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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90AFD2 it is the complementary color #6F502D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90AFD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90AFD2 shade: #95AFCD, #A6C1E0, #B7D3F3, #C8E5FF and #D9F7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90AFD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90AFD2 shade: #90AFD2, #7F9DBF, #6E8BAC, #5D7999 and #4C6786

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90AFD2 shade: #8FAED1, #8F9CD1, #938FD1, #A58FD1 and #B78FD1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90AFD2 shade: #8FAED1, #8F9CD1 and #8F8FD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90AFD2 shade matches the following richer shades: #8FAED1, #82ADDE, #75ACEB and #68ACF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90AFD2 shade: #8FAED1, #9CAFC4, #A8AFB8, #B5B0AB and #C2B19E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90AFD2 shade: #8FD1D0, #8FC1D1, #8FAFD1, #8F9DD1 and #928FD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90AFD2 shade: #5484B9, #7199C5, #8FAED1, #ACC3DD and #C9D8E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90AFD2 shade: #90AFD2, #BE8FD1 and #C9D18F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90AFD2 shade: #90AFD2, #D18FAF and #AFD18F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90AFD2 shade: #90AFD2, #BE8FD1, #D1B18F and #A2D18F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90AFD2 shade: #90AFD2, #D18FD0, #D1B18F and #8FD190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 17 / 0 / 18

HEX #90AFD2

RGB 144 175 210

HSL 211.82, 0.42%, 0.69%

LAB 70.35, -2.34, -21.16

 

Complementary color

CMYK 0 / 28 / 59 / 56

HEX #6F502D

RGB 111 80 45

HSL 31.82, 0.42%, 0.31%

LAB 36.57, 8.65, 25.52

 

CMYK 27 / 15 / 0 / 20

HEX #95AFCD

RGB 149 175 205

HSL 212.14, 0.36%, 0.69%

LAB 70.5, -2.09, -18.16

 

CMYK 26 / 14 / 0 / 12

HEX #A6C1E0

RGB 166 193 224

HSL 212.07, 0.48%, 0.76%

LAB 77.06, -2.25, -18.47

 

CMYK 25 / 13 / 0 / 5

HEX #B7D3F3

RGB 183 211 243

HSL 212, 0.71%, 0.84%

LAB 83.51, -2.4, -18.78

 

CMYK 22 / 10 / 0 / 0

HEX #C8E5FF

RGB 200 229 255

HSL 208.36, 1%, 0.89%

LAB 89.64, -4.07, -15.76

 

CMYK 15 / 3 / 0 / 0

HEX #D9F7FF

RGB 217 247 255

HSL 192.63, 1%, 0.93%

LAB 95.37, -8.1, -7.12

 

CMYK 31 / 17 / 0 / 18

HEX #90AFD2

RGB 144 175 210

HSL 211.82, 0.42%, 0.69%

LAB 70.35, -2.34, -21.16

 

CMYK 34 / 18 / 0 / 25

HEX #7F9DBF

RGB 127 157 191

HSL 211.88, 0.33%, 0.62%

LAB 63.66, -2.13, -20.91

 

CMYK 36 / 19 / 0 / 33

HEX #6E8BAC

RGB 110 139 172

HSL 211.94, 0.27%, 0.55%

LAB 56.84, -1.89, -20.68

 

CMYK 39 / 21 / 0 / 40

HEX #5D7999

RGB 93 121 153

HSL 212, 0.24%, 0.48%

LAB 49.86, -1.61, -20.48

 

CMYK 43 / 23 / 0 / 47

HEX #4C6786

RGB 76 103 134

HSL 212.07, 0.28%, 0.41%

LAB 42.7, -1.26, -20.3

 

CMYK 32 / 17 / 0 / 18

HEX #8FAED1

RGB 143 174 209

HSL 211.82, 0.42%, 0.69%

LAB 69.98, -2.33, -21.18

 

CMYK 32 / 25 / 0 / 18

HEX #8F9CD1

RGB 143 156 209

HSL 228.18, 0.42%, 0.69%

LAB 65.14, 7.71, -28.59

 

