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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9081CD it is the complementary color #6F7E32. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9081CD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9081CD shade: #9581C8, #A693DB, #B7A5EE, #C8B7FF and #D9C9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9081CD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9081CD shade: #9081CD, #7F6FBA, #6E5DA7, #5D4B94 and #4C3981

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9081CD shade: #8F7FCC, #A37FCC, #B87FCC, #CC7FCC and #CC7FB7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9081CD shade: #8F7FCC and #7F7FCC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9081CD shade matches the following richer shades: #8F7FCC, #8671DB, #7D62E9 and #7454F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9081CD shade: #8F7FCC, #978EBE, #A09CAF, #A9ABA1 and #B1B992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9081CD shade: #7F9ACC, #7F86CC, #8D7FCC, #A27FCC and #B67FCC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9081CD shade: #5C47B2, #7562C0, #8F7FCC, #A99DD8 and #C3BAE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9081CD shade: #9081CD, #CC7FAF and #90CC7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9081CD shade: #9081CD, #CC8D7F and #7FCC8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9081CD shade: #9081CD, #CC7FAF, #BECC7F and #7FCC9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9081CD shade: #9081CD, #CC7F98, #BECC7F and #7FCCB4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 37 / 0 / 20

HEX #9081CD

RGB 144 129 205

HSL 251.84, 0.43%, 0.65%

LAB 58.07, 22.55, -37.33

 

Complementary color

CMYK 12 / 0 / 60 / 51

HEX #6F7E32

RGB 111 126 50

HSL 71.84, 0.43%, 0.35%

LAB 50.13, -17.33, 38.66

 

CMYK 26 / 36 / 0 / 22

HEX #9581C8

RGB 149 129 200

HSL 256.9, 0.39%, 0.65%

LAB 58.28, 22.76, -34.14

 

CMYK 24 / 33 / 0 / 14

HEX #A693DB

RGB 166 147 219

HSL 255.83, 0.5%, 0.72%

LAB 65.03, 22.09, -34.16

 

CMYK 23 / 31 / 0 / 7

HEX #B7A5EE

RGB 183 165 238

HSL 254.79, 0.68%, 0.79%

LAB 71.66, 21.49, -34.22

 

CMYK 22 / 28 / 0 / 0

HEX #C8B7FF

RGB 200 183 255

HSL 254.17, 1%, 0.86%

LAB 78.09, 20.48, -33.35

 

CMYK 15 / 21 / 0 / 0

HEX #D9C9FF

RGB 217 201 255

HSL 257.78, 1%, 0.89%

LAB 83.83, 15.89, -24.43

 

CMYK 30 / 37 / 0 / 20

HEX #9081CD

RGB 144 129 205

HSL 251.84, 0.43%, 0.65%

LAB 58.07, 22.55, -37.33

 

CMYK 32 / 40 / 0 / 27

HEX #7F6FBA

RGB 127 111 186

HSL 252.8, 0.35%, 0.58%

LAB 51.18, 23.35, -37.41

 

CMYK 34 / 44 / 0 / 35

HEX #6E5DA7

RGB 110 93 167

HSL 253.78, 0.3%, 0.51%

LAB 44.14, 24.25, -37.54

 

CMYK 37 / 49 / 0 / 42

HEX #5D4B94

RGB 93 75 148

HSL 254.79, 0.33%, 0.44%

LAB 36.92, 25.3, -37.72

 

CMYK 41 / 56 / 0 / 49

HEX #4C3981

RGB 76 57 129

HSL 255.83, 0.39%, 0.36%

LAB 29.53, 26.51, -37.95

 

CMYK 30 / 38 / 0 / 20

HEX #8F7FCC

RGB 143 127 204

HSL 252.47, 0.43%, 0.65%

LAB 57.44, 23.18, -37.76

 

CMYK 20 / 38 / 0 / 20

HEX #A37FCC

RGB 163 127 204

HSL 268.05, 0.43%, 0.65%

LAB 59.27, 29.06, -34.76

 

