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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9040C6 it is the complementary color #6FBF39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9040C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9040C6 shade: #9540C1, #A652D4, #B764E7, #C876FA and #D988FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9040C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9040C6 shade: #9040C6, #7F2EB3, #6E1CA0, #5D0A8D and #4C007A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9040C6 shade: #8F3FC6, #B43FC6, #C63FB3, #C63F8F and #C63F6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9040C6 shade: #8F3FC6, #6B3FC6, #463FC6 and #3F3FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9040C6 shade matches the following richer shades: #8F3FC6, #932ADA and #9716EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9040C6 shade: #8F3FC6, #8B53B1, #87679D, #837B89 and #7F8F75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9040C6 shade: #453FC6, #693FC6, #8D3FC6, #B13FC6 and #C63FB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9040C6 shade: #622989, #7932A9, #8F3FC6, #A25ECF and #B47ED9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9040C6 shade: #9040C6, #C63F5C and #3FC657

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9040C6 shade: #9040C6, #C68D3F and #3FC68D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9040C6 shade: #9040C6, #C63F5C, #77C63F and #3FC6A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9040C6 shade: #9040C6, #C64A3F, #77C63F and #3FBAC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 68 / 0 / 22

HEX #9040C6

RGB 144 64 198

HSL 275.82, 0.54%, 0.51%

LAB 43.76, 56.35, -56.08

 

Complementary color

CMYK 42 / 0 / 70 / 25

HEX #6FBF39

RGB 111 191 57

HSL 95.82, 0.54%, 0.49%

LAB 70.13, -46.99, 57.06

 

CMYK 23 / 67 / 0 / 24

HEX #9540C1

RGB 149 64 193

HSL 279.53, 0.51%, 0.5%

LAB 44.1, 56.34, -52.59

 

CMYK 22 / 61 / 0 / 17

HEX #A652D4

RGB 166 82 212

HSL 278.77, 0.6%, 0.58%

LAB 50.56, 55.87, -53.05

 

CMYK 21 / 57 / 0 / 9

HEX #B764E7

RGB 183 100 231

HSL 278.02, 0.73%, 0.65%

LAB 57.03, 55.21, -53.34

 

CMYK 20 / 53 / 0 / 2

HEX #C876FA

RGB 200 118 250

HSL 277.27, 0.93%, 0.72%

LAB 63.46, 54.45, -53.54

 

CMYK 15 / 47 / 0 / 0

HEX #D988FF

RGB 217 136 255

HSL 280.84, 1%, 0.77%

LAB 69.17, 50.73, -47.12

 

CMYK 27 / 68 / 0 / 22

HEX #9040C6

RGB 144 64 198

HSL 275.82, 0.54%, 0.51%

LAB 43.76, 56.35, -56.08

 

CMYK 29 / 74 / 0 / 30

HEX #7F2EB3

RGB 127 46 179

HSL 276.54, 0.59%, 0.44%

LAB 37.34, 56.52, -55.43

 

CMYK 31 / 83 / 0 / 37

HEX #6E1CA0

RGB 110 28 160

HSL 277.27, 0.7%, 0.37%

LAB 31.08, 55.96, -54.33

 

CMYK 34 / 93 / 0 / 45

HEX #5D0A8D

RGB 93 10 141

HSL 278.02, 0.87%, 0.3%

LAB 25.16, 54.06, -52.42

 

CMYK 38 / 100 / 0 / 52

HEX #4C007A

RGB 76 0 122

HSL 277.38, 1%, 0.24%

LAB 19.81, 50.05, -49.31

 

CMYK 28 / 68 / 0 / 22

HEX #8F3FC6

RGB 143 63 198

HSL 275.56, 0.54%, 0.51%

LAB 43.47, 56.6, -56.56

 

CMYK 9 / 68 / 0 / 22

HEX #B43FC6

RGB 180 63 198

HSL 292, 0.54%, 0.51%

LAB 48.68, 64.61, -47.91

 

