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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90F63E it is the complementary color #6F09C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90F63E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90F63E shade: #95F639, #A6FF4C, #B7FF5F, #C8FF72 and #D9FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90F63E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90F63E shade: #90F63E, #7FE42B, #6ED218, #5DC005 and #4CAE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90F63E shade: #8FF63C, #C1F63C, #F3F63C, #F6C73C and #F6943C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90F63E shade: #8FF63C, #5DF63C, #3CF64E, #3CF680 and #3CF6B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90F63E shade matches the following richer shades: #8FF63C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90F63E shade: #8FF63C, #91E54D, #93D55D, #94C46E and #96B47E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90F63E shade: #F3F63C, #C1F63C, #90F63C, #5EF63C and #3CF64C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90F63E shade: #65D50A, #78F415, #8FF63C, #A6F864 and #BCFA8B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90F63E shade: #90F63E, #3CF6C7 and #F63CDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90F63E shade: #90F63E, #3C90F6 and #F63C90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90F63E shade: #90F63E, #3CF6C7, #A23CF6 and #F63C6B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90F63E shade: #90F63E, #3CEDF6, #A23CF6 and #F6453C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 75 / 4

HEX #90F63E

RGB 144 246 62

HSL 93.26, 0.91%, 0.6%

LAB 88.06, -57.89, 73.65

 

Complementary color

CMYK 42 / 95 / 0 / 24

HEX #6F09C1

RGB 111 9 193

HSL 273.26, 0.91%, 0.4%

LAB 32.76, 67.52, -71.29

 

CMYK 39 / 0 / 77 / 4

HEX #95F639

RGB 149 246 57

HSL 90.79, 0.91%, 0.59%

LAB 88.25, -56.56, 75.42

 

CMYK 35 / 0 / 70 / 0

HEX #A6FF4C

RGB 166 255 76

HSL 89.83, 1%, 0.65%

LAB 91.75, -53.45, 73

 

CMYK 28 / 0 / 63 / 0

HEX #B7FF5F

RGB 183 255 95

HSL 87, 1%, 0.69%

LAB 92.76, -46.26, 67.19

 

CMYK 22 / 0 / 55 / 0

HEX #C8FF72

RGB 200 255 114

HSL 83.4, 1%, 0.72%

LAB 93.89, -38.6, 60.74

 

CMYK 15 / 0 / 48 / 0

HEX #D9FF85

RGB 217 255 133

HSL 78.69, 1%, 0.76%

LAB 95.15, -30.56, 53.91

 

CMYK 41 / 0 / 75 / 4

HEX #90F63E

RGB 144 246 62

HSL 93.26, 0.91%, 0.6%

LAB 88.06, -57.89, 73.65

 

CMYK 44 / 0 / 81 / 11

HEX #7FE42B

RGB 127 228 43

HSL 92.76, 0.77%, 0.53%

LAB 81.93, -57.26, 73.08

 

CMYK 48 / 0 / 89 / 18

HEX #6ED218

RGB 110 210 24

HSL 92.26, 0.79%, 0.46%

LAB 75.75, -56.38, 71.54

 

CMYK 52 / 0 / 97 / 25

HEX #5DC005

RGB 93 192 5

HSL 91.76, 0.95%, 0.39%

LAB 69.5, -55.18, 68.69

 

CMYK 56 / 0 / 100 / 32

HEX #4CAE00

RGB 76 174 0

HSL 93.79, 1%, 0.34%

LAB 63.18, -53.56, 64.03

 

CMYK 42 / 0 / 76 / 4

HEX #8FF63C

RGB 143 246 60

HSL 93.23, 0.91%, 0.6%

LAB 88.01, -58.32, 74.2

 

CMYK 22 / 0 / 76 / 4

HEX #C1F63C

RGB 193 246 60

HSL 77.1, 0.91%, 0.6%

LAB 90.59, -40.85, 77.55

 

CMYK 1 / 0 / 76 / 4

HEX #F3F63C

RGB 243 246 60

HSL 60.97, 0.91%, 0.6%

LAB 94.01, -21.07, 81.96

 

CMYK 0 / 19 / 76 / 4

HEX #F6C73C

RGB 246 199 60

HSL 44.84, 0.91%, 0.6%

LAB 82.25, 3.61, 71.22

 

CMYK 0 / 40 / 76 / 4

HEX #F6943C

RGB 246 148 60

HSL 28.39, 0.91%, 0.6%

LAB 70.25, 30.29, 59.67

 

CMYK 42 / 0 / 76 / 4

HEX #8FF63C

RGB 143 246 60

HSL 93.23, 0.91%, 0.6%

LAB 88.01, -58.32, 74.2

 

CMYK 62 / 0 / 76 / 4

HEX #5DF63C

RGB 93 246 60

HSL 109.35, 0.91%, 0.6%

LAB 86.29, -71.63, 71.95

 

CMYK 76 / 0 / 68 / 4

HEX #3CF64E

RGB 60 246 78

HSL 125.81, 0.91%, 0.6%

LAB 85.72, -76.02, 64.97

 

CMYK 76 / 0 / 48 / 4

HEX #3CF680

RGB 60 246 128

HSL 141.94, 0.91%, 0.6%

LAB 86.22, -69.97, 43.84

 

CMYK 76 / 0 / 28 / 4

HEX #3CF6B2

RGB 60 246 178

HSL 158.06, 0.91%, 0.6%

LAB 87.04, -60.73, 19.94

 

CMYK 42 / 0 / 76 / 4

HEX #8FF63C

RGB 143 246 60

HSL 93.23, 0.91%, 0.6%

LAB 88.01, -58.32, 74.2

 

