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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FEF6D it is the complementary color #701092. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FEF6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FEF6D shade: #94EF68, #A5FF7B, #B6FF8E, #C7FFA1 and #D8FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FEF6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FEF6D shade: #8FEF6D, #7EDD5A, #6DCB47, #5CB934 and #4BA721

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FEF6D shade: #8EEF6C, #B1EF6C, #D5EF6C, #EFE56C and #EFC26C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FEF6D shade: #8EEF6C, #6CEF6D, #6CEF90, #6CEFB4 and #6CEFD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FEF6D shade matches the following richer shades: #8EEF6C and #88FC5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FEF6D shade: #8EEF6C, #95E179, #9BD487, #A1C794 and #A7BAA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FEF6D shade: #D5EF6C, #B2EF6C, #8FEF6C, #6CEF6C and #6CEF8F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FEF6D shade: #55E622, #72EB47, #8EEF6C, #ABF391 and #C7F7B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FEF6D shade: #8FEF6D, #6CEFE6 and #EF6CC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FEF6D shade: #8FEF6D, #6C8FEF and #EF6C8F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FEF6D shade: #8FEF6D, #6CEFE6, #CC6CEF and #EF6C75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FEF6D shade: #8FEF6D, #6CD0EF, #CC6CEF and #EF8B6C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 54 / 6

HEX #8FEF6D

RGB 143 239 109

HSL 104.31, 0.8%, 0.68%

LAB 86.34, -51.57, 53.41

 

Complementary color

CMYK 23 / 89 / 0 / 43

HEX #701092

RGB 112 16 146

HSL 284.31, 0.8%, 0.32%

LAB 29.13, 56.67, -48.9

 

CMYK 38 / 0 / 56 / 6

HEX #94EF68

RGB 148 239 104

HSL 100.44, 0.81%, 0.67%

LAB 86.52, -50.53, 55.91

 

CMYK 35 / 0 / 52 / 0

HEX #A5FF7B

RGB 165 255 123

HSL 100.91, 1%, 0.74%

LAB 92.11, -49.7, 54.16

 

CMYK 29 / 0 / 44 / 0

HEX #B6FF8E

RGB 182 255 142

HSL 98.76, 1%, 0.78%

LAB 93.2, -41.92, 46.8

 

CMYK 22 / 0 / 37 / 0

HEX #C7FFA1

RGB 199 255 161

HSL 95.74, 1%, 0.82%

LAB 94.41, -33.72, 39.33

 

CMYK 15 / 0 / 29 / 0

HEX #D8FFB4

RGB 216 255 180

HSL 91.2, 1%, 0.85%

LAB 95.75, -25.23, 31.84

 

CMYK 40 / 0 / 54 / 6

HEX #8FEF6D

RGB 143 239 109

HSL 104.31, 0.8%, 0.68%

LAB 86.34, -51.57, 53.41

 

CMYK 43 / 0 / 59 / 13

HEX #7EDD5A

RGB 126 221 90

HSL 103.51, 0.66%, 0.61%

LAB 80.12, -51.51, 54.47

 

CMYK 46 / 0 / 65 / 20

HEX #6DCB47

RGB 109 203 71

HSL 102.73, 0.56%, 0.54%

LAB 73.82, -51.31, 55.37

 

CMYK 50 / 0 / 72 / 27

HEX #5CB934

RGB 92 185 52

HSL 101.95, 0.56%, 0.46%

LAB 67.44, -50.9, 55.93

 

CMYK 55 / 0 / 80 / 35

HEX #4BA721

RGB 75 167 33

HSL 101.19, 0.67%, 0.39%

LAB 61, -50.19, 55.86

 

CMYK 41 / 0 / 55 / 6

HEX #8EEF6C

RGB 142 239 108

HSL 104.43, 0.8%, 0.68%

LAB 86.29, -51.99, 53.79

 

CMYK 26 / 0 / 55 / 6

HEX #B1EF6C

RGB 177 239 108

HSL 88.4, 0.8%, 0.68%

LAB 88.05, -40.31, 56.29

 

CMYK 11 / 0 / 55 / 6

HEX #D5EF6C

RGB 213 239 108

HSL 71.91, 0.8%, 0.68%

LAB 90.3, -26.89, 59.48

 

CMYK 0 / 4 / 55 / 6

HEX #EFE56C

RGB 239 229 108

HSL 55.42, 0.8%, 0.68%

LAB 89.61, -11.75, 59.2

 

CMYK 0 / 19 / 55 / 6

HEX #EFC26C

RGB 239 194 108

HSL 39.39, 0.8%, 0.68%

LAB 80.75, 6.09, 48.83

 

