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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9095F8 it is the complementary color #6F6A07. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9095F8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9095F8 shade: #9595F3, #A6A7FF, #B7B9FF, #C8CBFF and #D9DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9095F8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9095F8 shade: #9095F8, #7F83E5, #6E71D2, #5D5FBF and #4C4DAC

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9095F8 shade: #9196F8, #A891F8, #C391F8, #DF91F8 and #F891F5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9095F8 shade: #9196F8 and #9191F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9095F8 shade matches the following richer shades: #9196F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9095F8 shade: #9196F8, #9A9EEE, #A4A7E5, #ADAFDB and #B7B8D2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9095F8 shade: #91CDF8, #91B1F8, #9196F8, #A791F8 and #C391F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9095F8 shade: #434CF3, #6A71F5, #9196F8, #B8BBFA and #DEE0FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9095F8 shade: #9095F8, #F891E8 and #BFF891

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9095F8 shade: #9095F8, #F89196 and #96F891

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9095F8 shade: #9095F8, #F891E8, #F8F391 and #91F8A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9095F8 shade: #9095F8, #F891CA, #F8F391 and #91F8BF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 40 / 0 / 3

HEX #9095F8

RGB 144 149 248

HSL 237.12, 0.88%, 0.77%

LAB 65.12, 22.49, -50.13

 

Complementary color

CMYK 0 / 5 / 94 / 56

HEX #6F6A07

RGB 111 106 7

HSL 57.12, 0.88%, 0.23%

LAB 43.8, -8.71, 48.42

 

CMYK 39 / 39 / 0 / 5

HEX #9595F3

RGB 149 149 243

HSL 240, 0.8%, 0.77%

LAB 65.24, 22.37, -47.17

 

CMYK 35 / 35 / 0 / 0

HEX #A6A7FF

RGB 166 167 255

HSL 239.33, 1%, 0.83%

LAB 71.53, 19.76, -43.74

 

CMYK 28 / 27 / 0 / 0

HEX #B7B9FF

RGB 183 185 255

HSL 238.33, 1%, 0.86%

LAB 77.27, 14.44, -34.72

 

CMYK 22 / 20 / 0 / 0

HEX #C8CBFF

RGB 200 203 255

HSL 236.73, 1%, 0.89%

LAB 83.03, 9.64, -25.78

 

CMYK 15 / 13 / 0 / 0

HEX #D9DDFF

RGB 217 221 255

HSL 233.68, 1%, 0.93%

LAB 88.77, 5.28, -16.96

 

CMYK 42 / 40 / 0 / 3

HEX #9095F8

RGB 144 149 248

HSL 237.12, 0.88%, 0.77%

LAB 65.12, 22.49, -50.13

 

CMYK 45 / 43 / 0 / 10

HEX #7F83E5

RGB 127 131 229

HSL 237.65, 0.66%, 0.7%

LAB 58.42, 23.46, -50.34

 

CMYK 48 / 46 / 0 / 18

HEX #6E71D2

RGB 110 113 210

HSL 238.2, 0.53%, 0.63%

LAB 51.59, 24.57, -50.59

 

CMYK 51 / 50 / 0 / 25

HEX #5D5FBF

RGB 93 95 191

HSL 238.78, 0.43%, 0.56%

LAB 44.62, 25.88, -50.9

 

CMYK 56 / 55 / 0 / 33

HEX #4C4DAC

RGB 76 77 172

HSL 239.38, 0.39%, 0.49%

LAB 37.52, 27.45, -51.24

 

CMYK 42 / 40 / 0 / 3

HEX #9196F8

RGB 145 150 248

HSL 237.09, 0.88%, 0.77%

LAB 65.44, 22.16, -49.61

 

CMYK 32 / 42 / 0 / 3

HEX #A891F8

RGB 168 145 248

HSL 253.4, 0.88%, 0.77%

LAB 66.02, 30.94, -48.58

 

CMYK 21 / 42 / 0 / 3

HEX #C391F8

RGB 195 145 248

HSL 269.13, 0.88%, 0.77%

LAB 68.48, 38.33, -44.54

 

CMYK 10 / 42 / 0 / 3

HEX #DF91F8

RGB 223 145 248

HSL 285.44, 0.88%, 0.77%

LAB 71.36, 46.32, -39.83

 

CMYK 0 / 42 / 1 / 3

HEX #F891F5

RGB 248 145 245

HSL 301.75, 0.88%, 0.77%

LAB 74.06, 53.04, -33.78

 

CMYK 42 / 40 / 0 / 3

HEX #9196F8

RGB 145 150 248

HSL 237.09, 0.88%, 0.77%

LAB 65.44, 22.16, -49.61

 

CMYK 42 / 42 / 0 / 3

HEX #9191F8

RGB 145 145 248

HSL 240, 0.88%, 0.77%

LAB 64.2, 25.05, -51.58

 

CMYK 42 / 40 / 0 / 3

HEX #9196F8

RGB 145 150 248

HSL 237.09, 0.88%, 0.77%

LAB 65.44, 22.16, -49.61

 

CMYK 42 / 40 / 0 / 3

HEX #9196F8

RGB 145 150 248

HSL 237.09, 0.88%, 0.77%

LAB 65.44, 22.16, -49.61

 

CMYK 35 / 34 / 0 / 7

HEX #9A9EEE

RGB 154 158 238

HSL 237.14, 0.71%, 0.77%

LAB 67.65, 17.2, -40.63

 

