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Color name
HEX #8FFA45

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FFA45 it is the complementary color #7005BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FFA45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FFA45 shade: #94FA40, #A5FF53, #B6FF66, #C7FF79 and #D8FF8C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FFA45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FFA45 shade: #8FFA45, #7EE832, #6DD61F, #5CC40C and #4BB200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FFA45 shade: #90FA47, #C1FA47, #F1FA47, #FAD347 and #FAA347

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FFA45 shade: #90FA47, #60FA47, #47FA5E, #47FA8F and #47FABF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FFA45 shade matches the following richer shades: #90FA47

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FFA45 shade: #90FA47, #93EB56, #96DC66, #99CC75 and #9BBD84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FFA45 shade: #F1FA47, #C2FA47, #92FA47, #62FA47 and #47FA5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FFA45 shade: #63E906, #78F91F, #90FA47, #A9FB6F and #C1FC97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FFA45 shade: #8FFA45, #47FAD3 and #FA47D9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FFA45 shade: #8FFA45, #4792FA and #FA4792

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FFA45 shade: #8FFA45, #47FAD3, #B047FA and #FA476E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FFA45 shade: #8FFA45, #47EBFA, #B047FA and #FA5647

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 72 / 2

HEX #8FFA45

RGB 143 250 69

HSL 95.47, 0.95%, 0.63%

LAB 89.22, -59.33, 72.51

 

Complementary color

CMYK 40 / 97 / 0 / 27

HEX #7005BA

RGB 112 5 186

HSL 275.47, 0.95%, 0.37%

LAB 32.03, 66.73, -68.34

 

CMYK 41 / 0 / 74 / 2

HEX #94FA40

RGB 148 250 64

HSL 92.9, 0.95%, 0.62%

LAB 89.41, -58.06, 74.39

 

CMYK 35 / 0 / 67 / 0

HEX #A5FF53

RGB 165 255 83

HSL 91.4, 1%, 0.66%

LAB 91.75, -53.31, 70.46

 

CMYK 29 / 0 / 60 / 0

HEX #B6FF66

RGB 182 255 102

HSL 88.63, 1%, 0.7%

LAB 92.76, -46.05, 64.32

 

CMYK 22 / 0 / 53 / 0

HEX #C7FF79

RGB 199 255 121

HSL 85.07, 1%, 0.74%

LAB 93.9, -38.31, 57.64

 

CMYK 15 / 0 / 45 / 0

HEX #D8FF8C

RGB 216 255 140

HSL 80.35, 1%, 0.77%

LAB 95.17, -30.2, 50.64

 

CMYK 43 / 0 / 72 / 2

HEX #8FFA45

RGB 143 250 69

HSL 95.47, 0.95%, 0.63%

LAB 89.22, -59.33, 72.51

 

CMYK 46 / 0 / 78 / 9

HEX #7EE832

RGB 126 232 50

HSL 94.95, 0.8%, 0.55%

LAB 83.11, -58.76, 72.27

 

CMYK 49 / 0 / 86 / 16

HEX #6DD61F

RGB 109 214 31

HSL 94.43, 0.75%, 0.48%

LAB 76.95, -57.94, 71.2

 

CMYK 53 / 0 / 94 / 23

HEX #5CC40C

RGB 92 196 12

HSL 93.91, 0.88%, 0.41%

LAB 70.72, -56.8, 68.88

 

CMYK 58 / 0 / 100 / 30

HEX #4BB200

RGB 75 178 0

HSL 94.72, 1%, 0.35%

LAB 64.43, -55.25, 65

 

CMYK 42 / 0 / 72 / 2

HEX #90FA47

RGB 144 250 71

HSL 95.53, 0.95%, 0.63%

LAB 89.28, -58.89, 71.91

 

CMYK 23 / 0 / 72 / 2

HEX #C1FA47

RGB 193 250 71

HSL 79.11, 0.95%, 0.63%

LAB 91.76, -42.05, 75.19

 

CMYK 4 / 0 / 72 / 2

HEX #F1FA47

RGB 241 250 71

HSL 63.02, 0.95%, 0.63%

LAB 94.96, -23.34, 79.39

 

CMYK 0 / 16 / 72 / 2

HEX #FAD347

RGB 250 211 71

HSL 46.93, 0.95%, 0.63%

LAB 85.69, -0.4, 70.68

 

CMYK 0 / 35 / 72 / 2

HEX #FAA347

RGB 250 163 71

HSL 30.84, 0.95%, 0.63%

LAB 74.17, 24.57, 59.05

 

CMYK 42 / 0 / 72 / 2

HEX #90FA47

RGB 144 250 71

HSL 95.53, 0.95%, 0.63%

LAB 89.28, -58.89, 71.91

 

CMYK 62 / 0 / 72 / 2

HEX #60FA47

RGB 96 250 71

HSL 111.62, 0.95%, 0.63%

LAB 87.64, -71.56, 69.72

 

CMYK 72 / 0 / 62 / 2

HEX #47FA5E

RGB 71 250 94

HSL 127.71, 0.95%, 0.63%

LAB 87.25, -74.12, 60.38

 

CMYK 72 / 0 / 43 / 2

HEX #47FA8F

RGB 71 250 143

HSL 144.13, 0.95%, 0.63%

LAB 87.82, -67.45, 38.66

 

CMYK 72 / 0 / 24 / 2

HEX #47FABF

RGB 71 250 191

HSL 160.22, 0.95%, 0.63%

LAB 88.67, -58.08, 15.56

 

CMYK 42 / 0 / 72 / 2

HEX #90FA47

RGB 144 250 71

HSL 95.53, 0.95%, 0.63%

LAB 89.28, -58.89, 71.91

 

