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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9089CA it is the complementary color #6F7635. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9089CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9089CA shade: #9589C5, #A69BD8, #B7ADEB, #C8BFFE and #D9D1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9089CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9089CA shade: #9089CA, #7F77B7, #6E65A4, #5D5391 and #4C417E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9089CA shade: #8E87C9, #A087C9, #B287C9, #C487C9 and #C987BD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9089CA shade: #8E87C9 and #8787C9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9089CA shade matches the following richer shades: #8E87C9, #8379D7, #786BE5 and #6D5DF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9089CA shade: #8E87C9, #9995BB, #A4A3AD, #AFB19F and #BABF91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9089CA shade: #87A4C9, #8792C9, #8E87C9, #A087C9 and #B187C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9089CA shade: #594FAF, #746BBC, #8E87C9, #A9A4D6 and #C4C0E3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9089CA shade: #9089CA, #C987B5 and #9BC987

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9089CA shade: #9089CA, #C98E87 and #87C98E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9089CA shade: #9089CA, #C987B5, #C3C987 and #87C99B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9089CA shade: #9089CA, #C987A2, #C3C987 and #87C9AF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 32 / 0 / 21

HEX #9089CA

RGB 144 137 202

HSL 246.46, 0.38%, 0.66%

LAB 59.97, 17.14, -32.68

 

Complementary color

CMYK 6 / 0 / 55 / 54

HEX #6F7635

RGB 111 118 53

HSL 66.46, 0.38%, 0.34%

LAB 47.74, -12.75, 34.43

 

CMYK 24 / 30 / 0 / 23

HEX #9589C5

RGB 149 137 197

HSL 252, 0.34%, 0.65%

LAB 60.17, 17.4, -29.51

 

CMYK 23 / 28 / 0 / 15

HEX #A69BD8

RGB 166 155 216

HSL 250.82, 0.44%, 0.73%

LAB 66.91, 16.85, -29.6

 

CMYK 22 / 26 / 0 / 8

HEX #B7ADEB

RGB 183 173 235

HSL 249.68, 0.61%, 0.8%

LAB 73.51, 16.35, -29.72

 

CMYK 21 / 25 / 0 / 0

HEX #C8BFFE

RGB 200 191 254

HSL 248.57, 0.97%, 0.87%

LAB 80.01, 15.9, -29.86

 

CMYK 15 / 18 / 0 / 0

HEX #D9D1FF

RGB 217 209 255

HSL 250.43, 1%, 0.91%

LAB 85.79, 11.62, -21.45

 

CMYK 29 / 32 / 0 / 21

HEX #9089CA

RGB 144 137 202

HSL 246.46, 0.38%, 0.66%

LAB 59.97, 17.14, -32.68

 

CMYK 31 / 35 / 0 / 28

HEX #7F77B7

RGB 127 119 183

HSL 247.5, 0.31%, 0.59%

LAB 53.09, 17.79, -32.7

 

CMYK 33 / 38 / 0 / 36

HEX #6E65A4

RGB 110 101 164

HSL 248.57, 0.26%, 0.52%

LAB 46.05, 18.54, -32.76

 

CMYK 36 / 43 / 0 / 43

HEX #5D5391

RGB 93 83 145

HSL 249.68, 0.27%, 0.45%

LAB 38.83, 19.42, -32.89

 

CMYK 40 / 48 / 0 / 51

HEX #4C417E

RGB 76 65 126

HSL 250.82, 0.32%, 0.37%

LAB 31.4, 20.47, -33.09

 

CMYK 29 / 33 / 0 / 21

HEX #8E87C9

RGB 142 135 201

HSL 246.36, 0.38%, 0.66%

LAB 59.25, 17.45, -33.25

 

CMYK 20 / 33 / 0 / 21

HEX #A087C9

RGB 160 135 201

HSL 262.73, 0.38%, 0.66%

LAB 60.8, 22.88, -30.72

 

CMYK 11 / 33 / 0 / 21

HEX #B287C9

RGB 178 135 201

HSL 279.09, 0.38%, 0.66%

LAB 62.52, 28.51, -27.92

 

CMYK 2 / 33 / 0 / 21

HEX #C487C9

RGB 196 135 201

HSL 295.45, 0.38%, 0.66%

LAB 64.39, 34.25, -24.88

 

CMYK 0 / 33 / 6 / 21

HEX #C987BD

RGB 201 135 189

HSL 310.91, 0.38%, 0.66%

LAB 64.5, 33.67, -17.92

 

CMYK 29 / 33 / 0 / 21

HEX #8E87C9

RGB 142 135 201

HSL 246.36, 0.38%, 0.66%

LAB 59.25, 17.45, -33.25

 

CMYK 33 / 33 / 0 / 21

HEX #8787C9

RGB 135 135 201

HSL 240, 0.38%, 0.66%

LAB 58.69, 15.43, -34.16

 

CMYK 29 / 33 / 0 / 21

HEX #8E87C9

RGB 142 135 201

HSL 246.36, 0.38%, 0.66%

LAB 59.25, 17.45, -33.25

 

CMYK 39 / 44 / 0 / 16

HEX #8379D7

RGB 131 121 215

HSL 246.38, 0.54%, 0.66%

LAB 55.49, 26.38, -47.12

 

CMYK 48 / 53 / 0 / 10

HEX #786BE5

RGB 120 107 229

HSL 246.39, 0.7%, 0.66%

LAB 52.02, 36.07, -60.59

 

CMYK 55 / 62 / 0 / 5

HEX #6D5DF3

RGB 109 93 243

HSL 246.4, 0.86%, 0.66%

LAB 48.95, 46.28, -73.46

 

