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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90FC6D it is the complementary color #6F0392. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90FC6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90FC6D shade: #95FC68, #A6FF7B, #B7FF8E, #C8FFA1 and #D9FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90FC6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90FC6D shade: #90FC6D, #7FEA5A, #6ED847, #5DC634 and #4CB421

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90FC6D shade: #91FC6E, #B7FC6E, #DDFC6E, #FCF46E and #FCCE6E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90FC6D shade: #91FC6E, #6EFC72, #6EFC98, #6EFCBE and #6EFCE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90FC6D shade matches the following richer shades: #91FC6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90FC6D shade: #91FC6E, #97F07A, #9DE486, #A3D892 and #A9CC9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90FC6D shade: #DDFC6E, #B7FC6E, #92FC6E, #6EFC70 and #6EFC96

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90FC6D shade: #53FA1D, #72FB46, #91FC6E, #B0FD96 and #CEFEBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90FC6D shade: #90FC6D, #6EFCF5 and #FC6ECA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90FC6D shade: #90FC6D, #6E92FC and #FC6E92

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90FC6D shade: #90FC6D, #6EFCF5, #D96EFC and #FC6E75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90FC6D shade: #90FC6D, #6ED9FC, #D96EFC and #FC926E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 57 / 1

HEX #90FC6D

RGB 144 252 109

HSL 105.31, 0.96%, 0.71%

LAB 90.16, -56.48, 57.89

 

Complementary color

CMYK 24 / 98 / 0 / 43

HEX #6F0392

RGB 111 3 146

HSL 285.31, 0.96%, 0.29%

LAB 28.17, 58.89, -50.48

 

CMYK 41 / 0 / 59 / 1

HEX #95FC68

RGB 149 252 104

HSL 101.76, 0.96%, 0.7%

LAB 90.33, -55.47, 60.3

 

CMYK 35 / 0 / 52 / 0

HEX #A6FF7B

RGB 166 255 123

HSL 100.45, 1%, 0.74%

LAB 92.16, -49.38, 54.23

 

CMYK 28 / 0 / 44 / 0

HEX #B7FF8E

RGB 183 255 142

HSL 98.23, 1%, 0.78%

LAB 93.25, -41.58, 46.88

 

CMYK 22 / 0 / 37 / 0

HEX #C8FFA1

RGB 200 255 161

HSL 95.11, 1%, 0.82%

LAB 94.47, -33.38, 39.41

 

CMYK 15 / 0 / 29 / 0

HEX #D9FFB4

RGB 217 255 180

HSL 90.4, 1%, 0.85%

LAB 95.82, -24.88, 31.94

 

CMYK 43 / 0 / 57 / 1

HEX #90FC6D

RGB 144 252 109

HSL 105.31, 0.96%, 0.71%

LAB 90.16, -56.48, 57.89

 

CMYK 46 / 0 / 62 / 8

HEX #7FEA5A

RGB 127 234 90

HSL 104.58, 0.77%, 0.64%

LAB 84.02, -56.34, 58.87

 

CMYK 49 / 0 / 67 / 15

HEX #6ED847

RGB 110 216 71

HSL 103.86, 0.65%, 0.56%

LAB 77.81, -56.05, 59.66

 

CMYK 53 / 0 / 74 / 22

HEX #5DC634

RGB 93 198 52

HSL 103.15, 0.58%, 0.49%

LAB 71.53, -55.53, 60.06

 

CMYK 58 / 0 / 82 / 29

HEX #4CB421

RGB 76 180 33

HSL 102.45, 0.69%, 0.42%

LAB 65.19, -54.68, 59.77

 

CMYK 42 / 0 / 56 / 1

HEX #91FC6E

RGB 145 252 110

HSL 105.21, 0.96%, 0.71%

LAB 90.21, -56.08, 57.52

 

