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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90F39E it is the complementary color #6F0C61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90F39E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90F39E shade: #95F399, #A6FFAC, #B7FFBF, #C8FFD2 and #D9FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90F39E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90F39E shade: #90F39E, #7FE18B, #6ECF78, #5DBD65 and #4CAB52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90F39E shade: #91F39F, #9DF391, #B8F391, #D2F391 and #EDF391

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90F39E shade: #91F39F, #91F3B9, #91F3D3, #91F3EE and #91DDF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90F39E shade matches the following richer shades: #91F39F and #87FD98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90F39E shade: #91F39F, #9BE9A6, #A5DFAD, #AFD5B4 and #B8CBBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90F39E shade: #B8F391, #9EF391, #91F39E, #91F3B8 and #91F3D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90F39E shade: #47EB5E, #6CEF7E, #91F39F, #B6F7BF and #DBFBE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90F39E shade: #90F39E, #91D2F3 and #F391AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90F39E shade: #90F39E, #9E91F3 and #F39E91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90F39E shade: #90F39E, #91D2F3, #F391E6 and #F3B191

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90F39E shade: #90F39E, #91B5F3, #F391E6 and #F3CF91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 35 / 5

HEX #90F39E

RGB 144 243 158

HSL 128.48, 0.8%, 0.76%

LAB 88.21, -46.29, 32.12

 

Complementary color

CMYK 0 / 89 / 13 / 56

HEX #6F0C61

RGB 111 12 97

HSL 308.48, 0.8%, 0.24%

LAB 25.28, 48.66, -23.95

 

CMYK 39 / 0 / 37 / 5

HEX #95F399

RGB 149 243 153

HSL 122.55, 0.8%, 0.77%

LAB 88.35, -45.62, 34.85

 

CMYK 35 / 0 / 33 / 0

HEX #A6FFAC

RGB 166 255 172

HSL 124.04, 1%, 0.83%

LAB 92.84, -42.79, 31.46

 

CMYK 28 / 0 / 25 / 0

HEX #B7FFBF

RGB 183 255 191

HSL 126.67, 1%, 0.86%

LAB 94.03, -34.46, 23.63

 

CMYK 22 / 0 / 18 / 0

HEX #C8FFD2

RGB 200 255 210

HSL 130.91, 1%, 0.89%

LAB 95.35, -25.84, 15.91

 

CMYK 15 / 0 / 10 / 0

HEX #D9FFE5

RGB 217 255 229

HSL 138.95, 1%, 0.93%

LAB 96.79, -17.02, 8.36

 

CMYK 41 / 0 / 35 / 5

HEX #90F39E

RGB 144 243 158

HSL 128.48, 0.8%, 0.76%

LAB 88.21, -46.29, 32.12

 

CMYK 44 / 0 / 38 / 12

HEX #7FE18B

RGB 127 225 139

HSL 127.35, 0.62%, 0.69%

LAB 81.96, -46.5, 33.31

 

CMYK 47 / 0 / 42 / 19

HEX #6ECF78

RGB 110 207 120

HSL 126.19, 0.5%, 0.62%

LAB 75.64, -46.66, 34.57

 

CMYK 51 / 0 / 47 / 26

HEX #5DBD65

RGB 93 189 101

HSL 125, 0.42%, 0.55%

LAB 69.23, -46.74, 35.88

 

CMYK 56 / 0 / 52 / 33

HEX #4CAB52

RGB 76 171 82

HSL 123.79, 0.38%, 0.48%

LAB 62.74, -46.69, 37.24

 

CMYK 40 / 0 / 35 / 5

HEX #91F39F

RGB 145 243 159

HSL 128.57, 0.8%, 0.76%

LAB 88.27, -45.84, 31.7

 

CMYK 35 / 0 / 40 / 5

HEX #9DF391

RGB 157 243 145

HSL 112.65, 0.8%, 0.76%

LAB 88.6, -44.37, 39.22

 

