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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91236D it is the complementary color #6EDC92. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91236D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91236D shade: #962368, #A7357B, #B8478E, #C959A1 and #DA6BB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91236D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91236D shade: #91236D, #80115A, #6F0047, #5E0034 and #4D0021

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91236D shade: #90236C, #90234F, #902331 and #902323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91236D shade: #90236C, #902389, #792390, #5B2390 and #3E2390

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91236D shade matches the following richer shades: #90236C, #9E1471 and #AD0676

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91236D shade: #90236C, #813167, #734062, #644E5D and #565D58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91236D shade: #782390, #90238A, #90236D, #902350 and #902333

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91236D shade: #4D133A, #6E1B53, #90236C, #B12B85 and #CE379D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91236D shade: #91236D, #905B23 and #239087

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91236D shade: #91236D, #6D9023 and #236D90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91236D shade: #91236D, #905B23, #239045 and #235790

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91236D shade: #91236D, #907C23, #239045 and #233790

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 25 / 43

HEX #91236D

RGB 145 35 109

HSL 319.64, 0.61%, 0.35%

LAB 34.65, 52.1, -16.61

 

Complementary color

CMYK 50 / 0 / 34 / 14

HEX #6EDC92

RGB 110 220 146

HSL 139.64, 0.61%, 0.65%

LAB 79.94, -47.76, 26.92

 

CMYK 0 / 77 / 31 / 41

HEX #962368

RGB 150 35 104

HSL 324, 0.62%, 0.36%

LAB 35.37, 52.78, -12.25

 

CMYK 0 / 68 / 26 / 35

HEX #A7357B

RGB 167 53 123

HSL 323.16, 0.52%, 0.43%

LAB 41.52, 53.31, -14.51

 

CMYK 0 / 61 / 23 / 28

HEX #B8478E

RGB 184 71 142

HSL 322.3, 0.44%, 0.5%

LAB 47.82, 53.22, -16.22

 

CMYK 0 / 56 / 20 / 21

HEX #C959A1

RGB 201 89 161

HSL 321.43, 0.51%, 0.57%

LAB 54.17, 52.8, -17.56

 

CMYK 0 / 51 / 17 / 15

HEX #DA6BB4

RGB 218 107 180

HSL 320.54, 0.6%, 0.64%

LAB 60.53, 52.2, -18.65

 

CMYK 0 / 76 / 25 / 43

HEX #91236D

RGB 145 35 109

HSL 319.64, 0.61%, 0.35%

LAB 34.65, 52.1, -16.61

 

CMYK 0 / 87 / 30 / 50

HEX #80115A

RGB 128 17 90

HSL 320.54, 0.77%, 0.28%

LAB 28.72, 50.53, -13.74

 

CMYK 0 / 100 / 36 / 56

HEX #6F0047

RGB 111 0 71

HSL 321.62, 1%, 0.22%

LAB 23.12, 47.68, -9.9

 

CMYK 0 / 100 / 45 / 63

HEX #5E0034

RGB 94 0 52

HSL 326.81, 1%, 0.18%

LAB 18.49, 41.6, -4.01

 

CMYK 0 / 100 / 57 / 70

HEX #4D0021

RGB 77 0 33

HSL 334.29, 1%, 0.15%

LAB 13.75, 35.44, 2.43

 

CMYK 0 / 76 / 25 / 44

HEX #90236C

RGB 144 35 108

HSL 319.82, 0.61%, 0.35%

LAB 34.42, 51.7, -16.34

 

CMYK 0 / 76 / 45 / 44

HEX #90234F

RGB 144 35 79

HSL 335.78, 0.61%, 0.35%

LAB 33.34, 48.29, 0.71

 

CMYK 0 / 76 / 66 / 44

HEX #902331

RGB 144 35 49

HSL 352.29, 0.61%, 0.35%

LAB 32.6, 45.86, 19.26

 

CMYK 0 / 76 / 76 / 44

HEX #902323

RGB 144 35 35

HSL 0, 0.61%, 0.35%

LAB 32.38, 45.12, 27.83

 

CMYK 0 / 76 / 25 / 44

HEX #90236C

RGB 144 35 108

HSL 319.82, 0.61%, 0.35%

LAB 34.42, 51.7, -16.34

 

CMYK 0 / 76 / 5 / 44

HEX #902389

RGB 144 35 137

HSL 303.85, 0.61%, 0.35%

LAB 35.86, 56.04, -32.25

 

CMYK 16 / 76 / 0 / 44

HEX #792390

RGB 121 35 144

HSL 287.34, 0.61%, 0.35%

LAB 32.44, 52.22, -42.26

 

CMYK 37 / 76 / 0 / 44

HEX #5B2390

RGB 91 35 144

HSL 270.83, 0.61%, 0.35%

LAB 27.95, 46.19, -49.73

 

CMYK 57 / 76 / 0 / 44

HEX #3E2390

RGB 62 35 144

HSL 254.86, 0.61%, 0.35%

LAB 24.45, 41.26, -55.6

 

CMYK 0 / 76 / 25 / 44

HEX #90236C

RGB 144 35 108

HSL 319.82, 0.61%, 0.35%

LAB 34.42, 51.7, -16.34

 

CMYK 0 / 87 / 28 / 38

HEX #9E1471

RGB 158 20 113

HSL 319.57, 0.78%, 0.35%

LAB 35.91, 59.78, -17

 

CMYK 0 / 97 / 32 / 32

HEX #AD0676

RGB 173 6 118

HSL 319.76, 0.93%, 0.35%

LAB 38.42, 65.64, -16.04

 

