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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #901B7D it is the complementary color #6FE482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #901B7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #901B7D shade: #951B78, #A62D8B, #B73F9E, #C851B1 and #D963C4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #901B7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #901B7D shade: #901B7D, #7F096A, #6E0057, #5D0044 and #4C0031

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #901B7D shade: #921C7F, #921C5F, #921C3F, #921C1F and #921C1C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #901B7D shade: #921C7F, #851C92, #651C92, #451C92 and #261C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #901B7D shade matches the following richer shades: #921C7F and #A00E88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #901B7D shade: #921C7F, #842A75, #76386C, #684662 and #5A5459

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #901B7D shade: #641C92, #841C92, #921C80, #921C61 and #921C41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #901B7D shade: #4C0F42, #6F1560, #921C7F, #B4229D and #D62ABA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #901B7D shade: #901B7D, #92451C and #1C9274

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #901B7D shade: #901B7D, #80921C and #1C8092

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #901B7D shade: #901B7D, #92451C, #1C922D and #1C6892

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #901B7D shade: #901B7D, #92681C, #1C922D and #1C4592

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 13 / 44

HEX #901B7D

RGB 144 27 125

HSL 309.74, 0.68%, 0.34%

LAB 34.38, 56.56, -27.13

 

Complementary color

CMYK 51 / 0 / 43 / 11

HEX #6FE482

RGB 111 228 130

HSL 129.74, 0.68%, 0.66%

LAB 82.1, -53.43, 37.88

 

CMYK 0 / 82 / 19 / 42

HEX #951B78

RGB 149 27 120

HSL 314.26, 0.69%, 0.35%

LAB 35.06, 56.99, -22.86

 

CMYK 0 / 73 / 16 / 35

HEX #A62D8B

RGB 166 45 139

HSL 313.39, 0.57%, 0.41%

LAB 40.97, 58.25, -25.19

 

CMYK 0 / 66 / 14 / 28

HEX #B73F9E

RGB 183 63 158

HSL 312.5, 0.49%, 0.48%

LAB 47.09, 58.66, -26.91

 

CMYK 0 / 60 / 12 / 22

HEX #C851B1

RGB 200 81 177

HSL 311.6, 0.52%, 0.55%

LAB 53.32, 58.56, -28.22

 

CMYK 0 / 54 / 10 / 15

HEX #D963C4

RGB 217 99 196

HSL 310.68, 0.61%, 0.62%

LAB 59.58, 58.18, -29.25

 

CMYK 0 / 81 / 13 / 44

HEX #901B7D

RGB 144 27 125

HSL 309.74, 0.68%, 0.34%

LAB 34.38, 56.56, -27.13

 

CMYK 0 / 93 / 17 / 50

HEX #7F096A

RGB 127 9 106

HSL 310.68, 0.87%, 0.27%

LAB 28.77, 53.99, -24.1

 

CMYK 0 / 100 / 21 / 57

HEX #6E0057

RGB 110 0 87

HSL 312.55, 1%, 0.22%

LAB 23.68, 49.45, -19.85

 

CMYK 0 / 100 / 27 / 64

HEX #5D0044

RGB 93 0 68

HSL 316.13, 1%, 0.18%

LAB 18.99, 43.25, -14.51

 

CMYK 0 / 100 / 36 / 70

HEX #4C0031

RGB 76 0 49

HSL 321.32, 1%, 0.15%

LAB 14.16, 36.88, -8.79

 

CMYK 0 / 81 / 13 / 43

HEX #921C7F

RGB 146 28 127

HSL 309.66, 0.68%, 0.34%

LAB 34.95, 57.04, -27.46

 

CMYK 0 / 81 / 35 / 43

HEX #921C5F

RGB 146 28 95

HSL 325.93, 0.68%, 0.34%

LAB 33.49, 52.81, -9.4

 

CMYK 0 / 81 / 57 / 43

HEX #921C3F

RGB 146 28 63

HSL 342.2, 0.68%, 0.34%

LAB 32.48, 49.74, 10.03

 

CMYK 0 / 81 / 79 / 43

HEX #921C1F

RGB 146 28 31

HSL 358.47, 0.68%, 0.34%

LAB 31.9, 47.92, 29.85

 

CMYK 0 / 81 / 81 / 43

HEX #921C1C

RGB 146 28 28

HSL 0, 0.68%, 0.34%

LAB 31.86, 47.81, 31.61

 

CMYK 0 / 81 / 13 / 43

HEX #921C7F

RGB 146 28 127

HSL 309.66, 0.68%, 0.34%

LAB 34.95, 57.04, -27.46

 

CMYK 9 / 81 / 0 / 43

HEX #851C92

RGB 133 28 146

HSL 293.39, 0.68%, 0.34%

LAB 33.76, 57.38, -41.26

 

CMYK 31 / 81 / 0 / 43

HEX #651C92

RGB 101 28 146

HSL 277.12, 0.68%, 0.34%

LAB 28.57, 51.33, -49.9

 

CMYK 53 / 81 / 0 / 43

HEX #451C92

RGB 69 28 146

HSL 260.85, 0.68%, 0.34%

LAB 24.23, 46.25, -57.18

 

CMYK 74 / 81 / 0 / 43

HEX #261C92

RGB 38 28 146

HSL 245.08, 0.68%, 0.34%

LAB 21.27, 42.78, -62.15

 

CMYK 0 / 81 / 13 / 43

HEX #921C7F

RGB 146 28 127

HSL 309.66, 0.68%, 0.34%

LAB 34.95, 57.04, -27.46

 

CMYK 0 / 91 / 15 / 37

HEX #A00E88

RGB 160 14 136

HSL 309.86, 0.84%, 0.34%

LAB 37.05, 64.19, -29.57

 