CMYK 24 / 0 / 40 / 5

HEX #B8F391

RGB 184 243 145

HSL 96.12, 0.8%, 0.76%

LAB 90.02, -35.49, 41.33

 

CMYK 14 / 0 / 40 / 5

HEX #D2F391

RGB 210 243 145

HSL 80.2, 0.8%, 0.76%

LAB 91.62, -26.21, 43.7

 

CMYK 2 / 0 / 40 / 5

HEX #EDF391

RGB 237 243 145

HSL 63.67, 0.8%, 0.76%

LAB 93.52, -16.07, 46.5

 

CMYK 40 / 0 / 35 / 5

HEX #91F39F

RGB 145 243 159

HSL 128.57, 0.8%, 0.76%

LAB 88.27, -45.84, 31.7

 

CMYK 40 / 0 / 24 / 5

HEX #91F3B9

RGB 145 243 185

HSL 144.49, 0.8%, 0.76%

LAB 88.74, -41.28, 19.08

 

CMYK 40 / 0 / 13 / 5

HEX #91F3D3

RGB 145 243 211

HSL 160.41, 0.8%, 0.76%

LAB 89.31, -36.05, 6.41

 

CMYK 40 / 0 / 2 / 5

HEX #91F3EE

RGB 145 243 238

HSL 176.94, 0.8%, 0.76%

LAB 90, -29.97, -6.67

 

CMYK 40 / 9 / 0 / 5

HEX #91DDF3

RGB 145 221 243

HSL 193.47, 0.8%, 0.76%

LAB 84.07, -17.97, -18.14

 

CMYK 40 / 0 / 35 / 5

HEX #91F39F

RGB 145 243 159

HSL 128.57, 0.8%, 0.76%

LAB 88.27, -45.84, 31.7

 

CMYK 47 / 0 / 40 / 1

HEX #87FD98

RGB 135 253 152

HSL 128.64, 0.97%, 0.76%

LAB 90.63, -53.88, 38.23

 

CMYK 40 / 0 / 35 / 5

HEX #91F39F

RGB 145 243 159

HSL 128.57, 0.8%, 0.76%

LAB 88.27, -45.84, 31.7

 

CMYK 33 / 0 / 29 / 9

HEX #9BE9A6

RGB 155 233 166

HSL 128.46, 0.64%, 0.76%

LAB 86.01, -37.3, 25.16

 

CMYK 26 / 0 / 22 / 13

HEX #A5DFAD

RGB 165 223 173

HSL 128.28, 0.48%, 0.76%

LAB 83.86, -28.28, 18.65

 

CMYK 18 / 0 / 15 / 16

HEX #AFD5B4

RGB 175 213 180

HSL 127.89, 0.31%, 0.76%

LAB 81.84, -18.86, 12.21

 

CMYK 9 / 0 / 8 / 20

HEX #B8CBBB

RGB 184 203 187

HSL 129.47, 0.15%, 0.76%

LAB 79.89, -9.45, 5.78

 

CMYK 24 / 0 / 40 / 5

HEX #B8F391

RGB 184 243 145

HSL 96.12, 0.8%, 0.76%

LAB 90.02, -35.49, 41.33

 

CMYK 35 / 0 / 40 / 5

HEX #9EF391

RGB 158 243 145

HSL 112.04, 0.8%, 0.76%

LAB 88.65, -44.06, 39.29

 

CMYK 40 / 0 / 35 / 5

HEX #91F39E

RGB 145 243 158

HSL 127.96, 0.8%, 0.76%

LAB 88.25, -46, 32.18

 

CMYK 40 / 0 / 24 / 5

HEX #91F3B8

RGB 145 243 184

HSL 143.88, 0.8%, 0.76%

LAB 88.72, -41.47, 19.57

 

CMYK 40 / 0 / 14 / 5

HEX #91F3D2

RGB 145 243 210

HSL 159.8, 0.8%, 0.76%

LAB 89.29, -36.26, 6.89

 

