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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FF3C0 it is the complementary color #700C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FF3C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FF3C0 shade: #94F3BB, #A5FFCE, #B6FFE1, #C7FFF4 and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FF3C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FF3C0 shade: #8FF3C0, #7EE1AD, #6DCF9A, #5CBD87 and #4BAB74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FF3C0 shade: #90F3C0, #90F3A6, #95F390, #AFF390 and #CAF390

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FF3C0 shade: #90F3C0, #90F3DB, #90F0F3, #90D5F3 and #90BAF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FF3C0 shade matches the following richer shades: #90F3C0 and #86FDC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FF3C0 shade: #90F3C0, #9AE9C1, #A4DFC1, #ADD5C1 and #B7CBC1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FF3C0 shade: #95F390, #90F3A5, #90F3C0, #90F3DA and #90F1F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FF3C0 shade: #45EB96, #6AEFAB, #90F3C0, #B5F7D5 and #DAFBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FF3C0 shade: #8FF3C0, #90AFF3 and #F39890

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FF3C0 shade: #8FF3C0, #C090F3 and #F3C090

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FF3C0 shade: #8FF3C0, #90AFF3, #F390C3 and #F3D390

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FF3C0 shade: #8FF3C0, #9091F3, #F390C3 and #F3F190

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 0 / 21 / 5

HEX #8FF3C0

RGB 143 243 192

HSL 149.4, 0.81%, 0.76%

LAB 88.8, -40.47, 15.54

 

Complementary color

CMYK 0 / 89 / 44 / 56

HEX #700C3F

RGB 112 12 63

HSL 329.4, 0.81%, 0.24%

LAB 23.89, 44.51, -3.23

 

CMYK 39 / 0 / 23 / 5

HEX #94F3BB

RGB 148 243 187

HSL 144.63, 0.8%, 0.77%

LAB 88.92, -40.08, 18.31

 

CMYK 35 / 0 / 19 / 0

HEX #A5FFCE

RGB 165 255 206

HSL 147.33, 1%, 0.82%

LAB 93.44, -37.12, 15

 

CMYK 29 / 0 / 12 / 0

HEX #B6FFE1

RGB 182 255 225

HSL 155.34, 1%, 0.86%

LAB 94.7, -28.55, 7.14

 

CMYK 22 / 0 / 4 / 0

HEX #C7FFF4

RGB 199 255 244

HSL 168.21, 1%, 0.89%

LAB 96.08, -19.74, -0.53

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 41 / 0 / 21 / 5

HEX #8FF3C0

RGB 143 243 192

HSL 149.4, 0.81%, 0.76%

LAB 88.8, -40.47, 15.54

 

CMYK 44 / 0 / 23 / 12

HEX #7EE1AD

RGB 126 225 173

HSL 148.48, 0.62%, 0.69%

LAB 82.54, -40.7, 16.53

 

CMYK 47 / 0 / 26 / 19

HEX #6DCF9A

RGB 109 207 154

HSL 147.55, 0.51%, 0.62%

LAB 76.2, -40.9, 17.6

 

CMYK 51 / 0 / 29 / 26

HEX #5CBD87

RGB 92 189 135

HSL 146.6, 0.42%, 0.55%

LAB 69.77, -41.07, 18.75

 

CMYK 56 / 0 / 32 / 33

HEX #4BAB74

RGB 75 171 116

HSL 145.63, 0.39%, 0.48%

LAB 63.25, -41.15, 20

 

CMYK 41 / 0 / 21 / 5

HEX #90F3C0

RGB 144 243 192

HSL 149.09, 0.8%, 0.76%

LAB 88.85, -40.2, 15.6

 

CMYK 41 / 0 / 32 / 5

HEX #90F3A6

RGB 144 243 166

HSL 133.33, 0.8%, 0.76%

LAB 88.34, -44.97, 28.26

 

