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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90FBB5 it is the complementary color #6F044A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90FBB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90FBB5 shade: #95FBB0, #A6FFC3, #B7FFD6, #C8FFE9 and #D9FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90FBB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90FBB5 shade: #90FBB5, #7FE9A2, #6ED78F, #5DC57C and #4CB369

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90FBB5 shade: #8EFBB4, #8EFB96, #A3FB8E, #C0FB8E and #DEFB8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90FBB5 shade: #8EFBB4, #8EFBD1, #8EFBEE, #8EEAFB and #8ECDFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90FBB5 shade matches the following richer shades: #8EFBB4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90FBB5 shade: #8EFBB4, #97F1B6, #A1E8B9, #AADEBC and #B4D5BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90FBB5 shade: #A4FB8E, #8EFB95, #8EFBB2, #8EFBCF and #8EFBEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90FBB5 shade: #3EF87E, #66F999, #8EFBB4, #B6FCCE and #DDFEE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90FBB5 shade: #90FBB5, #8EC1FB and #FB8E95

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90FBB5 shade: #90FBB5, #B28EFB and #FBB28E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90FBB5 shade: #90FBB5, #8EC1FB, #FB8ED7 and #FBC88E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90FBB5 shade: #90FBB5, #8EA0FB, #FB8ED7 and #FBE98E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 28 / 2

HEX #90FBB5

RGB 144 251 181

HSL 140.75, 0.93%, 0.77%

LAB 90.9, -45.79, 24.11

 

Complementary color

CMYK 0 / 96 / 33 / 56

HEX #6F044A

RGB 111 4 74

HSL 320.75, 0.93%, 0.23%

LAB 23.54, 47.17, -11.29

 

CMYK 41 / 0 / 30 / 2

HEX #95FBB0

RGB 149 251 176

HSL 135.88, 0.93%, 0.78%

LAB 91.02, -45.31, 26.84

 

CMYK 35 / 0 / 24 / 0

HEX #A6FFC3

RGB 166 255 195

HSL 139.55, 1%, 0.83%

LAB 93.26, -38.88, 20.39

 

CMYK 28 / 0 / 16 / 0

HEX #B7FFD6

RGB 183 255 214

HSL 145.83, 1%, 0.86%

LAB 94.5, -30.37, 12.53

 

CMYK 22 / 0 / 9 / 0

HEX #C8FFE9

RGB 200 255 233

HSL 156, 1%, 0.89%

LAB 95.86, -21.61, 4.84

 

CMYK 15 / 0 / 1 / 0

HEX #D9FFFC

RGB 217 255 252

HSL 175.26, 1%, 0.93%

LAB 97.35, -12.69, -2.66

 

CMYK 43 / 0 / 28 / 2

HEX #90FBB5

RGB 144 251 181

HSL 140.75, 0.93%, 0.77%

LAB 90.9, -45.79, 24.11

 

CMYK 45 / 0 / 30 / 9

HEX #7FE9A2

RGB 127 233 162

HSL 139.81, 0.71%, 0.71%

LAB 84.69, -46.01, 25.22

 

CMYK 49 / 0 / 33 / 16

HEX #6ED78F

RGB 110 215 143

HSL 138.86, 0.57%, 0.64%

LAB 78.4, -46.19, 26.4

 

CMYK 53 / 0 / 37 / 23

HEX #5DC57C

RGB 93 197 124

HSL 137.88, 0.47%, 0.57%

LAB 72.04, -46.31, 27.67

 

CMYK 58 / 0 / 41 / 30

HEX #4CB369

RGB 76 179 105

HSL 136.89, 0.4%, 0.5%

LAB 65.59, -46.32, 29.03

 

CMYK 43 / 0 / 28 / 2

HEX #8EFBB4

RGB 142 251 180

HSL 140.92, 0.93%, 0.77%

LAB 90.8, -46.5, 24.47

 

