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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #91157B it is the complementary color #6EEA84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #91157B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #91157B shade: #961576, #A72789, #B8399C, #C94BAF and #DA5DC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #91157B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #91157B shade: #91157B, #800368, #6F0055, #5E0042 and #4D002F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #91157B shade: #93157D, #93155B, #931539, #931517 and #931515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #91157B shade: #93157D, #881593, #661593, #441593 and #221593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #91157B shade matches the following richer shades: #93157D and #A10786

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #91157B shade: #93157D, #862374, #78306B, #6A3E63 and #5D4B5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #91157B shade: #651593, #871593, #93157E, #93155D and #93153B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #91157B shade: #4B0B40, #6F105E, #93157D, #B71A9B and #DB1FBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #91157B shade: #91157B, #934315 and #159376

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #91157B shade: #91157B, #7E9315 and #157E93

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #91157B shade: #91157B, #934315, #15932A and #156593

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #91157B shade: #91157B, #936915, #15932A and #153F93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 86 / 15 / 43

HEX #91157B

RGB 145 21 123

HSL 310.65, 0.75%, 0.33%

LAB 33.95, 57.97, -26.53

 

Complementary color

CMYK 53 / 0 / 44 / 8

HEX #6EEA84

RGB 110 234 132

HSL 130.65, 0.75%, 0.67%

LAB 83.88, -55.75, 39.17

 

CMYK 0 / 86 / 21 / 41

HEX #961576

RGB 150 21 118

HSL 314.88, 0.75%, 0.34%

LAB 34.66, 58.39, -22.22

 

CMYK 0 / 77 / 18 / 35

HEX #A72789

RGB 167 39 137

HSL 314.06, 0.62%, 0.4%

LAB 40.37, 60.16, -24.9

 

CMYK 0 / 69 / 15 / 28

HEX #B8399C

RGB 184 57 156

HSL 313.23, 0.53%, 0.47%

LAB 46.33, 60.94, -26.89

 

CMYK 0 / 63 / 13 / 21

HEX #C94BAF

RGB 201 75 175

HSL 312.38, 0.54%, 0.54%

LAB 52.45, 61.09, -28.39

 

CMYK 0 / 57 / 11 / 15

HEX #DA5DC2

RGB 218 93 194

HSL 311.52, 0.63%, 0.61%

LAB 58.63, 60.86, -29.58

 

CMYK 0 / 86 / 15 / 43

HEX #91157B

RGB 145 21 123

HSL 310.65, 0.75%, 0.33%

LAB 33.95, 57.97, -26.53

 

CMYK 0 / 98 / 19 / 50

HEX #800368

RGB 128 3 104

HSL 311.52, 0.95%, 0.26%

LAB 28.52, 54.92, -23.18

 

CMYK 0 / 100 / 23 / 56

HEX #6F0055

RGB 111 0 85

HSL 314.05, 1%, 0.22%

LAB 23.79, 49.39, -18.33

 

CMYK 0 / 100 / 30 / 63

HEX #5E0042

RGB 94 0 66

HSL 317.87, 1%, 0.18%

LAB 19.11, 43.21, -12.92

 

CMYK 0 / 100 / 39 / 70

HEX #4D002F

RGB 77 0 47

HSL 323.38, 1%, 0.15%

LAB 14.3, 36.88, -7.1

 

CMYK 0 / 86 / 15 / 42

HEX #93157D

RGB 147 21 125

HSL 310.48, 0.75%, 0.33%

LAB 34.44, 58.69, -27

 

CMYK 0 / 86 / 38 / 42

HEX #93155B

RGB 147 21 91

HSL 326.67, 0.75%, 0.33%

LAB 32.91, 54.43, -7.67

 

CMYK 0 / 86 / 61 / 42

HEX #931539

RGB 147 21 57

HSL 342.86, 0.75%, 0.33%

LAB 31.89, 51.47, 13.2

 

CMYK 0 / 86 / 84 / 42

HEX #931517

RGB 147 21 23

HSL 359.05, 0.75%, 0.33%

LAB 31.35, 49.87, 34.05

 

CMYK 0 / 86 / 86 / 42

HEX #931515

RGB 147 21 21

HSL 0, 0.75%, 0.33%

LAB 31.33, 49.82, 35.14

 

CMYK 0 / 86 / 15 / 42

HEX #93157D

RGB 147 21 125

HSL 310.48, 0.75%, 0.33%

LAB 34.44, 58.69, -27

 

CMYK 7 / 86 / 0 / 42

HEX #881593

RGB 136 21 147

HSL 294.76, 0.75%, 0.33%

LAB 33.73, 59.94, -41.9

 

CMYK 31 / 86 / 0 / 42

HEX #661593

RGB 102 21 147

HSL 278.57, 0.75%, 0.33%

LAB 28.03, 53.99, -51.39

 

CMYK 54 / 86 / 0 / 42

HEX #441593

RGB 68 21 147

HSL 262.38, 0.75%, 0.33%

LAB 23.24, 49.22, -59.42

 

CMYK 77 / 86 / 0 / 42

HEX #221593

RGB 34 21 147

HSL 246.19, 0.75%, 0.33%

LAB 19.98, 46.14, -64.93

 

CMYK 0 / 86 / 15 / 42

HEX #93157D

RGB 147 21 125

HSL 310.48, 0.75%, 0.33%

LAB 34.44, 58.69, -27

 

CMYK 0 / 96 / 17 / 37

HEX #A10786

RGB 161 7 134

HSL 310.52, 0.92%, 0.33%

LAB 36.84, 65, -28.65

 

