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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #901EB0 it is the complementary color #6FE14F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #901EB0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #901EB0 shade: #951EAB, #A630BE, #B742D1, #C854E4 and #D966F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #901EB0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #901EB0 shade: #901EB0, #7F0C9D, #6E008A, #5D0077 and #4C0064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #901EB0 shade: #8F1EAE, #AE1EA7, #AE1E80, #AE1E59 and #AE1E32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #901EB0 shade: #8F1EAE, #681EAE, #411EAE and #1E1EAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #901EB0 shade matches the following richer shades: #8F1EAE and #980DBF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #901EB0 shade: #8F1EAE, #852E9E, #7C3F8D, #734F7D and #6A606C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #901EB0 shade: #3F1EAE, #661EAE, #8D1EAE, #AE1EAA and #AE1E83

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #901EB0 shade: #551268, #72188B, #8F1EAE, #AC24D2 and #BC40DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #901EB0 shade: #901EB0, #AE1E22 and #1EAE53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #901EB0 shade: #901EB0, #AE8D1E and #1EAE8D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #901EB0 shade: #901EB0, #AE1E22, #3FAE1E and #1EAEAA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #901EB0 shade: #901EB0, #AE441E, #3FAE1E and #1E88AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 83 / 0 / 31

HEX #901EB0

RGB 144 30 176

HSL 286.85, 0.71%, 0.4%

LAB 37.83, 64.39, -52.73

 

Complementary color

CMYK 51 / 0 / 65 / 12

HEX #6FE14F

RGB 111 225 79

HSL 106.85, 0.71%, 0.6%

LAB 80.62, -58.47, 59.51

 

CMYK 13 / 82 / 0 / 33

HEX #951EAB

RGB 149 30 171

HSL 290.64, 0.7%, 0.39%

LAB 38.3, 64.37, -48.95

 

CMYK 13 / 75 / 0 / 25

HEX #A630BE

RGB 166 48 190

HSL 289.86, 0.6%, 0.47%

LAB 44.14, 65.65, -50.63

 

CMYK 12 / 68 / 0 / 18

HEX #B742D1

RGB 183 66 209

HSL 289.09, 0.61%, 0.54%

LAB 50.18, 66.12, -51.82

 

CMYK 12 / 63 / 0 / 11

HEX #C854E4

RGB 200 84 228

HSL 288.33, 0.73%, 0.61%

LAB 56.31, 66.09, -52.67

 

CMYK 12 / 59 / 0 / 3

HEX #D966F7

RGB 217 102 247

HSL 287.59, 0.9%, 0.68%

LAB 62.48, 65.76, -53.3

 

CMYK 18 / 83 / 0 / 31

HEX #901EB0

RGB 144 30 176

HSL 286.85, 0.71%, 0.4%

LAB 37.83, 64.39, -52.73

 

CMYK 19 / 92 / 0 / 38

HEX #7F0C9D

RGB 127 12 157

HSL 287.59, 0.86%, 0.33%

LAB 32.28, 61.92, -50.42

 

CMYK 20 / 100 / 0 / 46

HEX #6E008A

RGB 110 0 138

HSL 287.83, 1%, 0.27%

LAB 27.16, 57.77, -47.17

 

CMYK 22 / 100 / 0 / 53

HEX #5D0077

RGB 93 0 119

HSL 286.89, 1%, 0.23%

LAB 22.51, 51.69, -42.85

 

CMYK 24 / 100 / 0 / 61

HEX #4C0064

RGB 76 0 100

HSL 285.6, 1%, 0.2%

LAB 17.72, 45.44, -38.42

 

CMYK 18 / 83 / 0 / 32

HEX #8F1EAE

RGB 143 30 174

HSL 287.08, 0.71%, 0.4%

LAB 37.53, 63.84, -52.04

 