CMYK 43 / 0 / 40 / 2

HEX #8EFB96

RGB 142 251 150

HSL 124.4, 0.93%, 0.77%

LAB 90.3, -51.46, 38.84

 

CMYK 35 / 0 / 43 / 2

HEX #A3FB8E

RGB 163 251 142

HSL 108.44, 0.93%, 0.77%

LAB 91.11, -46.35, 43.97

 

CMYK 24 / 0 / 43 / 2

HEX #C0FB8E

RGB 192 251 142

HSL 92.48, 0.93%, 0.77%

LAB 92.64, -36.72, 46.22

 

CMYK 12 / 0 / 43 / 2

HEX #DEFB8E

RGB 222 251 142

HSL 75.96, 0.93%, 0.77%

LAB 94.52, -25.9, 48.97

 

CMYK 43 / 0 / 28 / 2

HEX #8EFBB4

RGB 142 251 180

HSL 140.92, 0.93%, 0.77%

LAB 90.8, -46.5, 24.47

 

CMYK 43 / 0 / 17 / 2

HEX #8EFBD1

RGB 142 251 209

HSL 156.88, 0.93%, 0.77%

LAB 91.39, -40.85, 10.41

 

CMYK 43 / 0 / 5 / 2

HEX #8EFBEE

RGB 142 251 238

HSL 172.84, 0.93%, 0.77%

LAB 92.1, -34.44, -3.58

 

CMYK 43 / 7 / 0 / 2

HEX #8EEAFB

RGB 142 234 251

HSL 189.36, 0.93%, 0.77%

LAB 87.76, -23.15, -16.82

 

CMYK 43 / 18 / 0 / 2

HEX #8ECDFB

RGB 142 205 251

HSL 205.32, 0.93%, 0.77%

LAB 79.83, -8.36, -28.85

 

CMYK 43 / 0 / 28 / 2

HEX #8EFBB4

RGB 142 251 180

HSL 140.92, 0.93%, 0.77%

LAB 90.8, -46.5, 24.47

 

CMYK 43 / 0 / 28 / 2

HEX #8EFBB4

RGB 142 251 180

HSL 140.92, 0.93%, 0.77%

LAB 90.8, -46.5, 24.47

 

CMYK 37 / 0 / 24 / 5

HEX #97F1B6

RGB 151 241 182

HSL 140.67, 0.76%, 0.77%

LAB 88.38, -39.27, 20.17

 

CMYK 31 / 0 / 20 / 9

HEX #A1E8B9

RGB 161 232 185

HSL 140.28, 0.61%, 0.77%

LAB 86.4, -31.63, 15.91

 

CMYK 23 / 0 / 15 / 13

HEX #AADEBC

RGB 170 222 188

HSL 140.77, 0.44%, 0.77%

LAB 84.18, -23.48, 11.28

 

CMYK 15 / 0 / 10 / 16

HEX #B4D5BF

RGB 180 213 191

HSL 140, 0.28%, 0.77%

LAB 82.41, -15.18, 7.23

 

CMYK 35 / 0 / 43 / 2

HEX #A4FB8E

RGB 164 251 142

HSL 107.89, 0.93%, 0.77%

LAB 91.16, -46.03, 44.04

 

CMYK 43 / 0 / 41 / 2

HEX #8EFB95

RGB 142 251 149

HSL 123.85, 0.93%, 0.77%

LAB 90.28, -51.61, 39.31

 

CMYK 43 / 0 / 29 / 2

HEX #8EFBB2

RGB 142 251 178

HSL 139.82, 0.93%, 0.77%

LAB 90.76, -46.86, 25.43

 

CMYK 43 / 0 / 18 / 2

HEX #8EFBCF

RGB 142 251 207

HSL 155.78, 0.93%, 0.77%

LAB 91.35, -41.27, 11.38

 

CMYK 43 / 0 / 6 / 2

HEX #8EFBEC

RGB 142 251 236

HSL 171.74, 0.93%, 0.77%

LAB 92.04, -34.9, -2.62

 

