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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90D028 it is the complementary color #6F2FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90D028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90D028 shade: #95D023, #A6E236, #B7F449, #C8FF5C and #D9FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90D028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90D028 shade: #90D028, #7FBE15, #6EAC02, #5D9A00 and #4C8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90D028 shade: #91D228, #BFD228, #D2B728, #D28928 and #D25B28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90D028 shade: #91D228, #63D228, #36D228, #28D248 and #28D276

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90D028 shade matches the following richer shades: #91D228 and #96E614

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90D028 shade: #91D228, #8CBE3C, #88A950, #839565 and #7E8179

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90D028 shade: #D2B628, #C1D228, #94D228, #66D228 and #39D228

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90D028 shade: #618D1B, #79AF21, #91D228, #A3DC47 and #B5E36A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90D028 shade: #90D028, #28D288 and #CC28D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90D028 shade: #90D028, #2894D2 and #D22894

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90D028 shade: #90D028, #28D288, #6628D2 and #D22872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90D028 shade: #90D028, #28D2BB, #6628D2 and #D2283F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 81 / 18

HEX #90D028

RGB 144 208 40

HSL 82.86, 0.68%, 0.49%

LAB 76.8, -43.52, 69.54

 

Complementary color

CMYK 48 / 78 / 0 / 16

HEX #6F2FD7

RGB 111 47 215

HSL 262.86, 0.68%, 0.51%

LAB 38.41, 62.07, -74.8

 

CMYK 28 / 0 / 83 / 18

HEX #95D023

RGB 149 208 35

HSL 80.46, 0.71%, 0.48%

LAB 77.05, -41.85, 71.13

 

CMYK 27 / 0 / 76 / 11

HEX #A6E236

RGB 166 226 54

HSL 80.93, 0.75%, 0.55%

LAB 83.32, -42.52, 71.99

 

CMYK 25 / 0 / 70 / 4

HEX #B7F449

RGB 183 244 73

HSL 81.4, 0.89%, 0.62%

LAB 89.51, -43.03, 72.09

 

CMYK 22 / 0 / 64 / 0

HEX #C8FF5C

RGB 200 255 92

HSL 80.25, 1%, 0.68%

LAB 93.7, -40.35, 69.67

 

CMYK 15 / 0 / 56 / 0

HEX #D9FF6F

RGB 217 255 111

HSL 75.83, 1%, 0.72%

LAB 94.92, -32.56, 63.5

 

CMYK 31 / 0 / 81 / 18

HEX #90D028

RGB 144 208 40

HSL 82.86, 0.68%, 0.49%

LAB 76.8, -43.52, 69.54

 

CMYK 33 / 0 / 89 / 25

HEX #7FBE15

RGB 127 190 21

HSL 82.37, 0.8%, 0.41%

LAB 70.45, -42.73, 67.95

 

CMYK 36 / 0 / 99 / 33

HEX #6EAC02

RGB 110 172 2

HSL 81.88, 0.98%, 0.34%

LAB 64.02, -41.71, 65.05

 

CMYK 40 / 0 / 100 / 40

HEX #5D9A00

RGB 93 154 0

HSL 83.77, 1%, 0.3%

LAB 57.5, -40.33, 59.89

 

CMYK 44 / 0 / 100 / 47

HEX #4C8800

RGB 76 136 0

HSL 86.47, 1%, 0.27%

LAB 50.86, -38.85, 54.37

 

CMYK 31 / 0 / 81 / 18

HEX #91D228

RGB 145 210 40

HSL 82.94, 0.68%, 0.49%

LAB 77.44, -44.01, 70.14

 

CMYK 9 / 0 / 81 / 18

HEX #BFD228

RGB 191 210 40

HSL 66.71, 0.68%, 0.49%

LAB 80.36, -25.89, 73.83

 

CMYK 0 / 13 / 81 / 18

HEX #D2B728

RGB 210 183 40

HSL 50.47, 0.68%, 0.49%

LAB 74.65, -4.25, 69.48

 

CMYK 0 / 35 / 81 / 18

HEX #D28928

RGB 210 137 40

HSL 34.24, 0.68%, 0.49%

LAB 63.13, 20.36, 59.32

 

CMYK 0 / 57 / 81 / 18

HEX #D25B28

RGB 210 91 40

HSL 18, 0.68%, 0.49%

LAB 53.32, 44.29, 50.32

 

CMYK 31 / 0 / 81 / 18

HEX #91D228

RGB 145 210 40

HSL 82.94, 0.68%, 0.49%

LAB 77.44, -44.01, 70.14

 

CMYK 53 / 0 / 81 / 18

HEX #63D228

RGB 99 210 40

HSL 99.18, 0.68%, 0.49%

LAB 75.39, -58.96, 67.51

 

CMYK 74 / 0 / 81 / 18

HEX #36D228

RGB 54 210 40

HSL 115.06, 0.68%, 0.49%

LAB 74.21, -68.68, 65.99

 

CMYK 81 / 0 / 66 / 18

HEX #28D248

RGB 40 210 72

HSL 131.29, 0.68%, 0.49%

LAB 74.2, -68.03, 54.85

 

CMYK 81 / 0 / 44 / 18

HEX #28D276

RGB 40 210 118

HSL 147.53, 0.68%, 0.49%

LAB 74.73, -61.62, 34.06

 

CMYK 31 / 0 / 81 / 18

HEX #91D228

RGB 145 210 40

HSL 82.94, 0.68%, 0.49%

LAB 77.44, -44.01, 70.14

 

CMYK 35 / 0 / 91 / 10

HEX #96E614

RGB 150 230 20

HSL 82.86, 0.84%, 0.49%

LAB 83.51, -51.13, 79.32

 