CMYK 10 / 38 / 0 / 20

HEX #B87FCC

RGB 184 127 204

HSL 284.42, 0.43%, 0.65%

LAB 61.42, 35.46, -31.26

 

CMYK 0 / 38 / 0 / 20

HEX #CC7FCC

RGB 204 127 204

HSL 300, 0.43%, 0.65%

LAB 63.65, 41.67, -27.62

 

CMYK 0 / 38 / 10 / 20

HEX #CC7FB7

RGB 204 127 183

HSL 316.36, 0.43%, 0.65%

LAB 62.87, 37.94, -16.97

 

CMYK 30 / 38 / 0 / 20

HEX #8F7FCC

RGB 143 127 204

HSL 252.47, 0.43%, 0.65%

LAB 57.44, 23.18, -37.76

 

CMYK 38 / 38 / 0 / 20

HEX #7F7FCC

RGB 127 127 204

HSL 240, 0.43%, 0.65%

LAB 56.14, 18.72, -39.9

 

CMYK 30 / 38 / 0 / 20

HEX #8F7FCC

RGB 143 127 204

HSL 252.47, 0.43%, 0.65%

LAB 57.44, 23.18, -37.76

 

CMYK 39 / 48 / 0 / 14

HEX #8671DB

RGB 134 113 219

HSL 251.89, 0.6%, 0.65%

LAB 54.02, 32.94, -51.69

 

CMYK 46 / 58 / 0 / 9

HEX #7D62E9

RGB 125 98 233

HSL 252, 0.75%, 0.65%

LAB 50.66, 43.5, -65.01

 

CMYK 53 / 66 / 0 / 3

HEX #7454F7

RGB 116 84 247

HSL 251.78, 0.91%, 0.65%

LAB 47.97, 53.61, -77.27

 

CMYK 30 / 38 / 0 / 20

HEX #8F7FCC

RGB 143 127 204

HSL 252.47, 0.43%, 0.65%

LAB 57.44, 23.18, -37.76

 

CMYK 21 / 25 / 0 / 25

HEX #978EBE

RGB 151 142 190

HSL 251.25, 0.27%, 0.65%

LAB 61.34, 13.47, -23.74

 

CMYK 9 / 11 / 0 / 31

HEX #A09CAF

RGB 160 156 175

HSL 252.63, 0.11%, 0.65%

LAB 65.24, 5.21, -9.34

 

CMYK 1 / 0 / 6 / 33

HEX #A9ABA1

RGB 169 171 161

HSL 72, 0.06%, 0.65%

LAB 69.56, -2.56, 4.89

 

CMYK 4 / 0 / 21 / 27

HEX #B1B992

RGB 177 185 146

HSL 72.31, 0.22%, 0.65%

LAB 73.62, -9.54, 18.9

 

CMYK 38 / 25 / 0 / 20

HEX #7F9ACC

RGB 127 154 204

HSL 218.96, 0.43%, 0.65%

LAB 63.33, 3, -28.69

 

CMYK 38 / 34 / 0 / 20

HEX #7F86CC

RGB 127 134 204

HSL 234.55, 0.43%, 0.65%

LAB 57.96, 14.59, -37.03

 

CMYK 31 / 38 / 0 / 20

HEX #8D7FCC

RGB 141 127 204

HSL 250.91, 0.43%, 0.65%

LAB 57.27, 22.6, -38.04

 

CMYK 21 / 38 / 0 / 20

HEX #A27FCC

RGB 162 127 204

HSL 267.27, 0.43%, 0.65%

LAB 59.18, 28.76, -34.92

 

CMYK 11 / 38 / 0 / 20

HEX #B67FCC

RGB 182 127 204

HSL 282.86, 0.43%, 0.65%

LAB 61.21, 34.85, -31.6

 

