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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9028FE it is the complementary color #6FD701. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9028FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9028FE shade: #9528F9, #A63AFF, #B74CFF, #C85EFF and #D970FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9028FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9028FE shade: #9028FE, #7F16EB, #6E04D8, #5D00C5 and #4C00B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9028FE shade: #912AFE, #CA2AFE, #FE2AF9, #FE2ABF and #FE2A86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9028FE shade: #912AFE, #582AFE and #2A2AFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9028FE shade matches the following richer shades: #912AFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9028FE shade: #912AFE, #913BED, #924DDB, #925ECA and #936FB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9028FE shade: #2A34FE, #582AFE, #902AFE, #C92AFE and #FE2AFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9028FE shade: #6801D4, #7C01FD, #912AFE, #A653FE and #BB7CFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9028FE shade: #9028FE, #FE2A6D and #2AFE3C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9028FE shade: #9028FE, #FE902A and #2AFE90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9028FE shade: #9028FE, #FE2A6D, #97FE2A and #2AFEBB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9028FE shade: #9028FE, #FE2A2D, #97FE2A and #2AFEFA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 84 / 0 / 0

HEX #9028FE

RGB 144 40 254

HSL 269.16, 0.99%, 0.58%

LAB 45.09, 77.7, -85.79

 

Complementary color

CMYK 48 / 0 / 100 / 16

HEX #6FD701

RGB 111 215 1

HSL 89.16, 0.99%, 0.42%

LAB 77.27, -58.37, 75.55

 

CMYK 40 / 84 / 0 / 2

HEX #9528F9

RGB 149 40 249

HSL 271.29, 0.95%, 0.57%

LAB 45.29, 77.22, -82.64

 

CMYK 35 / 77 / 0 / 0

HEX #A63AFF

RGB 166 58 255

HSL 272.89, 1%, 0.61%

LAB 49.92, 75.22, -78.31

 

CMYK 28 / 70 / 0 / 0

HEX #B74CFF

RGB 183 76 255

HSL 275.87, 1%, 0.65%

LAB 54.51, 71.29, -70.76

 

CMYK 22 / 63 / 0 / 0

HEX #C85EFF

RGB 200 94 255

HSL 279.5, 1%, 0.68%

LAB 59.44, 67.03, -62.71

 

CMYK 15 / 56 / 0 / 0

HEX #D970FF

RGB 217 112 255

HSL 284.06, 1%, 0.72%

LAB 64.61, 62.67, -54.33

 

CMYK 43 / 84 / 0 / 0

HEX #9028FE

RGB 144 40 254

HSL 269.16, 0.99%, 0.58%

LAB 45.09, 77.7, -85.79

 

CMYK 46 / 91 / 0 / 8

HEX #7F16EB

RGB 127 22 235

HSL 269.58, 0.84%, 0.5%

LAB 39.72, 76, -84

 

CMYK 49 / 98 / 0 / 15

HEX #6E04D8

RGB 110 4 216

HSL 270, 0.96%, 0.43%

LAB 34.72, 73.05, -81.46

 

CMYK 53 / 100 / 0 / 23

HEX #5D00C5

RGB 93 0 197

HSL 268.32, 1%, 0.39%

LAB 30.3, 68.17, -77.78

 

CMYK 57 / 100 / 0 / 30

HEX #4C00B2

RGB 76 0 178

HSL 265.62, 1%, 0.35%

LAB 26.01, 62.69, -73.68

 

CMYK 43 / 83 / 0 / 0

HEX #912AFE

RGB 145 42 254

HSL 269.15, 0.99%, 0.58%

LAB 45.4, 77.25, -85.26

 

CMYK 20 / 83 / 0 / 0

HEX #CA2AFE

RGB 202 42 254

HSL 285.28, 0.99%, 0.58%

LAB 53.35, 85.14, -71.96

 

CMYK 0 / 83 / 2 / 0

HEX #FE2AF9

RGB 254 42 249

HSL 301.42, 0.99%, 0.58%

LAB 61.28, 92.94, -56

 

CMYK 0 / 83 / 25 / 0

HEX #FE2ABF

RGB 254 42 191

HSL 317.83, 0.99%, 0.58%

LAB 58.5, 85.47, -27.59

 

CMYK 0 / 83 / 47 / 0

HEX #FE2A86

RGB 254 42 134

HSL 333.96, 0.99%, 0.58%

LAB 56.53, 79.93, 2.84

 

CMYK 43 / 83 / 0 / 0

HEX #912AFE

RGB 145 42 254

HSL 269.15, 0.99%, 0.58%

LAB 45.4, 77.25, -85.26

 

CMYK 65 / 83 / 0 / 0

HEX #582AFE

RGB 88 42 254

HSL 253.02, 0.99%, 0.58%

LAB 39.39, 71.66, -95.39

 

CMYK 83 / 83 / 0 / 0

HEX #2A2AFE

RGB 42 42 254

HSL 240, 0.99%, 0.58%

LAB 36.56, 69.2, -100.17

 

CMYK 43 / 83 / 0 / 0

HEX #912AFE

RGB 145 42 254

HSL 269.15, 0.99%, 0.58%

LAB 45.4, 77.25, -85.26

 

CMYK 43 / 83 / 0 / 0

HEX #912AFE

RGB 145 42 254

HSL 269.15, 0.99%, 0.58%

LAB 45.4, 77.25, -85.26

 

CMYK 39 / 75 / 0 / 7

HEX #913BED

RGB 145 59 237

HSL 268.99, 0.83%, 0.58%

LAB 45.99, 67.56, -74.76

 

