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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #908720 it is the complementary color #6F78DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #908720. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #908720 shade: #95871B, #A6992E, #B7AB41, #C8BD54 and #D9CF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #908720. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #908720 shade: #908720, #7F750D, #6E6300, #5D5100 and #4C3F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #908720 shade: #928920, #926A20, #924C20, #922D20 and #922020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #908720 shade: #928920, #7D9220, #5E9220, #3F9220 and #209220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #908720 shade matches the following richer shades: #928920, #A19512 and #AFA103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #908720 shade: #928920, #847D2F, #75713D, #67654B and #59595A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #908720 shade: #924C20, #926A20, #928920, #7D9220 and #5F9220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #908720 shade: #4F4A11, #716919, #928920, #B4A928 and #D2C533

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #908720 shade: #908720, #20922D and #5B2092

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #908720 shade: #908720, #209289 and #892092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #908720 shade: #908720, #20922D, #202A92 and #922085

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #908720 shade: #908720, #209250, #202A92 and #922063

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 78 / 44

HEX #908720

RGB 144 135 32

HSL 55.18, 0.64%, 0.35%

LAB 55.44, -8.45, 52.53

 

Complementary color

CMYK 50 / 46 / 0 / 13

HEX #6F78DF

RGB 111 120 223

HSL 235.18, 0.64%, 0.65%

LAB 54.18, 24.54, -53.8

 

CMYK 0 / 9 / 82 / 42

HEX #95871B

RGB 149 135 27

HSL 53.11, 0.69%, 0.35%

LAB 55.88, -6.35, 54.74

 

CMYK 0 / 8 / 72 / 35

HEX #A6992E

RGB 166 153 46

HSL 53.5, 0.57%, 0.42%

LAB 62.58, -7.57, 54.87

 

CMYK 0 / 7 / 64 / 28

HEX #B7AB41

RGB 183 171 65

HSL 53.9, 0.48%, 0.49%

LAB 69.17, -8.56, 54.28

 

CMYK 0 / 5 / 58 / 22

HEX #C8BD54

RGB 200 189 84

HSL 54.31, 0.51%, 0.56%

LAB 75.65, -9.36, 53.34

 

CMYK 0 / 5 / 53 / 15

HEX #D9CF67

RGB 217 207 103

HSL 54.74, 0.6%, 0.63%

LAB 82.03, -10.04, 52.25

 

CMYK 0 / 6 / 78 / 44

HEX #908720

RGB 144 135 32

HSL 55.18, 0.64%, 0.35%

LAB 55.44, -8.45, 52.53

 

CMYK 0 / 8 / 90 / 50

HEX #7F750D

RGB 127 117 13

HSL 54.74, 0.81%, 0.27%

LAB 48.59, -7.09, 51.55

 

CMYK 0 / 10 / 100 / 57

HEX #6E6300

RGB 110 99 0

HSL 54, 1%, 0.22%

LAB 41.59, -5.38, 48.46

 

CMYK 0 / 13 / 100 / 64

HEX #5D5100

RGB 93 81 0

HSL 52.26, 1%, 0.18%

LAB 34.42, -3.29, 42.52

 

CMYK 0 / 17 / 100 / 70

HEX #4C3F00

RGB 76 63 0

HSL 49.74, 1%, 0.15%

LAB 26.99, -1.04, 36.07

 

CMYK 0 / 6 / 78 / 43

HEX #928920

RGB 146 137 32

HSL 55.26, 0.64%, 0.35%

LAB 56.19, -8.62, 53.29

 

CMYK 0 / 27 / 78 / 43

HEX #926A20

RGB 146 106 32

HSL 38.95, 0.64%, 0.35%

LAB 47.65, 8.82, 45.29

 

CMYK 0 / 48 / 78 / 43

HEX #924C20

RGB 146 76 32

HSL 23.16, 0.64%, 0.35%

LAB 40.22, 26.06, 37.97

 

CMYK 0 / 69 / 78 / 43

HEX #922D20

RGB 146 45 32

HSL 6.84, 0.64%, 0.35%

LAB 34.17, 41.7, 31.7

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 0 / 6 / 78 / 43

HEX #928920

RGB 146 137 32

HSL 55.26, 0.64%, 0.35%

LAB 56.19, -8.62, 53.29

 

CMYK 14 / 0 / 78 / 43

HEX #7D9220

RGB 125 146 32

HSL 71.05, 0.64%, 0.35%

LAB 57.1, -22.73, 53.49

 

CMYK 36 / 0 / 78 / 43

HEX #5E9220

RGB 94 146 32

HSL 87.37, 0.64%, 0.35%

LAB 55.12, -35.4, 50.92

 

CMYK 57 / 0 / 78 / 43

HEX #3F9220

RGB 63 146 32

HSL 103.68, 0.64%, 0.35%

LAB 53.73, -45.67, 49.1

 

CMYK 78 / 0 / 78 / 43

HEX #209220

RGB 32 146 32

HSL 120, 0.64%, 0.35%

LAB 52.92, -52.39, 48.04

 

CMYK 0 / 6 / 78 / 43

HEX #928920

RGB 146 137 32

HSL 55.26, 0.64%, 0.35%

LAB 56.19, -8.62, 53.29

 

CMYK 0 / 7 / 89 / 37

HEX #A19512

RGB 161 149 18

HSL 54.97, 0.8%, 0.35%

LAB 60.88, -8.68, 61.68

 

CMYK 0 / 8 / 98 / 31

HEX #AFA103

RGB 175 161 3

HSL 55.12, 0.97%, 0.35%

LAB 65.44, -8.96, 68.03

 