CMYK 30 / 32 / 0 / 18

HEX #938FD1

RGB 147 143 209

HSL 243.64, 0.42%, 0.69%

LAB 62.04, 16.32, -33.36

 

CMYK 21 / 32 / 0 / 18

HEX #A58FD1

RGB 165 143 209

HSL 260, 0.42%, 0.69%

LAB 63.55, 21.71, -30.91

 

CMYK 12 / 32 / 0 / 18

HEX #B78FD1

RGB 183 143 209

HSL 276.36, 0.42%, 0.69%

LAB 65.21, 27.31, -28.2

 

CMYK 32 / 17 / 0 / 18

HEX #8FAED1

RGB 143 174 209

HSL 211.82, 0.42%, 0.69%

LAB 69.98, -2.33, -21.18

 

CMYK 32 / 25 / 0 / 18

HEX #8F9CD1

RGB 143 156 209

HSL 228.18, 0.42%, 0.69%

LAB 65.14, 7.71, -28.59

 

CMYK 32 / 32 / 0 / 18

HEX #8F8FD1

RGB 143 143 209

HSL 240, 0.42%, 0.69%

LAB 61.73, 15.16, -33.87

 

CMYK 32 / 17 / 0 / 18

HEX #8FAED1

RGB 143 174 209

HSL 211.82, 0.42%, 0.69%

LAB 69.98, -2.33, -21.18

 

CMYK 41 / 22 / 0 / 13

HEX #82ADDE

RGB 130 173 222

HSL 211.96, 0.58%, 0.69%

LAB 69.4, -1.94, -29.26

 

CMYK 50 / 27 / 0 / 8

HEX #75ACEB

RGB 117 172 235

HSL 212.03, 0.75%, 0.69%

LAB 68.96, -0.84, -37.12

 

CMYK 58 / 31 / 0 / 3

HEX #68ACF8

RGB 104 172 248

HSL 211.67, 0.91%, 0.69%

LAB 68.91, 0.4, -44.31

 

CMYK 32 / 17 / 0 / 18

HEX #8FAED1

RGB 143 174 209

HSL 211.82, 0.42%, 0.69%

LAB 69.98, -2.33, -21.18

 

CMYK 20 / 11 / 0 / 23

HEX #9CAFC4

RGB 156 175 196

HSL 211.5, 0.25%, 0.69%

LAB 70.67, -2.03, -12.9

 

CMYK 9 / 5 / 0 / 28

HEX #A8AFB8

RGB 168 175 184

HSL 213.75, 0.1%, 0.69%

LAB 71.18, -0.66, -5.45

 

CMYK 0 / 3 / 6 / 29

HEX #B5B0AB

RGB 181 176 171

HSL 30, 0.06%, 0.69%

LAB 72.1, 0.87, 3.18

 

CMYK 0 / 9 / 19 / 24

HEX #C2B19E

RGB 194 177 158

HSL 31.67, 0.23%, 0.69%

LAB 73.14, 2.97, 11.93

 

CMYK 32 / 0 / 0 / 18

HEX #8FD1D0

RGB 143 209 208

HSL 179.09, 0.42%, 0.69%

LAB 79.61, -20.94, -6.18

 

CMYK 32 / 8 / 0 / 18

HEX #8FC1D1

RGB 143 193 209

HSL 194.55, 0.42%, 0.69%

LAB 75.19, -12.51, -13.3

 

CMYK 32 / 16 / 0 / 18

HEX #8FAFD1

RGB 143 175 209

HSL 210.91, 0.42%, 0.69%

LAB 70.25, -2.88, -20.77

 

CMYK 32 / 25 / 0 / 18

HEX #8F9DD1

RGB 143 157 209

HSL 227.27, 0.42%, 0.69%

LAB 65.4, 7.15, -28.19

 

CMYK 30 / 32 / 0 / 18

HEX #928FD1

RGB 146 143 209

HSL 242.73, 0.42%, 0.69%

LAB 61.96, 16.03, -33.49

 

