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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90F852 it is the complementary color #6F07AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90F852. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90F852 shade: #95F84D, #A6FF60, #B7FF73, #C8FF86 and #D9FF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90F852. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90F852 shade: #90F852, #7FE63F, #6ED42C, #5DC219 and #4CB006

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90F852 shade: #91F854, #BDF854, #EAF854, #F8DA54 and #F8AE54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90F852 shade: #91F854, #65F854, #54F86F, #54F89B and #54F8C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90F852 shade matches the following richer shades: #91F854

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90F852 shade: #91F854, #95E962, #98DB71, #9CCD7F and #A0BE8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90F852 shade: #EAF854, #BEF854, #93F854, #67F854 and #54F86C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90F852 shade: #60EF0A, #78F62C, #91F854, #AAFA7B and #C4FBA3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90F852 shade: #90F852, #54F8DA and #F854D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90F852 shade: #90F852, #5493F8 and #F85493

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90F852 shade: #90F852, #54F8DA, #B954F8 and #F85472

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90F852 shade: #90F852, #54E5F8, #B954F8 and #F86754

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 67 / 3

HEX #90F852

RGB 144 248 82

HSL 97.59, 0.92%, 0.65%

LAB 88.77, -57.35, 67.43

 

Complementary color

CMYK 36 / 96 / 0 / 32

HEX #6F07AD

RGB 111 7 173

HSL 277.59, 0.92%, 0.35%

LAB 30.76, 63.61, -62.69

 

CMYK 40 / 0 / 69 / 3

HEX #95F84D

RGB 149 248 77

HSL 94.74, 0.92%, 0.64%

LAB 88.95, -56.14, 69.54

 

CMYK 35 / 0 / 62 / 0

HEX #A6FF60

RGB 166 255 96

HSL 93.58, 1%, 0.69%

LAB 91.9, -51.99, 65.59

 

CMYK 28 / 0 / 55 / 0

HEX #B7FF73

RGB 183 255 115

HSL 90.86, 1%, 0.73%

LAB 92.94, -44.53, 58.95

 

CMYK 22 / 0 / 47 / 0

HEX #C8FF86

RGB 200 255 134

HSL 87.27, 1%, 0.76%

LAB 94.11, -36.62, 51.94

 

CMYK 15 / 0 / 40 / 0

HEX #D9FF99

RGB 217 255 153

HSL 82.35, 1%, 0.8%

LAB 95.4, -28.38, 44.73

 

CMYK 42 / 0 / 67 / 3

HEX #90F852

RGB 144 248 82

HSL 97.59, 0.92%, 0.65%

LAB 88.77, -57.35, 67.43

 

CMYK 45 / 0 / 73 / 10

HEX #7FE63F

RGB 127 230 63

HSL 97.01, 0.77%, 0.57%

LAB 82.63, -56.95, 67.76

 

CMYK 48 / 0 / 79 / 17

HEX #6ED42C

RGB 110 212 44

HSL 96.43, 0.66%, 0.5%

LAB 76.43, -56.34, 67.52

 

CMYK 52 / 0 / 87 / 24

HEX #5DC219

RGB 93 194 25

HSL 95.86, 0.77%, 0.43%

LAB 70.16, -55.44, 66.33

 

CMYK 57 / 0 / 97 / 31

HEX #4CB006

RGB 76 176 6

HSL 95.29, 0.93%, 0.36%

LAB 63.84, -54.15, 63.77

 

CMYK 42 / 0 / 66 / 3

HEX #91F854

RGB 145 248 84

HSL 97.68, 0.92%, 0.65%

LAB 88.83, -56.88, 66.74

 

CMYK 24 / 0 / 66 / 3

HEX #BDF854

RGB 189 248 84

HSL 81.59, 0.92%, 0.65%

LAB 91.05, -41.87, 69.76

 

CMYK 6 / 0 / 66 / 3

HEX #EAF854

RGB 234 248 84

HSL 65.12, 0.92%, 0.65%

LAB 94, -24.54, 73.73

 

CMYK 0 / 12 / 66 / 3

HEX #F8DA54

RGB 248 218 84

HSL 49.02, 0.92%, 0.65%

LAB 87.36, -4.13, 67.24

 

CMYK 0 / 30 / 66 / 3

HEX #F8AE54

RGB 248 174 84

HSL 32.93, 0.92%, 0.65%

LAB 76.6, 18.65, 55.71

 

CMYK 42 / 0 / 66 / 3

HEX #91F854

RGB 145 248 84

HSL 97.68, 0.92%, 0.65%

LAB 88.83, -56.88, 66.74

 

CMYK 59 / 0 / 66 / 3

HEX #65F854

RGB 101 248 84

HSL 113.78, 0.92%, 0.65%

LAB 87.26, -68.74, 64.6

 

CMYK 66 / 0 / 55 / 3

HEX #54F86F

RGB 84 248 111

HSL 129.88, 0.92%, 0.65%

LAB 87.08, -69.32, 52.9

 

CMYK 66 / 0 / 38 / 3

HEX #54F89B

RGB 84 248 155

HSL 145.98, 0.92%, 0.65%

LAB 87.67, -62.61, 32.56

 

CMYK 66 / 0 / 20 / 3

HEX #54F8C7

RGB 84 248 199

HSL 162.07, 0.92%, 0.65%

LAB 88.52, -53.62, 11.24

 

CMYK 42 / 0 / 66 / 3

HEX #91F854

RGB 145 248 84

HSL 97.68, 0.92%, 0.65%

LAB 88.83, -56.88, 66.74

 

CMYK 42 / 0 / 66 / 3

HEX #91F854

RGB 145 248 84

HSL 97.68, 0.92%, 0.65%

LAB 88.83, -56.88, 66.74

 

