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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90AFD7 it is the complementary color #6F5028. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90AFD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90AFD7 shade: #95AFD2, #A6C1E5, #B7D3F8, #C8E5FF and #D9F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90AFD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90AFD7 shade: #90AFD7, #7F9DC4, #6E8BB1, #5D799E and #4C678B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90AFD7 shade: #8FAED6, #8F9BD6, #968FD6, #A98FD6 and #BD8FD6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90AFD7 shade: #8FAED6, #8F9BD6 and #8F8FD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90AFD7 shade matches the following richer shades: #8FAED6, #82ACE3, #76ABEF and #69A9FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90AFD7 shade: #8FAED6, #9BB0CA, #A7B1BE, #B4B3B1 and #C0B4A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90AFD7 shade: #8FD5D6, #8FC2D6, #8FAFD6, #8F9CD6 and #958FD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90AFD7 shade: #5282C1, #7098CC, #8FAED6, #ADC4E1 and #CBDAEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90AFD7 shade: #90AFD7, #C48FD6 and #CCD68F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90AFD7 shade: #90AFD7, #D68FAF and #AFD68F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90AFD7 shade: #90AFD7, #C48FD6, #D6B68F and #A1D68F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90AFD7 shade: #90AFD7, #D68FD3, #D6B68F and #8FD692

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 19 / 0 / 16

HEX #90AFD7

RGB 144 175 215

HSL 213.8, 0.47%, 0.7%

LAB 70.52, -1.08, -23.63

 

Complementary color

CMYK 0 / 28 / 64 / 56

HEX #6F5028

RGB 111 80 40

HSL 33.8, 0.47%, 0.3%

LAB 36.5, 8.23, 28.29

 

CMYK 29 / 17 / 0 / 18

HEX #95AFD2

RGB 149 175 210

HSL 214.43, 0.4%, 0.7%

LAB 70.67, -0.88, -20.64

 

CMYK 28 / 16 / 0 / 10

HEX #A6C1E5

RGB 166 193 229

HSL 214.29, 0.55%, 0.77%

LAB 77.22, -1.07, -20.91

 

CMYK 26 / 15 / 0 / 3

HEX #B7D3F8

RGB 183 211 248

HSL 214.15, 0.82%, 0.85%

LAB 83.67, -1.25, -21.19

 

CMYK 22 / 10 / 0 / 0

HEX #C8E5FF

RGB 200 229 255

HSL 208.36, 1%, 0.89%

LAB 89.64, -4.07, -15.76

 

CMYK 15 / 3 / 0 / 0

HEX #D9F7FF

RGB 217 247 255

HSL 192.63, 1%, 0.93%

LAB 95.37, -8.1, -7.12

 

CMYK 33 / 19 / 0 / 16

HEX #90AFD7

RGB 144 175 215

HSL 213.8, 0.47%, 0.7%

LAB 70.52, -1.08, -23.63

 

CMYK 35 / 20 / 0 / 23

HEX #7F9DC4

RGB 127 157 196

HSL 213.91, 0.37%, 0.63%

LAB 63.85, -0.83, -23.43

 

CMYK 38 / 21 / 0 / 31

HEX #6E8BB1

RGB 110 139 177

HSL 214.03, 0.3%, 0.56%

LAB 57.03, -0.53, -23.24

 

CMYK 41 / 23 / 0 / 38

HEX #5D799E

RGB 93 121 158

HSL 214.15, 0.26%, 0.49%

LAB 50.06, -0.18, -23.09

 

CMYK 45 / 26 / 0 / 45

HEX #4C678B

RGB 76 103 139

HSL 214.29, 0.29%, 0.42%

LAB 42.92, 0.26, -22.97

 

CMYK 33 / 19 / 0 / 16

HEX #8FAED6

RGB 143 174 214

HSL 213.8, 0.46%, 0.7%

LAB 70.15, -1.07, -23.66

 

CMYK 33 / 28 / 0 / 16

HEX #8F9BD6

RGB 143 155 214

HSL 229.86, 0.46%, 0.7%

LAB 65.07, 9.57, -31.47

 