CMYK 33 / 65 / 0 / 14

HEX #924DDB

RGB 146 77 219

HSL 269.15, 0.66%, 0.58%

LAB 47.67, 55.45, -61.83

 

CMYK 28 / 53 / 0 / 21

HEX #925ECA

RGB 146 94 202

HSL 268.89, 0.5%, 0.58%

LAB 49.95, 42.43, -48.44

 

CMYK 21 / 40 / 0 / 27

HEX #936FB9

RGB 147 111 185

HSL 269.19, 0.35%, 0.58%

LAB 53.03, 28.99, -33.8

 

CMYK 83 / 80 / 0 / 0

HEX #2A34FE

RGB 42 52 254

HSL 237.17, 0.99%, 0.58%

LAB 38.03, 64.87, -97.73

 

CMYK 65 / 83 / 0 / 0

HEX #582AFE

RGB 88 42 254

HSL 253.02, 0.99%, 0.58%

LAB 39.39, 71.66, -95.39

 

CMYK 43 / 83 / 0 / 0

HEX #902AFE

RGB 144 42 254

HSL 268.87, 0.99%, 0.58%

LAB 45.28, 77.13, -85.47

 

CMYK 21 / 83 / 0 / 0

HEX #C92AFE

RGB 201 42 254

HSL 285, 0.99%, 0.58%

LAB 53.2, 84.98, -72.21

 

CMYK 0 / 83 / 2 / 0

HEX #FE2AFA

RGB 254 42 250

HSL 301.13, 0.99%, 0.58%

LAB 61.33, 93.09, -56.46

 

CMYK 51 / 100 / 0 / 17

HEX #6801D4

RGB 104 1 212

HSL 269.29, 0.99%, 0.42%

LAB 33.39, 72.12, -81.37

 

CMYK 51 / 100 / 0 / 1

HEX #7C01FD

RGB 124 1 253

HSL 269.29, 0.99%, 0.5%

LAB 40.24, 82.36, -93.3

 

CMYK 43 / 83 / 0 / 0

HEX #912AFE

RGB 145 42 254

HSL 269.15, 0.99%, 0.58%

LAB 45.4, 77.25, -85.26

 

CMYK 35 / 67 / 0 / 0

HEX #A653FE

RGB 166 83 254

HSL 269.12, 0.99%, 0.66%

LAB 53.44, 64.82, -72.04

 

CMYK 26 / 51 / 0 / 0

HEX #BB7CFE

RGB 187 124 254

HSL 269.08, 0.98%, 0.74%

LAB 63.46, 48.92, -55.82

 

CMYK 43 / 84 / 0 / 0

HEX #9028FE

RGB 144 40 254

HSL 269.16, 0.99%, 0.58%

LAB 45.09, 77.7, -85.79

 

CMYK 0 / 83 / 57 / 0

HEX #FE2A6D

RGB 254 42 109

HSL 341.04, 0.99%, 0.58%

LAB 55.92, 78.14, 16.89

 

CMYK 83 / 0 / 76 / 0

HEX #2AFE3C

RGB 42 254 60

HSL 125.09, 0.99%, 0.58%

LAB 87.83, -81.74, 73.13

 

CMYK 43 / 84 / 0 / 0

HEX #9028FE

RGB 144 40 254

HSL 269.16, 0.99%, 0.58%

LAB 45.09, 77.7, -85.79

 

CMYK 0 / 43 / 83 / 0

HEX #FE902A

RGB 254 144 42

HSL 28.87, 0.99%, 0.58%

LAB 70.31, 35, 67.04

 

CMYK 83 / 0 / 43 / 0

HEX #2AFE90

RGB 42 254 144

HSL 148.87, 0.99%, 0.58%

LAB 88.63, -71.9, 39.14

 

CMYK 43 / 84 / 0 / 0

HEX #9028FE

RGB 144 40 254

HSL 269.16, 0.99%, 0.58%

LAB 45.09, 77.7, -85.79

 

CMYK 0 / 83 / 57 / 0

HEX #FE2A6D

RGB 254 42 109

HSL 341.04, 0.99%, 0.58%

LAB 55.92, 78.14, 16.89

 

CMYK 41 / 0 / 83 / 0

HEX #97FE2A

RGB 151 254 42

HSL 89.15, 0.99%, 0.58%

LAB 90.61, -59.64, 81.42

 

CMYK 83 / 0 / 26 / 0

HEX #2AFEBB

RGB 42 254 187

HSL 161.04, 0.99%, 0.58%

LAB 89.38, -63.45, 18.55

 

CMYK 43 / 84 / 0 / 0

HEX #9028FE

RGB 144 40 254

HSL 269.16, 0.99%, 0.58%

LAB 45.09, 77.7, -85.79

 

CMYK 0 / 83 / 82 / 0

HEX #FE2A2D

RGB 254 42 45

HSL 359.15, 0.99%, 0.58%

LAB 54.99, 75.39, 52.32

 

CMYK 41 / 0 / 83 / 0

HEX #97FE2A

RGB 151 254 42

HSL 89.15, 0.99%, 0.58%

LAB 90.61, -59.64, 81.42

 

CMYK 83 / 0 / 2 / 0

HEX #2AFEFA

RGB 42 254 250

HSL 178.87, 0.99%, 0.58%

LAB 90.91, -47.58, -11.83

 

Description

Color code: HEX #9028FE | qconv.com Color code: HEX #9028FE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 40 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 40 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 84 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 84% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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