CMYK 27 / 0 / 56 / 1

HEX #B7FC6E

RGB 183 252 110

HSL 89.15, 0.96%, 0.71%

LAB 92.05, -43.7, 60.12

 

CMYK 12 / 0 / 56 / 1

HEX #DDFC6E

RGB 221 252 110

HSL 73.1, 0.96%, 0.71%

LAB 94.36, -29.73, 63.37

 

CMYK 0 / 3 / 56 / 1

HEX #FCF46E

RGB 252 244 110

HSL 56.62, 0.96%, 0.71%

LAB 94.54, -13.77, 64.18

 

CMYK 0 / 18 / 56 / 1

HEX #FCCE6E

RGB 252 206 110

HSL 40.56, 0.96%, 0.71%

LAB 84.98, 5.34, 53.19

 

CMYK 42 / 0 / 56 / 1

HEX #91FC6E

RGB 145 252 110

HSL 105.21, 0.96%, 0.71%

LAB 90.21, -56.08, 57.52

 

CMYK 56 / 0 / 55 / 1

HEX #6EFC72

RGB 110 252 114

HSL 121.69, 0.96%, 0.71%

LAB 88.99, -64.96, 53.99

 

CMYK 56 / 0 / 40 / 1

HEX #6EFC98

RGB 110 252 152

HSL 137.75, 0.96%, 0.71%

LAB 89.49, -59.56, 36.58

 

CMYK 56 / 0 / 25 / 1

HEX #6EFCBE

RGB 110 252 190

HSL 153.8, 0.96%, 0.71%

LAB 90.16, -52.53, 18.3

 

CMYK 56 / 0 / 10 / 1

HEX #6EFCE4

RGB 110 252 228

HSL 169.86, 0.96%, 0.71%

LAB 91.02, -44.04, -0.1

 

CMYK 42 / 0 / 56 / 1

HEX #91FC6E

RGB 145 252 110

HSL 105.21, 0.96%, 0.71%

LAB 90.21, -56.08, 57.52

 

CMYK 42 / 0 / 56 / 1

HEX #91FC6E

RGB 145 252 110

HSL 105.21, 0.96%, 0.71%

LAB 90.21, -56.08, 57.52

 

CMYK 37 / 0 / 49 / 6

HEX #97F07A

RGB 151 240 122

HSL 105.25, 0.8%, 0.71%

LAB 87.15, -47.99, 48.45

 

CMYK 31 / 0 / 41 / 11

HEX #9DE486

RGB 157 228 134

HSL 105.32, 0.64%, 0.71%

LAB 84.16, -39.31, 38.95

 

CMYK 25 / 0 / 32 / 15

HEX #A3D892

RGB 163 216 146

HSL 105.43, 0.47%, 0.71%

LAB 81.28, -30.04, 29.15

 

CMYK 17 / 0 / 23 / 20

HEX #A9CC9E

RGB 169 204 158

HSL 105.65, 0.31%, 0.71%

LAB 78.51, -20.23, 19.17

 

CMYK 12 / 0 / 56 / 1

HEX #DDFC6E

RGB 221 252 110

HSL 73.1, 0.96%, 0.71%

LAB 94.36, -29.73, 63.37

 

CMYK 27 / 0 / 56 / 1

HEX #B7FC6E

RGB 183 252 110

HSL 89.15, 0.96%, 0.71%

LAB 92.05, -43.7, 60.12

 

CMYK 42 / 0 / 56 / 1

HEX #92FC6E

RGB 146 252 110

HSL 104.79, 0.96%, 0.71%

LAB 90.26, -55.78, 57.58

 

CMYK 56 / 0 / 56 / 1

HEX #6EFC70

RGB 110 252 112

HSL 120.85, 0.96%, 0.71%

LAB 88.97, -65.19, 54.86

 

CMYK 56 / 0 / 40 / 1

HEX #6EFC96

RGB 110 252 150

HSL 136.9, 0.96%, 0.71%

LAB 89.46, -59.88, 37.52

 