CMYK 0 / 76 / 25 / 44

HEX #90236C

RGB 144 35 108

HSL 319.82, 0.61%, 0.35%

LAB 34.42, 51.7, -16.34

 

CMYK 0 / 62 / 20 / 49

HEX #813167

RGB 129 49 103

HSL 319.5, 0.45%, 0.35%

LAB 33.65, 40.92, -14.56

 

CMYK 0 / 44 / 15 / 55

HEX #734062

RGB 115 64 98

HSL 320, 0.28%, 0.35%

LAB 34.38, 27.29, -10.47

 

CMYK 0 / 22 / 7 / 61

HEX #644E5D

RGB 100 78 93

HSL 319.09, 0.12%, 0.35%

LAB 35.88, 12.05, -5.24

 

CMYK 8 / 0 / 5 / 64

HEX #565D58

RGB 86 93 88

HSL 137.14, 0.04%, 0.35%

LAB 38.75, -3.82, 1.92

 

CMYK 17 / 76 / 0 / 44

HEX #782390

RGB 120 35 144

HSL 286.79, 0.61%, 0.35%

LAB 32.28, 52.01, -42.52

 

CMYK 0 / 76 / 4 / 44

HEX #90238A

RGB 144 35 138

HSL 303.3, 0.61%, 0.35%

LAB 35.92, 56.2, -32.78

 

CMYK 0 / 76 / 24 / 44

HEX #90236D

RGB 144 35 109

HSL 319.27, 0.61%, 0.35%

LAB 34.47, 51.84, -16.9

 

CMYK 0 / 76 / 44 / 44

HEX #902350

RGB 144 35 80

HSL 335.23, 0.61%, 0.35%

LAB 33.37, 48.39, 0.11

 

CMYK 0 / 76 / 65 / 44

HEX #902333

RGB 144 35 51

HSL 351.19, 0.61%, 0.35%

LAB 32.64, 45.98, 18.01

 

CMYK 0 / 75 / 25 / 70

HEX #4D133A

RGB 77 19 58

HSL 319.66, 0.6%, 0.19%

LAB 17.22, 31.55, -10.53

 

CMYK 0 / 75 / 25 / 57

HEX #6E1B53

RGB 110 27 83

HSL 319.52, 0.61%, 0.27%

LAB 25.93, 41.83, -13.69

 

CMYK 0 / 76 / 25 / 44

HEX #90236C

RGB 144 35 108

HSL 319.82, 0.61%, 0.35%

LAB 34.42, 51.7, -16.34

 

CMYK 0 / 76 / 25 / 31

HEX #B12B85

RGB 177 43 133

HSL 319.7, 0.61%, 0.43%

LAB 42.41, 60.83, -19.14

 

CMYK 0 / 73 / 24 / 19

HEX #CE379D

RGB 206 55 157

HSL 319.47, 0.61%, 0.51%

LAB 49.84, 67.28, -21.75

 

CMYK 0 / 76 / 25 / 43

HEX #91236D

RGB 145 35 109

HSL 319.64, 0.61%, 0.35%

LAB 34.65, 52.1, -16.61

 

CMYK 0 / 37 / 76 / 44

HEX #905B23

RGB 144 91 35

HSL 30.83, 0.61%, 0.35%

LAB 43.56, 16.74, 39.81

 

CMYK 76 / 0 / 6 / 44

HEX #239087

RGB 35 144 135

HSL 175.05, 0.61%, 0.35%

LAB 54.08, -31.64, -3.86

 

CMYK 0 / 76 / 25 / 43

HEX #91236D

RGB 145 35 109

HSL 319.64, 0.61%, 0.35%

LAB 34.65, 52.1, -16.61

 

CMYK 24 / 0 / 76 / 44

HEX #6D9023

RGB 109 144 35

HSL 79.27, 0.61%, 0.35%

LAB 55.4, -28.36, 50.46

 

CMYK 76 / 24 / 0 / 44

HEX #236D90

RGB 35 109 144

HSL 199.27, 0.61%, 0.35%

LAB 43.22, -10.18, -25.62

 

CMYK 0 / 76 / 25 / 43

HEX #91236D

RGB 145 35 109

HSL 319.64, 0.61%, 0.35%

LAB 34.65, 52.1, -16.61

 

CMYK 0 / 37 / 76 / 44

HEX #905B23

RGB 144 91 35

HSL 30.83, 0.61%, 0.35%

LAB 43.56, 16.74, 39.81

 

CMYK 76 / 0 / 52 / 44

HEX #239045

RGB 35 144 69

HSL 138.72, 0.61%, 0.35%

LAB 52.66, -46.92, 31.21

 

CMYK 76 / 40 / 0 / 44

HEX #235790

RGB 35 87 144

HSL 211.38, 0.61%, 0.35%

LAB 36.34, 3.42, -36.45

 

CMYK 0 / 76 / 25 / 43

HEX #91236D

RGB 145 35 109

HSL 319.64, 0.61%, 0.35%

LAB 34.65, 52.1, -16.61

 

CMYK 0 / 14 / 76 / 44

HEX #907C23

RGB 144 124 35

HSL 48.99, 0.61%, 0.35%

LAB 52.36, -2.24, 48.52

 

CMYK 76 / 0 / 52 / 44

HEX #239045

RGB 35 144 69

HSL 138.72, 0.61%, 0.35%

LAB 52.66, -46.92, 31.21

 

CMYK 76 / 62 / 0 / 44

HEX #233790

RGB 35 55 144

HSL 228.99, 0.61%, 0.35%

LAB 27.03, 25.05, -51.46

 

Description

Color code: HEX #91236D | qconv.com Color code: HEX #91236D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 35 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 35 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 25 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 25% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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