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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90F0D7 it is the complementary color #6F0F28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90F0D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90F0D7 shade: #95F0D2, #A6FFE5, #B7FFF8, #C8FFFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90F0D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90F0D7 shade: #90F0D7, #7FDEC4, #6ECCB1, #5DBA9E and #4CA88B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90F0D7 shade: #8FF0D6, #8FF0BC, #8FF0A2, #96F08F and #B0F08F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90F0D7 shade: #8FF0D6, #8FEFF0, #8FD5F0, #8FBBF0 and #8FA0F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90F0D7 shade matches the following richer shades: #8FF0D6 and #84FADB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90F0D7 shade: #8FF0D6, #99E5D2, #A3DBCD, #AED1C8 and #B8C6C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90F0D7 shade: #8FF0A2, #8FF0BC, #8FF0D6, #8FF0F0 and #8FD6F0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90F0D7 shade: #46E6BC, #6AEBC9, #8FF0D6, #B3F5E4 and #D7FAF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90F0D7 shade: #90F0D7, #8F95F0 and #F0AF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90F0D7 shade: #90F0D7, #D68FF0 and #F0D68F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90F0D7 shade: #90F0D7, #8F95F0, #F08FA9 and #F0E98F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90F0D7 shade: #90F0D7, #A58FF0, #F08FA9 and #D9F08F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 10 / 6

HEX #90F0D7

RGB 144 240 215

HSL 164.38, 0.76%, 0.75%

LAB 88.52, -34.05, 3.18

 

Complementary color

CMYK 0 / 86 / 64 / 56

HEX #6F0F28

RGB 111 15 40

HSL 344.38, 0.76%, 0.25%

LAB 23.25, 41.48, 11.75

 

CMYK 38 / 0 / 13 / 6

HEX #95F0D2

RGB 149 240 210

HSL 160.22, 0.75%, 0.76%

LAB 88.62, -33.82, 5.96

 

CMYK 35 / 0 / 10 / 0

HEX #A6FFE5

RGB 166 255 229

HSL 162.47, 1%, 0.83%

LAB 94.01, -32.23, 3.98

 

CMYK 28 / 0 / 3 / 0

HEX #B7FFF8

RGB 183 255 248

HSL 174.17, 1%, 0.86%

LAB 95.31, -23.52, -3.81

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 40 / 0 / 10 / 6

HEX #90F0D7

RGB 144 240 215

HSL 164.38, 0.76%, 0.75%

LAB 88.52, -34.05, 3.18

 

CMYK 43 / 0 / 12 / 13

HEX #7FDEC4

RGB 127 222 196

HSL 163.58, 0.59%, 0.68%

LAB 82.24, -34.22, 3.98

 

CMYK 46 / 0 / 13 / 20

HEX #6ECCB1

RGB 110 204 177

HSL 162.77, 0.48%, 0.62%

LAB 75.87, -34.36, 4.83

 

CMYK 50 / 0 / 15 / 27

HEX #5DBA9E

RGB 93 186 158

HSL 161.94, 0.4%, 0.55%

LAB 69.41, -34.48, 5.75

 

CMYK 55 / 0 / 17 / 34

HEX #4CA88B

RGB 76 168 139

HSL 161.09, 0.38%, 0.48%

LAB 62.85, -34.54, 6.75

 

CMYK 40 / 0 / 11 / 6

HEX #8FF0D6

RGB 143 240 214

HSL 163.92, 0.76%, 0.75%

LAB 88.45, -34.53, 3.6

 

CMYK 40 / 0 / 22 / 6

HEX #8FF0BC

RGB 143 240 188

HSL 147.84, 0.76%, 0.75%

LAB 87.87, -39.91, 16.29

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A2

RGB 143 240 162

HSL 131.75, 0.76%, 0.75%

LAB 87.37, -44.63, 28.97

 

CMYK 38 / 0 / 40 / 6

HEX #96F08F

RGB 150 240 143

HSL 115.67, 0.76%, 0.75%

LAB 87.38, -45.52, 38.57

 

CMYK 27 / 0 / 40 / 6

HEX #B0F08F

RGB 176 240 143

HSL 99.59, 0.76%, 0.75%

LAB 88.7, -37.13, 40.54

 

CMYK 40 / 0 / 11 / 6

HEX #8FF0D6

RGB 143 240 214

HSL 163.92, 0.76%, 0.75%

LAB 88.45, -34.53, 3.6

 

CMYK 40 / 0 / 0 / 6

HEX #8FEFF0

RGB 143 239 240

HSL 180.62, 0.76%, 0.75%

LAB 88.86, -28.07, -9.41

 

CMYK 40 / 11 / 0 / 6

HEX #8FD5F0

RGB 143 213 240

HSL 196.7, 0.76%, 0.75%

LAB 81.69, -15.16, -20.16

 

CMYK 40 / 22 / 0 / 6

HEX #8FBBF0

RGB 143 187 240

HSL 212.78, 0.76%, 0.75%

LAB 74.62, -1.4, -30.96

 

CMYK 40 / 33 / 0 / 6

HEX #8FA0F0

RGB 143 160 240

HSL 229.48, 0.76%, 0.75%

LAB 67.48, 13.69, -42.04

 

CMYK 40 / 0 / 11 / 6

HEX #8FF0D6

RGB 143 240 214

HSL 163.92, 0.76%, 0.75%

LAB 88.45, -34.53, 3.6

 

CMYK 47 / 0 / 12 / 2

HEX #84FADB

RGB 132 250 219

HSL 164.24, 0.92%, 0.75%

LAB 90.96, -40.65, 4.56

 

CMYK 40 / 0 / 11 / 6

HEX #8FF0D6

RGB 143 240 214

HSL 163.92, 0.76%, 0.75%

LAB 88.45, -34.53, 3.6

 