CMYK 0 / 81 / 13 / 43

HEX #921C7F

RGB 146 28 127

HSL 309.66, 0.68%, 0.34%

LAB 34.95, 57.04, -27.46

 

CMYK 0 / 68 / 11 / 48

HEX #842A75

RGB 132 42 117

HSL 310, 0.52%, 0.34%

LAB 33.66, 47.18, -23.39

 

CMYK 0 / 53 / 8 / 54

HEX #76386C

RGB 118 56 108

HSL 309.68, 0.36%, 0.34%

LAB 33.48, 34.67, -18.15

 

CMYK 0 / 33 / 6 / 59

HEX #684662

RGB 104 70 98

HSL 310.59, 0.2%, 0.34%

LAB 34.41, 19.59, -10.57

 

CMYK 0 / 7 / 1 / 65

HEX #5A5459

RGB 90 84 89

HSL 310, 0.03%, 0.34%

LAB 36.43, 3.48, -2.03

 

CMYK 32 / 81 / 0 / 43

HEX #641C92

RGB 100 28 146

HSL 276.61, 0.68%, 0.34%

LAB 28.42, 51.15, -50.15

 

CMYK 10 / 81 / 0 / 43

HEX #841C92

RGB 132 28 146

HSL 292.88, 0.68%, 0.34%

LAB 33.59, 57.18, -41.54

 

CMYK 0 / 81 / 12 / 43

HEX #921C80

RGB 146 28 128

HSL 309.15, 0.68%, 0.34%

LAB 35, 57.18, -28

 

CMYK 0 / 81 / 34 / 43

HEX #921C61

RGB 146 28 97

HSL 324.92, 0.68%, 0.34%

LAB 33.57, 53.04, -10.57

 

CMYK 0 / 81 / 55 / 43

HEX #921C41

RGB 146 28 65

HSL 341.19, 0.68%, 0.34%

LAB 32.53, 49.9, 8.78

 

CMYK 0 / 80 / 13 / 70

HEX #4C0F42

RGB 76 15 66

HSL 309.84, 0.67%, 0.18%

LAB 16.85, 34.24, -16.72

 

CMYK 0 / 81 / 14 / 56

HEX #6F1560

RGB 111 21 96

HSL 310, 0.68%, 0.26%

LAB 26.04, 46.14, -22.09

 

CMYK 0 / 81 / 13 / 43

HEX #921C7F

RGB 146 28 127

HSL 309.66, 0.68%, 0.34%

LAB 34.95, 57.04, -27.46

 

CMYK 0 / 81 / 13 / 29

HEX #B4229D

RGB 180 34 157

HSL 309.45, 0.68%, 0.42%

LAB 43.18, 67.29, -32.46

 

CMYK 0 / 80 / 13 / 16

HEX #D62ABA

RGB 214 42 186

HSL 309.77, 0.68%, 0.5%

LAB 51.26, 76.54, -36.5

 

CMYK 0 / 81 / 13 / 44

HEX #901B7D

RGB 144 27 125

HSL 309.74, 0.68%, 0.34%

LAB 34.38, 56.56, -27.13

 

CMYK 0 / 53 / 81 / 43

HEX #92451C

RGB 146 69 28

HSL 20.85, 0.68%, 0.34%

LAB 38.64, 29.74, 38.38

 

CMYK 81 / 0 / 21 / 43

HEX #1C9274

RGB 28 146 116

HSL 164.75, 0.68%, 0.34%

LAB 54.1, -38.65, 7.07

 

CMYK 0 / 81 / 13 / 44

HEX #901B7D

RGB 144 27 125

HSL 309.74, 0.68%, 0.34%

LAB 34.38, 56.56, -27.13

 

CMYK 12 / 0 / 81 / 43

HEX #80921C

RGB 128 146 28

HSL 69.15, 0.68%, 0.34%

LAB 57.3, -21.6, 55.01

 

CMYK 81 / 12 / 0 / 43

HEX #1C8092

RGB 28 128 146

HSL 189.15, 0.68%, 0.34%

LAB 49.2, -20.91, -17.6

 

CMYK 0 / 81 / 13 / 44

HEX #901B7D

RGB 144 27 125

HSL 309.74, 0.68%, 0.34%

LAB 34.38, 56.56, -27.13

 

CMYK 0 / 53 / 81 / 43

HEX #92451C

RGB 146 69 28

HSL 20.85, 0.68%, 0.34%

LAB 38.64, 29.74, 38.38

 

CMYK 81 / 0 / 69 / 43

HEX #1C922D

RGB 28 146 45

HSL 128.64, 0.68%, 0.34%

LAB 52.94, -51.81, 43

 

CMYK 81 / 29 / 0 / 43

HEX #1C6892

RGB 28 104 146

HSL 201.36, 0.68%, 0.34%

LAB 41.57, -7.33, -29.41

 

CMYK 0 / 81 / 13 / 44

HEX #901B7D

RGB 144 27 125

HSL 309.74, 0.68%, 0.34%

LAB 34.38, 56.56, -27.13

 

CMYK 0 / 29 / 81 / 43

HEX #92681C

RGB 146 104 28

HSL 38.64, 0.68%, 0.34%

LAB 47.1, 9.81, 46.38

 

CMYK 81 / 0 / 69 / 43

HEX #1C922D

RGB 28 146 45

HSL 128.64, 0.68%, 0.34%

LAB 52.94, -51.81, 43

 

CMYK 81 / 53 / 0 / 43

HEX #1C4592

RGB 28 69 146

HSL 219.15, 0.68%, 0.34%

LAB 30.83, 15.4, -46.53

 

Description

Color code: HEX #901B7D | qconv.com Color code: HEX #901B7D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 27 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 27 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 13 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 13% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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