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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #912CEE it is the complementary color #6ED311. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #912CEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #912CEE: #962CE9, #A73EFC, #B850FF, #C962FF and #DA74FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #912CEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #912CEE: #912CEE, #801ADB, #6F08C8, #5E00B5 and #4D00A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 82 / 0 / 7

HEX #912CEE

RGB 145 44 238

HSL 271.24, 0.85%, 0.55%

LAB 44.22, 73.15, -78.21

 

Complementary color

CMYK 48 / 0 / 92 / 17

HEX #6ED311

RGB 110 211 17

HSL 91.24, 0.85%, 0.45%

LAB 76.03, -56.93, 72.87

 

CMYK 36 / 81 / 0 / 9

HEX #962CE9

RGB 150 44 233

HSL 273.65, 0.81%, 0.54%

LAB 44.47, 72.77, -74.95

 

CMYK 34 / 75 / 0 / 1

HEX #A73EFC

RGB 167 62 252

HSL 273.16, 0.97%, 0.62%

LAB 50.32, 73.3, -75.99

 

CMYK 28 / 69 / 0 / 0

HEX #B850FF

RGB 184 80 255

HSL 275.66, 1%, 0.66%

LAB 55.22, 69.82, -69.6

 

CMYK 21 / 62 / 0 / 0

HEX #C962FF

RGB 201 98 255

HSL 279.36, 1%, 0.69%

LAB 60.22, 65.44, -61.44

 

CMYK 15 / 55 / 0 / 0

HEX #DA74FF

RGB 218 116 255

HSL 284.03, 1%, 0.73%

LAB 65.45, 61.01, -52.99

 

CMYK 39 / 82 / 0 / 7

HEX #912CEE

RGB 145 44 238

HSL 271.24, 0.85%, 0.55%

LAB 44.22, 73.15, -78.21

 

CMYK 42 / 88 / 0 / 14

HEX #801ADB

RGB 128 26 219

HSL 271.71, 0.79%, 0.48%

LAB 38.63, 71.81, -76.66

 

CMYK 45 / 96 / 0 / 22

HEX #6F08C8

RGB 111 8 200

HSL 272.19, 0.92%, 0.41%

LAB 33.4, 69.16, -74.34

 

CMYK 48 / 100 / 0 / 29

HEX #5E00B5

RGB 94 0 181

HSL 271.16, 1%, 0.35%

LAB 28.68, 64.72, -70.97

 

CMYK 52 / 100 / 0 / 36

HEX #4D00A2

RGB 77 0 162

HSL 268.52, 1%, 0.32%

LAB 24.28, 59.09, -66.88

 

CMYK 39 / 82 / 0 / 7

HEX #912CEE

RGB 145 44 238

HSL 271.24, 0.85%, 0.55%

LAB 44.22, 73.15, -78.21

 

CMYK 26 / 82 / 0 / 7

HEX #B02AED

RGB 176 42 237

HSL 281.23, 0.84%, 0.55%

LAB 48.26, 78.02, -70.88

 

CMYK 12 / 82 / 0 / 7

HEX #D02AED

RGB 208 42 237

HSL 291.08, 0.84%, 0.55%

LAB 53.15, 83.18, -62.74

 

CMYK 0 / 82 / 1 / 7

HEX #ED2AEA

RGB 237 42 234

HSL 300.92, 0.84%, 0.55%

LAB 57.66, 87.76, -53.56

 

CMYK 0 / 82 / 15 / 7

HEX #ED2ACA

RGB 237 42 202

HSL 310.77, 0.84%, 0.55%

LAB 56.01, 83.34, -38.01

 

CMYK 39 / 82 / 0 / 7

HEX #912CEE

RGB 145 44 238

HSL 271.24, 0.85%, 0.55%

LAB 44.22, 73.15, -78.21

 

CMYK 38 / 82 / 0 / 87

HEX #150622

RGB 21 6 34

HSL 272.14, 0.7%, 0.08%

LAB 3.66, 11.39, -14.64

 

CMYK 39 / 81 / 0 / 67

HEX #341055

RGB 52 16 85

HSL 271.3, 0.68%, 0.2%

LAB 14.15, 32.17, -34.36

 

CMYK 39 / 82 / 0 / 47

HEX #531988

RGB 83 25 136

HSL 271.35, 0.69%, 0.32%

LAB 24.68, 47.02, -50.15

 

CMYK 39 / 81 / 0 / 27

HEX #7223BB

RGB 114 35 187

HSL 271.18, 0.68%, 0.44%

LAB 34.74, 60.29, -64.48

 

CMYK 39 / 82 / 0 / 7

HEX #912CEE

RGB 145 44 238

HSL 271.24, 0.85%, 0.55%

LAB 44.22, 73.15, -78.21

 

CMYK 0 / 82 / 59 / 7

HEX #ED2A61

RGB 237 42 97

HSL 343.08, 0.84%, 0.55%

LAB 52.42, 73.12, 18.81

 

CMYK 82 / 0 / 73 / 7

HEX #2AED41

RGB 42 237 65

HSL 127.08, 0.84%, 0.55%

LAB 82.62, -76.53, 66.36

 

CMYK 39 / 82 / 0 / 7

HEX #912CEE

RGB 145 44 238

HSL 271.24, 0.85%, 0.55%

LAB 44.22, 73.15, -78.21

 

CMYK 0 / 40 / 82 / 7

HEX #ED8F2A

RGB 237 143 42

HSL 31.08, 0.84%, 0.55%

LAB 67.89, 28.6, 64.09

 

CMYK 82 / 0 / 40 / 7

HEX #2AED8F

RGB 42 237 143

HSL 151.08, 0.84%, 0.55%

LAB 83.47, -66.31, 32.88

 

CMYK 39 / 82 / 0 / 7

HEX #912CEE

RGB 145 44 238

HSL 271.24, 0.85%, 0.55%

LAB 44.22, 73.15, -78.21

 

CMYK 0 / 82 / 59 / 7

HEX #ED2A61

RGB 237 42 97

HSL 343.08, 0.84%, 0.55%

LAB 52.42, 73.12, 18.81

 

CMYK 43 / 0 / 82 / 7

HEX #88ED2A

RGB 136 237 42

HSL 91.08, 0.84%, 0.55%

LAB 84.98, -57.92, 76.21

 

CMYK 82 / 0 / 23 / 7

HEX #2AEDB6

RGB 42 237 182

HSL 163.08, 0.84%, 0.55%

LAB 84.19, -58.17, 13.85

 

CMYK 39 / 82 / 0 / 7

HEX #912CEE

RGB 145 44 238

HSL 271.24, 0.85%, 0.55%

LAB 44.22, 73.15, -78.21

 

CMYK 0 / 81 / 82 / 7

HEX #ED2D2A

RGB 237 45 42

HSL 0.92, 0.84%, 0.55%

LAB 51.89, 70.07, 49.76

 

CMYK 43 / 0 / 82 / 7

HEX #88ED2A

RGB 136 237 42

HSL 91.08, 0.84%, 0.55%

LAB 84.98, -57.92, 76.21

 

CMYK 82 / 1 / 0 / 7

HEX #2AEAED

RGB 42 234 237

HSL 180.92, 0.84%, 0.55%

LAB 84.72, -42.52, -14.29

 

Description

Color code: HEX #912CEE | qconv.com Color code: HEX #912CEE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us. It is also known as purple2.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 44 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 44 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 82 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 82% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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