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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90EFD6 it is the complementary color #6F1029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90EFD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90EFD6 shade: #95EFD1, #A6FFE4, #B7FFF7, #C8FFFF and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90EFD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90EFD6 shade: #90EFD6, #7FDDC3, #6ECBB0, #5DB99D and #4CA78A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90EFD6 shade: #8FEFD6, #8FEFBC, #8FEFA2, #96EF8F and #B0EF8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90EFD6 shade: #8FEFD6, #8FEEEF, #8FD5EF, #8FBBEF and #8FA1EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90EFD6 shade matches the following richer shades: #8FEFD6 and #85F9DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90EFD6 shade: #8FEFD6, #9AE5D1, #A4DACC, #AED0C7 and #B9C6C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90EFD6 shade: #8FEFA3, #8FEFBC, #8FEFD6, #8FEFEF and #8FD6EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90EFD6 shade: #47E5BB, #6BEAC9, #8FEFD6, #B4F4E3 and #D8F9F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90EFD6 shade: #90EFD6, #8F96EF and #EFAF8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90EFD6 shade: #90EFD6, #D68FEF and #EFD68F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90EFD6 shade: #90EFD6, #8F96EF, #EF8FA9 and #EFE98F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90EFD6 shade: #90EFD6, #A68FEF, #EF8FA9 and #D9EF8F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 10 / 6

HEX #90EFD6

RGB 144 239 214

HSL 164.21, 0.75%, 0.75%

LAB 88.22, -33.81, 3.26

 

Complementary color

CMYK 0 / 86 / 63 / 56

HEX #6F1029

RGB 111 16 41

HSL 344.21, 0.75%, 0.25%

LAB 23.37, 41.27, 11.22

 

CMYK 38 / 0 / 13 / 6

HEX #95EFD1

RGB 149 239 209

HSL 160, 0.74%, 0.76%

LAB 88.32, -33.57, 6.04

 

CMYK 35 / 0 / 11 / 0

HEX #A6FFE4

RGB 166 255 228

HSL 161.8, 1%, 0.83%

LAB 93.98, -32.44, 4.46

 

CMYK 28 / 0 / 3 / 0

HEX #B7FFF7

RGB 183 255 247

HSL 173.33, 1%, 0.86%

LAB 95.29, -23.74, -3.33

 

CMYK 22 / 0 / 0 / 0

HEX #C8FFFF

RGB 200 255 255

HSL 180, 1%, 0.89%

LAB 96.42, -17.18, -5.69

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 40 / 0 / 10 / 6

HEX #90EFD6

RGB 144 239 214

HSL 164.21, 0.75%, 0.75%

LAB 88.22, -33.81, 3.26

 

CMYK 43 / 0 / 12 / 13

HEX #7FDDC3

RGB 127 221 195

HSL 163.4, 0.58%, 0.68%

LAB 81.93, -33.97, 4.06

 

CMYK 46 / 0 / 13 / 20

HEX #6ECBB0

RGB 110 203 176

HSL 162.58, 0.47%, 0.61%

LAB 75.55, -34.12, 4.91

 

CMYK 50 / 0 / 15 / 27

HEX #5DB99D

RGB 93 185 157

HSL 161.74, 0.4%, 0.55%

LAB 69.08, -34.25, 5.83

 

CMYK 54 / 0 / 17 / 35

HEX #4CA78A

RGB 76 167 138

HSL 160.88, 0.37%, 0.48%

LAB 62.52, -34.31, 6.84

 

CMYK 40 / 0 / 10 / 6

HEX #8FEFD6

RGB 143 239 214

HSL 164.38, 0.75%, 0.75%

LAB 88.17, -34.06, 3.19

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBC

RGB 143 239 188

HSL 148.13, 0.75%, 0.75%

LAB 87.58, -39.46, 15.89

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA2

RGB 143 239 162

HSL 131.88, 0.75%, 0.75%

LAB 87.09, -44.19, 28.58

 