CMYK 0 / 83 / 4 / 32

HEX #AE1EA7

RGB 174 30 167

HSL 302.92, 0.71%, 0.4%

LAB 42.33, 68.47, -39.87

 

CMYK 0 / 83 / 26 / 32

HEX #AE1E80

RGB 174 30 128

HSL 319.17, 0.71%, 0.4%

LAB 40.39, 63.09, -19.23

 

CMYK 0 / 83 / 49 / 32

HEX #AE1E59

RGB 174 30 89

HSL 335.42, 0.71%, 0.4%

LAB 38.98, 59.02, 3.18

 

CMYK 0 / 83 / 71 / 32

HEX #AE1E32

RGB 174 30 50

HSL 351.67, 0.71%, 0.4%

LAB 38.12, 56.45, 26.81

 

CMYK 18 / 83 / 0 / 32

HEX #8F1EAE

RGB 143 30 174

HSL 287.08, 0.71%, 0.4%

LAB 37.53, 63.84, -52.04

 

CMYK 40 / 83 / 0 / 32

HEX #681EAE

RGB 104 30 174

HSL 270.83, 0.71%, 0.4%

LAB 31.64, 57.53, -61.88

 

CMYK 63 / 83 / 0 / 32

HEX #411EAE

RGB 65 30 174

HSL 254.58, 0.71%, 0.4%

LAB 27.04, 52.74, -69.61

 

CMYK 83 / 83 / 0 / 32

HEX #1E1EAE

RGB 30 30 174

HSL 240, 0.71%, 0.4%

LAB 24.51, 50.18, -73.88

 

CMYK 18 / 83 / 0 / 32

HEX #8F1EAE

RGB 143 30 174

HSL 287.08, 0.71%, 0.4%

LAB 37.53, 63.84, -52.04

 

CMYK 20 / 93 / 0 / 25

HEX #980DBF

RGB 152 13 191

HSL 286.85, 0.87%, 0.4%

LAB 39.11, 71.73, -59.46

 

CMYK 18 / 83 / 0 / 32

HEX #8F1EAE

RGB 143 30 174

HSL 287.08, 0.71%, 0.4%

LAB 37.53, 63.84, -52.04

 

CMYK 16 / 71 / 0 / 38

HEX #852E9E

RGB 133 46 158

HSL 286.61, 0.55%, 0.4%

LAB 36.76, 53.31, -43.75

 

CMYK 12 / 55 / 0 / 45

HEX #7C3F8D

RGB 124 63 141

HSL 286.92, 0.38%, 0.4%

LAB 37.41, 39.35, -32.46

 

CMYK 8 / 37 / 0 / 51

HEX #734F7D

RGB 115 79 125

HSL 286.96, 0.23%, 0.4%

LAB 39.1, 23.81, -20.1

 

CMYK 2 / 11 / 0 / 58

HEX #6A606C

RGB 106 96 108

HSL 290, 0.06%, 0.4%

LAB 42.02, 6.43, -5.34

 

CMYK 64 / 83 / 0 / 32

HEX #3F1EAE

RGB 63 30 174

HSL 253.75, 0.71%, 0.4%

LAB 26.85, 52.54, -69.93

 

CMYK 41 / 83 / 0 / 32

HEX #661EAE

RGB 102 30 174

HSL 270, 0.71%, 0.4%

LAB 31.37, 57.24, -62.33

 

CMYK 19 / 83 / 0 / 32

HEX #8D1EAE

RGB 141 30 174

HSL 286.25, 0.71%, 0.4%

LAB 37.2, 63.49, -52.58

 

CMYK 0 / 83 / 2 / 32

HEX #AE1EAA

RGB 174 30 170

HSL 301.67, 0.71%, 0.4%

LAB 42.51, 68.93, -41.38

 

CMYK 0 / 83 / 25 / 32

HEX #AE1E83

RGB 174 30 131

HSL 317.92, 0.71%, 0.4%

LAB 40.52, 63.46, -20.88

 

