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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FF095 it is the complementary color #700F6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FF095. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FF095 shade: #94F090, #A5FFA3, #B6FFB6, #C7FFC9 and #D8FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FF095. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FF095 shade: #8FF095, #7EDE82, #6DCC6F, #5CBA5C and #4BA849

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FF095 shade: #8FF095, #A3F08F, #BDF08F, #D7F08F and #F0EE8F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FF095 shade: #8FF095, #8FF0AF, #8FF0C9, #8FF0E3 and #8FE2F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FF095 shade matches the following richer shades: #8FF095 and #84FA8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FF095 shade: #8FF095, #99E59E, #A3DBA7, #AED1B0 and #B8C6B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FF095 shade: #BEF08F, #A4F08F, #8FF094, #8FF0AD and #8FF0C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FF095 shade: #46E650, #6AEB72, #8FF095, #B3F5B7 and #D7FADA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FF095 shade: #8FF095, #8FD7F0 and #F08FB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FF095 shade: #8FF095, #948FF0 and #F0948F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FF095 shade: #8FF095, #8FD7F0, #F08FEB and #F0A78F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FF095 shade: #8FF095, #8FBAF0, #F08FEB and #F0C48F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

Complementary color

CMYK 0 / 87 / 5 / 56

HEX #700F6A

RGB 112 15 106

HSL 303.71, 0.76%, 0.25%

LAB 26.24, 49.62, -28.29

 

CMYK 38 / 0 / 40 / 6

HEX #94F090

RGB 148 240 144

HSL 117.5, 0.76%, 0.75%

LAB 87.3, -45.99, 37.96

 

CMYK 35 / 0 / 36 / 0

HEX #A5FFA3

RGB 165 255 163

HSL 118.7, 1%, 0.82%

LAB 92.65, -44.48, 35.68

 

CMYK 29 / 0 / 29 / 0

HEX #B6FFB6

RGB 182 255 182

HSL 120, 1%, 0.86%

LAB 93.82, -36.25, 27.88

 

CMYK 22 / 0 / 21 / 0

HEX #C7FFC9

RGB 199 255 201

HSL 122.14, 1%, 0.89%

LAB 95.11, -27.7, 20.16

 

CMYK 15 / 0 / 14 / 0

HEX #D8FFDC

RGB 216 255 220

HSL 126.15, 1%, 0.92%

LAB 96.53, -18.93, 12.59

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 43 / 0 / 41 / 13

HEX #7EDE82

RGB 126 222 130

HSL 122.5, 0.59%, 0.68%

LAB 80.9, -46.91, 36.45

 

CMYK 47 / 0 / 46 / 20

HEX #6DCC6F

RGB 109 204 111

HSL 121.26, 0.48%, 0.61%

LAB 74.56, -47.04, 37.72

 

CMYK 51 / 0 / 51 / 27

HEX #5CBA5C

RGB 92 186 92

HSL 120, 0.41%, 0.55%

LAB 68.14, -47.07, 39.03

 

CMYK 55 / 0 / 57 / 34

HEX #4BA849

RGB 75 168 73

HSL 118.74, 0.39%, 0.47%

LAB 61.64, -46.95, 40.33

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 32 / 0 / 40 / 6

HEX #A3F08F

RGB 163 240 143

HSL 107.63, 0.76%, 0.75%

LAB 88.01, -41.44, 39.51

 

CMYK 21 / 0 / 40 / 6

HEX #BDF08F

RGB 189 240 143

HSL 91.55, 0.76%, 0.75%

LAB 89.45, -32.62, 41.65

 

CMYK 10 / 0 / 40 / 6

HEX #D7F08F

RGB 215 240 143

HSL 75.46, 0.76%, 0.75%

LAB 91.12, -23.16, 44.12

 

CMYK 0 / 1 / 40 / 6

HEX #F0EE8F

RGB 240 238 143

HSL 58.76, 0.76%, 0.75%

LAB 92.42, -12.68, 46.15

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 40 / 0 / 27 / 6

HEX #8FF0AF

RGB 143 240 175

HSL 139.79, 0.76%, 0.75%

LAB 87.61, -42.36, 22.64

 

CMYK 40 / 0 / 16 / 6

HEX #8FF0C9

RGB 143 240 201

HSL 155.88, 0.76%, 0.75%

LAB 88.15, -37.3, 9.94

 

CMYK 40 / 0 / 5 / 6

HEX #8FF0E3

RGB 143 240 227

HSL 171.96, 0.76%, 0.75%

LAB 88.78, -31.61, -2.72

 

CMYK 40 / 6 / 0 / 6

HEX #8FE2F0

RGB 143 226 240

HSL 188.66, 0.76%, 0.75%

LAB 85.26, -21.72, -14.77

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 47 / 0 / 44 / 2

HEX #84FA8C

RGB 132 250 140

HSL 124.07, 0.92%, 0.75%

LAB 89.47, -55.25, 42.58

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 33 / 0 / 31 / 10

HEX #99E59E

RGB 153 229 158

HSL 123.95, 0.59%, 0.75%

LAB 84.63, -37.43, 27.39

 