CMYK 39 / 0 / 41 / 5

HEX #95F390

RGB 149 243 144

HSL 116.97, 0.8%, 0.76%

LAB 88.21, -46.96, 39.14

 

CMYK 28 / 0 / 41 / 5

HEX #AFF390

RGB 175 243 144

HSL 101.21, 0.8%, 0.76%

LAB 89.5, -38.68, 41.06

 

CMYK 17 / 0 / 41 / 5

HEX #CAF390

RGB 202 243 144

HSL 84.85, 0.8%, 0.76%

LAB 91.09, -29.25, 43.41

 

CMYK 41 / 0 / 21 / 5

HEX #90F3C0

RGB 144 243 192

HSL 149.09, 0.8%, 0.76%

LAB 88.85, -40.2, 15.6

 

CMYK 41 / 0 / 10 / 5

HEX #90F3DB

RGB 144 243 219

HSL 165.45, 0.8%, 0.76%

LAB 89.46, -34.56, 2.45

 

CMYK 41 / 1 / 0 / 5

HEX #90F0F3

RGB 144 240 243

HSL 181.82, 0.8%, 0.76%

LAB 89.26, -27.58, -10.37

 

CMYK 41 / 12 / 0 / 5

HEX #90D5F3

RGB 144 213 243

HSL 198.18, 0.8%, 0.76%

LAB 81.83, -14.14, -21.53

 

CMYK 41 / 23 / 0 / 5

HEX #90BAF3

RGB 144 186 243

HSL 214.55, 0.8%, 0.76%

LAB 74.52, 0.21, -32.72

 

CMYK 41 / 0 / 21 / 5

HEX #90F3C0

RGB 144 243 192

HSL 149.09, 0.8%, 0.76%

LAB 88.85, -40.2, 15.6

 

CMYK 47 / 0 / 24 / 1

HEX #86FDC0

RGB 134 253 192

HSL 149.24, 0.97%, 0.76%

LAB 91.29, -47.14, 18.97

 

CMYK 41 / 0 / 21 / 5

HEX #90F3C0

RGB 144 243 192

HSL 149.09, 0.8%, 0.76%

LAB 88.85, -40.2, 15.6

 

CMYK 34 / 0 / 17 / 9

HEX #9AE9C1

RGB 154 233 193

HSL 149.62, 0.64%, 0.76%

LAB 86.5, -32.65, 11.83

 

CMYK 26 / 0 / 13 / 13

HEX #A4DFC1

RGB 164 223 193

HSL 149.49, 0.48%, 0.76%

LAB 84.23, -24.89, 8.67

 

CMYK 19 / 0 / 9 / 16

HEX #ADD5C1

RGB 173 213 193

HSL 150, 0.32%, 0.76%

LAB 82.01, -17.09, 5.54

 

CMYK 10 / 0 / 5 / 20

HEX #B7CBC1

RGB 183 203 193

HSL 150, 0.16%, 0.76%

LAB 79.97, -8.67, 2.67

 

CMYK 39 / 0 / 41 / 5

HEX #95F390

RGB 149 243 144

HSL 116.97, 0.8%, 0.76%

LAB 88.21, -46.96, 39.14

 

CMYK 41 / 0 / 32 / 5

HEX #90F3A5

RGB 144 243 165

HSL 132.73, 0.8%, 0.76%

LAB 88.33, -45.14, 28.74

 

CMYK 41 / 0 / 21 / 5

HEX #90F3C0

RGB 144 243 192

HSL 149.09, 0.8%, 0.76%

LAB 88.85, -40.2, 15.6

 

CMYK 41 / 0 / 10 / 5

HEX #90F3DA

RGB 144 243 218

HSL 164.85, 0.8%, 0.76%

LAB 89.44, -34.78, 2.94

 

CMYK 41 / 1 / 0 / 5

HEX #90F1F3

RGB 144 241 243

HSL 181.21, 0.8%, 0.76%

LAB 89.54, -28.06, -9.96

 