CMYK 18 / 83 / 0 / 59

HEX #551268

RGB 85 18 104

HSL 286.74, 0.7%, 0.24%

LAB 21.44, 42.67, -34.94

 

CMYK 18 / 83 / 0 / 45

HEX #72188B

RGB 114 24 139

HSL 286.96, 0.71%, 0.32%

LAB 29.65, 53.55, -43.72

 

CMYK 18 / 83 / 0 / 32

HEX #8F1EAE

RGB 143 30 174

HSL 287.08, 0.71%, 0.4%

LAB 37.53, 63.84, -52.04

 

CMYK 18 / 83 / 0 / 18

HEX #AC24D2

RGB 172 36 210

HSL 286.9, 0.71%, 0.48%

LAB 45.2, 73.88, -60.49

 

CMYK 16 / 71 / 0 / 13

HEX #BC40DF

RGB 188 64 223

HSL 286.79, 0.71%, 0.56%

LAB 51.48, 70.54, -57.67

 

CMYK 18 / 83 / 0 / 31

HEX #901EB0

RGB 144 30 176

HSL 286.85, 0.71%, 0.4%

LAB 37.83, 64.39, -52.73

 

CMYK 0 / 83 / 80 / 32

HEX #AE1E22

RGB 174 30 34

HSL 358.33, 0.71%, 0.4%

LAB 37.92, 55.83, 36.18

 

CMYK 83 / 0 / 52 / 32

HEX #1EAE53

RGB 30 174 83

HSL 142.08, 0.71%, 0.4%

LAB 62.65, -56.03, 36.39

 

CMYK 18 / 83 / 0 / 31

HEX #901EB0

RGB 144 30 176

HSL 286.85, 0.71%, 0.4%

LAB 37.83, 64.39, -52.73

 

CMYK 0 / 19 / 83 / 32

HEX #AE8D1E

RGB 174 141 30

HSL 46.25, 0.71%, 0.4%

LAB 60.02, 1.89, 58.38

 

CMYK 83 / 0 / 19 / 32

HEX #1EAE8D

RGB 30 174 141

HSL 166.25, 0.71%, 0.4%

LAB 63.73, -43.91, 6.77

 

CMYK 18 / 83 / 0 / 31

HEX #901EB0

RGB 144 30 176

HSL 286.85, 0.71%, 0.4%

LAB 37.83, 64.39, -52.73

 

CMYK 0 / 83 / 80 / 32

HEX #AE1E22

RGB 174 30 34

HSL 358.33, 0.71%, 0.4%

LAB 37.92, 55.83, 36.18

 

CMYK 64 / 0 / 83 / 32

HEX #3FAE1E

RGB 63 174 30

HSL 106.25, 0.71%, 0.4%

LAB 62.86, -55.91, 58.31

 

CMYK 83 / 0 / 2 / 32

HEX #1EAEAA

RGB 30 174 170

HSL 178.33, 0.71%, 0.4%

LAB 64.52, -35.84, -8.22

 

CMYK 18 / 83 / 0 / 31

HEX #901EB0

RGB 144 30 176

HSL 286.85, 0.71%, 0.4%

LAB 37.83, 64.39, -52.73

 

CMYK 0 / 61 / 83 / 32

HEX #AE441E

RGB 174 68 30

HSL 15.83, 0.71%, 0.4%

LAB 43.1, 41.43, 43.29

 

CMYK 64 / 0 / 83 / 32

HEX #3FAE1E

RGB 63 174 30

HSL 106.25, 0.71%, 0.4%

LAB 62.86, -55.91, 58.31

 

CMYK 83 / 22 / 0 / 32

HEX #1E88AE

RGB 30 136 174

HSL 195.83, 0.71%, 0.4%

LAB 52.88, -15.31, -28.19

 

Description

Color code: HEX #901EB0 | qconv.com Color code: HEX #901EB0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 30 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 30 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 83 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 83% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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