CMYK 37 / 0 / 40 / 6

HEX #96EF8F

RGB 150 239 143

HSL 115.63, 0.75%, 0.75%

LAB 87.09, -45.09, 38.2

 

CMYK 26 / 0 / 40 / 6

HEX #B0EF8F

RGB 176 239 143

HSL 99.38, 0.75%, 0.75%

LAB 88.42, -36.67, 40.18

 

CMYK 40 / 0 / 10 / 6

HEX #8FEFD6

RGB 143 239 214

HSL 164.38, 0.75%, 0.75%

LAB 88.17, -34.06, 3.19

 

CMYK 40 / 0 / 0 / 6

HEX #8FEEEF

RGB 143 238 239

HSL 180.63, 0.75%, 0.75%

LAB 88.55, -27.83, -9.34

 

CMYK 40 / 11 / 0 / 6

HEX #8FD5EF

RGB 143 213 239

HSL 196.25, 0.75%, 0.75%

LAB 81.65, -15.41, -19.68

 

CMYK 40 / 22 / 0 / 6

HEX #8FBBEF

RGB 143 187 239

HSL 212.5, 0.75%, 0.75%

LAB 74.58, -1.66, -30.47

 

CMYK 40 / 33 / 0 / 6

HEX #8FA1EF

RGB 143 161 239

HSL 228.75, 0.75%, 0.75%

LAB 67.7, 12.85, -41.16

 

CMYK 40 / 0 / 10 / 6

HEX #8FEFD6

RGB 143 239 214

HSL 164.38, 0.75%, 0.75%

LAB 88.17, -34.06, 3.19

 

CMYK 47 / 0 / 12 / 2

HEX #85F9DB

RGB 133 249 219

HSL 164.48, 0.91%, 0.75%

LAB 90.71, -39.97, 4.21

 

CMYK 40 / 0 / 10 / 6

HEX #8FEFD6

RGB 143 239 214

HSL 164.38, 0.75%, 0.75%

LAB 88.17, -34.06, 3.19

 

CMYK 33 / 0 / 9 / 10

HEX #9AE5D1

RGB 154 229 209

HSL 164, 0.59%, 0.75%

LAB 85.76, -27.46, 2.37

 

CMYK 25 / 0 / 6 / 15

HEX #A4DACC

RGB 164 218 204

HSL 164.44, 0.42%, 0.75%

LAB 83.12, -20.21, 1.24

 

CMYK 16 / 0 / 4 / 18

HEX #AED0C7

RGB 174 208 199

HSL 164.12, 0.27%, 0.75%

LAB 80.87, -13.05, 0.69

 

CMYK 7 / 0 / 2 / 22

HEX #B9C6C2

RGB 185 198 194

HSL 161.54, 0.1%, 0.75%

LAB 78.81, -5.2, 0.46

 

CMYK 40 / 0 / 32 / 6

HEX #8FEFA3

RGB 143 239 163

HSL 132.5, 0.75%, 0.75%

LAB 87.1, -44.02, 28.1

 

CMYK 40 / 0 / 21 / 6

HEX #8FEFBC

RGB 143 239 188

HSL 148.13, 0.75%, 0.75%

LAB 87.58, -39.46, 15.89

 

CMYK 40 / 0 / 10 / 6

HEX #8FEFD6

RGB 143 239 214

HSL 164.38, 0.75%, 0.75%

LAB 88.17, -34.06, 3.19

 

CMYK 40 / 0 / 0 / 6

HEX #8FEFEF

RGB 143 239 239

HSL 180, 0.75%, 0.75%

LAB 88.83, -28.31, -8.92

 

CMYK 40 / 10 / 0 / 6

HEX #8FD6EF

RGB 143 214 239

HSL 195.63, 0.75%, 0.75%

LAB 81.93, -15.92, -19.26

 

