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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #911E75 it is the complementary color #6EE18A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #911E75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #911E75 shade: #961E70, #A73083, #B84296, #C954A9 and #DA66BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #911E75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #911E75 shade: #911E75, #800C62, #6F004F, #5E003C and #4D0029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #911E75 shade: #901D74, #901D55, #901D36 and #901D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #911E75 shade: #901D74, #8D1D90, #6E1D90, #4F1D90 and #301D90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #911E75 shade matches the following richer shades: #901D74, #9E0F7B and #AC0182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #911E75 shade: #901D74, #822C6D, #743A66, #66485E and #585657

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #911E75 shade: #6E1D90, #8C1D90, #901D75, #901D57 and #901D38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #911E75 shade: #4B0F3D, #6E1658, #901D74, #B22490 and #D42CAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #911E75 shade: #911E75, #904F1D and #1D907D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #911E75 shade: #911E75, #75901D and #1D7590

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #911E75 shade: #911E75, #904F1D, #1D9038 and #1D5E90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #911E75 shade: #911E75, #90711D, #1D9038 and #1D3C90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 19 / 43

HEX #911E75

RGB 145 30 117

HSL 314.61, 0.66%, 0.34%

LAB 34.46, 54.79, -21.96

 

Complementary color

CMYK 51 / 0 / 39 / 12

HEX #6EE18A

RGB 110 225 138

HSL 134.61, 0.66%, 0.66%

LAB 81.29, -51.2, 32.82

 

CMYK 0 / 80 / 25 / 41

HEX #961E70

RGB 150 30 112

HSL 319, 0.67%, 0.35%

LAB 35.17, 55.34, -17.64

 

CMYK 0 / 71 / 22 / 35

HEX #A73083

RGB 167 48 131

HSL 318.15, 0.55%, 0.42%

LAB 41.17, 56.3, -19.98

 

CMYK 0 / 64 / 18 / 28

HEX #B84296

RGB 184 66 150

HSL 317.29, 0.47%, 0.49%

LAB 47.35, 56.51, -21.73

 

CMYK 0 / 58 / 16 / 21

HEX #C954A9

RGB 201 84 169

HSL 316.41, 0.52%, 0.56%

LAB 53.62, 56.28, -23.07

 

CMYK 0 / 53 / 14 / 15

HEX #DA66BC

RGB 218 102 188

HSL 315.52, 0.61%, 0.63%

LAB 59.92, 55.81, -24.15

 

CMYK 0 / 79 / 19 / 43

HEX #911E75

RGB 145 30 117

HSL 314.61, 0.66%, 0.34%

LAB 34.46, 54.79, -21.96

 

CMYK 0 / 91 / 23 / 50

HEX #800C62

RGB 128 12 98

HSL 315.52, 0.83%, 0.27%

LAB 28.73, 52.6, -18.95

 

CMYK 0 / 100 / 29 / 56

HEX #6F004F

RGB 111 0 79

HSL 317.3, 1%, 0.22%

LAB 23.49, 48.62, -14.77

 

CMYK 0 / 100 / 36 / 63

HEX #5E003C

RGB 94 0 60

HSL 321.7, 1%, 0.18%

LAB 18.83, 42.48, -9.16

 

CMYK 0 / 100 / 47 / 70

HEX #4D0029

RGB 77 0 41

HSL 328.05, 1%, 0.15%

LAB 14.05, 36.21, -3.09

 

CMYK 0 / 80 / 19 / 44

HEX #901D74

RGB 144 29 116

HSL 314.61, 0.66%, 0.34%

LAB 34.13, 54.7, -21.87

 

CMYK 0 / 80 / 41 / 44

HEX #901D55

RGB 144 29 85

HSL 330.78, 0.66%, 0.34%

LAB 32.84, 50.88, -3.93

 

CMYK 0 / 80 / 63 / 44

HEX #901D36

RGB 144 29 54

HSL 346.96, 0.66%, 0.34%

LAB 31.98, 48.2, 15.19

 

CMYK 0 / 80 / 80 / 44

HEX #901D1D

RGB 144 29 29

HSL 0, 0.66%, 0.34%

LAB 31.57, 46.92, 30.58

 

CMYK 0 / 80 / 19 / 44

HEX #901D74

RGB 144 29 116

HSL 314.61, 0.66%, 0.34%

LAB 34.13, 54.7, -21.87

 

CMYK 2 / 80 / 0 / 44

HEX #8D1D90

RGB 141 29 144

HSL 298.43, 0.66%, 0.34%

LAB 35.11, 58.37, -37.79

 

CMYK 24 / 80 / 0 / 44

HEX #6E1D90

RGB 110 29 144

HSL 282.26, 0.66%, 0.34%

LAB 29.93, 52.19, -46.39

 

CMYK 45 / 80 / 0 / 44

HEX #4F1D90

RGB 79 29 144

HSL 266.09, 0.66%, 0.34%

LAB 25.43, 46.76, -53.92

 

CMYK 67 / 80 / 0 / 44

HEX #301D90

RGB 48 29 144

HSL 249.91, 0.66%, 0.34%

LAB 22.02, 42.59, -59.65

 

CMYK 0 / 80 / 19 / 44

HEX #901D74

RGB 144 29 116

HSL 314.61, 0.66%, 0.34%

LAB 34.13, 54.7, -21.87

 

CMYK 0 / 91 / 22 / 38

HEX #9E0F7B

RGB 158 15 123

HSL 314.69, 0.83%, 0.34%

LAB 36.06, 61.91, -23.05

 

CMYK 0 / 99 / 24 / 33

HEX #AC0182

RGB 172 1 130

HSL 314.74, 0.99%, 0.34%

LAB 38.56, 67.36, -23.33

 