CMYK 70 / 0 / 60 / 8

HEX #47EB5E

RGB 71 235 94

HSL 128.41, 0.8%, 0.6%

LAB 82.68, -69.28, 55.21

 

CMYK 55 / 0 / 47 / 6

HEX #6CEF7E

RGB 108 239 126

HSL 128.24, 0.8%, 0.68%

LAB 85.21, -59.04, 43.78

 

CMYK 40 / 0 / 35 / 5

HEX #91F39F

RGB 145 243 159

HSL 128.57, 0.8%, 0.76%

LAB 88.27, -45.84, 31.7

 

CMYK 26 / 0 / 23 / 3

HEX #B6F7BF

RGB 182 247 191

HSL 128.31, 0.8%, 0.84%

LAB 91.79, -31.07, 20.51

 

CMYK 13 / 0 / 11 / 2

HEX #DBFBE0

RGB 219 251 224

HSL 129.38, 0.8%, 0.92%

LAB 95.76, -15.29, 9.47

 

CMYK 41 / 0 / 35 / 5

HEX #90F39E

RGB 144 243 158

HSL 128.48, 0.8%, 0.76%

LAB 88.21, -46.29, 32.12

 

CMYK 40 / 14 / 0 / 5

HEX #91D2F3

RGB 145 210 243

HSL 200.2, 0.8%, 0.76%

LAB 81.06, -12.33, -22.7

 

CMYK 0 / 40 / 30 / 5

HEX #F391AB

RGB 243 145 171

HSL 344.08, 0.8%, 0.76%

LAB 71.04, 40.06, 2.42

 

CMYK 41 / 0 / 35 / 5

HEX #90F39E

RGB 144 243 158

HSL 128.48, 0.8%, 0.76%

LAB 88.21, -46.29, 32.12

 

CMYK 35 / 40 / 0 / 5

HEX #9E91F3

RGB 158 145 243

HSL 247.96, 0.8%, 0.76%

LAB 64.96, 27, -47.58

 

CMYK 0 / 35 / 40 / 5

HEX #F39E91

RGB 243 158 145

HSL 7.96, 0.8%, 0.76%

LAB 73.25, 30.16, 19.93

 

CMYK 41 / 0 / 35 / 5

HEX #90F39E

RGB 144 243 158

HSL 128.48, 0.8%, 0.76%

LAB 88.21, -46.29, 32.12

 

CMYK 40 / 14 / 0 / 5

HEX #91D2F3

RGB 145 210 243

HSL 200.2, 0.8%, 0.76%

LAB 81.06, -12.33, -22.7

 

CMYK 0 / 40 / 5 / 5

HEX #F391E6

RGB 243 145 230

HSL 307.96, 0.8%, 0.76%

LAB 72.9, 48.95, -27.43

 

CMYK 0 / 27 / 40 / 5

HEX #F3B191

RGB 243 177 145

HSL 19.59, 0.8%, 0.76%

LAB 77.6, 20.13, 25.86

 

CMYK 41 / 0 / 35 / 5

HEX #90F39E

RGB 144 243 158

HSL 128.48, 0.8%, 0.76%

LAB 88.21, -46.29, 32.12

 

CMYK 40 / 26 / 0 / 5

HEX #91B5F3

RGB 145 181 243

HSL 217.96, 0.8%, 0.76%

LAB 73.25, 3.22, -34.69

 

CMYK 0 / 40 / 5 / 5

HEX #F391E6

RGB 243 145 230

HSL 307.96, 0.8%, 0.76%

LAB 72.9, 48.95, -27.43

 

CMYK 0 / 15 / 40 / 5

HEX #F3CF91

RGB 243 207 145

HSL 37.96, 0.8%, 0.76%

LAB 84.86, 4.4, 35.49

 

Description

Color code: HEX #90F39E | qconv.com Color code: HEX #90F39E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 243 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 243 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 35 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 35% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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