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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90C10C it is the complementary color #6F3EF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90C10C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90C10C shade: #95C107, #A6D31A, #B7E52D, #C8F740 and #D9FF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90C10C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90C10C shade: #90C10C, #7FAF00, #6E9D00, #5D8B00 and #4C7900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90C10C shade: #8FC00C, #C0C00C, #C0900C, #C05F0C and #C02F0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90C10C shade: #8FC00C, #5FC00C, #2EC00C, #0CC01B and #0CC04B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90C10C shade matches the following richer shades: #8FC00C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90C10C shade: #8FC00C, #88AF1D, #809F2D, #788E3E and #717E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90C10C shade: #C0900C, #C0C00C, #90C00C, #60C00C and #30C00C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90C10C shade: #557207, #72990A, #8FC00C, #ACE70F and #BCF22D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90C10C shade: #90C10C, #0CC060 and #A80CC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90C10C shade: #90C10C, #0C90C0 and #C00C90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90C10C shade: #90C10C, #0CC060, #3C0CC0 and #C00C6C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90C10C shade: #90C10C, #0CC096, #3C0CC0 and #C00C36

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 94 / 24

HEX #90C10C

RGB 144 193 12

HSL 76.24, 0.88%, 0.4%

LAB 72.29, -37.74, 71.19

 

Complementary color

CMYK 54 / 74 / 0 / 5

HEX #6F3EF3

RGB 111 62 243

HSL 256.24, 0.88%, 0.6%

LAB 43.21, 62.82, -82.85

 

CMYK 23 / 0 / 96 / 24

HEX #95C107

RGB 149 193 7

HSL 74.19, 0.93%, 0.39%

LAB 72.59, -35.83, 72.1

 

CMYK 21 / 0 / 88 / 17

HEX #A6D31A

RGB 166 211 26

HSL 74.59, 0.78%, 0.46%

LAB 78.91, -36.89, 74.98

 

CMYK 20 / 0 / 80 / 10

HEX #B7E52D

RGB 183 229 45

HSL 75, 0.78%, 0.54%

LAB 85.15, -37.75, 76.55

 

CMYK 19 / 0 / 74 / 3

HEX #C8F740

RGB 200 247 64

HSL 75.41, 0.92%, 0.61%

LAB 91.31, -38.44, 77.17

 

CMYK 15 / 0 / 67 / 0

HEX #D9FF53

RGB 217 255 83

HSL 73.26, 1%, 0.66%

LAB 94.69, -34.51, 74.42

 

CMYK 25 / 0 / 94 / 24

HEX #90C10C

RGB 144 193 12

HSL 76.24, 0.88%, 0.4%

LAB 72.29, -37.74, 71.19

 

CMYK 27 / 0 / 100 / 31

HEX #7FAF00

RGB 127 175 0

HSL 76.46, 1%, 0.34%

LAB 65.88, -36.55, 67.16

 

CMYK 30 / 0 / 100 / 38

HEX #6E9D00

RGB 110 157 0

HSL 77.96, 1%, 0.31%

LAB 59.37, -35.17, 61.73

 

CMYK 33 / 0 / 100 / 45

HEX #5D8B00

RGB 93 139 0

HSL 79.86, 1%, 0.27%

LAB 52.72, -33.76, 56.2

 

CMYK 37 / 0 / 100 / 53

HEX #4C7900

RGB 76 121 0

HSL 82.31, 1%, 0.24%

LAB 45.92, -32.31, 50.54

 

CMYK 26 / 0 / 94 / 25

HEX #8FC00C

RGB 143 192 12

HSL 76.33, 0.88%, 0.4%

LAB 71.94, -37.69, 70.88

 

CMYK 0 / 0 / 94 / 25

HEX #C0C00C

RGB 192 192 12

HSL 60, 0.88%, 0.4%

LAB 75.41, -17.28, 75.07

 

CMYK 0 / 25 / 94 / 25

HEX #C0900C

RGB 192 144 12

HSL 44, 0.88%, 0.4%

LAB 62.66, 7.98, 65.5

 

CMYK 0 / 51 / 94 / 25

HEX #C05F0C

RGB 192 95 12

HSL 27.67, 0.88%, 0.4%

LAB 51.17, 34.61, 57.27

 

CMYK 0 / 76 / 94 / 25

HEX #C02F0C

RGB 192 47 12

HSL 11.67, 0.88%, 0.4%

LAB 43.16, 55.76, 51.96

 

CMYK 26 / 0 / 94 / 25

HEX #8FC00C

RGB 143 192 12

HSL 76.33, 0.88%, 0.4%

LAB 71.94, -37.69, 70.88

 

CMYK 51 / 0 / 94 / 25

HEX #5FC00C

RGB 95 192 12

HSL 92.33, 0.88%, 0.4%

LAB 69.58, -54.47, 68

 

CMYK 76 / 0 / 94 / 25

HEX #2EC00C

RGB 46 192 12

HSL 108.67, 0.88%, 0.4%

LAB 68.25, -65.52, 66.35

 

CMYK 94 / 0 / 86 / 25

HEX #0CC01B

RGB 12 192 27

HSL 125, 0.88%, 0.4%

LAB 67.91, -68.33, 63.31

 

CMYK 94 / 0 / 61 / 25

HEX #0CC04B

RGB 12 192 75

HSL 141, 0.88%, 0.4%

LAB 68.23, -64.33, 46.8

 

CMYK 26 / 0 / 94 / 25

HEX #8FC00C

RGB 143 192 12

HSL 76.33, 0.88%, 0.4%

LAB 71.94, -37.69, 70.88

 