CMYK 28 / 27 / 0 / 10

HEX #A4A7E5

RGB 164 167 229

HSL 237.23, 0.56%, 0.77%

LAB 70.31, 12.63, -31.51

 

CMYK 21 / 20 / 0 / 14

HEX #ADAFDB

RGB 173 175 219

HSL 237.39, 0.39%, 0.77%

LAB 72.67, 8.52, -22.37

 

CMYK 13 / 12 / 0 / 18

HEX #B7B8D2

RGB 183 184 210

HSL 237.78, 0.23%, 0.77%

LAB 75.45, 4.81, -13.18

 

CMYK 42 / 17 / 0 / 3

HEX #91CDF8

RGB 145 205 248

HSL 205.05, 0.88%, 0.77%

LAB 79.87, -8.41, -27.17

 

CMYK 42 / 29 / 0 / 3

HEX #91B1F8

RGB 145 177 248

HSL 221.36, 0.88%, 0.77%

LAB 72.39, 6.8, -38.72

 

CMYK 42 / 40 / 0 / 3

HEX #9196F8

RGB 145 150 248

HSL 237.09, 0.88%, 0.77%

LAB 65.44, 22.16, -49.61

 

CMYK 33 / 42 / 0 / 3

HEX #A791F8

RGB 167 145 248

HSL 252.82, 0.88%, 0.77%

LAB 65.94, 30.67, -48.72

 

CMYK 21 / 42 / 0 / 3

HEX #C391F8

RGB 195 145 248

HSL 269.13, 0.88%, 0.77%

LAB 68.48, 38.33, -44.54

 

CMYK 72 / 69 / 0 / 5

HEX #434CF3

RGB 67 76 243

HSL 236.93, 0.88%, 0.61%

LAB 42.51, 50.44, -84.11

 

CMYK 57 / 54 / 0 / 4

HEX #6A71F5

RGB 106 113 245

HSL 236.98, 0.87%, 0.69%

LAB 53.46, 34.61, -67.27

 

CMYK 42 / 40 / 0 / 3

HEX #9196F8

RGB 145 150 248

HSL 237.09, 0.88%, 0.77%

LAB 65.44, 22.16, -49.61

 

CMYK 26 / 25 / 0 / 2

HEX #B8BBFA

RGB 184 187 250

HSL 237.27, 0.87%, 0.85%

LAB 77.66, 12.43, -31.43

 

CMYK 12 / 11 / 0 / 1

HEX #DEE0FD

RGB 222 224 253

HSL 236.13, 0.89%, 0.93%

LAB 89.83, 4.87, -14.29

 

CMYK 42 / 40 / 0 / 3

HEX #9095F8

RGB 144 149 248

HSL 237.12, 0.88%, 0.77%

LAB 65.12, 22.49, -50.13

 

CMYK 0 / 42 / 6 / 3

HEX #F891E8

RGB 248 145 232

HSL 309.32, 0.88%, 0.77%

LAB 73.57, 50.81, -27.45

 

CMYK 23 / 0 / 42 / 3

HEX #BFF891

RGB 191 248 145

HSL 93.2, 0.88%, 0.77%

LAB 91.8, -35.34, 43.69

 

CMYK 42 / 40 / 0 / 3

HEX #9095F8

RGB 144 149 248

HSL 237.12, 0.88%, 0.77%

LAB 65.12, 22.49, -50.13

 

CMYK 0 / 42 / 40 / 3

HEX #F89196

RGB 248 145 150

HSL 357.09, 0.88%, 0.77%

LAB 71.15, 39.33, 14.34

 

CMYK 40 / 0 / 42 / 3

HEX #96F891

RGB 150 248 145

HSL 117.09, 0.88%, 0.77%

LAB 89.7, -48.64, 40.59

 

CMYK 42 / 40 / 0 / 3

HEX #9095F8

RGB 144 149 248

HSL 237.12, 0.88%, 0.77%

LAB 65.12, 22.49, -50.13

 

CMYK 0 / 42 / 6 / 3

HEX #F891E8

RGB 248 145 232

HSL 309.32, 0.88%, 0.77%

LAB 73.57, 50.81, -27.45

 

CMYK 0 / 2 / 42 / 3

HEX #F8F391

RGB 248 243 145

HSL 57.09, 0.88%, 0.77%

LAB 94.36, -11.85, 47.74

 

CMYK 42 / 0 / 35 / 3

HEX #91F8A0

RGB 145 248 160

HSL 128.74, 0.88%, 0.77%

LAB 89.72, -47.81, 33.13

 

CMYK 42 / 40 / 0 / 3

HEX #9095F8

RGB 144 149 248

HSL 237.12, 0.88%, 0.77%

LAB 65.12, 22.49, -50.13

 

CMYK 0 / 42 / 19 / 3

HEX #F891CA

RGB 248 145 202

HSL 326.8, 0.88%, 0.77%

LAB 72.54, 46.07, -12.51

 

CMYK 0 / 2 / 42 / 3

HEX #F8F391

RGB 248 243 145

HSL 57.09, 0.88%, 0.77%

LAB 94.36, -11.85, 47.74

 

CMYK 42 / 0 / 23 / 3

HEX #91F8BF

RGB 145 248 191

HSL 146.8, 0.88%, 0.77%

LAB 90.28, -42.35, 18.14

 

Description

Color code: HEX #9095F8 | qconv.com Color code: HEX #9095F8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 149 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 149 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 40 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 40% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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