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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #913397 it is the complementary color #6ECC68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #913397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #913397 shade: #963392, #A745A5, #B857B8, #C969CB and #DA7BDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #913397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #913397 shade: #913397, #802184, #6F0F71, #5E005E and #4D004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #913397 shade: #933399, #993384, #993368, #99334D and #993333

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #913397 shade: #933399, #773399, #5C3399, #403399 and #333399

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #913397 shade matches the following richer shades: #933399, #A122AA, #B012BA and #BE01CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #913397 shade: #933399, #844488, #765478, #676567 and #597557

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #913397 shade: #5C3399, #773399, #923399, #993385 and #993369

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #913397 shade: #571E5B, #75297A, #933399, #B13DB8 and #C057C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #913397 shade: #913397, #994133 and #339969

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #913397 shade: #913397, #999233 and #339992

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #913397 shade: #913397, #994133, #3A9933 and #338B99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #913397 shade: #913397, #995F33, #3A9933 and #336D99

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 66 / 0 / 41

HEX #913397

RGB 145 51 151

HSL 296.4, 0.5%, 0.4%

LAB 38.94, 52.7, -35.94

 

Complementary color

CMYK 46 / 0 / 49 / 20

HEX #6ECC68

RGB 110 204 104

HSL 116.4, 0.5%, 0.6%

LAB 74.51, -47.73, 41.13

 

CMYK 0 / 66 / 3 / 41

HEX #963392

RGB 150 51 146

HSL 302.42, 0.49%, 0.39%

LAB 39.46, 53.06, -32.03

 

CMYK 0 / 59 / 1 / 35

HEX #A745A5

RGB 167 69 165

HSL 301.22, 0.42%, 0.46%

LAB 45.89, 52.97, -33.13

 

CMYK 0 / 53 / 0 / 28

HEX #B857B8

RGB 184 87 184

HSL 300, 0.41%, 0.53%

LAB 52.36, 52.55, -33.95

 

CMYK 1 / 48 / 0 / 20

HEX #C969CB

RGB 201 105 203

HSL 298.78, 0.49%, 0.6%

LAB 58.82, 51.94, -34.58

 

CMYK 2 / 45 / 0 / 13

HEX #DA7BDE

RGB 218 123 222

HSL 297.58, 0.6%, 0.68%

LAB 65.24, 51.26, -35.1

 

CMYK 4 / 66 / 0 / 41

HEX #913397

RGB 145 51 151

HSL 296.4, 0.5%, 0.4%

LAB 38.94, 52.7, -35.94

 

CMYK 3 / 75 / 0 / 48

HEX #802184

RGB 128 33 132

HSL 297.58, 0.6%, 0.32%

LAB 32.58, 52.21, -34.54

 

CMYK 2 / 87 / 0 / 56

HEX #6F0F71

RGB 111 15 113

HSL 298.78, 0.77%, 0.25%

LAB 26.49, 50.58, -32.42

 

CMYK 0 / 100 / 0 / 63

HEX #5E005E

RGB 94 0 94

HSL 300, 1%, 0.18%

LAB 20.78, 47.35, -29.32

 

CMYK 0 / 100 / 3 / 70

HEX #4D004B

RGB 77 0 75

HSL 301.56, 1%, 0.15%

LAB 15.93, 40.95, -24.42

 

CMYK 4 / 67 / 0 / 40

HEX #933399

RGB 147 51 153

HSL 296.47, 0.5%, 0.4%

LAB 39.36, 53.55, -36.45

 

CMYK 0 / 67 / 14 / 40

HEX #993384

RGB 153 51 132

HSL 312.35, 0.5%, 0.4%

LAB 39.25, 51.54, -23.75

 

CMYK 0 / 67 / 32 / 40

HEX #993368

RGB 153 51 104

HSL 328.82, 0.5%, 0.4%

LAB 38.09, 47.56, -8.08

 

