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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #906CCE it is the complementary color #6F9331. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #906CCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #906CCE shade: #956CC9, #A67EDC, #B790EF, #C8A2FF and #D9B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #906CCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #906CCE shade: #906CCE, #7F5ABB, #6E48A8, #5D3695 and #4C2482

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #906CCE shade: #916ECF, #AB6ECF, #C66ECF, #CF6EBD and #CF6EA3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #906CCE shade: #916ECF, #776ECF and #6E6ECF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #906CCE shade matches the following richer shades: #916ECF, #8D5EDE, #894EEE and #853FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #906CCE shade: #916ECF, #957DBF, #9A8DAF, #9E9DA0 and #A2AC90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #906CCE shade: #6E7ECF, #776ECF, #916ECF, #AB6ECF and #C56ECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #906CCE shade: #653AAF, #7A4FC4, #916ECF, #A98DD9 and #C0ACE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #906CCE shade: #906CCE, #CF6E98 and #71CF6E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #906CCE shade: #906CCE, #CF916E and #6ECF91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #906CCE shade: #906CCE, #CF6E98, #ABCF6E and #6ECFA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #906CCE shade: #906CCE, #CF6E7B, #ABCF6E and #6ECFC2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 48 / 0 / 19

HEX #906CCE

RGB 144 108 206

HSL 262.04, 0.5%, 0.62%

LAB 53.07, 34.99, -45.78

 

Complementary color

CMYK 24 / 0 / 67 / 42

HEX #6F9331

RGB 111 147 49

HSL 82.04, 0.5%, 0.38%

LAB 56.55, -28.05, 46.12

 

CMYK 26 / 46 / 0 / 21

HEX #956CC9

RGB 149 108 201

HSL 266.45, 0.46%, 0.61%

LAB 53.31, 35.12, -42.52

 

CMYK 25 / 43 / 0 / 14

HEX #A67EDC

RGB 166 126 220

HSL 265.53, 0.57%, 0.68%

LAB 60.07, 34.25, -42.49

 

CMYK 23 / 40 / 0 / 6

HEX #B790EF

RGB 183 144 239

HSL 264.63, 0.75%, 0.75%

LAB 66.71, 33.44, -42.48

 

CMYK 22 / 36 / 0 / 0

HEX #C8A2FF

RGB 200 162 255

HSL 264.52, 1%, 0.82%

LAB 73.12, 32.01, -41.06

 

CMYK 15 / 29 / 0 / 0

HEX #D9B4FF

RGB 217 180 255

HSL 269.6, 1%, 0.85%

LAB 78.82, 27.22, -32.1

 

CMYK 30 / 48 / 0 / 19

HEX #906CCE

RGB 144 108 206

HSL 262.04, 0.5%, 0.62%

LAB 53.07, 34.99, -45.78

 

CMYK 32 / 52 / 0 / 27

HEX #7F5ABB

RGB 127 90 187

HSL 262.89, 0.42%, 0.54%

LAB 46.19, 36, -45.89

 

CMYK 35 / 57 / 0 / 34

HEX #6E48A8

RGB 110 72 168

HSL 263.75, 0.4%, 0.47%

LAB 39.2, 37.07, -46

 

CMYK 38 / 64 / 0 / 42

HEX #5D3695

RGB 93 54 149

HSL 264.63, 0.47%, 0.4%

LAB 32.11, 38.17, -46.05

 

CMYK 42 / 72 / 0 / 49

HEX #4C2482

RGB 76 36 130

HSL 265.53, 0.57%, 0.33%

LAB 24.98, 39.14, -45.93

 

CMYK 30 / 47 / 0 / 19

HEX #916ECF

RGB 145 110 207

HSL 261.65, 0.5%, 0.62%

LAB 53.68, 34.37, -45.37

 

CMYK 17 / 47 / 0 / 19

HEX #AB6ECF

RGB 171 110 207

HSL 277.73, 0.5%, 0.62%

LAB 56.4, 41.58, -40.9

 