CMYK 36 / 0 / 58 / 9

HEX #95E962

RGB 149 233 98

HSL 97.33, 0.75%, 0.65%

LAB 84.77, -48.32, 56.55

 

CMYK 31 / 0 / 48 / 14

HEX #98DB71

RGB 152 219 113

HSL 97.92, 0.6%, 0.65%

LAB 81.03, -39.65, 45.25

 

CMYK 24 / 0 / 38 / 20

HEX #9CCD7F

RGB 156 205 127

HSL 97.69, 0.44%, 0.65%

LAB 77.44, -30.02, 33.78

 

CMYK 16 / 0 / 26 / 25

HEX #A0BE8D

RGB 160 190 141

HSL 96.73, 0.27%, 0.65%

LAB 73.69, -19.17, 21.48

 

CMYK 6 / 0 / 66 / 3

HEX #EAF854

RGB 234 248 84

HSL 65.12, 0.92%, 0.65%

LAB 94, -24.54, 73.73

 

CMYK 23 / 0 / 66 / 3

HEX #BEF854

RGB 190 248 84

HSL 81.22, 0.92%, 0.65%

LAB 91.11, -41.5, 69.84

 

CMYK 41 / 0 / 66 / 3

HEX #93F854

RGB 147 248 84

HSL 96.95, 0.92%, 0.65%

LAB 88.91, -56.26, 66.86

 

CMYK 58 / 0 / 66 / 3

HEX #67F854

RGB 103 248 84

HSL 113.05, 0.92%, 0.65%

LAB 87.32, -68.28, 64.68

 

CMYK 66 / 0 / 56 / 3

HEX #54F86C

RGB 84 248 108

HSL 128.78, 0.92%, 0.65%

LAB 87.05, -69.69, 54.2

 

CMYK 60 / 0 / 96 / 6

HEX #60EF0A

RGB 96 239 10

HSL 97.47, 0.92%, 0.49%

LAB 84.09, -70.52, 79.98

 

CMYK 51 / 0 / 82 / 4

HEX #78F62C

RGB 120 246 44

HSL 97.43, 0.92%, 0.57%

LAB 87.04, -65.86, 77.33

 

CMYK 42 / 0 / 66 / 3

HEX #91F854

RGB 145 248 84

HSL 97.68, 0.92%, 0.65%

LAB 88.83, -56.88, 66.74

 

CMYK 32 / 0 / 51 / 2

HEX #AAFA7B

RGB 170 250 123

HSL 97.8, 0.93%, 0.73%

LAB 90.94, -45.96, 52.81

 

CMYK 22 / 0 / 35 / 2

HEX #C4FBA3

RGB 196 251 163

HSL 97.5, 0.92%, 0.81%

LAB 93.18, -32.64, 36.68

 

CMYK 42 / 0 / 67 / 3

HEX #90F852

RGB 144 248 82

HSL 97.59, 0.92%, 0.65%

LAB 88.77, -57.35, 67.43

 

CMYK 66 / 0 / 12 / 3

HEX #54F8DA

RGB 84 248 218

HSL 169.02, 0.92%, 0.65%

LAB 88.96, -49.12, 2.01

 

CMYK 0 / 66 / 15 / 3

HEX #F854D4

RGB 248 84 212

HSL 313.17, 0.92%, 0.65%

LAB 62.55, 74.94, -33.36

 

CMYK 42 / 0 / 67 / 3

HEX #90F852

RGB 144 248 82

HSL 97.59, 0.92%, 0.65%

LAB 88.77, -57.35, 67.43

 

CMYK 66 / 41 / 0 / 3

HEX #5493F8

RGB 84 147 248

HSL 216.95, 0.92%, 0.65%

LAB 61.25, 11.34, -56.49

 

CMYK 0 / 66 / 41 / 3

HEX #F85493

RGB 248 84 147

HSL 336.95, 0.92%, 0.65%

LAB 60.25, 67.13, 0.46

 

CMYK 42 / 0 / 67 / 3

HEX #90F852

RGB 144 248 82

HSL 97.59, 0.92%, 0.65%

LAB 88.77, -57.35, 67.43

 

CMYK 66 / 0 / 12 / 3

HEX #54F8DA

RGB 84 248 218

HSL 169.02, 0.92%, 0.65%

LAB 88.96, -49.12, 2.01

 

CMYK 25 / 66 / 0 / 3

HEX #B954F8

RGB 185 84 248

HSL 276.95, 0.92%, 0.65%

LAB 55.51, 66.82, -65.24

 

CMYK 0 / 66 / 54 / 3

HEX #F85472

RGB 248 84 114

HSL 349.02, 0.92%, 0.65%

LAB 59.45, 64.27, 18.59

 

CMYK 42 / 0 / 67 / 3

HEX #90F852

RGB 144 248 82

HSL 97.59, 0.92%, 0.65%

LAB 88.77, -57.35, 67.43

 

CMYK 66 / 8 / 0 / 3

HEX #54E5F8

RGB 84 229 248

HSL 186.95, 0.92%, 0.65%

LAB 84.33, -32.58, -20.6

 

CMYK 25 / 66 / 0 / 3

HEX #B954F8

RGB 185 84 248

HSL 276.95, 0.92%, 0.65%

LAB 55.51, 66.82, -65.24

 

CMYK 0 / 58 / 66 / 3

HEX #F86754

RGB 248 103 84

HSL 6.95, 0.92%, 0.65%

LAB 61.91, 54.35, 38.83

 

Description

Color code: HEX #90F852 | qconv.com Color code: HEX #90F852 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 248 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 248 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 67 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 67% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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