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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90DFC4 it is the complementary color #6F203B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90DFC4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90DFC4 shade: #95DFBF, #A6F1D2, #B7FFE5, #C8FFF8 and #D9FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90DFC4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90DFC4 shade: #90DFC4, #7FCDB1, #6EBB9E, #5DA98B and #4C9778

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90DFC4 shade: #90DFC4, #90DFAF, #90DF9A, #9CDF90 and #B1DF90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90DFC4 shade: #90DFC4, #90DFD9, #90CFDF, #90BADF and #90A5DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90DFC4 shade matches the following richer shades: #90DFC4, #85EAC8 and #79F6CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90DFC4 shade: #90DFC4, #9CD3C0, #A7C8BD, #B3BCB9 and #BFB1B5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90DFC4 shade: #90DF99, #90DFAE, #90DFC3, #90DFD8 and #90D0DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90DFC4 shade: #50CCA2, #70D6B3, #90DFC4, #B0E8D5 and #D0F1E6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90DFC4 shade: #90DFC4, #909CDF and #DFA490

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90DFC4 shade: #90DFC4, #C390DF and #DFC390

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90DFC4 shade: #90DFC4, #909CDF, #DF90AC and #DFD390

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90DFC4 shade: #90DFC4, #9C90DF, #DF90AC and #D3DF90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

Complementary color

CMYK 0 / 71 / 47 / 56

HEX #6F203B

RGB 111 32 59

HSL 339.49, 0.55%, 0.28%

LAB 25.95, 37.05, 2.48

 

CMYK 33 / 0 / 14 / 13

HEX #95DFBF

RGB 149 223 191

HSL 154.05, 0.54%, 0.73%

LAB 83.4, -29.78, 8.43

 

CMYK 31 / 0 / 13 / 5

HEX #A6F1D2

RGB 166 241 210

HSL 155.2, 0.73%, 0.8%

LAB 89.71, -29.56, 7.62

 

CMYK 28 / 0 / 10 / 0

HEX #B7FFE5

RGB 183 255 229

HSL 158.33, 1%, 0.86%

LAB 94.84, -27.46, 5.3

 

CMYK 22 / 0 / 3 / 0

HEX #C8FFF8

RGB 200 255 248

HSL 172.36, 1%, 0.89%

LAB 96.24, -18.63, -2.35

 

CMYK 15 / 0 / 0 / 0

HEX #D9FFFF

RGB 217 255 255

HSL 180, 1%, 0.93%

LAB 97.43, -12.1, -4.08

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 38 / 0 / 14 / 20

HEX #7FCDB1

RGB 127 205 177

HSL 158.46, 0.44%, 0.65%

LAB 76.89, -30.37, 6.4

 

CMYK 41 / 0 / 16 / 27

HEX #6EBB9E

RGB 110 187 158

HSL 157.4, 0.36%, 0.58%

LAB 70.4, -30.59, 7.27

 

CMYK 45 / 0 / 18 / 34

HEX #5DA98B

RGB 93 169 139

HSL 156.32, 0.31%, 0.51%

LAB 63.81, -30.8, 8.21

 

CMYK 50 / 0 / 21 / 41

HEX #4C9778

RGB 76 151 120

HSL 155.2, 0.33%, 0.45%

LAB 57.1, -30.98, 9.25

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 35 / 0 / 22 / 13

HEX #90DFAF

RGB 144 223 175

HSL 143.54, 0.55%, 0.72%

LAB 82.81, -34.39, 15.97

 

CMYK 35 / 0 / 31 / 13

HEX #90DF9A

RGB 144 223 154

HSL 127.59, 0.55%, 0.72%

LAB 82.4, -38.16, 26.36

 

CMYK 30 / 0 / 35 / 13

HEX #9CDF90

RGB 156 223 144

HSL 110.89, 0.55%, 0.72%

LAB 82.84, -35.94, 32.18

 

CMYK 21 / 0 / 35 / 13

HEX #B1DF90

RGB 177 223 144

HSL 94.94, 0.55%, 0.72%

LAB 84.04, -28.77, 33.98

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 35 / 0 / 3 / 13

HEX #90DFD9

RGB 144 223 217

HSL 175.44, 0.55%, 0.72%

LAB 83.82, -25.51, -4.76

 

CMYK 35 / 7 / 0 / 13

HEX #90CFDF

RGB 144 207 223

HSL 192.15, 0.55%, 0.72%

LAB 79.55, -16.08, -14.31

 

CMYK 35 / 17 / 0 / 13

HEX #90BADF

RGB 144 186 223

HSL 208.1, 0.55%, 0.72%

LAB 73.79, -5.04, -23.02

 

CMYK 35 / 26 / 0 / 13

HEX #90A5DF

RGB 144 165 223

HSL 224.05, 0.55%, 0.72%

LAB 68.14, 6.54, -31.68

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 43 / 0 / 15 / 8

HEX #85EAC8

RGB 133 234 200

HSL 159.8, 0.71%, 0.72%

LAB 86.01, -37.35, 7.34

 