CMYK 4 / 47 / 0 / 19

HEX #C66ECF

RGB 198 110 207

HSL 294.43, 0.5%, 0.62%

LAB 59.58, 49.3, -35.68

 

CMYK 0 / 47 / 9 / 19

HEX #CF6EBD

RGB 207 110 189

HSL 311.13, 0.5%, 0.62%

LAB 59.97, 48.77, -24.77

 

CMYK 0 / 47 / 21 / 19

HEX #CF6EA3

RGB 207 110 163

HSL 327.22, 0.5%, 0.62%

LAB 59.03, 44.67, -11.29

 

CMYK 30 / 47 / 0 / 19

HEX #916ECF

RGB 145 110 207

HSL 261.65, 0.5%, 0.62%

LAB 53.68, 34.37, -45.37

 

CMYK 43 / 47 / 0 / 19

HEX #776ECF

RGB 119 110 207

HSL 245.57, 0.5%, 0.62%

LAB 51.36, 27.64, -49.21

 

CMYK 47 / 47 / 0 / 19

HEX #6E6ECF

RGB 110 110 207

HSL 240, 0.5%, 0.62%

LAB 50.65, 25.48, -50.37

 

CMYK 30 / 47 / 0 / 19

HEX #916ECF

RGB 145 110 207

HSL 261.65, 0.5%, 0.62%

LAB 53.68, 34.37, -45.37

 

CMYK 36 / 58 / 0 / 13

HEX #8D5EDE

RGB 141 94 222

HSL 262.03, 0.66%, 0.62%

LAB 50.62, 46.22, -58.8

 

CMYK 42 / 67 / 0 / 7

HEX #894EEE

RGB 137 78 238

HSL 262.13, 0.82%, 0.62%

LAB 48.18, 57.9, -71.78

 

CMYK 48 / 75 / 0 / 0

HEX #853FFE

RGB 133 63 254

HSL 261.99, 0.99%, 0.62%

LAB 46.57, 68.2, -83.39

 

CMYK 30 / 47 / 0 / 19

HEX #916ECF

RGB 145 110 207

HSL 261.65, 0.5%, 0.62%

LAB 53.68, 34.37, -45.37

 

CMYK 22 / 35 / 0 / 25

HEX #957DBF

RGB 149 125 191

HSL 261.82, 0.34%, 0.62%

LAB 56.9, 22.9, -31.19

 

CMYK 12 / 19 / 0 / 31

HEX #9A8DAF

RGB 154 141 175

HSL 262.94, 0.18%, 0.62%

LAB 60.79, 11.63, -16.07

 

CMYK 1 / 2 / 0 / 37

HEX #9E9DA0

RGB 158 157 160

HSL 260, 0.02%, 0.62%

LAB 64.9, 0.94, -1.44

 

CMYK 6 / 0 / 16 / 33

HEX #A2AC90

RGB 162 172 144

HSL 81.43, 0.14%, 0.62%

LAB 68.9, -8.62, 13.23

 

CMYK 47 / 39 / 0 / 19

HEX #6E7ECF

RGB 110 126 207

HSL 230.1, 0.5%, 0.62%

LAB 54.81, 15.82, -43.78

 

CMYK 43 / 47 / 0 / 19

HEX #776ECF

RGB 119 110 207

HSL 245.57, 0.5%, 0.62%

LAB 51.36, 27.64, -49.21

 

CMYK 30 / 47 / 0 / 19

HEX #916ECF

RGB 145 110 207

HSL 261.65, 0.5%, 0.62%

LAB 53.68, 34.37, -45.37

 

CMYK 17 / 47 / 0 / 19

HEX #AB6ECF

RGB 171 110 207

HSL 277.73, 0.5%, 0.62%

LAB 56.4, 41.58, -40.9

 

CMYK 5 / 47 / 0 / 19

HEX #C56ECF

RGB 197 110 207

HSL 293.81, 0.5%, 0.62%

LAB 59.46, 49.02, -35.89

 