CMYK 33 / 0 / 8 / 10

HEX #99E5D2

RGB 153 229 210

HSL 165, 0.59%, 0.75%

LAB 85.74, -27.53, 1.81

 

CMYK 26 / 0 / 6 / 14

HEX #A3DBCD

RGB 163 219 205

HSL 165, 0.44%, 0.75%

LAB 83.37, -20.8, 1.06

 

CMYK 17 / 0 / 4 / 18

HEX #AED1C8

RGB 174 209 200

HSL 164.57, 0.28%, 0.75%

LAB 81.16, -13.36, 0.59

 

CMYK 7 / 0 / 2 / 22

HEX #B8C6C3

RGB 184 198 195

HSL 167.14, 0.11%, 0.75%

LAB 78.76, -5.34, -0.15

 

CMYK 40 / 0 / 33 / 6

HEX #8FF0A2

RGB 143 240 162

HSL 131.75, 0.76%, 0.75%

LAB 87.37, -44.63, 28.97

 

CMYK 40 / 0 / 22 / 6

HEX #8FF0BC

RGB 143 240 188

HSL 147.84, 0.76%, 0.75%

LAB 87.87, -39.91, 16.29

 

CMYK 40 / 0 / 11 / 6

HEX #8FF0D6

RGB 143 240 214

HSL 163.92, 0.76%, 0.75%

LAB 88.45, -34.53, 3.6

 

CMYK 40 / 0 / 0 / 6

HEX #8FF0F0

RGB 143 240 240

HSL 180, 0.76%, 0.75%

LAB 89.14, -28.55, -8.99

 

CMYK 40 / 11 / 0 / 6

HEX #8FD6F0

RGB 143 214 240

HSL 196.08, 0.76%, 0.75%

LAB 81.96, -15.67, -19.75

 

CMYK 70 / 0 / 18 / 10

HEX #46E6BC

RGB 70 230 188

HSL 164.25, 0.76%, 0.59%

LAB 82.66, -50.88, 8.59

 

CMYK 55 / 0 / 14 / 8

HEX #6AEBC9

RGB 106 235 201

HSL 164.19, 0.76%, 0.67%

LAB 85.35, -43.74, 5.74

 

CMYK 40 / 0 / 11 / 6

HEX #8FF0D6

RGB 143 240 214

HSL 163.92, 0.76%, 0.75%

LAB 88.45, -34.53, 3.6

 

CMYK 27 / 0 / 7 / 4

HEX #B3F5E4

RGB 179 245 228

HSL 164.55, 0.77%, 0.83%

LAB 91.9, -24.03, 1.53

 

CMYK 14 / 0 / 4 / 2

HEX #D7FAF1

RGB 215 250 241

HSL 164.57, 0.78%, 0.91%

LAB 95.65, -12.96, 0.51

 

CMYK 40 / 0 / 10 / 6

HEX #90F0D7

RGB 144 240 215

HSL 164.38, 0.76%, 0.75%

LAB 88.52, -34.05, 3.18

 

CMYK 40 / 38 / 0 / 6

HEX #8F95F0

RGB 143 149 240

HSL 236.29, 0.76%, 0.75%

LAB 64.66, 20.01, -46.47

 

CMYK 0 / 27 / 40 / 6

HEX #F0AF8F

RGB 240 175 143

HSL 19.79, 0.76%, 0.75%

LAB 76.78, 19.8, 25.76

 

CMYK 40 / 0 / 10 / 6

HEX #90F0D7

RGB 144 240 215

HSL 164.38, 0.76%, 0.75%

LAB 88.52, -34.05, 3.18

 

CMYK 11 / 40 / 0 / 6

HEX #D68FF0

RGB 214 143 240

HSL 283.92, 0.76%, 0.75%

LAB 69.63, 43.16, -38.22

 

CMYK 0 / 11 / 40 / 6

HEX #F0D68F

RGB 240 214 143

HSL 43.92, 0.76%, 0.75%

LAB 86.31, -0.6, 38.34

 

CMYK 40 / 0 / 10 / 6

HEX #90F0D7

RGB 144 240 215

HSL 164.38, 0.76%, 0.75%

LAB 88.52, -34.05, 3.18

 

CMYK 40 / 38 / 0 / 6

HEX #8F95F0

RGB 143 149 240

HSL 236.29, 0.76%, 0.75%

LAB 64.66, 20.01, -46.47

 

CMYK 0 / 40 / 30 / 6

HEX #F08FA9

RGB 240 143 169

HSL 343.92, 0.76%, 0.75%

LAB 70.2, 39.78, 2.27

 

CMYK 0 / 3 / 40 / 6

HEX #F0E98F

RGB 240 233 143

HSL 55.67, 0.76%, 0.75%

LAB 91.14, -10.2, 44.53

 

CMYK 40 / 0 / 10 / 6

HEX #90F0D7

RGB 144 240 215

HSL 164.38, 0.76%, 0.75%

LAB 88.52, -34.05, 3.18

 

CMYK 31 / 40 / 0 / 6

HEX #A58FF0

RGB 165 143 240

HSL 253.61, 0.76%, 0.75%

LAB 64.91, 29.24, -45.96

 

CMYK 0 / 40 / 30 / 6

HEX #F08FA9

RGB 240 143 169

HSL 343.92, 0.76%, 0.75%

LAB 70.2, 39.78, 2.27

 

CMYK 10 / 0 / 40 / 6

HEX #D9F08F

RGB 217 240 143

HSL 74.23, 0.76%, 0.75%

LAB 91.26, -22.41, 44.32

 

Description

Color code: HEX #90F0D7 | qconv.com Color code: HEX #90F0D7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 240 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 240 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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