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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9088D2 it is the complementary color #6F772D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9088D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9088D2 shade: #9588CD, #A69AE0, #B7ACF3, #C8BEFF and #D9D0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9088D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9088D2 shade: #9088D2, #7F76BF, #6E64AC, #5D5299 and #4C4086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9088D2 shade: #9088D2, #A488D2, #B888D2, #CC88D2 and #D288C4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9088D2 shade: #9088D2 and #8888D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9088D2 shade matches the following richer shades: #9088D2, #867BDF, #7B6EEC and #7161F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9088D2 shade: #9088D2, #9A95C4, #A5A3B7, #AFB0AA and #BABD9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9088D2 shade: #88A8D2, #8894D2, #9088D2, #A388D2 and #B788D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9088D2 shade: #584CBB, #746AC6, #9088D2, #ACA6DD and #C8C4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9088D2 shade: #9088D2, #D288BC and #9ED288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9088D2 shade: #9088D2, #D29088 and #88D290

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9088D2 shade: #9088D2, #D288BC, #CAD288 and #88D29E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9088D2 shade: #9088D2, #D288A6, #CAD288 and #88D2B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

Complementary color

CMYK 7 / 0 / 62 / 53

HEX #6F772D

RGB 111 119 45

HSL 66.49, 0.45%, 0.32%

LAB 47.96, -14, 38.66

 

CMYK 27 / 34 / 0 / 20

HEX #9588CD

RGB 149 136 205

HSL 251.3, 0.41%, 0.67%

LAB 60.25, 19.94, -33.89

 

CMYK 26 / 31 / 0 / 12

HEX #A69AE0

RGB 166 154 224

HSL 250.29, 0.53%, 0.74%

LAB 66.98, 19.32, -33.91

 

CMYK 25 / 29 / 0 / 5

HEX #B7ACF3

RGB 183 172 243

HSL 249.3, 0.75%, 0.81%

LAB 73.57, 18.76, -33.97

 

CMYK 22 / 25 / 0 / 0

HEX #C8BEFF

RGB 200 190 255

HSL 249.23, 1%, 0.87%

LAB 79.8, 16.66, -30.72

 

CMYK 15 / 18 / 0 / 0

HEX #D9D0FF

RGB 217 208 255

HSL 251.49, 1%, 0.91%

LAB 85.55, 12.15, -21.83

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 34 / 38 / 0 / 25

HEX #7F76BF

RGB 127 118 191

HSL 247.4, 0.36%, 0.61%

LAB 53.2, 20.51, -37.11

 

CMYK 36 / 42 / 0 / 33

HEX #6E64AC

RGB 110 100 172

HSL 248.33, 0.3%, 0.53%

LAB 46.19, 21.37, -37.24

 

CMYK 39 / 46 / 0 / 40

HEX #5D5299

RGB 93 82 153

HSL 249.3, 0.3%, 0.46%

LAB 39, 22.37, -37.43

 

CMYK 43 / 52 / 0 / 47

HEX #4C4086

RGB 76 64 134

HSL 250.29, 0.35%, 0.39%

LAB 31.63, 23.56, -37.69

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 22 / 35 / 0 / 18

HEX #A488D2

RGB 164 136 210

HSL 262.7, 0.45%, 0.68%

LAB 61.79, 25.63, -34.21

 

CMYK 12 / 35 / 0 / 18

HEX #B888D2

RGB 184 136 210

HSL 278.92, 0.45%, 0.68%

LAB 63.71, 31.73, -31.06

 

CMYK 3 / 35 / 0 / 18

HEX #CC88D2

RGB 204 136 210

HSL 295.14, 0.45%, 0.68%

LAB 65.83, 37.98, -27.63

 

CMYK 0 / 35 / 7 / 18

HEX #D288C4

RGB 210 136 196

HSL 311.35, 0.45%, 0.68%

LAB 65.98, 37.34, -19.51

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 35 / 35 / 0 / 18

HEX #8888D2

RGB 136 136 210

HSL 240, 0.45%, 0.68%

LAB 59.43, 17.52, -38.06

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 40 / 45 / 0 / 13

HEX #867BDF

RGB 134 123 223

HSL 246.6, 0.61%, 0.68%

LAB 56.65, 28.18, -49.76

 

CMYK 48 / 53 / 0 / 7

HEX #7B6EEC

RGB 123 110 236

HSL 246.19, 0.77%, 0.68%

LAB 53.4, 37, -62.28

 