CMYK 31 / 0 / 81 / 18

HEX #91D228

RGB 145 210 40

HSL 82.94, 0.68%, 0.49%

LAB 77.44, -44.01, 70.14

 

CMYK 26 / 0 / 68 / 25

HEX #8CBE3C

RGB 140 190 60

HSL 83.08, 0.52%, 0.49%

LAB 71.37, -36, 57.66

 

CMYK 20 / 0 / 53 / 34

HEX #88A950

RGB 136 169 80

HSL 82.25, 0.36%, 0.49%

LAB 65.11, -25.93, 41.8

 

CMYK 12 / 0 / 32 / 42

HEX #839565

RGB 131 149 101

HSL 82.5, 0.19%, 0.49%

LAB 59.21, -15.09, 23.29

 

CMYK 2 / 0 / 6 / 49

HEX #7E8179

RGB 126 129 121

HSL 82.5, 0.03%, 0.49%

LAB 53.51, -2.69, 3.94

 

CMYK 0 / 13 / 81 / 18

HEX #D2B628

RGB 210 182 40

HSL 50.12, 0.68%, 0.49%

LAB 74.39, -3.73, 69.25

 

CMYK 8 / 0 / 81 / 18

HEX #C1D228

RGB 193 210 40

HSL 66, 0.68%, 0.49%

LAB 80.51, -25.07, 74.02

 

CMYK 30 / 0 / 81 / 18

HEX #94D228

RGB 148 210 40

HSL 81.88, 0.68%, 0.49%

LAB 77.6, -42.9, 70.34

 

CMYK 51 / 0 / 81 / 18

HEX #66D228

RGB 102 210 40

HSL 98.12, 0.68%, 0.49%

LAB 75.5, -58.12, 67.65

 

CMYK 73 / 0 / 81 / 18

HEX #39D228

RGB 57 210 40

HSL 114, 0.68%, 0.49%

LAB 74.26, -68.21, 66.07

 

CMYK 31 / 0 / 81 / 45

HEX #618D1B

RGB 97 141 27

HSL 83.16, 0.68%, 0.33%

LAB 53.68, -32.23, 51.25

 

CMYK 31 / 0 / 81 / 31

HEX #79AF21

RGB 121 175 33

HSL 82.82, 0.68%, 0.41%

LAB 65.62, -38.04, 60.89

 

CMYK 31 / 0 / 81 / 18

HEX #91D228

RGB 145 210 40

HSL 82.94, 0.68%, 0.49%

LAB 77.44, -44.01, 70.14

 

CMYK 26 / 0 / 68 / 14

HEX #A3DC47

RGB 163 220 71

HSL 82.95, 0.68%, 0.57%

LAB 81.53, -40.03, 64.34

 

CMYK 20 / 0 / 53 / 11

HEX #B5E36A

RGB 181 227 106

HSL 82.81, 0.68%, 0.65%

LAB 84.9, -33.63, 53.57

 

CMYK 31 / 0 / 81 / 18

HEX #90D028

RGB 144 208 40

HSL 82.86, 0.68%, 0.49%

LAB 76.8, -43.52, 69.54

 

CMYK 81 / 0 / 35 / 18

HEX #28D288

RGB 40 210 136

HSL 153.88, 0.68%, 0.49%

LAB 75.03, -58.23, 25.2

 

CMYK 3 / 81 / 0 / 18

HEX #CC28D2

RGB 204 40 210

HSL 297.88, 0.68%, 0.49%

LAB 50.7, 78.56, -51.38

 

CMYK 31 / 0 / 81 / 18

HEX #90D028

RGB 144 208 40

HSL 82.86, 0.68%, 0.49%

LAB 76.8, -43.52, 69.54

 

CMYK 81 / 30 / 0 / 18

HEX #2894D2

RGB 40 148 210

HSL 201.88, 0.68%, 0.49%

LAB 58.31, -8.26, -40.14

 

CMYK 0 / 81 / 30 / 18

HEX #D22894

RGB 210 40 148

HSL 321.88, 0.68%, 0.49%

LAB 48.71, 71.38, -18.06

 

CMYK 31 / 0 / 81 / 18

HEX #90D028

RGB 144 208 40

HSL 82.86, 0.68%, 0.49%

LAB 76.8, -43.52, 69.54

 

CMYK 81 / 0 / 35 / 18

HEX #28D288

RGB 40 210 136

HSL 153.88, 0.68%, 0.49%

LAB 75.03, -58.23, 25.2

 

CMYK 51 / 81 / 0 / 18

HEX #6628D2

RGB 102 40 210

HSL 261.88, 0.68%, 0.49%

LAB 35.98, 62.41, -75.95

 

CMYK 0 / 81 / 46 / 18

HEX #D22872

RGB 210 40 114

HSL 333.88, 0.68%, 0.49%

LAB 47.54, 67.97, 0.83

 

CMYK 31 / 0 / 81 / 18

HEX #90D028

RGB 144 208 40

HSL 82.86, 0.68%, 0.49%

LAB 76.8, -43.52, 69.54

 

CMYK 81 / 0 / 11 / 18

HEX #28D2BB

RGB 40 210 187

HSL 171.88, 0.68%, 0.49%

LAB 76.15, -46.16, -0.36

 

CMYK 51 / 81 / 0 / 18

HEX #6628D2

RGB 102 40 210

HSL 261.88, 0.68%, 0.49%

LAB 35.98, 62.41, -75.95

 

CMYK 0 / 81 / 70 / 18

HEX #D2283F

RGB 210 40 63

HSL 351.88, 0.68%, 0.49%

LAB 46.42, 64.58, 30.58

 

Description

Color code: HEX #90D028 | qconv.com Color code: HEX #90D028 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 208 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 208 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 81 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 81% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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