CMYK 42 / 0 / 72 / 2

HEX #90FA47

RGB 144 250 71

HSL 95.53, 0.95%, 0.63%

LAB 89.28, -58.89, 71.91

 

CMYK 37 / 0 / 63 / 8

HEX #93EB56

RGB 147 235 86

HSL 95.44, 0.79%, 0.63%

LAB 85.14, -50.89, 62.02

 

CMYK 32 / 0 / 54 / 14

HEX #96DC66

RGB 150 220 102

HSL 95.59, 0.63%, 0.63%

LAB 81.09, -42.02, 50.48

 

CMYK 25 / 0 / 43 / 20

HEX #99CC75

RGB 153 204 117

HSL 95.17, 0.46%, 0.63%

LAB 76.83, -31.96, 38.03

 

CMYK 18 / 0 / 30 / 26

HEX #9BBD84

RGB 155 189 132

HSL 95.79, 0.3%, 0.63%

LAB 72.91, -21.88, 25.17

 

CMYK 4 / 0 / 72 / 2

HEX #F1FA47

RGB 241 250 71

HSL 63.02, 0.95%, 0.63%

LAB 94.96, -23.34, 79.39

 

CMYK 22 / 0 / 72 / 2

HEX #C2FA47

RGB 194 250 71

HSL 78.77, 0.95%, 0.63%

LAB 91.82, -41.68, 75.27

 

CMYK 42 / 0 / 72 / 2

HEX #92FA47

RGB 146 250 71

HSL 94.86, 0.95%, 0.63%

LAB 89.36, -58.27, 72.02

 

CMYK 61 / 0 / 72 / 2

HEX #62FA47

RGB 98 250 71

HSL 110.95, 0.95%, 0.63%

LAB 87.69, -71.12, 69.79

 

CMYK 72 / 0 / 63 / 2

HEX #47FA5C

RGB 71 250 92

HSL 127.04, 0.95%, 0.63%

LAB 87.23, -74.33, 61.18

 

CMYK 58 / 0 / 97 / 9

HEX #63E906

RGB 99 233 6

HSL 95.42, 0.95%, 0.47%

LAB 82.35, -67.88, 78.95

 

CMYK 52 / 0 / 88 / 2

HEX #78F91F

RGB 120 249 31

HSL 95.5, 0.95%, 0.55%

LAB 87.89, -67.37, 80.75

 

CMYK 42 / 0 / 72 / 2

HEX #90FA47

RGB 144 250 71

HSL 95.53, 0.95%, 0.63%

LAB 89.28, -58.89, 71.91

 

CMYK 33 / 0 / 56 / 2

HEX #A9FB6F

RGB 169 251 111

HSL 95.14, 0.95%, 0.71%

LAB 91.04, -47.97, 58.33

 

CMYK 23 / 0 / 40 / 1

HEX #C1FC97

RGB 193 252 151

HSL 95.05, 0.94%, 0.79%

LAB 93.1, -35.72, 42.46

 

CMYK 43 / 0 / 72 / 2

HEX #8FFA45

RGB 143 250 69

HSL 95.47, 0.95%, 0.63%

LAB 89.22, -59.33, 72.51

 

CMYK 72 / 0 / 16 / 2

HEX #47FAD3

RGB 71 250 211

HSL 166.93, 0.95%, 0.63%

LAB 89.12, -53.43, 5.85

 

CMYK 0 / 72 / 13 / 2

HEX #FA47D9

RGB 250 71 217

HSL 311.06, 0.95%, 0.63%

LAB 61.52, 80.51, -37.76

 

CMYK 43 / 0 / 72 / 2

HEX #8FFA45

RGB 143 250 69

HSL 95.47, 0.95%, 0.63%

LAB 89.22, -59.33, 72.51

 

CMYK 72 / 42 / 0 / 2

HEX #4792FA

RGB 71 146 250

HSL 214.86, 0.95%, 0.63%

LAB 60.6, 10.74, -58.64

 

CMYK 0 / 72 / 42 / 2

HEX #FA4792

RGB 250 71 146

HSL 334.86, 0.95%, 0.63%

LAB 58.89, 72.22, -0.91

 

CMYK 43 / 0 / 72 / 2

HEX #8FFA45

RGB 143 250 69

HSL 95.47, 0.95%, 0.63%

LAB 89.22, -59.33, 72.51

 

CMYK 72 / 0 / 16 / 2

HEX #47FAD3

RGB 71 250 211

HSL 166.93, 0.95%, 0.63%

LAB 89.12, -53.43, 5.85

 

CMYK 30 / 72 / 0 / 2

HEX #B047FA

RGB 176 71 250

HSL 275.2, 0.95%, 0.63%

LAB 52.55, 70.95, -71.2

 

CMYK 0 / 72 / 56 / 2

HEX #FA476E

RGB 250 71 110

HSL 346.93, 0.95%, 0.63%

LAB 58, 69.28, 19.01

 

CMYK 43 / 0 / 72 / 2

HEX #8FFA45

RGB 143 250 69

HSL 95.47, 0.95%, 0.63%

LAB 89.22, -59.33, 72.51

 

CMYK 72 / 6 / 0 / 2

HEX #47EBFA

RGB 71 235 250

HSL 185.03, 0.95%, 0.63%

LAB 85.84, -36.5, -19.4

 

CMYK 30 / 72 / 0 / 2

HEX #B047FA

RGB 176 71 250

HSL 275.2, 0.95%, 0.63%

LAB 52.55, 70.95, -71.2

 

CMYK 0 / 66 / 72 / 2

HEX #FA5647

RGB 250 86 71

HSL 5.03, 0.95%, 0.63%

LAB 59.37, 61.58, 43.02

 

Description

Color code: HEX #8FFA45 | qconv.com Color code: HEX #8FFA45 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 250 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 250 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 72 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 72% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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