CMYK 29 / 33 / 0 / 21

HEX #8E87C9

RGB 142 135 201

HSL 246.36, 0.38%, 0.66%

LAB 59.25, 17.45, -33.25

 

CMYK 18 / 20 / 0 / 27

HEX #9995BB

RGB 153 149 187

HSL 246.32, 0.22%, 0.66%

LAB 63.22, 9.42, -19.17

 

CMYK 5 / 6 / 0 / 32

HEX #A4A3AD

RGB 164 163 173

HSL 246, 0.06%, 0.66%

LAB 67.36, 2.31, -5.04

 

CMYK 1 / 0 / 10 / 31

HEX #AFB19F

RGB 175 177 159

HSL 66.67, 0.1%, 0.66%

LAB 71.6, -3.94, 8.97

 

CMYK 3 / 0 / 24 / 25

HEX #BABF91

RGB 186 191 145

HSL 66.52, 0.26%, 0.66%

LAB 75.91, -9.41, 22.69

 

CMYK 33 / 18 / 0 / 21

HEX #87A4C9

RGB 135 164 201

HSL 213.64, 0.38%, 0.66%

LAB 66.46, -1.15, -22.17

 

CMYK 33 / 27 / 0 / 21

HEX #8792C9

RGB 135 146 201

HSL 230, 0.38%, 0.66%

LAB 61.59, 9.04, -29.65

 

CMYK 29 / 33 / 0 / 21

HEX #8E87C9

RGB 142 135 201

HSL 246.36, 0.38%, 0.66%

LAB 59.25, 17.45, -33.25

 

CMYK 20 / 33 / 0 / 21

HEX #A087C9

RGB 160 135 201

HSL 262.73, 0.38%, 0.66%

LAB 60.8, 22.88, -30.72

 

CMYK 12 / 33 / 0 / 21

HEX #B187C9

RGB 177 135 201

HSL 278.18, 0.38%, 0.66%

LAB 62.42, 28.19, -28.08

 

CMYK 49 / 55 / 0 / 31

HEX #594FAF

RGB 89 79 175

HSL 246.25, 0.38%, 0.5%

LAB 39.26, 29.92, -50.16

 

CMYK 38 / 43 / 0 / 26

HEX #746BBC

RGB 116 107 188

HSL 246.67, 0.38%, 0.58%

LAB 49.32, 23.25, -41.56

 

CMYK 29 / 33 / 0 / 21

HEX #8E87C9

RGB 142 135 201

HSL 246.36, 0.38%, 0.66%

LAB 59.25, 17.45, -33.25

 

CMYK 21 / 23 / 0 / 16

HEX #A9A4D6

RGB 169 164 214

HSL 246, 0.38%, 0.74%

LAB 69.36, 12.24, -24.71

 

CMYK 14 / 15 / 0 / 11

HEX #C4C0E3

RGB 196 192 227

HSL 246.86, 0.38%, 0.82%

LAB 79.03, 8.25, -16.9

 

CMYK 29 / 32 / 0 / 21

HEX #9089CA

RGB 144 137 202

HSL 246.46, 0.38%, 0.66%

LAB 59.97, 17.14, -32.68

 

CMYK 0 / 33 / 10 / 21

HEX #C987B5

RGB 201 135 181

HSL 318.18, 0.38%, 0.66%

LAB 64.23, 32.27, -13.82

 

CMYK 23 / 0 / 33 / 21

HEX #9BC987

RGB 155 201 135

HSL 101.82, 0.38%, 0.66%

LAB 76.37, -27.31, 28.22

 

CMYK 29 / 32 / 0 / 21

HEX #9089CA

RGB 144 137 202

HSL 246.46, 0.38%, 0.66%

LAB 59.97, 17.14, -32.68

 

CMYK 0 / 29 / 33 / 21

HEX #C98E87

RGB 201 142 135

HSL 6.36, 0.38%, 0.66%

LAB 64.57, 21.47, 12.68

 

CMYK 33 / 0 / 29 / 21

HEX #87C98E

RGB 135 201 142

HSL 126.36, 0.38%, 0.66%

LAB 75.37, -32.9, 23.01

 

CMYK 29 / 32 / 0 / 21

HEX #9089CA

RGB 144 137 202

HSL 246.46, 0.38%, 0.66%

LAB 59.97, 17.14, -32.68

 

CMYK 0 / 33 / 10 / 21

HEX #C987B5

RGB 201 135 181

HSL 318.18, 0.38%, 0.66%

LAB 64.23, 32.27, -13.82

 

CMYK 3 / 0 / 33 / 21

HEX #C3C987

RGB 195 201 135

HSL 65.45, 0.38%, 0.66%

LAB 79.11, -12.45, 32.35

 

CMYK 33 / 0 / 23 / 21

HEX #87C99B

RGB 135 201 155

HSL 138.18, 0.38%, 0.66%

LAB 75.63, -30.56, 16.46

 

CMYK 29 / 32 / 0 / 21

HEX #9089CA

RGB 144 137 202

HSL 246.46, 0.38%, 0.66%

LAB 59.97, 17.14, -32.68

 

CMYK 0 / 33 / 19 / 21

HEX #C987A2

RGB 201 135 162

HSL 335.45, 0.38%, 0.66%

LAB 63.63, 29.16, -3.95

 

CMYK 3 / 0 / 33 / 21

HEX #C3C987

RGB 195 201 135

HSL 65.45, 0.38%, 0.66%

LAB 79.11, -12.45, 32.35

 

CMYK 33 / 0 / 13 / 21

HEX #87C9AF

RGB 135 201 175

HSL 156.36, 0.38%, 0.66%

LAB 76.08, -26.58, 6.36

 

Description

Color code: HEX #9089CA | qconv.com Color code: HEX #9089CA | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 137 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 137 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 32 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 32% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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