CMYK 26 / 0 / 94 / 25

HEX #8FC00C

RGB 143 192 12

HSL 76.33, 0.88%, 0.4%

LAB 71.94, -37.69, 70.88

 

CMYK 22 / 0 / 83 / 31

HEX #88AF1D

RGB 136 175 29

HSL 76.03, 0.72%, 0.4%

LAB 66.51, -32.29, 63.09

 

CMYK 19 / 0 / 72 / 38

HEX #809F2D

RGB 128 159 45

HSL 76.32, 0.56%, 0.4%

LAB 61.29, -27.19, 52.97

 

CMYK 15 / 0 / 56 / 44

HEX #788E3E

RGB 120 142 62

HSL 76.5, 0.39%, 0.4%

LAB 55.77, -20.71, 39.41

 

CMYK 10 / 0 / 38 / 51

HEX #717E4E

RGB 113 126 78

HSL 76.25, 0.24%, 0.4%

LAB 50.67, -13.33, 24.57

 

CMYK 0 / 25 / 94 / 25

HEX #C0900C

RGB 192 144 12

HSL 44, 0.88%, 0.4%

LAB 62.66, 7.98, 65.5

 

CMYK 0 / 0 / 94 / 25

HEX #C0C00C

RGB 192 192 12

HSL 60, 0.88%, 0.4%

LAB 75.41, -17.28, 75.07

 

CMYK 25 / 0 / 94 / 25

HEX #90C00C

RGB 144 192 12

HSL 76, 0.88%, 0.4%

LAB 72, -37.29, 70.95

 

CMYK 50 / 0 / 94 / 25

HEX #60C00C

RGB 96 192 12

HSL 92, 0.88%, 0.4%

LAB 69.62, -54.17, 68.05

 

CMYK 75 / 0 / 94 / 25

HEX #30C00C

RGB 48 192 12

HSL 108, 0.88%, 0.4%

LAB 68.28, -65.22, 66.39

 

CMYK 25 / 0 / 94 / 55

HEX #557207

RGB 85 114 7

HSL 76.26, 0.88%, 0.24%

LAB 44.21, -25.03, 47.86

 

CMYK 25 / 0 / 93 / 40

HEX #72990A

RGB 114 153 10

HSL 76.36, 0.88%, 0.32%

LAB 58.4, -31.51, 59.59

 

CMYK 26 / 0 / 94 / 25

HEX #8FC00C

RGB 143 192 12

HSL 76.33, 0.88%, 0.4%

LAB 71.94, -37.69, 70.88

 

CMYK 26 / 0 / 94 / 9

HEX #ACE70F

RGB 172 231 15

HSL 76.39, 0.88%, 0.48%

LAB 84.97, -43.6, 81.58

 

CMYK 22 / 0 / 81 / 5

HEX #BCF22D

RGB 188 242 45

HSL 76.45, 0.88%, 0.56%

LAB 89.1, -41.58, 80.15

 

CMYK 25 / 0 / 94 / 24

HEX #90C10C

RGB 144 193 12

HSL 76.24, 0.88%, 0.4%

LAB 72.29, -37.74, 71.19

 

CMYK 94 / 0 / 50 / 25

HEX #0CC060

RGB 12 192 96

HSL 148, 0.88%, 0.4%

LAB 68.48, -61.31, 37.1

 

CMYK 13 / 94 / 0 / 25

HEX #A80CC0

RGB 168 12 192

HSL 292, 0.88%, 0.4%

LAB 41.83, 74.43, -55.51

 

CMYK 25 / 0 / 94 / 24

HEX #90C10C

RGB 144 193 12

HSL 76.24, 0.88%, 0.4%

LAB 72.29, -37.74, 71.19

 

CMYK 94 / 25 / 0 / 25

HEX #0C90C0

RGB 12 144 192

HSL 196, 0.88%, 0.4%

LAB 55.92, -14.39, -33.76

 

CMYK 0 / 94 / 25 / 25

HEX #C00C90

RGB 192 12 144

HSL 316, 0.88%, 0.4%

LAB 43.48, 71.9, -23.97

 

CMYK 25 / 0 / 94 / 24

HEX #90C10C

RGB 144 193 12

HSL 76.24, 0.88%, 0.4%

LAB 72.29, -37.74, 71.19

 

CMYK 94 / 0 / 50 / 25

HEX #0CC060

RGB 12 192 96

HSL 148, 0.88%, 0.4%

LAB 68.48, -61.31, 37.1

 

CMYK 69 / 94 / 0 / 25

HEX #3C0CC0

RGB 60 12 192

HSL 256, 0.88%, 0.4%

LAB 26.82, 62.81, -80.72

 

CMYK 0 / 94 / 44 / 25

HEX #C00C6C

RGB 192 12 108

HSL 328, 0.88%, 0.4%

LAB 42.08, 68.19, -3.87

 

CMYK 25 / 0 / 94 / 24

HEX #90C10C

RGB 144 193 12

HSL 76.24, 0.88%, 0.4%

LAB 72.29, -37.74, 71.19

 

CMYK 94 / 0 / 22 / 25

HEX #0CC096

RGB 12 192 150

HSL 166, 0.88%, 0.4%

LAB 69.45, -50.1, 9.97

 

CMYK 69 / 94 / 0 / 25

HEX #3C0CC0

RGB 60 12 192

HSL 256, 0.88%, 0.4%

LAB 26.82, 62.81, -80.72

 

CMYK 0 / 94 / 72 / 25

HEX #C00C36

RGB 192 12 54

HSL 346, 0.88%, 0.4%

LAB 40.79, 64.67, 28.43

 

Description

Color code: HEX #90C10C | qconv.com Color code: HEX #90C10C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 193 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 193 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 94 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 94% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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