CMYK 0 / 80 / 19 / 44

HEX #901D74

RGB 144 29 116

HSL 314.61, 0.66%, 0.34%

LAB 34.13, 54.7, -21.87

 

CMYK 0 / 66 / 16 / 49

HEX #822C6D

RGB 130 44 109

HSL 314.65, 0.49%, 0.34%

LAB 33.25, 44.47, -19

 

CMYK 0 / 50 / 12 / 55

HEX #743A66

RGB 116 58 102

HSL 314.48, 0.33%, 0.34%

LAB 33.35, 31.8, -14.58

 

CMYK 0 / 29 / 8 / 60

HEX #66485E

RGB 102 72 94

HSL 316, 0.17%, 0.34%

LAB 34.53, 16.78, -7.87

 

CMYK 0 / 2 / 1 / 65

HEX #585657

RGB 88 86 87

HSL 330, 0.01%, 0.34%

LAB 36.78, 1.02, -0.3

 

CMYK 24 / 80 / 0 / 44

HEX #6E1D90

RGB 110 29 144

HSL 282.26, 0.66%, 0.34%

LAB 29.93, 52.19, -46.39

 

CMYK 3 / 80 / 0 / 44

HEX #8C1D90

RGB 140 29 144

HSL 297.91, 0.66%, 0.34%

LAB 34.94, 58.16, -38.08

 

CMYK 0 / 80 / 19 / 44

HEX #901D75

RGB 144 29 117

HSL 314.09, 0.66%, 0.34%

LAB 34.17, 54.84, -22.42

 

CMYK 0 / 80 / 40 / 44

HEX #901D57

RGB 144 29 87

HSL 329.74, 0.66%, 0.34%

LAB 32.91, 51.09, -5.13

 

CMYK 0 / 80 / 61 / 44

HEX #901D38

RGB 144 29 56

HSL 345.91, 0.66%, 0.34%

LAB 32.02, 48.34, 13.93

 

CMYK 0 / 80 / 19 / 71

HEX #4B0F3D

RGB 75 15 61

HSL 314, 0.67%, 0.18%

LAB 16.38, 33.12, -13.98

 

CMYK 0 / 80 / 20 / 57

HEX #6E1658

RGB 110 22 88

HSL 315, 0.67%, 0.26%

LAB 25.54, 44.34, -17.61

 

CMYK 0 / 80 / 19 / 44

HEX #901D74

RGB 144 29 116

HSL 314.61, 0.66%, 0.34%

LAB 34.13, 54.7, -21.87

 

CMYK 0 / 80 / 19 / 30

HEX #B22490

RGB 178 36 144

HSL 314.37, 0.66%, 0.42%

LAB 42.37, 64.55, -25.9

 

CMYK 0 / 79 / 19 / 17

HEX #D42CAB

RGB 212 44 171

HSL 314.64, 0.66%, 0.5%

LAB 50.38, 73.63, -29.12

 

CMYK 0 / 79 / 19 / 43

HEX #911E75

RGB 145 30 117

HSL 314.61, 0.66%, 0.34%

LAB 34.46, 54.79, -21.96

 

CMYK 0 / 45 / 80 / 44

HEX #904F1D

RGB 144 79 29

HSL 26.09, 0.66%, 0.34%

LAB 40.59, 23.36, 39.7

 

CMYK 80 / 0 / 13 / 44

HEX #1D907D

RGB 29 144 125

HSL 170.09, 0.66%, 0.34%

LAB 53.69, -35.21, 1.33

 

CMYK 0 / 79 / 19 / 43

HEX #911E75

RGB 145 30 117

HSL 314.61, 0.66%, 0.34%

LAB 34.46, 54.79, -21.96

 

CMYK 19 / 0 / 80 / 44

HEX #75901D

RGB 117 144 29

HSL 74.09, 0.66%, 0.34%

LAB 55.9, -25.32, 53.15

 

CMYK 80 / 19 / 0 / 44

HEX #1D7590

RGB 29 117 144

HSL 194.09, 0.66%, 0.34%

LAB 45.63, -15.5, -21.9

 

CMYK 0 / 79 / 19 / 43

HEX #911E75

RGB 145 30 117

HSL 314.61, 0.66%, 0.34%

LAB 34.46, 54.79, -21.96

 

CMYK 0 / 45 / 80 / 44

HEX #904F1D

RGB 144 79 29

HSL 26.09, 0.66%, 0.34%

LAB 40.59, 23.36, 39.7

 

CMYK 80 / 0 / 61 / 44

HEX #1D9038

RGB 29 144 56

HSL 134.09, 0.66%, 0.34%

LAB 52.39, -49.7, 37.39

 

CMYK 80 / 35 / 0 / 44

HEX #1D5E90

RGB 29 94 144

HSL 206.09, 0.66%, 0.34%

LAB 38.34, -1.83, -33.29

 

CMYK 0 / 79 / 19 / 43

HEX #911E75

RGB 145 30 117

HSL 314.61, 0.66%, 0.34%

LAB 34.46, 54.79, -21.96

 

CMYK 0 / 22 / 80 / 44

HEX #90711D

RGB 144 113 29

HSL 43.83, 0.66%, 0.34%

LAB 49.29, 3.73, 47.93

 

CMYK 80 / 0 / 61 / 44

HEX #1D9038

RGB 29 144 56

HSL 134.09, 0.66%, 0.34%

LAB 52.39, -49.7, 37.39

 

CMYK 80 / 58 / 0 / 44

HEX #1D3C90

RGB 29 60 144

HSL 223.83, 0.66%, 0.34%

LAB 28.13, 20.91, -49.67

 

Description

Color code: HEX #911E75 | qconv.com Color code: HEX #911E75 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 30 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 30 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 19 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 19% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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