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Color name
HEX #902B50

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #902B50 it is the complementary color #6FD4AF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #902B50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #902B50 shade: #952B4B, #A63D5E, #B74F71, #C86184 and #D97397

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #902B50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #902B50 shade: #902B50, #7F193D, #6E072A, #5D0017 and #4C0004

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #902B50 shade: #912B51, #912B35 and #912B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #902B50 shade: #912B51, #912B6C, #912B88, #7F2B91 and #642B91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #902B50 shade matches the following richer shades: #912B51, #A11C4D and #B00D49

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #902B50 shade: #912B51, #823B55, #734A59, #64595D and #546861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #902B50 shade: #912B87, #912B6C, #912B51, #912B36 and #913C2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #902B50 shade: #52182D, #72223F, #912B51, #B13562 and #C84776

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #902B50 shade: #902B50, #91802B and #2B7A91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #902B50 shade: #902B50, #51912B and #2B5191

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #902B50 shade: #902B50, #91802B, #2B916C and #2B3C91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #902B50 shade: #902B50, #84912B, #2B916C and #392B91

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 44 / 44

HEX #902B50

RGB 144 43 80

HSL 338.02, 0.54%, 0.37%

LAB 34.47, 45.34, 1.7

 

Complementary color

CMYK 48 / 0 / 17 / 17

HEX #6FD4AF

RGB 111 212 175

HSL 158.02, 0.54%, 0.63%

LAB 78.21, -38.24, 9.26

 

CMYK 0 / 71 / 50 / 42

HEX #952B4B

RGB 149 43 75

HSL 341.89, 0.55%, 0.38%

LAB 35.25, 46.42, 6.18

 

CMYK 0 / 63 / 43 / 35

HEX #A63D5E

RGB 166 61 94

HSL 341.14, 0.46%, 0.45%

LAB 41.61, 46.13, 3.63

 

CMYK 0 / 57 / 38 / 28

HEX #B74F71

RGB 183 79 113

HSL 340.38, 0.42%, 0.51%

LAB 48.07, 45.48, 1.64

 

CMYK 0 / 52 / 34 / 22

HEX #C86184

RGB 200 97 132

HSL 339.61, 0.48%, 0.58%

LAB 54.55, 44.69, 0.04

 

CMYK 0 / 47 / 30 / 15

HEX #D97397

RGB 217 115 151

HSL 338.82, 0.57%, 0.65%

LAB 61, 43.83, -1.31

 

CMYK 0 / 70 / 44 / 44

HEX #902B50

RGB 144 43 80

HSL 338.02, 0.54%, 0.37%

LAB 34.47, 45.34, 1.7

 

CMYK 0 / 80 / 52 / 50

HEX #7F193D

RGB 127 25 61

HSL 338.82, 0.67%, 0.3%

LAB 28.23, 44.93, 4.83

 

CMYK 0 / 94 / 62 / 57

HEX #6E072A

RGB 110 7 42

HSL 339.61, 0.88%, 0.23%

LAB 22.42, 43.21, 9.2

 

CMYK 0 / 100 / 75 / 64

HEX #5D0017

RGB 93 0 23

HSL 345.16, 1%, 0.18%

LAB 17.41, 39.11, 15.36

 

CMYK 0 / 100 / 95 / 70

HEX #4C0004

RGB 76 0 4

HSL 356.84, 1%, 0.15%

LAB 12.89, 33.52, 18.58

 

CMYK 0 / 70 / 44 / 43

HEX #912B51

RGB 145 43 81

HSL 337.65, 0.54%, 0.37%

LAB 34.68, 45.76, 1.39

 

CMYK 0 / 70 / 63 / 43

HEX #912B35

RGB 145 43 53

HSL 354.12, 0.54%, 0.37%

LAB 33.99, 43.34, 18.52

 

CMYK 0 / 70 / 70 / 43

HEX #912B2B

RGB 145 43 43

HSL 0, 0.54%, 0.37%

LAB 33.82, 42.72, 24.63

 

CMYK 0 / 70 / 44 / 43

HEX #912B51

RGB 145 43 81

HSL 337.65, 0.54%, 0.37%

LAB 34.68, 45.76, 1.39

 

CMYK 0 / 70 / 26 / 43

HEX #912B6C

RGB 145 43 108

HSL 321.76, 0.54%, 0.37%

LAB 35.66, 49.03, -14.43

 

CMYK 0 / 70 / 6 / 43

HEX #912B88

RGB 145 43 136

HSL 305.29, 0.54%, 0.37%

LAB 36.98, 53.28, -29.87

 

CMYK 12 / 70 / 0 / 43

HEX #7F2B91

RGB 127 43 145

HSL 289.41, 0.54%, 0.37%

LAB 34.57, 50.59, -39.41

 

CMYK 31 / 70 / 0 / 43

HEX #642B91

RGB 100 43 145

HSL 273.53, 0.54%, 0.37%

LAB 30.6, 44.51, -46

 

CMYK 0 / 70 / 44 / 43

HEX #912B51

RGB 145 43 81

HSL 337.65, 0.54%, 0.37%

LAB 34.68, 45.76, 1.39

 

CMYK 0 / 83 / 52 / 37

HEX #A11C4D

RGB 161 28 77

HSL 337.89, 0.7%, 0.37%

LAB 35.88, 55.06, 6.09

 

CMYK 0 / 93 / 59 / 31

HEX #B00D49

RGB 176 13 73

HSL 337.91, 0.86%, 0.37%

LAB 37.84, 61.56, 11.88

 

CMYK 0 / 70 / 44 / 43

HEX #912B51

RGB 145 43 81

HSL 337.65, 0.54%, 0.37%

LAB 34.68, 45.76, 1.39

 