CMYK 30 / 33 / 0 / 16

HEX #968FD6

RGB 150 143 214

HSL 245.92, 0.46%, 0.7%

LAB 62.49, 18.46, -35.43

 

CMYK 21 / 33 / 0 / 16

HEX #A98FD6

RGB 169 143 214

HSL 261.97, 0.46%, 0.7%

LAB 64.11, 24.09, -32.8

 

CMYK 12 / 33 / 0 / 16

HEX #BD8FD6

RGB 189 143 214

HSL 278.87, 0.46%, 0.7%

LAB 66, 30.25, -29.73

 

CMYK 33 / 19 / 0 / 16

HEX #8FAED6

RGB 143 174 214

HSL 213.8, 0.46%, 0.7%

LAB 70.15, -1.07, -23.66

 

CMYK 33 / 28 / 0 / 16

HEX #8F9BD6

RGB 143 155 214

HSL 229.86, 0.46%, 0.7%

LAB 65.07, 9.57, -31.47

 

CMYK 33 / 33 / 0 / 16

HEX #8F8FD6

RGB 143 143 214

HSL 240, 0.46%, 0.7%

LAB 61.95, 16.47, -36.33

 

CMYK 33 / 19 / 0 / 16

HEX #8FAED6

RGB 143 174 214

HSL 213.8, 0.46%, 0.7%

LAB 70.15, -1.07, -23.66

 

CMYK 43 / 24 / 0 / 11

HEX #82ACE3

RGB 130 172 227

HSL 214.02, 0.63%, 0.7%

LAB 69.32, -0.01, -32.12

 

CMYK 51 / 28 / 0 / 6

HEX #76ABEF

RGB 118 171 239

HSL 213.72, 0.79%, 0.7%

LAB 68.9, 1.13, -39.38

 

CMYK 58 / 33 / 0 / 1

HEX #69A9FC

RGB 105 169 252

HSL 213.88, 0.96%, 0.7%

LAB 68.32, 3.55, -47.41

 

CMYK 33 / 19 / 0 / 16

HEX #8FAED6

RGB 143 174 214

HSL 213.8, 0.46%, 0.7%

LAB 70.15, -1.07, -23.66

 

CMYK 23 / 13 / 0 / 21

HEX #9BB0CA

RGB 155 176 202

HSL 213.19, 0.31%, 0.7%

LAB 71.07, -1.52, -15.61

 

CMYK 12 / 7 / 0 / 25

HEX #A7B1BE

RGB 167 177 190

HSL 213.91, 0.15%, 0.7%

LAB 71.81, -0.85, -7.82

 

CMYK 0 / 1 / 2 / 29

HEX #B4B3B1

RGB 180 179 177

HSL 40, 0.02%, 0.7%

LAB 72.97, -0.01, 1.13

 

CMYK 0 / 6 / 14 / 25

HEX #C0B4A5

RGB 192 180 165

HSL 33.33, 0.18%, 0.7%

LAB 73.91, 1.72, 9.18

 

CMYK 33 / 0 / 0 / 16

HEX #8FD5D6

RGB 143 213 214

HSL 180.85, 0.46%, 0.7%

LAB 80.9, -21.54, -7.48

 

CMYK 33 / 9 / 0 / 16

HEX #8FC2D6

RGB 143 194 214

HSL 196.9, 0.46%, 0.7%

LAB 75.62, -11.82, -15.36

 

CMYK 33 / 18 / 0 / 16

HEX #8FAFD6

RGB 143 175 214

HSL 212.96, 0.46%, 0.7%

LAB 70.42, -1.62, -23.24

 

CMYK 33 / 27 / 0 / 16

HEX #8F9CD6

RGB 143 156 214

HSL 229.01, 0.46%, 0.7%

LAB 65.34, 9, -31.06

 

CMYK 30 / 33 / 0 / 16

HEX #958FD6

RGB 149 143 214

HSL 245.07, 0.46%, 0.7%

LAB 62.41, 18.17, -35.56

 

