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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9055E7 it is the complementary color #6FAA18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9055E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9055E7 shade: #9555E2, #A667F5, #B779FF, #C88BFF and #D99DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9055E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9055E7 shade: #9055E7, #7F43D4, #6E31C1, #5D1FAE and #4C0D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9055E7 shade: #9055E6, #B755E6, #DE55E6, #E655C7 and #E655A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9055E7 shade: #9055E6, #6855E6 and #5555E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9055E7 shade matches the following richer shades: #9055E6 and #8D45F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9055E7 shade: #9055E6, #9365D7, #9674C7, #9984B7 and #9C94A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9055E7 shade: #5568E6, #6855E6, #8F55E6, #B655E6 and #DD55E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9055E7 shade: #641DCC, #7831E1, #9055E6, #A779EB and #BF9DF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9055E7 shade: #9055E7, #E6558F and #55E655

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9055E7 shade: #9055E7, #E68F55 and #55E68F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9055E7 shade: #9055E7, #E6558F, #ACE655 and #55E6AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9055E7 shade: #9055E7, #E65563, #ACE655 and #55E6D8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 63 / 0 / 9

HEX #9055E7

RGB 144 85 231

HSL 264.25, 0.75%, 0.62%

LAB 49.73, 53.95, -65.3

 

Complementary color

CMYK 35 / 0 / 86 / 33

HEX #6FAA18

RGB 111 170 24

HSL 84.25, 0.75%, 0.38%

LAB 63.5, -39.96, 61.11

 

CMYK 34 / 62 / 0 / 11

HEX #9555E2

RGB 149 85 226

HSL 267.23, 0.71%, 0.61%

LAB 49.95, 53.76, -62.09

 

CMYK 32 / 58 / 0 / 4

HEX #A667F5

RGB 166 103 245

HSL 266.62, 0.88%, 0.68%

LAB 56.49, 52.83, -62.12

 

CMYK 28 / 53 / 0 / 0

HEX #B779FF

RGB 183 121 255

HSL 267.76, 1%, 0.74%

LAB 62.48, 49.75, -57.96

 

CMYK 22 / 45 / 0 / 0

HEX #C88BFF

RGB 200 139 255

HSL 271.55, 1%, 0.77%

LAB 67.99, 44.53, -49.1

 

CMYK 15 / 38 / 0 / 0

HEX #D99DFF

RGB 217 157 255

HSL 276.73, 1%, 0.81%

LAB 73.6, 39.64, -40.19

 

CMYK 38 / 63 / 0 / 9

HEX #9055E7

RGB 144 85 231

HSL 264.25, 0.75%, 0.62%

LAB 49.73, 53.95, -65.3

 

CMYK 40 / 68 / 0 / 17

HEX #7F43D4

RGB 127 67 212

HSL 264.83, 0.63%, 0.55%

LAB 43.18, 54.86, -65.2

 

CMYK 43 / 75 / 0 / 24

HEX #6E31C1

RGB 110 49 193

HSL 265.42, 0.6%, 0.47%

LAB 36.67, 55.53, -64.87

 

CMYK 47 / 82 / 0 / 32

HEX #5D1FAE

RGB 93 31 174

HSL 266.01, 0.7%, 0.4%

LAB 30.31, 55.63, -64.11

 

CMYK 51 / 92 / 0 / 39

HEX #4C0D9B

RGB 76 13 155

HSL 266.62, 0.85%, 0.33%

LAB 24.29, 54.56, -62.58

 

CMYK 37 / 63 / 0 / 10

HEX #9055E6

RGB 144 85 230

HSL 264.41, 0.74%, 0.62%

LAB 49.66, 53.7, -64.84

 

CMYK 20 / 63 / 0 / 10

HEX #B755E6

RGB 183 85 230

HSL 280.55, 0.74%, 0.62%

LAB 54.32, 62.18, -57.11

 

CMYK 3 / 63 / 0 / 10

HEX #DE55E6

RGB 222 85 230

HSL 296.69, 0.74%, 0.62%

LAB 59.65, 71.13, -48.29

 

CMYK 0 / 63 / 13 / 10

HEX #E655C7

RGB 230 85 199

HSL 312.83, 0.74%, 0.62%

LAB 59.38, 68.18, -31.12

 

CMYK 0 / 63 / 30 / 10

HEX #E655A0

RGB 230 85 160

HSL 328.97, 0.74%, 0.62%

LAB 57.9, 62.98, -10.91

 

CMYK 37 / 63 / 0 / 10

HEX #9055E6

RGB 144 85 230

HSL 264.41, 0.74%, 0.62%

LAB 49.66, 53.7, -64.84

 

CMYK 55 / 63 / 0 / 10

HEX #6855E6

RGB 104 85 230

HSL 247.86, 0.74%, 0.62%

LAB 45.84, 46.09, -71.22

 

CMYK 63 / 63 / 0 / 10

HEX #5555E6

RGB 85 85 230

HSL 240, 0.74%, 0.62%

LAB 44.44, 43.1, -73.58

 

CMYK 37 / 63 / 0 / 10

HEX #9055E6

RGB 144 85 230

HSL 264.41, 0.74%, 0.62%

LAB 49.66, 53.7, -64.84

 

CMYK 43 / 72 / 0 / 4

HEX #8D45F6

RGB 141 69 246

HSL 264.41, 0.91%, 0.62%

LAB 47.72, 64.83, -77.02

 

CMYK 37 / 63 / 0 / 10

HEX #9055E6

RGB 144 85 230

HSL 264.41, 0.74%, 0.62%

LAB 49.66, 53.7, -64.84

 