CMYK 26 / 0 / 24 / 14

HEX #A3DBA7

RGB 163 219 167

HSL 124.29, 0.44%, 0.75%

LAB 82.51, -28.06, 19.9

 

CMYK 17 / 0 / 16 / 18

HEX #AED1B0

RGB 174 209 176

HSL 123.43, 0.28%, 0.75%

LAB 80.59, -17.91, 12.56

 

CMYK 7 / 0 / 7 / 22

HEX #B8C6B9

RGB 184 198 185

HSL 124.29, 0.11%, 0.75%

LAB 78.51, -7.22, 4.86

 

CMYK 21 / 0 / 40 / 6

HEX #BEF08F

RGB 190 240 143

HSL 90.93, 0.76%, 0.75%

LAB 89.51, -32.27, 41.74

 

CMYK 32 / 0 / 40 / 6

HEX #A4F08F

RGB 164 240 143

HSL 107.01, 0.76%, 0.75%

LAB 88.06, -41.11, 39.59

 

CMYK 40 / 0 / 38 / 6

HEX #8FF094

RGB 143 240 148

HSL 123.09, 0.76%, 0.75%

LAB 87.14, -46.87, 35.72

 

CMYK 40 / 0 / 28 / 6

HEX #8FF0AD

RGB 143 240 173

HSL 138.56, 0.76%, 0.75%

LAB 87.57, -42.72, 23.62

 

CMYK 40 / 0 / 17 / 6

HEX #8FF0C7

RGB 143 240 199

HSL 154.64, 0.76%, 0.75%

LAB 88.1, -37.71, 10.91

 

CMYK 70 / 0 / 65 / 10

HEX #46E650

RGB 70 230 80

HSL 123.75, 0.76%, 0.59%

LAB 81, -69.3, 59.18

 

CMYK 55 / 0 / 51 / 8

HEX #6AEB72

RGB 106 235 114

HSL 123.72, 0.76%, 0.67%

LAB 83.81, -59.65, 47.72

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 27 / 0 / 25 / 4

HEX #B3F5B7

RGB 179 245 183

HSL 123.64, 0.77%, 0.83%

LAB 90.92, -32.44, 23.38

 

CMYK 14 / 0 / 13 / 2

HEX #D7FADA

RGB 215 250 218

HSL 125.14, 0.78%, 0.91%

LAB 95.11, -17.16, 11.59

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 40 / 10 / 0 / 6

HEX #8FD7F0

RGB 143 215 240

HSL 195.46, 0.76%, 0.75%

LAB 82.23, -16.18, -19.33

 

CMYK 0 / 40 / 26 / 6

HEX #F08FB1

RGB 240 143 177

HSL 338.97, 0.76%, 0.75%

LAB 70.42, 40.85, -1.88

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 38 / 40 / 0 / 6

HEX #948FF0

RGB 148 143 240

HSL 243.09, 0.76%, 0.75%

LAB 63.53, 24.76, -48.22

 

CMYK 0 / 38 / 40 / 6

HEX #F0948F

RGB 240 148 143

HSL 3.09, 0.76%, 0.75%

LAB 70.66, 34.06, 17.38

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 40 / 10 / 0 / 6

HEX #8FD7F0

RGB 143 215 240

HSL 195.46, 0.76%, 0.75%

LAB 82.23, -16.18, -19.33

 

CMYK 0 / 40 / 2 / 6

HEX #F08FEB

RGB 240 143 235

HSL 303.09, 0.76%, 0.75%

LAB 72.34, 49.93, -31.06

 

CMYK 0 / 30 / 40 / 6

HEX #F0A78F

RGB 240 167 143

HSL 14.85, 0.76%, 0.75%

LAB 74.92, 24.04, 23.23

 

CMYK 40 / 0 / 38 / 6

HEX #8FF095

RGB 143 240 149

HSL 123.71, 0.76%, 0.75%

LAB 87.16, -46.72, 35.24

 

CMYK 40 / 23 / 0 / 6

HEX #8FBAF0

RGB 143 186 240

HSL 213.4, 0.76%, 0.75%

LAB 74.35, -0.85, -31.37

 

CMYK 0 / 40 / 2 / 6

HEX #F08FEB

RGB 240 143 235

HSL 303.09, 0.76%, 0.75%

LAB 72.34, 49.93, -31.06

 

CMYK 0 / 18 / 40 / 6

HEX #F0C48F

RGB 240 196 143

HSL 32.78, 0.76%, 0.75%

LAB 81.83, 8.73, 32.5

 

Description

Color code: HEX #8FF095 | qconv.com Color code: HEX #8FF095 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 240 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 240 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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