CMYK 0 / 55 / 35 / 49

HEX #823B55

RGB 130 59 85

HSL 338.03, 0.38%, 0.37%

LAB 35.06, 33.56, -0.94

 

CMYK 0 / 36 / 23 / 55

HEX #734A59

RGB 115 74 89

HSL 338.05, 0.22%, 0.37%

LAB 36.49, 19.78, -1.63

 

CMYK 0 / 11 / 7 / 61

HEX #64595D

RGB 100 89 93

HSL 338.18, 0.06%, 0.37%

LAB 38.97, 5.24, -0.68

 

CMYK 19 / 0 / 7 / 59

HEX #546861

RGB 84 104 97

HSL 159, 0.11%, 0.37%

LAB 42.23, -9.08, 1.45

 

CMYK 0 / 70 / 7 / 43

HEX #912B87

RGB 145 43 135

HSL 305.88, 0.54%, 0.37%

LAB 36.92, 53.12, -29.34

 

CMYK 0 / 70 / 26 / 43

HEX #912B6C

RGB 145 43 108

HSL 321.76, 0.54%, 0.37%

LAB 35.66, 49.03, -14.43

 

CMYK 0 / 70 / 44 / 43

HEX #912B51

RGB 145 43 81

HSL 337.65, 0.54%, 0.37%

LAB 34.68, 45.76, 1.39

 

CMYK 0 / 70 / 63 / 43

HEX #912B36

RGB 145 43 54

HSL 353.53, 0.54%, 0.37%

LAB 34.01, 43.41, 17.9

 

CMYK 0 / 59 / 70 / 43

HEX #913C2B

RGB 145 60 43

HSL 10, 0.54%, 0.37%

LAB 36.79, 34.79, 28.16

 

CMYK 0 / 71 / 45 / 68

HEX #52182D

RGB 82 24 45

HSL 338.28, 0.55%, 0.21%

LAB 18.53, 29.07, 0.73

 

CMYK 0 / 70 / 45 / 55

HEX #72223F

RGB 114 34 63

HSL 338.25, 0.54%, 0.29%

LAB 26.96, 37.61, 1.33

 

CMYK 0 / 70 / 44 / 43

HEX #912B51

RGB 145 43 81

HSL 337.65, 0.54%, 0.37%

LAB 34.68, 45.76, 1.39

 

CMYK 0 / 70 / 45 / 31

HEX #B13562

RGB 177 53 98

HSL 338.23, 0.54%, 0.45%

LAB 42.42, 53.35, 2.54

 

CMYK 0 / 65 / 41 / 22

HEX #C84776

RGB 200 71 118

HSL 338.14, 0.54%, 0.53%

LAB 49.61, 55.13, 1.19

 

CMYK 0 / 70 / 44 / 44

HEX #902B50

RGB 144 43 80

HSL 338.02, 0.54%, 0.37%

LAB 34.47, 45.34, 1.7

 

CMYK 0 / 12 / 70 / 43

HEX #91802B

RGB 145 128 43

HSL 50, 0.54%, 0.37%

LAB 53.63, -3.59, 46.51

 

CMYK 70 / 16 / 0 / 43

HEX #2B7A91

RGB 43 122 145

HSL 193.53, 0.54%, 0.37%

LAB 47.59, -16.06, -19.45

 

CMYK 0 / 70 / 44 / 44

HEX #902B50

RGB 144 43 80

HSL 338.02, 0.54%, 0.37%

LAB 34.47, 45.34, 1.7

 

CMYK 44 / 0 / 70 / 43

HEX #51912B

RGB 81 145 43

HSL 97.65, 0.54%, 0.37%

LAB 54.21, -38.86, 45.67

 

CMYK 70 / 44 / 0 / 43

HEX #2B5191

RGB 43 81 145

HSL 217.65, 0.54%, 0.37%

LAB 34.89, 8.97, -39.35

 

CMYK 0 / 70 / 44 / 44

HEX #902B50

RGB 144 43 80

HSL 338.02, 0.54%, 0.37%

LAB 34.47, 45.34, 1.7

 

CMYK 0 / 12 / 70 / 43

HEX #91802B

RGB 145 128 43

HSL 50, 0.54%, 0.37%

LAB 53.63, -3.59, 46.51

 

CMYK 70 / 0 / 26 / 43

HEX #2B916C

RGB 43 145 108

HSL 158.24, 0.54%, 0.37%

LAB 53.86, -38.16, 11.35

 

CMYK 70 / 59 / 0 / 43

HEX #2B3C91

RGB 43 60 145

HSL 230, 0.54%, 0.37%

LAB 28.88, 23.13, -49.05

 

CMYK 0 / 70 / 44 / 44

HEX #902B50

RGB 144 43 80

HSL 338.02, 0.54%, 0.37%

LAB 34.47, 45.34, 1.7

 

CMYK 9 / 0 / 70 / 43

HEX #84912B

RGB 132 145 43

HSL 67.65, 0.54%, 0.37%

LAB 57.4, -18.59, 49.95

 

CMYK 70 / 0 / 26 / 43

HEX #2B916C

RGB 43 145 108

HSL 158.24, 0.54%, 0.37%

LAB 53.86, -38.16, 11.35

 

CMYK 61 / 70 / 0 / 43

HEX #392B91

RGB 57 43 145

HSL 248.24, 0.54%, 0.37%

LAB 25.69, 36.3, -54.21

 

Description

Color code: HEX #902B50 | qconv.com Color code: HEX #902B50 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 43 green and 80 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 43 80 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 44 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 44% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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