CMYK 55 / 61 / 0 / 2

HEX #7161F9

RGB 113 97 249

HSL 246.32, 0.93%, 0.68%

LAB 50.57, 46.48, -74.15

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 21 / 24 / 0 / 23

HEX #9A95C4

RGB 154 149 196

HSL 246.38, 0.28%, 0.68%

LAB 63.63, 11.83, -23.59

 

CMYK 10 / 11 / 0 / 28

HEX #A5A3B7

RGB 165 163 183

HSL 246, 0.12%, 0.68%

LAB 67.73, 4.69, -10.03

 

CMYK 1 / 0 / 3 / 31

HEX #AFB0AA

RGB 175 176 170

HSL 70, 0.04%, 0.68%

LAB 71.6, -1.46, 2.94

 

CMYK 2 / 0 / 17 / 26

HEX #BABD9D

RGB 186 189 157

HSL 65.63, 0.2%, 0.68%

LAB 75.62, -6.56, 15.85

 

CMYK 35 / 20 / 0 / 18

HEX #88A8D2

RGB 136 168 210

HSL 214.05, 0.45%, 0.68%

LAB 67.94, -0.76, -24.88

 

CMYK 35 / 30 / 0 / 18

HEX #8894D2

RGB 136 148 210

HSL 230.27, 0.45%, 0.68%

LAB 62.56, 10.55, -33.17

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 22 / 35 / 0 / 18

HEX #A388D2

RGB 163 136 210

HSL 261.89, 0.45%, 0.68%

LAB 61.7, 25.33, -34.36

 

CMYK 13 / 35 / 0 / 18

HEX #B788D2

RGB 183 136 210

HSL 278.11, 0.45%, 0.68%

LAB 63.61, 31.42, -31.23

 

CMYK 53 / 59 / 0 / 27

HEX #584CBB

RGB 88 76 187

HSL 246.49, 0.45%, 0.52%

LAB 39.3, 35.29, -57.18

 

CMYK 41 / 46 / 0 / 22

HEX #746AC6

RGB 116 106 198

HSL 246.52, 0.45%, 0.6%

LAB 49.62, 26.71, -46.85

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 22 / 25 / 0 / 13

HEX #ACA6DD

RGB 172 166 221

HSL 246.55, 0.45%, 0.76%

LAB 70.36, 13.67, -27

 

CMYK 14 / 16 / 0 / 9

HEX #C8C4E8

RGB 200 196 232

HSL 246.67, 0.44%, 0.84%

LAB 80.51, 8.42, -17.32

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 0 / 35 / 10 / 18

HEX #D288BC

RGB 210 136 188

HSL 317.84, 0.45%, 0.68%

LAB 65.7, 35.97, -15.44

 

CMYK 25 / 0 / 35 / 18

HEX #9ED288

RGB 158 210 136

HSL 102.16, 0.45%, 0.68%

LAB 79.12, -30.41, 31.39

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 0 / 31 / 35 / 18

HEX #D29088

RGB 210 144 136

HSL 6.49, 0.45%, 0.68%

LAB 66.08, 23.99, 14.38

 

CMYK 35 / 0 / 31 / 18

HEX #88D290

RGB 136 210 144

HSL 126.49, 0.45%, 0.68%

LAB 78.08, -36.4, 25.63

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 0 / 35 / 10 / 18

HEX #D288BC

RGB 210 136 188

HSL 317.84, 0.45%, 0.68%

LAB 65.7, 35.97, -15.44

 

CMYK 4 / 0 / 35 / 18

HEX #CAD288

RGB 202 210 136

HSL 66.49, 0.45%, 0.68%

LAB 82.07, -14.18, 35.81

 

CMYK 35 / 0 / 25 / 18

HEX #88D29E

RGB 136 210 158

HSL 137.84, 0.45%, 0.68%

LAB 78.34, -33.93, 18.64

 

CMYK 31 / 35 / 0 / 18

HEX #9088D2

RGB 144 136 210

HSL 246.49, 0.45%, 0.68%

LAB 60.06, 19.77, -37.03

 

CMYK 0 / 35 / 21 / 18

HEX #D288A6

RGB 210 136 166

HSL 335.68, 0.45%, 0.68%

LAB 65.01, 32.45, -4.07

 

CMYK 4 / 0 / 35 / 18

HEX #CAD288

RGB 202 210 136

HSL 66.49, 0.45%, 0.68%

LAB 82.07, -14.18, 35.81

 

CMYK 35 / 0 / 14 / 18

HEX #88D2B4

RGB 136 210 180

HSL 155.68, 0.45%, 0.68%

LAB 78.82, -29.59, 7.62

 

Description

Color code: HEX #9088D2 | qconv.com Color code: HEX #9088D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 136 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 136 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 35 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 35% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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