CMYK 67 / 0 / 88 / 2

HEX #53FA1D

RGB 83 250 29

HSL 105.34, 0.96%, 0.55%

LAB 87.14, -76.32, 80.04

 

CMYK 55 / 0 / 72 / 2

HEX #72FB46

RGB 114 251 70

HSL 105.41, 0.96%, 0.63%

LAB 88.45, -67.76, 71.05

 

CMYK 42 / 0 / 56 / 1

HEX #91FC6E

RGB 145 252 110

HSL 105.21, 0.96%, 0.71%

LAB 90.21, -56.08, 57.52

 

CMYK 30 / 0 / 41 / 1

HEX #B0FD96

RGB 176 253 150

HSL 104.85, 0.96%, 0.79%

LAB 92.43, -41.99, 41.91

 

CMYK 19 / 0 / 25 / 0

HEX #CEFEBF

RGB 206 254 191

HSL 105.71, 0.97%, 0.87%

LAB 95.06, -26.54, 25.25

 

CMYK 43 / 0 / 57 / 1

HEX #90FC6D

RGB 144 252 109

HSL 105.31, 0.96%, 0.71%

LAB 90.16, -56.48, 57.89

 

CMYK 56 / 0 / 3 / 1

HEX #6EFCF5

RGB 110 252 245

HSL 177.04, 0.96%, 0.71%

LAB 91.47, -39.82, -8.26

 

CMYK 0 / 56 / 20 / 1

HEX #FC6ECA

RGB 252 110 202

HSL 321.13, 0.96%, 0.71%

LAB 66.61, 64.06, -21.43

 

CMYK 43 / 0 / 57 / 1

HEX #90FC6D

RGB 144 252 109

HSL 105.31, 0.96%, 0.71%

LAB 90.16, -56.48, 57.89

 

CMYK 56 / 42 / 0 / 1

HEX #6E92FC

RGB 110 146 252

HSL 224.79, 0.96%, 0.71%

LAB 62.42, 17.87, -56.73

 

CMYK 0 / 56 / 42 / 1

HEX #FC6E92

RGB 252 110 146

HSL 344.79, 0.96%, 0.71%

LAB 64.9, 57.35, 7.83

 

CMYK 43 / 0 / 57 / 1

HEX #90FC6D

RGB 144 252 109

HSL 105.31, 0.96%, 0.71%

LAB 90.16, -56.48, 57.89

 

CMYK 56 / 0 / 3 / 1

HEX #6EFCF5

RGB 110 252 245

HSL 177.04, 0.96%, 0.71%

LAB 91.47, -39.82, -8.26

 

CMYK 14 / 56 / 0 / 1

HEX #D96EFC

RGB 217 110 252

HSL 285.21, 0.96%, 0.71%

LAB 64.11, 63.03, -53.48

 

CMYK 0 / 56 / 54 / 1

HEX #FC6E75

RGB 252 110 117

HSL 357.04, 0.96%, 0.71%

LAB 64.27, 54.75, 23.49

 

CMYK 43 / 0 / 57 / 1

HEX #90FC6D

RGB 144 252 109

HSL 105.31, 0.96%, 0.71%

LAB 90.16, -56.48, 57.89

 

CMYK 56 / 14 / 0 / 1

HEX #6ED9FC

RGB 110 217 252

HSL 194.79, 0.96%, 0.71%

LAB 81.82, -21.23, -26.46

 

CMYK 14 / 56 / 0 / 1

HEX #D96EFC

RGB 217 110 252

HSL 285.21, 0.96%, 0.71%

LAB 64.11, 63.03, -53.48

 

CMYK 0 / 42 / 56 / 1

HEX #FC926E

RGB 252 146 110

HSL 15.21, 0.96%, 0.71%

LAB 71.13, 36.59, 36.3

 

Description

Color code: HEX #90FC6D | qconv.com Color code: HEX #90FC6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 252 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 252 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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