CMYK 0 / 6 / 78 / 43

HEX #928920

RGB 146 137 32

HSL 55.26, 0.64%, 0.35%

LAB 56.19, -8.62, 53.29

 

CMYK 0 / 5 / 64 / 48

HEX #847D2F

RGB 132 125 47

HSL 55.06, 0.47%, 0.35%

LAB 51.59, -7.61, 42.19

 

CMYK 0 / 3 / 48 / 54

HEX #75713D

RGB 117 113 61

HSL 55.71, 0.31%, 0.35%

LAB 46.88, -6.46, 29.27

 

CMYK 0 / 2 / 27 / 60

HEX #67654B

RGB 103 101 75

HSL 55.71, 0.16%, 0.35%

LAB 42.31, -3.9, 15.05

 

CMYK 1 / 1 / 0 / 65

HEX #59595A

RGB 89 89 90

HSL 240, 0.01%, 0.35%

LAB 37.85, 0.22, -0.58

 

CMYK 0 / 48 / 78 / 43

HEX #924C20

RGB 146 76 32

HSL 23.16, 0.64%, 0.35%

LAB 40.22, 26.06, 37.97

 

CMYK 0 / 27 / 78 / 43

HEX #926A20

RGB 146 106 32

HSL 38.95, 0.64%, 0.35%

LAB 47.65, 8.82, 45.29

 

CMYK 0 / 6 / 78 / 43

HEX #928920

RGB 146 137 32

HSL 55.26, 0.64%, 0.35%

LAB 56.19, -8.62, 53.29

 

CMYK 14 / 0 / 78 / 43

HEX #7D9220

RGB 125 146 32

HSL 71.05, 0.64%, 0.35%

LAB 57.1, -22.73, 53.49

 

CMYK 35 / 0 / 78 / 43

HEX #5F9220

RGB 95 146 32

HSL 86.84, 0.64%, 0.35%

LAB 55.17, -35.02, 50.99

 

CMYK 0 / 6 / 78 / 69

HEX #4F4A11

RGB 79 74 17

HSL 55.16, 0.65%, 0.19%

LAB 30.88, -5.51, 32.88

 

CMYK 0 / 7 / 78 / 56

HEX #716919

RGB 113 105 25

HSL 54.55, 0.64%, 0.27%

LAB 43.78, -6.57, 43.15

 

CMYK 0 / 6 / 78 / 43

HEX #928920

RGB 146 137 32

HSL 55.26, 0.64%, 0.35%

LAB 56.19, -8.62, 53.29

 

CMYK 0 / 6 / 78 / 29

HEX #B4A928

RGB 180 169 40

HSL 55.29, 0.64%, 0.43%

LAB 68.19, -10.08, 62.71

 

CMYK 0 / 6 / 76 / 18

HEX #D2C533

RGB 210 197 51

HSL 55.09, 0.64%, 0.51%

LAB 78.39, -11.06, 69.46

 

CMYK 0 / 6 / 78 / 44

HEX #908720

RGB 144 135 32

HSL 55.18, 0.64%, 0.35%

LAB 55.44, -8.45, 52.53

 

CMYK 78 / 0 / 69 / 43

HEX #20922D

RGB 32 146 45

HSL 126.84, 0.64%, 0.35%

LAB 53.01, -51.25, 43.09

 

CMYK 38 / 78 / 0 / 43

HEX #5B2092

RGB 91 32 146

HSL 271.05, 0.64%, 0.35%

LAB 27.66, 48, -51.44

 

CMYK 0 / 6 / 78 / 44

HEX #908720

RGB 144 135 32

HSL 55.18, 0.64%, 0.35%

LAB 55.44, -8.45, 52.53

 

CMYK 78 / 0 / 6 / 43

HEX #209289

RGB 32 146 137

HSL 175.26, 0.64%, 0.35%

LAB 54.73, -32.36, -4.06

 

CMYK 6 / 78 / 0 / 43

HEX #892092

RGB 137 32 146

HSL 295.26, 0.64%, 0.35%

LAB 34.86, 56.99, -39.46

 

CMYK 0 / 6 / 78 / 44

HEX #908720

RGB 144 135 32

HSL 55.18, 0.64%, 0.35%

LAB 55.44, -8.45, 52.53

 

CMYK 78 / 0 / 69 / 43

HEX #20922D

RGB 32 146 45

HSL 126.84, 0.64%, 0.35%

LAB 53.01, -51.25, 43.09

 

CMYK 78 / 71 / 0 / 43

HEX #202A92

RGB 32 42 146

HSL 234.74, 0.64%, 0.35%

LAB 23.8, 34.09, -58

 

CMYK 0 / 78 / 9 / 43

HEX #922085

RGB 146 32 133

HSL 306.84, 0.64%, 0.35%

LAB 35.67, 56.8, -30.06

 

CMYK 0 / 6 / 78 / 44

HEX #908720

RGB 144 135 32

HSL 55.18, 0.64%, 0.35%

LAB 55.44, -8.45, 52.53

 

CMYK 78 / 0 / 45 / 43

HEX #209250

RGB 32 146 80

HSL 145.26, 0.64%, 0.35%

LAB 53.43, -46.22, 26.34

 

CMYK 78 / 71 / 0 / 43

HEX #202A92

RGB 32 42 146

HSL 234.74, 0.64%, 0.35%

LAB 23.8, 34.09, -58

 

CMYK 0 / 78 / 32 / 43

HEX #922063

RGB 146 32 99

HSL 324.74, 0.64%, 0.35%

LAB 34.08, 52.07, -11.09

 

Description

Color code: HEX #908720 | qconv.com Color code: HEX #908720 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 135 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 135 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 78 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 78% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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