CMYK 42 / 67 / 0 / 31

HEX #653AAF

RGB 101 58 175

HSL 262.05, 0.5%, 0.46%

LAB 35.77, 44.75, -55.76

 

CMYK 38 / 60 / 0 / 23

HEX #7A4FC4

RGB 122 79 196

HSL 262.05, 0.5%, 0.54%

LAB 43.82, 43.39, -54.95

 

CMYK 30 / 47 / 0 / 19

HEX #916ECF

RGB 145 110 207

HSL 261.65, 0.5%, 0.62%

LAB 53.68, 34.37, -45.37

 

CMYK 22 / 35 / 0 / 15

HEX #A98DD9

RGB 169 141 217

HSL 262.11, 0.5%, 0.7%

LAB 63.75, 25.92, -35.03

 

CMYK 15 / 24 / 0 / 11

HEX #C0ACE3

RGB 192 172 227

HSL 261.82, 0.5%, 0.78%

LAB 73.71, 17.89, -25

 

CMYK 30 / 48 / 0 / 19

HEX #906CCE

RGB 144 108 206

HSL 262.04, 0.5%, 0.62%

LAB 53.07, 34.99, -45.78

 

CMYK 0 / 47 / 27 / 19

HEX #CF6E98

RGB 207 110 152

HSL 334.02, 0.5%, 0.62%

LAB 58.68, 43.1, -5.46

 

CMYK 45 / 0 / 47 / 19

HEX #71CF6E

RGB 113 207 110

HSL 118.14, 0.5%, 0.62%

LAB 75.61, -47.28, 39.58

 

CMYK 30 / 48 / 0 / 19

HEX #906CCE

RGB 144 108 206

HSL 262.04, 0.5%, 0.62%

LAB 53.07, 34.99, -45.78

 

CMYK 0 / 30 / 47 / 19

HEX #CF916E

RGB 207 145 110

HSL 21.65, 0.5%, 0.62%

LAB 65.47, 19.34, 27.92

 

CMYK 47 / 0 / 30 / 19

HEX #6ECF91

RGB 110 207 145

HSL 141.65, 0.5%, 0.62%

LAB 76.06, -42.38, 22.18

 

CMYK 30 / 48 / 0 / 19

HEX #906CCE

RGB 144 108 206

HSL 262.04, 0.5%, 0.62%

LAB 53.07, 34.99, -45.78

 

CMYK 0 / 47 / 27 / 19

HEX #CF6E98

RGB 207 110 152

HSL 334.02, 0.5%, 0.62%

LAB 58.68, 43.1, -5.46

 

CMYK 17 / 0 / 47 / 19

HEX #ABCF6E

RGB 171 207 110

HSL 82.27, 0.5%, 0.62%

LAB 78.7, -27.59, 44.09

 

CMYK 47 / 0 / 20 / 19

HEX #6ECFA5

RGB 110 207 165

HSL 154.02, 0.5%, 0.62%

LAB 76.47, -38.38, 12.13

 

CMYK 30 / 48 / 0 / 19

HEX #906CCE

RGB 144 108 206

HSL 262.04, 0.5%, 0.62%

LAB 53.07, 34.99, -45.78

 

CMYK 0 / 47 / 41 / 19

HEX #CF6E7B

RGB 207 110 123

HSL 351.96, 0.5%, 0.62%

LAB 57.89, 39.48, 10.24

 

CMYK 17 / 0 / 47 / 19

HEX #ABCF6E

RGB 171 207 110

HSL 82.27, 0.5%, 0.62%

LAB 78.7, -27.59, 44.09

 

CMYK 47 / 0 / 6 / 19

HEX #6ECFC2

RGB 110 207 194

HSL 171.96, 0.5%, 0.62%

LAB 77.18, -31.76, -2.41

 

Description

Color code: HEX #906CCE | qconv.com Color code: HEX #906CCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 108 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 108 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 48 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 48% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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