CMYK 0 / 67 / 50 / 40

HEX #99334D

RGB 153 51 77

HSL 344.71, 0.5%, 0.4%

LAB 37.25, 44.57, 7.83

 

CMYK 0 / 67 / 67 / 40

HEX #993333

RGB 153 51 51

HSL 0, 0.5%, 0.4%

LAB 36.7, 42.54, 23.53

 

CMYK 4 / 67 / 0 / 40

HEX #933399

RGB 147 51 153

HSL 296.47, 0.5%, 0.4%

LAB 39.36, 53.55, -36.45

 

CMYK 22 / 67 / 0 / 40

HEX #773399

RGB 119 51 153

HSL 280, 0.5%, 0.4%

LAB 35.18, 46.81, -43.37

 

CMYK 40 / 67 / 0 / 40

HEX #5C3399

RGB 92 51 153

HSL 264.12, 0.5%, 0.4%

LAB 31.68, 40.7, -49.2

 

CMYK 58 / 67 / 0 / 40

HEX #403399

RGB 64 51 153

HSL 247.65, 0.5%, 0.4%

LAB 28.79, 35.23, -54.02

 

CMYK 67 / 67 / 0 / 40

HEX #333399

RGB 51 51 153

HSL 240, 0.5%, 0.4%

LAB 27.77, 33.16, -55.74

 

CMYK 4 / 67 / 0 / 40

HEX #933399

RGB 147 51 153

HSL 296.47, 0.5%, 0.4%

LAB 39.36, 53.55, -36.45

 

CMYK 5 / 80 / 0 / 33

HEX #A122AA

RGB 161 34 170

HSL 296.03, 0.67%, 0.4%

LAB 40.61, 65.41, -44.54

 

CMYK 5 / 90 / 0 / 27

HEX #B012BA

RGB 176 18 186

HSL 296.43, 0.82%, 0.4%

LAB 43.07, 73.98, -49.92

 

CMYK 6 / 100 / 0 / 20

HEX #BE01CB

RGB 190 1 203

HSL 296.14, 0.99%, 0.4%

LAB 46.02, 80.62, -54.98

 

CMYK 4 / 67 / 0 / 40

HEX #933399

RGB 147 51 153

HSL 296.47, 0.5%, 0.4%

LAB 39.36, 53.55, -36.45

 

CMYK 3 / 50 / 0 / 47

HEX #844488

RGB 132 68 136

HSL 296.47, 0.33%, 0.4%

LAB 39.27, 37.99, -26.41

 

CMYK 2 / 30 / 0 / 53

HEX #765478

RGB 118 84 120

HSL 296.67, 0.18%, 0.4%

LAB 40.49, 20.77, -14.87

 

CMYK 0 / 2 / 0 / 60

HEX #676567

RGB 103 101 103

HSL 300, 0.01%, 0.4%

LAB 43.02, 1.2, -0.86

 

CMYK 24 / 0 / 26 / 54

HEX #597557

RGB 89 117 87

HSL 116, 0.15%, 0.4%

LAB 46.36, -16.56, 13.33

 

CMYK 40 / 67 / 0 / 40

HEX #5C3399

RGB 92 51 153

HSL 264.12, 0.5%, 0.4%

LAB 31.68, 40.7, -49.2

 

CMYK 22 / 67 / 0 / 40

HEX #773399

RGB 119 51 153

HSL 280, 0.5%, 0.4%

LAB 35.18, 46.81, -43.37

 

CMYK 5 / 67 / 0 / 40

HEX #923399

RGB 146 51 153

HSL 295.88, 0.5%, 0.4%

LAB 39.2, 53.31, -36.71

 

CMYK 0 / 67 / 13 / 40

HEX #993385

RGB 153 51 133

HSL 311.76, 0.5%, 0.4%

LAB 39.3, 51.69, -24.29

 