CMYK 32 / 53 / 0 / 16

HEX #9365D7

RGB 147 101 215

HSL 264.21, 0.59%, 0.62%

LAB 52.31, 42, -52.09

 

CMYK 25 / 42 / 0 / 22

HEX #9674C7

RGB 150 116 199

HSL 264.58, 0.43%, 0.62%

LAB 55.17, 30.33, -38.43

 

CMYK 16 / 28 / 0 / 28

HEX #9984B7

RGB 153 132 183

HSL 264.71, 0.26%, 0.62%

LAB 58.69, 18.25, -23.83

 

CMYK 7 / 12 / 0 / 34

HEX #9C94A8

RGB 156 148 168

HSL 264, 0.1%, 0.62%

LAB 62.57, 6.86, -9.41

 

CMYK 63 / 55 / 0 / 10

HEX #5568E6

RGB 85 104 230

HSL 232.14, 0.74%, 0.62%

LAB 48.94, 31.57, -66.25

 

CMYK 55 / 63 / 0 / 10

HEX #6855E6

RGB 104 85 230

HSL 247.86, 0.74%, 0.62%

LAB 45.84, 46.09, -71.22

 

CMYK 38 / 63 / 0 / 10

HEX #8F55E6

RGB 143 85 230

HSL 264, 0.74%, 0.62%

LAB 49.56, 53.49, -65.02

 

CMYK 21 / 63 / 0 / 10

HEX #B655E6

RGB 182 85 230

HSL 280.14, 0.74%, 0.62%

LAB 54.19, 61.95, -57.32

 

CMYK 4 / 63 / 0 / 10

HEX #DD55E6

RGB 221 85 230

HSL 296.28, 0.74%, 0.62%

LAB 59.51, 70.9, -48.53

 

CMYK 51 / 86 / 0 / 20

HEX #641DCC

RGB 100 29 204

HSL 264.34, 0.75%, 0.46%

LAB 33.87, 64.48, -75.94

 

CMYK 47 / 78 / 0 / 12

HEX #7831E1

RGB 120 49 225

HSL 264.2, 0.75%, 0.54%

LAB 40.62, 64.97, -76.87

 

CMYK 37 / 63 / 0 / 10

HEX #9055E6

RGB 144 85 230

HSL 264.41, 0.74%, 0.62%

LAB 49.66, 53.7, -64.84

 

CMYK 29 / 49 / 0 / 8

HEX #A779EB

RGB 167 121 235

HSL 264.21, 0.74%, 0.7%

LAB 59.79, 40.92, -51.29

 

CMYK 21 / 35 / 0 / 5

HEX #BF9DF1

RGB 191 157 241

HSL 264.29, 0.75%, 0.78%

LAB 70.55, 28.99, -37.51

 

CMYK 38 / 63 / 0 / 9

HEX #9055E7

RGB 144 85 231

HSL 264.25, 0.75%, 0.62%

LAB 49.73, 53.95, -65.3

 

CMYK 0 / 63 / 38 / 10

HEX #E6558F

RGB 230 85 143

HSL 336, 0.74%, 0.62%

LAB 57.37, 61.05, -1.76

 

CMYK 63 / 0 / 63 / 10

HEX #55E655

RGB 85 230 85

HSL 120, 0.74%, 0.62%

LAB 81.39, -65.96, 57.66

 

CMYK 38 / 63 / 0 / 9

HEX #9055E7

RGB 144 85 231

HSL 264.25, 0.75%, 0.62%

LAB 49.73, 53.95, -65.3

 

CMYK 0 / 38 / 63 / 10

HEX #E68F55

RGB 230 143 85

HSL 24, 0.74%, 0.62%

LAB 67.37, 27.72, 44.17

 

CMYK 63 / 0 / 38 / 10

HEX #55E68F

RGB 85 230 143

HSL 144, 0.74%, 0.62%

LAB 82.11, -57.82, 31.23

 

CMYK 38 / 63 / 0 / 9

HEX #9055E7

RGB 144 85 231

HSL 264.25, 0.75%, 0.62%

LAB 49.73, 53.95, -65.3

 

CMYK 0 / 63 / 38 / 10

HEX #E6558F

RGB 230 85 143

HSL 336, 0.74%, 0.62%

LAB 57.37, 61.05, -1.76

 

CMYK 25 / 0 / 63 / 10

HEX #ACE655

RGB 172 230 85

HSL 84, 0.74%, 0.62%

LAB 85.01, -40.13, 62.66

 

CMYK 63 / 0 / 25 / 10

HEX #55E6AC

RGB 85 230 172

HSL 156, 0.74%, 0.62%

LAB 82.65, -52.12, 17.01

 

CMYK 38 / 63 / 0 / 9

HEX #9055E7

RGB 144 85 231

HSL 264.25, 0.75%, 0.62%

LAB 49.73, 53.95, -65.3

 

CMYK 0 / 63 / 57 / 10

HEX #E65563

RGB 230 85 99

HSL 354.21, 0.74%, 0.62%

LAB 56.31, 57.1, 22.61

 

CMYK 25 / 0 / 63 / 10

HEX #ACE655

RGB 172 230 85

HSL 84, 0.74%, 0.62%

LAB 85.01, -40.13, 62.66

 

CMYK 63 / 0 / 6 / 10

HEX #55E6D8

RGB 85 230 216

HSL 174.21, 0.74%, 0.62%

LAB 83.7, -41.65, -4.64

 

Description

Color code: HEX #9055E7 | qconv.com Color code: HEX #9055E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 85 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 85 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 63 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 63% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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