CMYK 48 / 60 / 0 / 30

HEX #5C47B2

RGB 92 71 178

HSL 251.78, 0.43%, 0.49%

LAB 37.84, 36.36, -54.23

 

CMYK 39 / 49 / 0 / 25

HEX #7562C0

RGB 117 98 192

HSL 252.13, 0.43%, 0.57%

LAB 47.4, 30.06, -46.93

 

CMYK 30 / 38 / 0 / 20

HEX #8F7FCC

RGB 143 127 204

HSL 252.47, 0.43%, 0.65%

LAB 57.44, 23.18, -37.76

 

CMYK 22 / 27 / 0 / 15

HEX #A99DD8

RGB 169 157 216

HSL 252.2, 0.43%, 0.73%

LAB 67.66, 16.63, -28.42

 

CMYK 14 / 18 / 0 / 11

HEX #C3BAE4

RGB 195 186 228

HSL 252.86, 0.44%, 0.81%

LAB 77.47, 11.39, -19.8

 

CMYK 30 / 37 / 0 / 20

HEX #9081CD

RGB 144 129 205

HSL 251.84, 0.43%, 0.65%

LAB 58.07, 22.55, -37.33

 

CMYK 0 / 38 / 14 / 20

HEX #CC7FAF

RGB 204 127 175

HSL 322.6, 0.43%, 0.65%

LAB 62.6, 36.61, -12.84

 

CMYK 29 / 0 / 38 / 20

HEX #90CC7F

RGB 144 204 127

HSL 106.75, 0.43%, 0.65%

LAB 76.46, -33.72, 32.38

 

CMYK 30 / 37 / 0 / 20

HEX #9081CD

RGB 144 129 205

HSL 251.84, 0.43%, 0.65%

LAB 58.07, 22.55, -37.33

 

CMYK 0 / 31 / 38 / 20

HEX #CC8D7F

RGB 204 141 127

HSL 10.91, 0.43%, 0.65%

LAB 64.5, 22.19, 17.12

 

CMYK 38 / 0 / 31 / 20

HEX #7FCC8D

RGB 127 204 141

HSL 130.91, 0.43%, 0.65%

LAB 75.84, -36.94, 24.1

 

CMYK 30 / 37 / 0 / 20

HEX #9081CD

RGB 144 129 205

HSL 251.84, 0.43%, 0.65%

LAB 58.07, 22.55, -37.33

 

CMYK 0 / 38 / 14 / 20

HEX #CC7FAF

RGB 204 127 175

HSL 322.6, 0.43%, 0.65%

LAB 62.6, 36.61, -12.84

 

CMYK 7 / 0 / 38 / 20

HEX #BECC7F

RGB 190 204 127

HSL 70.91, 0.43%, 0.65%

LAB 79.42, -16.88, 36.79

 

CMYK 38 / 0 / 23 / 20

HEX #7FCC9D

RGB 127 204 157

HSL 143.38, 0.43%, 0.65%

LAB 76.15, -34, 16.05

 

CMYK 30 / 37 / 0 / 20

HEX #9081CD

RGB 144 129 205

HSL 251.84, 0.43%, 0.65%

LAB 58.07, 22.55, -37.33

 

CMYK 0 / 38 / 25 / 20

HEX #CC7F98

RGB 204 127 152

HSL 340.52, 0.43%, 0.65%

LAB 61.9, 33.09, -0.76

 

CMYK 7 / 0 / 38 / 20

HEX #BECC7F

RGB 190 204 127

HSL 70.91, 0.43%, 0.65%

LAB 79.42, -16.88, 36.79

 

CMYK 38 / 0 / 12 / 20

HEX #7FCCB4

RGB 127 204 180

HSL 161.3, 0.43%, 0.65%

LAB 76.67, -29.24, 4.47

 

Description

Color code: HEX #9081CD | qconv.com Color code: HEX #9081CD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 129 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 129 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 37 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 37% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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