CMYK 55 / 29 / 0 / 27

HEX #5484B9

RGB 84 132 185

HSL 211.49, 0.42%, 0.53%

LAB 53.91, -0.68, -32.77

 

CMYK 43 / 22 / 0 / 23

HEX #7199C5

RGB 113 153 197

HSL 211.43, 0.42%, 0.61%

LAB 61.93, -2.12, -27

 

CMYK 32 / 17 / 0 / 18

HEX #8FAED1

RGB 143 174 209

HSL 211.82, 0.42%, 0.69%

LAB 69.98, -2.33, -21.18

 

CMYK 22 / 12 / 0 / 13

HEX #ACC3DD

RGB 172 195 221

HSL 211.84, 0.42%, 0.77%

LAB 77.89, -2.2, -15.56

 

CMYK 14 / 7 / 0 / 9

HEX #C9D8E9

RGB 201 216 233

HSL 211.88, 0.42%, 0.85%

LAB 85.71, -1.65, -10.05

 

CMYK 31 / 17 / 0 / 18

HEX #90AFD2

RGB 144 175 210

HSL 211.82, 0.42%, 0.69%

LAB 70.35, -2.34, -21.16

 

CMYK 9 / 32 / 0 / 18

HEX #BE8FD1

RGB 190 143 209

HSL 282.73, 0.42%, 0.69%

LAB 65.9, 29.52, -27.08

 

CMYK 4 / 0 / 32 / 18

HEX #C9D18F

RGB 201 209 143

HSL 67.27, 0.42%, 0.69%

LAB 81.84, -13.19, 31.9

 

CMYK 31 / 17 / 0 / 18

HEX #90AFD2

RGB 144 175 210

HSL 211.82, 0.42%, 0.69%

LAB 70.35, -2.34, -21.16

 

CMYK 0 / 32 / 16 / 18

HEX #D18FAF

RGB 209 143 175

HSL 330.91, 0.42%, 0.69%

LAB 66.74, 29.7, -6.59

 

CMYK 16 / 0 / 32 / 18

HEX #AFD18F

RGB 175 209 143

HSL 90.91, 0.42%, 0.69%

LAB 80.01, -22.88, 29.14

 

CMYK 31 / 17 / 0 / 18

HEX #90AFD2

RGB 144 175 210

HSL 211.82, 0.42%, 0.69%

LAB 70.35, -2.34, -21.16

 

CMYK 9 / 32 / 0 / 18

HEX #BE8FD1

RGB 190 143 209

HSL 282.73, 0.42%, 0.69%

LAB 65.9, 29.52, -27.08

 

CMYK 0 / 15 / 32 / 18

HEX #D1B18F

RGB 209 177 143

HSL 30.91, 0.42%, 0.69%

LAB 74.18, 6.61, 21.71

 

CMYK 22 / 0 / 32 / 18

HEX #A2D18F

RGB 162 209 143

HSL 102.73, 0.42%, 0.69%

LAB 79.19, -27.5, 27.9

 

CMYK 31 / 17 / 0 / 18

HEX #90AFD2

RGB 144 175 210

HSL 211.82, 0.42%, 0.69%

LAB 70.35, -2.34, -21.16

 

CMYK 0 / 32 / 0 / 18

HEX #D18FD0

RGB 209 143 208

HSL 300.91, 0.42%, 0.69%

LAB 67.84, 35.42, -23.38

 

CMYK 0 / 15 / 32 / 18

HEX #D1B18F

RGB 209 177 143

HSL 30.91, 0.42%, 0.69%

LAB 74.18, 6.61, 21.71

 

CMYK 32 / 0 / 31 / 18

HEX #8FD190

RGB 143 209 144

HSL 120.91, 0.42%, 0.69%

LAB 78.14, -33.73, 25.78

 

Description

Color code: HEX #90AFD2 | qconv.com Color code: HEX #90AFD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 175 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 175 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 17 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 17% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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