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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #90184D it is the complementary color #6FE7B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #90184D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #90184D shade: #951848, #A62A5B, #B73C6E, #C84E81 and #D96094

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #90184D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #90184D shade: #90184D, #7F063A, #6E0027, #5D0014 and #4C0001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #90184D shade: #90184D, #90182D and #901818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #90184D shade: #90184D, #90186D, #90188E, #721890 and #521890

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #90184D shade matches the following richer shades: #90184D and #9E0B4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #90184D shade: #90184D, #82264F, #753450, #674152 and #594F54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #90184D shade: #90188E, #90186E, #90184E, #90182E and #902218

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #90184D shade: #490C27, #6D123A, #90184D, #B31E60 and #D62473

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #90184D shade: #90184D, #907218 and #187E90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #90184D shade: #90184D, #4E9018 and #184E90

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #90184D shade: #90184D, #907218, #18905A and #183690

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #90184D shade: #90184D, #8A9018, #18905A and #1E1890

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

Complementary color

CMYK 52 / 0 / 23 / 9

HEX #6FE7B2

RGB 111 231 178

HSL 153.5, 0.71%, 0.67%

LAB 83.83, -45.98, 15.65

 

CMYK 0 / 84 / 52 / 42

HEX #951848

RGB 149 24 72

HSL 336.96, 0.72%, 0.34%

LAB 32.94, 52.41, 4.85

 

CMYK 0 / 75 / 45 / 35

HEX #A62A5B

RGB 166 42 91

HSL 336.29, 0.6%, 0.41%

LAB 38.76, 53.44, 1.39

 

CMYK 0 / 67 / 40 / 28

HEX #B73C6E

RGB 183 60 110

HSL 335.61, 0.51%, 0.48%

LAB 44.84, 53.62, -1.25

 

CMYK 0 / 61 / 36 / 22

HEX #C84E81

RGB 200 78 129

HSL 334.92, 0.53%, 0.55%

LAB 51.05, 53.32, -3.31

 

CMYK 0 / 56 / 32 / 15

HEX #D96094

RGB 217 96 148

HSL 334.21, 0.61%, 0.61%

LAB 57.32, 52.76, -4.98

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 0 / 95 / 54 / 50

HEX #7F063A

RGB 127 6 58

HSL 334.21, 0.91%, 0.26%

LAB 26.59, 49.14, 4.52

 

CMYK 0 / 100 / 65 / 57

HEX #6E0027

RGB 110 0 39

HSL 338.73, 1%, 0.22%

LAB 21.8, 44.58, 10.47

 

CMYK 0 / 100 / 78 / 64

HEX #5D0014

RGB 93 0 20

HSL 347.1, 1%, 0.18%

LAB 17.36, 38.97, 17.39

 

CMYK 0 / 100 / 99 / 70

HEX #4C0001

RGB 76 0 1

HSL 359.21, 1%, 0.15%

LAB 12.85, 33.41, 19.75

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 0 / 83 / 69 / 44

HEX #90182D

RGB 144 24 45

HSL 349.5, 0.71%, 0.33%

LAB 31.28, 49.12, 20.18

 

CMYK 0 / 83 / 83 / 44

HEX #901818

RGB 144 24 24

HSL 0, 0.71%, 0.33%

LAB 30.99, 48.23, 32.91

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 0 / 83 / 24 / 44

HEX #90186D

RGB 144 24 109

HSL 317.5, 0.71%, 0.33%

LAB 33.32, 55.11, -18.67

 

CMYK 0 / 83 / 1 / 44

HEX #90188E

RGB 144 24 142

HSL 301, 0.71%, 0.33%

LAB 35.07, 59.96, -36.59

 

CMYK 21 / 83 / 0 / 44

HEX #721890

RGB 114 24 144

HSL 285, 0.71%, 0.33%

LAB 30.02, 54.54, -46.22

 

CMYK 43 / 83 / 0 / 44

HEX #521890

RGB 82 24 144

HSL 269, 0.71%, 0.33%

LAB 25.14, 49.22, -54.38

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 0 / 93 / 52 / 38

HEX #9E0B4C

RGB 158 11 76

HSL 333.47, 0.87%, 0.33%

LAB 34.05, 57.6, 4.05

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 0 / 71 / 39 / 49

HEX #82264F

RGB 130 38 79

HSL 333.26, 0.55%, 0.33%

LAB 31.11, 42.89, -2.88

 