CMYK 58 / 33 / 0 / 24

HEX #5282C1

RGB 82 130 193

HSL 214.05, 0.47%, 0.54%

LAB 53.61, 2.65, -37.81

 

CMYK 45 / 25 / 0 / 20

HEX #7098CC

RGB 112 152 204

HSL 213.91, 0.47%, 0.62%

LAB 61.88, 0.18, -31

 

CMYK 33 / 19 / 0 / 16

HEX #8FAED6

RGB 143 174 214

HSL 213.8, 0.46%, 0.7%

LAB 70.15, -1.07, -23.66

 

CMYK 23 / 13 / 0 / 12

HEX #ADC4E1

RGB 173 196 225

HSL 213.46, 0.46%, 0.78%

LAB 78.35, -1.52, -17.02

 

CMYK 14 / 8 / 0 / 7

HEX #CBDAEC

RGB 203 218 236

HSL 212.73, 0.46%, 0.86%

LAB 86.45, -1.45, -10.52

 

CMYK 33 / 19 / 0 / 16

HEX #90AFD7

RGB 144 175 215

HSL 213.8, 0.47%, 0.7%

LAB 70.52, -1.08, -23.63

 

CMYK 8 / 33 / 0 / 16

HEX #C48FD6

RGB 196 143 214

HSL 284.79, 0.46%, 0.7%

LAB 66.7, 32.44, -28.58

 

CMYK 5 / 0 / 33 / 16

HEX #CCD68F

RGB 204 214 143

HSL 68.45, 0.46%, 0.7%

LAB 83.4, -14.56, 33.99

 

CMYK 33 / 19 / 0 / 16

HEX #90AFD7

RGB 144 175 215

HSL 213.8, 0.47%, 0.7%

LAB 70.52, -1.08, -23.63

 

CMYK 0 / 33 / 18 / 16

HEX #D68FAF

RGB 214 143 175

HSL 332.96, 0.46%, 0.7%

LAB 67.3, 31.47, -5.7

 

CMYK 18 / 0 / 33 / 16

HEX #AFD68F

RGB 175 214 143

HSL 92.96, 0.46%, 0.7%

LAB 81.4, -25.31, 30.98

 

CMYK 33 / 19 / 0 / 16

HEX #90AFD7

RGB 144 175 215

HSL 213.8, 0.47%, 0.7%

LAB 70.52, -1.08, -23.63

 

CMYK 8 / 33 / 0 / 16

HEX #C48FD6

RGB 196 143 214

HSL 284.79, 0.46%, 0.7%

LAB 66.7, 32.44, -28.58

 

CMYK 0 / 15 / 33 / 16

HEX #D6B68F

RGB 214 182 143

HSL 32.96, 0.46%, 0.7%

LAB 75.91, 5.91, 24.14

 

CMYK 25 / 0 / 33 / 16

HEX #A1D68F

RGB 161 214 143

HSL 104.79, 0.46%, 0.7%

LAB 80.55, -30.23, 29.7

 

CMYK 33 / 19 / 0 / 16

HEX #90AFD7

RGB 144 175 215

HSL 213.8, 0.47%, 0.7%

LAB 70.52, -1.08, -23.63

 

CMYK 0 / 33 / 1 / 16

HEX #D68FD3

RGB 214 143 211

HSL 302.54, 0.46%, 0.7%

LAB 68.49, 37.57, -24

 

CMYK 0 / 15 / 33 / 16

HEX #D6B68F

RGB 214 182 143

HSL 32.96, 0.46%, 0.7%

LAB 75.91, 5.91, 24.14

 

CMYK 33 / 0 / 32 / 16

HEX #8FD692

RGB 143 214 146

HSL 122.54, 0.46%, 0.7%

LAB 79.62, -35.71, 26.73

 

Description

Color code: HEX #90AFD7 | qconv.com Color code: HEX #90AFD7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 175 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 175 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 19 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 19% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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