CMYK 71 / 0 / 36 / 8

HEX #45EB96

RGB 69 235 150

HSL 149.28, 0.81%, 0.6%

LAB 83.38, -61.1, 29.3

 

CMYK 56 / 0 / 28 / 6

HEX #6AEFAB

RGB 106 239 171

HSL 149.32, 0.81%, 0.68%

LAB 85.87, -51.86, 22.1

 

CMYK 41 / 0 / 21 / 5

HEX #90F3C0

RGB 144 243 192

HSL 149.09, 0.8%, 0.76%

LAB 88.85, -40.2, 15.6

 

CMYK 27 / 0 / 14 / 3

HEX #B5F7D5

RGB 181 247 213

HSL 149.09, 0.8%, 0.84%

LAB 92.2, -27.38, 9.74

 

CMYK 13 / 0 / 7 / 2

HEX #DAFBEA

RGB 218 251 234

HSL 149.09, 0.8%, 0.92%

LAB 95.93, -13.82, 4.55

 

CMYK 41 / 0 / 21 / 5

HEX #8FF3C0

RGB 143 243 192

HSL 149.4, 0.81%, 0.76%

LAB 88.8, -40.47, 15.54

 

CMYK 41 / 28 / 0 / 5

HEX #90AFF3

RGB 144 175 243

HSL 221.21, 0.8%, 0.76%

LAB 71.6, 6.3, -37.25

 

CMYK 0 / 37 / 41 / 5

HEX #F39890

RGB 243 152 144

HSL 4.85, 0.8%, 0.76%

LAB 71.91, 33.2, 18.62

 

CMYK 41 / 0 / 21 / 5

HEX #8FF3C0

RGB 143 243 192

HSL 149.4, 0.81%, 0.76%

LAB 88.8, -40.47, 15.54

 

CMYK 21 / 41 / 0 / 5

HEX #C090F3

RGB 192 144 243

HSL 269.09, 0.8%, 0.76%

LAB 67.74, 36.91, -42.99

 

CMYK 0 / 21 / 41 / 5

HEX #F3C090

RGB 243 192 144

HSL 29.09, 0.8%, 0.76%

LAB 81.16, 12.12, 31.15

 

CMYK 41 / 0 / 21 / 5

HEX #8FF3C0

RGB 143 243 192

HSL 149.4, 0.81%, 0.76%

LAB 88.8, -40.47, 15.54

 

CMYK 41 / 28 / 0 / 5

HEX #90AFF3

RGB 144 175 243

HSL 221.21, 0.8%, 0.76%

LAB 71.6, 6.3, -37.25

 

CMYK 0 / 41 / 20 / 5

HEX #F390C3

RGB 243 144 195

HSL 329.09, 0.8%, 0.76%

LAB 71.52, 43.9, -10.23

 

CMYK 0 / 13 / 41 / 5

HEX #F3D390

RGB 243 211 144

HSL 40.61, 0.8%, 0.76%

LAB 85.83, 2.23, 37.28

 

CMYK 41 / 0 / 21 / 5

HEX #8FF3C0

RGB 143 243 192

HSL 149.4, 0.81%, 0.76%

LAB 88.8, -40.47, 15.54

 

CMYK 41 / 40 / 0 / 5

HEX #9091F3

RGB 144 145 243

HSL 239.39, 0.8%, 0.76%

LAB 63.88, 23.41, -49.35

 

CMYK 0 / 41 / 20 / 5

HEX #F390C3

RGB 243 144 195

HSL 329.09, 0.8%, 0.76%

LAB 71.52, 43.9, -10.23

 

CMYK 0 / 1 / 41 / 5

HEX #F3F190

RGB 243 241 144

HSL 58.79, 0.8%, 0.76%

LAB 93.44, -12.89, 46.99

 

Description

Color code: HEX #8FF3C0 | qconv.com Color code: HEX #8FF3C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 243 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 243 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, none magenta, 21 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 0% 21% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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