CMYK 42 / 0 / 76 / 4

HEX #8FF63C

RGB 143 246 60

HSL 93.23, 0.91%, 0.6%

LAB 88.01, -58.32, 74.2

 

CMYK 37 / 0 / 66 / 10

HEX #91E54D

RGB 145 229 77

HSL 93.16, 0.75%, 0.6%

LAB 83.23, -49.81, 63.52

 

CMYK 31 / 0 / 56 / 16

HEX #93D55D

RGB 147 213 93

HSL 93, 0.59%, 0.6%

LAB 78.8, -40.92, 51.88

 

CMYK 24 / 0 / 44 / 23

HEX #94C46E

RGB 148 196 110

HSL 93.49, 0.42%, 0.6%

LAB 74.13, -30.89, 38.08

 

CMYK 17 / 0 / 30 / 29

HEX #96B47E

RGB 150 180 126

HSL 93.33, 0.26%, 0.6%

LAB 69.92, -20.11, 24.28

 

CMYK 1 / 0 / 76 / 4

HEX #F3F63C

RGB 243 246 60

HSL 60.97, 0.91%, 0.6%

LAB 94.01, -21.07, 81.96

 

CMYK 22 / 0 / 76 / 4

HEX #C1F63C

RGB 193 246 60

HSL 77.1, 0.91%, 0.6%

LAB 90.59, -40.85, 77.55

 

CMYK 41 / 0 / 76 / 4

HEX #90F63C

RGB 144 246 60

HSL 92.9, 0.91%, 0.6%

LAB 88.05, -58, 74.26

 

CMYK 62 / 0 / 76 / 4

HEX #5EF63C

RGB 94 246 60

HSL 109.03, 0.91%, 0.6%

LAB 86.31, -71.42, 71.98

 

CMYK 76 / 0 / 69 / 4

HEX #3CF64C

RGB 60 246 76

HSL 125.16, 0.91%, 0.6%

LAB 85.7, -76.2, 65.7

 

CMYK 53 / 0 / 95 / 16

HEX #65D50A

RGB 101 213 10

HSL 93.1, 0.91%, 0.44%

LAB 76.3, -60.41, 73.76

 

CMYK 51 / 0 / 91 / 4

HEX #78F415

RGB 120 244 21

HSL 93.36, 0.91%, 0.52%

LAB 86.38, -65.87, 81

 

CMYK 42 / 0 / 76 / 4

HEX #8FF63C

RGB 143 246 60

HSL 93.23, 0.91%, 0.6%

LAB 88.01, -58.32, 74.2

 

CMYK 33 / 0 / 60 / 3

HEX #A6F864

RGB 166 248 100

HSL 93.24, 0.91%, 0.68%

LAB 89.93, -48.74, 61.77

 

CMYK 25 / 0 / 44 / 2

HEX #BCFA8B

RGB 188 250 139

HSL 93.51, 0.92%, 0.76%

LAB 92.1, -38.02, 46.93

 

CMYK 41 / 0 / 75 / 4

HEX #90F63E

RGB 144 246 62

HSL 93.26, 0.91%, 0.6%

LAB 88.06, -57.89, 73.65

 

CMYK 76 / 0 / 19 / 4

HEX #3CF6C7

RGB 60 246 199

HSL 164.84, 0.91%, 0.6%

LAB 87.48, -55.98, 9.71

 

CMYK 0 / 76 / 11 / 4

HEX #F63CDA

RGB 246 60 218

HSL 309.03, 0.91%, 0.6%

LAB 59.79, 83, -41.09

 

CMYK 41 / 0 / 75 / 4

HEX #90F63E

RGB 144 246 62

HSL 93.26, 0.91%, 0.6%

LAB 88.06, -57.89, 73.65

 

CMYK 76 / 41 / 0 / 4

HEX #3C90F6

RGB 60 144 246

HSL 212.9, 0.91%, 0.6%

LAB 59.49, 9.16, -58.24

 

CMYK 0 / 76 / 41 / 4

HEX #F63C90

RGB 246 60 144

HSL 332.9, 0.91%, 0.6%

LAB 56.92, 74.4, -2.7

 

CMYK 41 / 0 / 75 / 4

HEX #90F63E

RGB 144 246 62

HSL 93.26, 0.91%, 0.6%

LAB 88.06, -57.89, 73.65

 

CMYK 76 / 0 / 19 / 4

HEX #3CF6C7

RGB 60 246 199

HSL 164.84, 0.91%, 0.6%

LAB 87.48, -55.98, 9.71

 

CMYK 34 / 76 / 0 / 4

HEX #A23CF6

RGB 162 60 246

HSL 272.9, 0.91%, 0.6%

LAB 48.97, 71.93, -74.87

 

CMYK 0 / 76 / 57 / 4

HEX #F63C6B

RGB 246 60 107

HSL 344.84, 0.91%, 0.6%

LAB 55.97, 71.44, 17.91

 

CMYK 41 / 0 / 75 / 4

HEX #90F63E

RGB 144 246 62

HSL 93.26, 0.91%, 0.6%

LAB 88.06, -57.89, 73.65

 

CMYK 76 / 4 / 0 / 4

HEX #3CEDF6

RGB 60 237 246

HSL 182.9, 0.91%, 0.6%

LAB 86.1, -39.75, -16.92

 

CMYK 34 / 76 / 0 / 4

HEX #A23CF6

RGB 162 60 246

HSL 272.9, 0.91%, 0.6%

LAB 48.97, 71.93, -74.87

 

CMYK 0 / 72 / 76 / 4

HEX #F6453C

RGB 246 69 60

HSL 2.9, 0.91%, 0.6%

LAB 56.26, 66.16, 45.31

 

Description

Color code: HEX #90F63E | qconv.com Color code: HEX #90F63E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 246 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 246 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 75 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 75% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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