CMYK 0 / 68 / 10 / 22

HEX #C63FB3

RGB 198 63 179

HSL 308.44, 0.54%, 0.51%

LAB 50.47, 65.63, -33.85

 

CMYK 0 / 68 / 28 / 22

HEX #C63F8F

RGB 198 63 143

HSL 324.44, 0.54%, 0.51%

LAB 48.94, 60.62, -14.9

 

CMYK 0 / 68 / 46 / 22

HEX #C63F6A

RGB 198 63 106

HSL 340.89, 0.54%, 0.51%

LAB 47.75, 56.57, 5.76

 

CMYK 28 / 68 / 0 / 22

HEX #8F3FC6

RGB 143 63 198

HSL 275.56, 0.54%, 0.51%

LAB 43.47, 56.6, -56.56

 

CMYK 46 / 68 / 0 / 22

HEX #6B3FC6

RGB 107 63 198

HSL 259.56, 0.54%, 0.51%

LAB 39.17, 49.51, -63.73

 

CMYK 65 / 68 / 0 / 22

HEX #463FC6

RGB 70 63 198

HSL 243.11, 0.54%, 0.51%

LAB 35.86, 43.62, -69.28

 

CMYK 68 / 68 / 0 / 22

HEX #3F3FC6

RGB 63 63 198

HSL 240, 0.54%, 0.51%

LAB 35.38, 42.73, -70.08

 

CMYK 28 / 68 / 0 / 22

HEX #8F3FC6

RGB 143 63 198

HSL 275.56, 0.54%, 0.51%

LAB 43.47, 56.6, -56.56

 

CMYK 33 / 81 / 0 / 15

HEX #932ADA

RGB 147 42 218

HSL 275.8, 0.7%, 0.51%

LAB 42.64, 69.77, -69.41

 

CMYK 37 / 91 / 0 / 7

HEX #9716EE

RGB 151 22 238

HSL 275.83, 0.86%, 0.51%

LAB 43.25, 79.2, -79.78

 

CMYK 28 / 68 / 0 / 22

HEX #8F3FC6

RGB 143 63 198

HSL 275.56, 0.54%, 0.51%

LAB 43.47, 56.6, -56.56

 

CMYK 21 / 53 / 0 / 31

HEX #8B53B1

RGB 139 83 177

HSL 275.74, 0.38%, 0.51%

LAB 45.43, 40.71, -41.19

 

CMYK 14 / 34 / 0 / 38

HEX #87679D

RGB 135 103 157

HSL 275.56, 0.22%, 0.51%

LAB 48.62, 23.4, -24.45

 

CMYK 4 / 10 / 0 / 46

HEX #837B89

RGB 131 123 137

HSL 274.29, 0.06%, 0.51%

LAB 52.73, 5.83, -6.5

 

CMYK 11 / 0 / 18 / 44

HEX #7F8F75

RGB 127 143 117

HSL 96.92, 0.1%, 0.51%

LAB 57.5, -10.83, 11.93

 

CMYK 65 / 68 / 0 / 22

HEX #453FC6

RGB 69 63 198

HSL 242.67, 0.54%, 0.51%

LAB 35.79, 43.49, -69.4

 

CMYK 47 / 68 / 0 / 22

HEX #693FC6

RGB 105 63 198

HSL 258.67, 0.54%, 0.51%

LAB 38.96, 49.15, -64.08

 

CMYK 29 / 68 / 0 / 22

HEX #8D3FC6

RGB 141 63 198

HSL 274.67, 0.54%, 0.51%

LAB 43.2, 56.18, -56.99

 

CMYK 11 / 68 / 0 / 22

HEX #B13FC6

RGB 177 63 198

HSL 290.67, 0.54%, 0.51%

LAB 48.23, 63.95, -48.65

 

CMYK 0 / 68 / 8 / 22

HEX #C63FB6

RGB 198 63 182

HSL 307.11, 0.54%, 0.51%

LAB 50.61, 66.09, -35.38

 