CMYK 51 / 0 / 17 / 4

HEX #79F6CB

RGB 121 246 203

HSL 159.36, 0.87%, 0.72%

LAB 89.06, -44.9, 10.08

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 26 / 0 / 9 / 17

HEX #9CD3C0

RGB 156 211 192

HSL 159.27, 0.38%, 0.72%

LAB 80.44, -21.65, 3.68

 

CMYK 17 / 0 / 5 / 22

HEX #A7C8BD

RGB 167 200 189

HSL 160, 0.23%, 0.72%

LAB 77.99, -13.21, 1.81

 

CMYK 5 / 0 / 2 / 26

HEX #B3BCB9

RGB 179 188 185

HSL 160, 0.06%, 0.72%

LAB 75.48, -3.68, 0.43

 

CMYK 0 / 7 / 5 / 25

HEX #BFB1B5

RGB 191 177 181

HSL 342.86, 0.1%, 0.72%

LAB 73.45, 5.7, -0.24

 

CMYK 35 / 0 / 31 / 13

HEX #90DF99

RGB 144 223 153

HSL 126.84, 0.55%, 0.72%

LAB 82.38, -38.33, 26.85

 

CMYK 35 / 0 / 22 / 13

HEX #90DFAE

RGB 144 223 174

HSL 142.78, 0.55%, 0.72%

LAB 82.79, -34.58, 16.47

 

CMYK 35 / 0 / 13 / 13

HEX #90DFC3

RGB 144 223 195

HSL 158.73, 0.55%, 0.72%

LAB 83.26, -30.37, 6.07

 

CMYK 35 / 0 / 3 / 13

HEX #90DFD8

RGB 144 223 216

HSL 174.68, 0.55%, 0.72%

LAB 83.79, -25.74, -4.27

 

CMYK 35 / 7 / 0 / 13

HEX #90D0DF

RGB 144 208 223

HSL 191.39, 0.55%, 0.72%

LAB 79.82, -16.59, -13.89

 

CMYK 61 / 0 / 21 / 20

HEX #50CCA2

RGB 80 204 162

HSL 159.68, 0.55%, 0.56%

LAB 74.51, -44.39, 10.81

 

CMYK 48 / 0 / 16 / 16

HEX #70D6B3

RGB 112 214 179

HSL 159.41, 0.55%, 0.64%

LAB 78.92, -38.03, 8.16

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 24 / 0 / 8 / 9

HEX #B0E8D5

RGB 176 232 213

HSL 159.64, 0.55%, 0.8%

LAB 87.85, -21.65, 3.44

 

CMYK 14 / 0 / 5 / 5

HEX #D0F1E6

RGB 208 241 230

HSL 160, 0.54%, 0.88%

LAB 92.59, -12.79, 1.7

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 35 / 30 / 0 / 13

HEX #909CDF

RGB 144 156 223

HSL 230.89, 0.55%, 0.72%

LAB 65.78, 11.65, -35.35

 

CMYK 0 / 26 / 35 / 13

HEX #DFA490

RGB 223 164 144

HSL 15.19, 0.55%, 0.72%

LAB 72.4, 19.19, 18.94

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 13 / 35 / 0 / 13

HEX #C390DF

RGB 195 144 223

HSL 278.73, 0.55%, 0.72%

LAB 67.18, 33.44, -32.83

 

CMYK 0 / 13 / 35 / 13

HEX #DFC390

RGB 223 195 144

HSL 38.73, 0.55%, 0.72%

LAB 80.03, 2.69, 29.3

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 35 / 30 / 0 / 13

HEX #909CDF

RGB 144 156 223

HSL 230.89, 0.55%, 0.72%

LAB 65.78, 11.65, -35.35

 

CMYK 0 / 35 / 23 / 13

HEX #DF90AC

RGB 223 144 172

HSL 338.73, 0.55%, 0.72%

LAB 68.47, 33.67, -2.18

 

CMYK 0 / 5 / 35 / 13

HEX #DFD390

RGB 223 211 144

HSL 50.89, 0.55%, 0.72%

LAB 84.12, -5.6, 34.71

 

CMYK 35 / 0 / 12 / 13

HEX #90DFC4

RGB 144 223 196

HSL 159.49, 0.55%, 0.72%

LAB 83.28, -30.16, 5.58

 

CMYK 30 / 35 / 0 / 13

HEX #9C90DF

RGB 156 144 223

HSL 249.11, 0.55%, 0.72%

LAB 63.62, 21.88, -38.64

 

CMYK 0 / 35 / 23 / 13

HEX #DF90AC

RGB 223 144 172

HSL 338.73, 0.55%, 0.72%

LAB 68.47, 33.67, -2.18

 

CMYK 5 / 0 / 35 / 13

HEX #D3DF90

RGB 211 223 144

HSL 69.11, 0.55%, 0.72%

LAB 86.32, -16.26, 37.41

 

Description

Color code: HEX #90DFC4 | qconv.com Color code: HEX #90DFC4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 223 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 223 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 12 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 12% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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