CMYK 0 / 56 / 32 / 54

HEX #753450

RGB 117 52 80

HSL 334.15, 0.38%, 0.33%

LAB 31.39, 31.88, -3.36

 

CMYK 0 / 37 / 20 / 60

HEX #674152

RGB 103 65 82

HSL 333.16, 0.23%, 0.33%

LAB 32.42, 19.24, -3.35

 

CMYK 0 / 11 / 6 / 65

HEX #594F54

RGB 89 79 84

HSL 330, 0.06%, 0.33%

LAB 34.71, 5.14, -1.43

 

CMYK 0 / 83 / 1 / 44

HEX #90188E

RGB 144 24 142

HSL 301, 0.71%, 0.33%

LAB 35.07, 59.96, -36.59

 

CMYK 0 / 83 / 24 / 44

HEX #90186E

RGB 144 24 110

HSL 317, 0.71%, 0.33%

LAB 33.37, 55.25, -19.24

 

CMYK 0 / 83 / 46 / 44

HEX #90184E

RGB 144 24 78

HSL 333, 0.71%, 0.33%

LAB 32.11, 51.59, -0.43

 

CMYK 0 / 83 / 68 / 44

HEX #90182E

RGB 144 24 46

HSL 349, 0.71%, 0.33%

LAB 31.3, 49.17, 19.55

 

CMYK 0 / 76 / 83 / 44

HEX #902218

RGB 144 34 24

HSL 5, 0.71%, 0.33%

LAB 32.12, 45.06, 34.01

 

CMYK 0 / 84 / 47 / 71

HEX #490C27

RGB 73 12 39

HSL 333.44, 0.72%, 0.17%

LAB 14.55, 30.55, -0.98

 

CMYK 0 / 83 / 47 / 57

HEX #6D123A

RGB 109 18 58

HSL 333.63, 0.72%, 0.25%

LAB 23.64, 41.56, -0.24

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 0 / 83 / 46 / 30

HEX #B31E60

RGB 179 30 96

HSL 333.42, 0.71%, 0.41%

LAB 40.17, 60.93, 0.59

 

CMYK 0 / 83 / 46 / 16

HEX #D62473

RGB 214 36 115

HSL 333.37, 0.71%, 0.49%

LAB 48, 69.99, 0.98

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 0 / 21 / 83 / 44

HEX #907218

RGB 144 114 24

HSL 45, 0.71%, 0.33%

LAB 49.53, 2.97, 49.93

 

CMYK 83 / 13 / 0 / 44

HEX #187E90

RGB 24 126 144

HSL 189, 0.71%, 0.33%

LAB 48.42, -20.92, -17.63

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 46 / 0 / 83 / 44

HEX #4E9018

RGB 78 144 24

HSL 93, 0.71%, 0.33%

LAB 53.63, -40.7, 51.74

 

CMYK 83 / 46 / 0 / 44

HEX #184E90

RGB 24 78 144

HSL 213, 0.71%, 0.33%

LAB 33.26, 8.03, -41.4

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 0 / 21 / 83 / 44

HEX #907218

RGB 144 114 24

HSL 45, 0.71%, 0.33%

LAB 49.53, 2.97, 49.93

 

CMYK 83 / 0 / 38 / 44

HEX #18905A

RGB 24 144 90

HSL 153, 0.71%, 0.33%

LAB 52.82, -44.44, 20.02

 

CMYK 83 / 63 / 0 / 44

HEX #183690

RGB 24 54 144

HSL 225, 0.71%, 0.33%

LAB 26.29, 24.56, -52.68

 

CMYK 0 / 83 / 47 / 44

HEX #90184D

RGB 144 24 77

HSL 333.5, 0.71%, 0.33%

LAB 32.07, 51.5, 0.18

 

CMYK 4 / 0 / 83 / 44

HEX #8A9018

RGB 138 144 24

HSL 63, 0.71%, 0.33%

LAB 57.48, -16.28, 56.61

 

CMYK 83 / 0 / 38 / 44

HEX #18905A

RGB 24 144 90

HSL 153, 0.71%, 0.33%

LAB 52.82, -44.44, 20.02

 

CMYK 79 / 83 / 0 / 44

HEX #1E1890

RGB 30 24 144

HSL 243, 0.71%, 0.33%

LAB 19.81, 43.56, -63.35

 

Description

Color code: HEX #90184D | qconv.com Color code: HEX #90184D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 144 red, 24 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
144 24 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 47 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 47% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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