CMYK 28 / 70 / 0 / 46

HEX #622989

RGB 98 41 137

HSL 275.63, 0.54%, 0.35%

LAB 29.38, 43.11, -43.03

 

CMYK 28 / 70 / 0 / 34

HEX #7932A9

RGB 121 50 169

HSL 275.8, 0.54%, 0.43%

LAB 36.39, 51.34, -51.06

 

CMYK 28 / 68 / 0 / 22

HEX #8F3FC6

RGB 143 63 198

HSL 275.56, 0.54%, 0.51%

LAB 43.47, 56.6, -56.56

 

CMYK 22 / 55 / 0 / 19

HEX #A25ECF

RGB 162 94 207

HSL 276.11, 0.54%, 0.59%

LAB 52.05, 47.72, -47.85

 

CMYK 17 / 42 / 0 / 15

HEX #B47ED9

RGB 180 126 217

HSL 275.6, 0.54%, 0.67%

LAB 61.34, 37.58, -38.71

 

CMYK 27 / 68 / 0 / 22

HEX #9040C6

RGB 144 64 198

HSL 275.82, 0.54%, 0.51%

LAB 43.76, 56.35, -56.08

 

CMYK 0 / 68 / 54 / 22

HEX #C63F5C

RGB 198 63 92

HSL 347.11, 0.54%, 0.51%

LAB 47.41, 55.36, 13.82

 

CMYK 68 / 0 / 56 / 22

HEX #3FC657

RGB 63 198 87

HSL 130.67, 0.54%, 0.51%

LAB 70.96, -58.97, 44.65

 

CMYK 27 / 68 / 0 / 22

HEX #9040C6

RGB 144 64 198

HSL 275.82, 0.54%, 0.51%

LAB 43.76, 56.35, -56.08

 

CMYK 0 / 29 / 68 / 22

HEX #C68D3F

RGB 198 141 63

HSL 34.67, 0.54%, 0.51%

LAB 62.86, 14.03, 48.87

 

CMYK 68 / 0 / 29 / 22

HEX #3FC68D

RGB 63 198 141

HSL 154.67, 0.54%, 0.51%

LAB 71.8, -49.57, 18.21

 

CMYK 27 / 68 / 0 / 22

HEX #9040C6

RGB 144 64 198

HSL 275.82, 0.54%, 0.51%

LAB 43.76, 56.35, -56.08

 

CMYK 0 / 68 / 54 / 22

HEX #C63F5C

RGB 198 63 92

HSL 347.11, 0.54%, 0.51%

LAB 47.41, 55.36, 13.82

 

CMYK 40 / 0 / 68 / 22

HEX #77C63F

RGB 119 198 63

HSL 95.11, 0.54%, 0.51%

LAB 72.67, -46.77, 57.5

 

CMYK 68 / 0 / 15 / 22

HEX #3FC6A8

RGB 63 198 168

HSL 166.67, 0.54%, 0.51%

LAB 72.41, -43.27, 4.52

 

CMYK 27 / 68 / 0 / 22

HEX #9040C6

RGB 144 64 198

HSL 275.82, 0.54%, 0.51%

LAB 43.76, 56.35, -56.08

 

CMYK 0 / 63 / 68 / 22

HEX #C64A3F

RGB 198 74 63

HSL 4.89, 0.54%, 0.51%

LAB 48.59, 48.8, 32.67

 

CMYK 40 / 0 / 68 / 22

HEX #77C63F

RGB 119 198 63

HSL 95.11, 0.54%, 0.51%

LAB 72.67, -46.77, 57.5

 

CMYK 68 / 6 / 0 / 22

HEX #3FBAC6

RGB 63 186 198

HSL 185.33, 0.54%, 0.51%

LAB 69.65, -29.49, -15.96

 

Description

Color code: HEX #9040C6 | qconv.com Color code: HEX #9040C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 64 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 64 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 68 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 68% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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