CMYK 0 / 86 / 15 / 42

HEX #93157D

RGB 147 21 125

HSL 310.48, 0.75%, 0.33%

LAB 34.44, 58.69, -27

 

CMYK 0 / 74 / 13 / 47

HEX #862374

RGB 134 35 116

HSL 310.91, 0.59%, 0.33%

LAB 32.99, 50.27, -23.78

 

CMYK 0 / 60 / 11 / 53

HEX #78306B

RGB 120 48 107

HSL 310.83, 0.43%, 0.33%

LAB 32.19, 39.28, -19.49

 

CMYK 0 / 42 / 7 / 58

HEX #6A3E63

RGB 106 62 99

HSL 309.55, 0.26%, 0.33%

LAB 32.72, 25.39, -13.74

 

CMYK 0 / 19 / 3 / 64

HEX #5D4B5A

RGB 93 75 90

HSL 310, 0.11%, 0.33%

LAB 34.19, 10.53, -5.96

 

CMYK 31 / 86 / 0 / 42

HEX #651593

RGB 101 21 147

HSL 278.1, 0.75%, 0.33%

LAB 27.87, 53.83, -51.65

 

CMYK 8 / 86 / 0 / 42

HEX #871593

RGB 135 21 147

HSL 294.29, 0.75%, 0.33%

LAB 33.55, 59.75, -42.19

 

CMYK 0 / 86 / 14 / 42

HEX #93157E

RGB 147 21 126

HSL 310, 0.75%, 0.33%

LAB 34.49, 58.83, -27.55

 

CMYK 0 / 86 / 37 / 42

HEX #93155D

RGB 147 21 93

HSL 325.71, 0.75%, 0.33%

LAB 32.98, 54.65, -8.85

 

CMYK 0 / 86 / 60 / 42

HEX #93153B

RGB 147 21 59

HSL 341.9, 0.75%, 0.33%

LAB 31.93, 51.61, 11.94

 

CMYK 0 / 85 / 15 / 71

HEX #4B0B40

RGB 75 11 64

HSL 310.31, 0.74%, 0.17%

LAB 16.03, 35.08, -16.63

 

CMYK 0 / 86 / 15 / 56

HEX #6F105E

RGB 111 16 94

HSL 310.74, 0.75%, 0.25%

LAB 25.44, 47.25, -21.73

 

CMYK 0 / 86 / 15 / 42

HEX #93157D

RGB 147 21 125

HSL 310.48, 0.75%, 0.33%

LAB 34.44, 58.69, -27

 

CMYK 0 / 86 / 15 / 28

HEX #B71A9B

RGB 183 26 155

HSL 310.7, 0.75%, 0.41%

LAB 43.02, 69.39, -31.48

 

CMYK 0 / 86 / 15 / 14

HEX #DB1FBA

RGB 219 31 186

HSL 310.53, 0.75%, 0.49%

LAB 51.36, 79.8, -36.28

 

CMYK 0 / 86 / 15 / 43

HEX #91157B

RGB 145 21 123

HSL 310.65, 0.75%, 0.33%

LAB 33.95, 57.97, -26.53

 

CMYK 0 / 54 / 86 / 42

HEX #934315

RGB 147 67 21

HSL 21.9, 0.75%, 0.33%

LAB 38.33, 30.99, 41.38

 

CMYK 86 / 0 / 20 / 42

HEX #159376

RGB 21 147 118

HSL 166.19, 0.75%, 0.33%

LAB 54.38, -39.22, 6.32

 

CMYK 0 / 86 / 15 / 43

HEX #91157B

RGB 145 21 123

HSL 310.65, 0.75%, 0.33%

LAB 33.95, 57.97, -26.53

 

CMYK 14 / 0 / 86 / 42

HEX #7E9315

RGB 126 147 21

HSL 70, 0.75%, 0.33%

LAB 57.42, -23.23, 56.97

 

CMYK 86 / 14 / 0 / 42

HEX #157E93

RGB 21 126 147

HSL 190, 0.75%, 0.33%

LAB 48.5, -20.14, -19.28

 

CMYK 0 / 86 / 15 / 43

HEX #91157B

RGB 145 21 123

HSL 310.65, 0.75%, 0.33%

LAB 33.95, 57.97, -26.53

 

CMYK 0 / 54 / 86 / 42

HEX #934315

RGB 147 67 21

HSL 21.9, 0.75%, 0.33%

LAB 38.33, 30.99, 41.38

 

CMYK 86 / 0 / 71 / 42

HEX #15932A

RGB 21 147 42

HSL 130, 0.75%, 0.33%

LAB 53.16, -53.26, 44.46

 

CMYK 86 / 31 / 0 / 42

HEX #156593

RGB 21 101 147

HSL 201.9, 0.75%, 0.33%

LAB 40.53, -5.83, -31.65

 

CMYK 0 / 86 / 15 / 43

HEX #91157B

RGB 145 21 123

HSL 310.65, 0.75%, 0.33%

LAB 33.95, 57.97, -26.53

 

CMYK 0 / 29 / 86 / 42

HEX #936915

RGB 147 105 21

HSL 40, 0.75%, 0.33%

LAB 47.44, 9.46, 49.25

 

CMYK 86 / 0 / 71 / 42

HEX #15932A

RGB 21 147 42

HSL 130, 0.75%, 0.33%

LAB 53.16, -53.26, 44.46

 

CMYK 86 / 57 / 0 / 42

HEX #153F93

RGB 21 63 147

HSL 220, 0.75%, 0.33%

LAB 28.96, 19.27, -50.18

 

Description

Color code: HEX #91157B | qconv.com Color code: HEX #91157B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 145 red, 21 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
145 21 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 86 magenta, 15 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 86% 15% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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