CMYK 69 / 0 / 18 / 10

HEX #47E5BB

RGB 71 229 187

HSL 164.05, 0.75%, 0.59%

LAB 82.36, -50.57, 8.69

 

CMYK 54 / 0 / 14 / 8

HEX #6BEAC9

RGB 107 234 201

HSL 164.41, 0.75%, 0.67%

LAB 85.09, -43.1, 5.37

 

CMYK 40 / 0 / 10 / 6

HEX #8FEFD6

RGB 143 239 214

HSL 164.38, 0.75%, 0.75%

LAB 88.17, -34.06, 3.19

 

CMYK 26 / 0 / 7 / 4

HEX #B4F4E3

RGB 180 244 227

HSL 164.06, 0.74%, 0.83%

LAB 91.66, -23.46, 1.7

 

CMYK 13 / 0 / 4 / 2

HEX #D8F9F0

RGB 216 249 240

HSL 163.64, 0.73%, 0.91%

LAB 95.43, -12.34, 0.72

 

CMYK 40 / 0 / 10 / 6

HEX #90EFD6

RGB 144 239 214

HSL 164.21, 0.75%, 0.75%

LAB 88.22, -33.81, 3.26

 

CMYK 40 / 37 / 0 / 6

HEX #8F96EF

RGB 143 150 239

HSL 235.63, 0.75%, 0.75%

LAB 64.87, 19.16, -45.59

 

CMYK 0 / 27 / 40 / 6

HEX #EFAF8F

RGB 239 175 143

HSL 20, 0.75%, 0.75%

LAB 76.68, 19.42, 25.6

 

CMYK 40 / 0 / 10 / 6

HEX #90EFD6

RGB 144 239 214

HSL 164.21, 0.75%, 0.75%

LAB 88.22, -33.81, 3.26

 

CMYK 10 / 40 / 0 / 6

HEX #D68FEF

RGB 214 143 239

HSL 284.38, 0.75%, 0.75%

LAB 69.59, 42.96, -37.74

 

CMYK 0 / 10 / 40 / 6

HEX #EFD68F

RGB 239 214 143

HSL 44.38, 0.75%, 0.75%

LAB 86.22, -0.99, 38.21

 

CMYK 40 / 0 / 10 / 6

HEX #90EFD6

RGB 144 239 214

HSL 164.21, 0.75%, 0.75%

LAB 88.22, -33.81, 3.26

 

CMYK 40 / 37 / 0 / 6

HEX #8F96EF

RGB 143 150 239

HSL 235.63, 0.75%, 0.75%

LAB 64.87, 19.16, -45.59

 

CMYK 0 / 40 / 29 / 6

HEX #EF8FA9

RGB 239 143 169

HSL 343.75, 0.75%, 0.75%

LAB 70.08, 39.43, 2.07

 

CMYK 0 / 3 / 40 / 6

HEX #EFE98F

RGB 239 233 143

HSL 56.25, 0.75%, 0.75%

LAB 91.06, -10.58, 44.41

 

CMYK 40 / 0 / 10 / 6

HEX #90EFD6

RGB 144 239 214

HSL 164.21, 0.75%, 0.75%

LAB 88.22, -33.81, 3.26

 

CMYK 31 / 40 / 0 / 6

HEX #A68FEF

RGB 166 143 239

HSL 254.38, 0.75%, 0.75%

LAB 64.95, 29.26, -45.34

 

CMYK 0 / 40 / 29 / 6

HEX #EF8FA9

RGB 239 143 169

HSL 343.75, 0.75%, 0.75%

LAB 70.08, 39.43, 2.07

 

CMYK 9 / 0 / 40 / 6

HEX #D9EF8F

RGB 217 239 143

HSL 73.75, 0.75%, 0.75%

LAB 90.99, -21.93, 43.99

 

Description

Color code: HEX #90EFD6 | qconv.com Color code: HEX #90EFD6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 239 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 239 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 10 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 10% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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