.4%, 0.41%

LAB 39.12, 40.13, -8.54

 

CMYK 0 / 57 / 42 / 43

HEX #923F54

RGB 146 63 84

HSL 344.82, 0.4%, 0.41%

LAB 38.39, 37.16, 4.83

 

CMYK 0 / 57 / 57 / 43

HEX #923F3F

RGB 146 63 63

HSL 0, 0.4%, 0.41%

LAB 37.89, 35.07, 17.35

 

CMYK 0 / 57 / 12 / 43

HEX #923F81

RGB 146 63 129

HSL 312.29, 0.4%, 0.41%

LAB 40, 43.58, -20.83

 

CMYK 3 / 57 / 0 / 43

HEX #8D3F92

RGB 141 63 146

HSL 296.39, 0.4%, 0.41%

LAB 40.07, 45.19, -31.16

 

CMYK 19 / 57 / 0 / 43

HEX #763F92

RGB 118 63 146

HSL 279.76, 0.4%, 0.41%

LAB 36.9, 38.78, -36.38

 

CMYK 34 / 57 / 0 / 43

HEX #603F92

RGB 96 63 146

HSL 263.86, 0.4%, 0.41%

LAB 34.23, 32.87, -40.8

 

CMYK 50 / 57 / 0 / 43

HEX #493F92

RGB 73 63 146

HSL 247.23, 0.4%, 0.41%

LAB 31.91, 27.24, -44.64

 

CMYK 0 / 57 / 12 / 43

HEX #923F81

RGB 146 63 129

HSL 312.29, 0.4%, 0.41%

LAB 40, 43.58, -20.83

 

CMYK 0 / 72 / 15 / 36

HEX #A32E8B

RGB 163 46 139

HSL 312.31, 0.56%, 0.41%

LAB 40.58, 57.14, -25.84

 

CMYK 0 / 84 / 17 / 29

HEX #B41D95

RGB 180 29 149

HSL 312.32, 0.72%, 0.41%

LAB 42.39, 67.35, -28.88

 

CMYK 0 / 94 / 19 / 23

HEX #C50C9F

RGB 197 12 159

HSL 312.32, 0.89%, 0.41%

LAB 45.13, 74.71, -30.39

 

CMYK 0 / 57 / 12 / 43

HEX #923F81

RGB 146 63 129

HSL 312.29, 0.4%, 0.41%

LAB 40, 43.58, -20.83

 

CMYK 0 / 38 / 8 / 49

HEX #815077

RGB 129 80 119

HSL 312.24, 0.23%, 0.41%

LAB 40.79, 26.9, -13.67

 

CMYK 0 / 14 / 4 / 56

HEX #71616D

RGB 113 97 109

HSL 315, 0.08%, 0.41%

LAB 43.01, 8.73, -4.41

 

CMYK 15 / 0 / 12 / 56

HEX #607163

RGB 96 113 99

HSL 130.59, 0.08%, 0.41%

LAB 45.9, -9.34, 5.66

 

CMYK 39 / 0 / 32 / 49

HEX #4F8259

RGB 79 130 89

HSL 131.76, 0.24%, 0.41%

LAB 49.92, -26.44, 16.95

 

CMYK 19 / 57 / 0 / 43

HEX #763F92

RGB 118 63 146

HSL 279.76, 0.4%, 0.41%

LAB 36.9, 38.78, -36.38

 

CMYK 3 / 57 / 0 / 43

HEX #8D3F92

RGB 141 63 146

HSL 296.39, 0.4%, 0.41%

LAB 40.07, 45.19, -31.16

 

CMYK 0 / 57 / 11 / 43

HEX #923F82

RGB 146 63 130

HSL 311.57, 0.4%, 0.41%

LAB 40.04, 43.75, -21.38

 

CMYK 0 / 57 / 27 / 43

HEX #923F6B

RGB 146 63 107

HSL 328.19, 0.4%, 0.41%

LAB 39.12, 40.13, -8.54

 