CMYK 75 / 0 / 49 / 3

HEX #3EF87E

RGB 62 248 126

HSL 140.65, 0.93%, 0.61%

LAB 86.83, -70.68, 45.57

 

CMYK 59 / 0 / 39 / 2

HEX #66F999

RGB 102 249 153

HSL 140.82, 0.92%, 0.69%

LAB 88.39, -59.95, 34.59

 

CMYK 43 / 0 / 28 / 2

HEX #8EFBB4

RGB 142 251 180

HSL 140.92, 0.93%, 0.77%

LAB 90.8, -46.5, 24.47

 

CMYK 28 / 0 / 18 / 1

HEX #B6FCCE

RGB 182 252 206

HSL 140.57, 0.92%, 0.85%

LAB 93.46, -30.75, 15.15

 

CMYK 13 / 0 / 8 / 0

HEX #DDFEE9

RGB 221 254 233

HSL 141.82, 0.94%, 0.93%

LAB 96.88, -14.52, 6.46

 

CMYK 43 / 0 / 28 / 2

HEX #90FBB5

RGB 144 251 181

HSL 140.75, 0.93%, 0.77%

LAB 90.9, -45.79, 24.11

 

CMYK 43 / 23 / 0 / 2

HEX #8EC1FB

RGB 142 193 251

HSL 211.93, 0.93%, 0.77%

LAB 76.59, -1.93, -33.84

 

CMYK 0 / 43 / 41 / 2

HEX #FB8E95

RGB 251 142 149

HSL 356.15, 0.93%, 0.77%

LAB 70.89, 41.84, 14.58

 

CMYK 43 / 0 / 28 / 2

HEX #90FBB5

RGB 144 251 181

HSL 140.75, 0.93%, 0.77%

LAB 90.9, -45.79, 24.11

 

CMYK 29 / 43 / 0 / 2

HEX #B28EFB

RGB 178 142 251

HSL 259.82, 0.93%, 0.77%

LAB 66.35, 36.03, -49.65

 

CMYK 0 / 29 / 43 / 2

HEX #FBB28E

RGB 251 178 142

HSL 19.82, 0.93%, 0.77%

LAB 78.64, 22.39, 28.99

 

CMYK 43 / 0 / 28 / 2

HEX #90FBB5

RGB 144 251 181

HSL 140.75, 0.93%, 0.77%

LAB 90.9, -45.79, 24.11

 

CMYK 43 / 23 / 0 / 2

HEX #8EC1FB

RGB 142 193 251

HSL 211.93, 0.93%, 0.77%

LAB 76.59, -1.93, -33.84

 

CMYK 0 / 43 / 14 / 2

HEX #FB8ED7

RGB 251 142 215

HSL 319.82, 0.93%, 0.77%

LAB 72.73, 50.51, -19.36

 

CMYK 0 / 20 / 43 / 2

HEX #FBC88E

RGB 251 200 142

HSL 31.93, 0.93%, 0.77%

LAB 83.85, 10.87, 35.86

 

CMYK 43 / 0 / 28 / 2

HEX #90FBB5

RGB 144 251 181

HSL 140.75, 0.93%, 0.77%

LAB 90.9, -45.79, 24.11

 

CMYK 43 / 36 / 0 / 2

HEX #8EA0FB

RGB 142 160 251

HSL 230.09, 0.93%, 0.77%

LAB 67.92, 16.51, -47.37

 

CMYK 0 / 43 / 14 / 2

HEX #FB8ED7

RGB 251 142 215

HSL 319.82, 0.93%, 0.77%

LAB 72.73, 50.51, -19.36

 

CMYK 0 / 7 / 43 / 2

HEX #FBE98E

RGB 251 233 142

HSL 50.09, 0.93%, 0.77%

LAB 92.02, -6.01, 46.31

 

Description

Color code: HEX #90FBB5 | qconv.com Color code: HEX #90FBB5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 251 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 251 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 28 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 28% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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