CMYK 0 / 67 / 31 / 40

HEX #993369

RGB 153 51 105

HSL 328.24, 0.5%, 0.4%

LAB 38.13, 47.69, -8.66

 

CMYK 4 / 67 / 0 / 64

HEX #571E5B

RGB 87 30 91

HSL 296.07, 0.5%, 0.24%

LAB 22.69, 35.41, -24.37

 

CMYK 4 / 66 / 0 / 52

HEX #75297A

RGB 117 41 122

HSL 296.3, 0.5%, 0.32%

LAB 31.28, 44.5, -30.45

 

CMYK 4 / 67 / 0 / 40

HEX #933399

RGB 147 51 153

HSL 296.47, 0.5%, 0.4%

LAB 39.36, 53.55, -36.45

 

CMYK 4 / 67 / 0 / 28

HEX #B13DB8

RGB 177 61 184

HSL 296.59, 0.5%, 0.48%

LAB 47.16, 62.21, -42.21

 

CMYK 4 / 56 / 0 / 22

HEX #C057C7

RGB 192 87 199

HSL 296.25, 0.5%, 0.56%

LAB 54.18, 57.42, -39.65

 

CMYK 4 / 66 / 0 / 41

HEX #913397

RGB 145 51 151

HSL 296.4, 0.5%, 0.4%

LAB 38.94, 52.7, -35.94

 

CMYK 0 / 58 / 67 / 40

HEX #994133

RGB 153 65 51

HSL 8.24, 0.5%, 0.4%

LAB 39.23, 35.85, 26.63

 

CMYK 67 / 0 / 31 / 40

HEX #339969

RGB 51 153 105

HSL 151.76, 0.5%, 0.4%

LAB 56.59, -40.86, 16.86

 

CMYK 4 / 66 / 0 / 41

HEX #913397

RGB 145 51 151

HSL 296.4, 0.5%, 0.4%

LAB 38.94, 52.7, -35.94

 

CMYK 0 / 5 / 67 / 40

HEX #999233

RGB 153 146 51

HSL 55.88, 0.5%, 0.4%

LAB 59.5, -9.33, 49.34

 

CMYK 67 / 0 / 5 / 40

HEX #339992

RGB 51 153 146

HSL 175.88, 0.5%, 0.4%

LAB 57.62, -30.48, -4.9

 

CMYK 4 / 66 / 0 / 41

HEX #913397

RGB 145 51 151

HSL 296.4, 0.5%, 0.4%

LAB 38.94, 52.7, -35.94

 

CMYK 0 / 58 / 67 / 40

HEX #994133

RGB 153 65 51

HSL 8.24, 0.5%, 0.4%

LAB 39.23, 35.85, 26.63

 

CMYK 62 / 0 / 67 / 40

HEX #3A9933

RGB 58 153 51

HSL 115.88, 0.5%, 0.4%

LAB 56.01, -48.01, 43.94

 

CMYK 67 / 9 / 0 / 40

HEX #338B99

RGB 51 139 153

HSL 188.24, 0.5%, 0.4%

LAB 53.46, -21.33, -15.15

 

CMYK 4 / 66 / 0 / 41

HEX #913397

RGB 145 51 151

HSL 296.4, 0.5%, 0.4%

LAB 38.94, 52.7, -35.94

 

CMYK 0 / 38 / 67 / 40

HEX #995F33

RGB 153 95 51

HSL 25.88, 0.5%, 0.4%

LAB 45.9, 19.39, 34.51

 

CMYK 62 / 0 / 67 / 40

HEX #3A9933

RGB 58 153 51

HSL 115.88, 0.5%, 0.4%

LAB 56.01, -48.01, 43.94

 

CMYK 67 / 29 / 0 / 40

HEX #336D99

RGB 51 109 153

HSL 205.88, 0.5%, 0.4%

LAB 44.15, -4.42, -29.5

 

Description

Color code: HEX #913397 | qconv.com Color code: HEX #913397 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 51 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 51 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 66 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 66% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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