CMYK 0 / 57 / 42 / 43

HEX #923F55

RGB 146 63 85

HSL 344.1, 0.4%, 0.41%

LAB 38.41, 37.28, 4.24

 

CMYK 0 / 57 / 12 / 65

HEX #59264E

RGB 89 38 78

HSL 312.94, 0.4%, 0.25%

LAB 23.87, 29.29, -13.84

 

CMYK 0 / 57 / 11 / 54

HEX #753268

RGB 117 50 104

HSL 311.64, 0.4%, 0.33%

LAB 31.95, 36.8, -17.99

 

CMYK 0 / 57 / 12 / 43

HEX #923F81

RGB 146 63 129

HSL 312.29, 0.4%, 0.41%

LAB 40, 43.58, -20.83

 

CMYK 0 / 57 / 11 / 31

HEX #AF4B9B

RGB 175 75 155

HSL 312, 0.4%, 0.49%

LAB 47.64, 50.73, -24.38

 

CMYK 0 / 46 / 9 / 26

HEX #BD66AC

RGB 189 102 172

HSL 311.72, 0.4%, 0.57%

LAB 55.38, 44.4, -22.26

 

CMYK 0 / 57 / 12 / 43

HEX #913E80

RGB 145 62 128

HSL 312.29, 0.4%, 0.41%

LAB 39.62, 43.6, -20.82

 

CMYK 0 / 34 / 57 / 43

HEX #92603F

RGB 146 96 63

HSL 23.86, 0.4%, 0.41%

LAB 45.41, 16.66, 27.02

 

CMYK 57 / 0 / 11 / 43

HEX #3F9282

RGB 63 146 130

HSL 168.43, 0.4%, 0.41%

LAB 55.3, -29.23, 0.9

 

CMYK 0 / 57 / 12 / 43

HEX #913E80

RGB 145 62 128

HSL 312.29, 0.4%, 0.41%

LAB 39.62, 43.6, -20.82

 

CMYK 11 / 0 / 57 / 43

HEX #82923F

RGB 130 146 63

HSL 71.57, 0.4%, 0.41%

LAB 57.72, -18.46, 41.35

 

CMYK 57 / 11 / 0 / 43

HEX #3F8292

RGB 63 130 146

HSL 191.57, 0.4%, 0.41%

LAB 50.8, -16.41, -15.08

 

CMYK 0 / 57 / 12 / 43

HEX #913E80

RGB 145 62 128

HSL 312.29, 0.4%, 0.41%

LAB 39.62, 43.6, -20.82

 

CMYK 0 / 34 / 57 / 43

HEX #92603F

RGB 146 96 63

HSL 23.86, 0.4%, 0.41%

LAB 45.41, 16.66, 27.02

 

CMYK 57 / 0 / 46 / 43

HEX #3F924F

RGB 63 146 79

HSL 131.57, 0.4%, 0.41%

LAB 54.22, -40.24, 28.04

 

CMYK 57 / 23 / 0 / 43

HEX #3F7192

RGB 63 113 146

HSL 203.86, 0.4%, 0.41%

LAB 45.56, -6.77, -23.12

 

CMYK 0 / 57 / 12 / 43

HEX #913E80

RGB 145 62 128

HSL 312.29, 0.4%, 0.41%

LAB 39.62, 43.6, -20.82

 

CMYK 0 / 17 / 57 / 43

HEX #92793F

RGB 146 121 63

HSL 41.93, 0.4%, 0.41%

LAB 52, 2.24, 35.05

 

CMYK 57 / 0 / 46 / 43

HEX #3F924F

RGB 63 146 79

HSL 131.57, 0.4%, 0.41%

LAB 54.22, -40.24, 28.04

 

CMYK 57 / 40 / 0 / 43

HEX #3F5892

RGB 63 88 146

HSL 221.93, 0.4%, 0.41%

LAB 38.04, 8.7, -34.88

 

Description

Color code: HEX #913E80 | qconv.com Color code: HEX #913E80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 62 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 62 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 12 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 12% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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