CMYK 41 / 0 / 55 / 6

HEX #8EEF6C

RGB 142 239 108

HSL 104.43, 0.8%, 0.68%

LAB 86.29, -51.99, 53.79

 

CMYK 55 / 0 / 54 / 6

HEX #6CEF6D

RGB 108 239 109

HSL 120.46, 0.8%, 0.68%

LAB 85.01, -61.28, 51.5

 

CMYK 55 / 0 / 40 / 6

HEX #6CEF90

RGB 108 239 144

HSL 136.49, 0.8%, 0.68%

LAB 85.47, -56.28, 35.28

 

CMYK 55 / 0 / 25 / 6

HEX #6CEFB4

RGB 108 239 180

HSL 152.98, 0.8%, 0.68%

LAB 86.11, -49.62, 17.79

 

CMYK 55 / 0 / 10 / 6

HEX #6CEFD7

RGB 108 239 215

HSL 169.01, 0.8%, 0.68%

LAB 86.91, -41.81, 0.67

 

CMYK 41 / 0 / 55 / 6

HEX #8EEF6C

RGB 142 239 108

HSL 104.43, 0.8%, 0.68%

LAB 86.29, -51.99, 53.79

 

CMYK 46 / 0 / 62 / 1

HEX #88FC5F

RGB 136 252 95

HSL 104.33, 0.96%, 0.68%

LAB 89.71, -60.18, 63.23

 

CMYK 41 / 0 / 55 / 6

HEX #8EEF6C

RGB 142 239 108

HSL 104.43, 0.8%, 0.68%

LAB 86.29, -51.99, 53.79

 

CMYK 34 / 0 / 46 / 12

HEX #95E179

RGB 149 225 121

HSL 103.85, 0.63%, 0.68%

LAB 82.71, -42.33, 43.42

 

CMYK 27 / 0 / 36 / 17

HEX #9BD487

RGB 155 212 135

HSL 104.42, 0.47%, 0.68%

LAB 79.5, -32.53, 32.37

 

CMYK 19 / 0 / 26 / 22

HEX #A1C794

RGB 161 199 148

HSL 104.71, 0.31%, 0.68%

LAB 76.41, -22.19, 21.49

 

CMYK 10 / 0 / 13 / 27

HEX #A7BAA1

RGB 167 186 161

HSL 105.6, 0.15%, 0.68%

LAB 73.48, -11.24, 10.48

 

CMYK 11 / 0 / 55 / 6

HEX #D5EF6C

RGB 213 239 108

HSL 71.91, 0.8%, 0.68%

LAB 90.3, -26.89, 59.48

 

CMYK 26 / 0 / 55 / 6

HEX #B2EF6C

RGB 178 239 108

HSL 87.94, 0.8%, 0.68%

LAB 88.1, -39.96, 56.37

 

CMYK 40 / 0 / 55 / 6

HEX #8FEF6C

RGB 143 239 108

HSL 103.97, 0.8%, 0.68%

LAB 86.33, -51.68, 53.85

 

CMYK 55 / 0 / 55 / 6

HEX #6CEF6C

RGB 108 239 108

HSL 120, 0.8%, 0.68%

LAB 85, -61.4, 51.94

 

CMYK 55 / 0 / 40 / 6

HEX #6CEF8F

RGB 108 239 143

HSL 136.03, 0.8%, 0.68%

LAB 85.46, -56.44, 35.75

 

CMYK 63 / 0 / 85 / 10

HEX #55E622

RGB 85 230 34

HSL 104.39, 0.8%, 0.52%

LAB 81.09, -69.47, 73.89

 

CMYK 51 / 0 / 70 / 8

HEX #72EB47

RGB 114 235 71

HSL 104.27, 0.8%, 0.6%

LAB 83.68, -62, 65.84

 

CMYK 41 / 0 / 55 / 6

HEX #8EEF6C

RGB 142 239 108

HSL 104.43, 0.8%, 0.68%

LAB 86.29, -51.99, 53.79

 

CMYK 30 / 0 / 40 / 5

HEX #ABF391

RGB 171 243 145

HSL 104.08, 0.8%, 0.76%

LAB 89.3, -39.88, 40.27

 

CMYK 19 / 0 / 26 / 3

HEX #C7F7B6

RGB 199 247 182

HSL 104.31, 0.8%, 0.84%

LAB 92.59, -26.98, 26.37

 

CMYK 40 / 0 / 54 / 6

HEX #8FEF6D

RGB 143 239 109

HSL 104.31, 0.8%, 0.68%

LAB 86.34, -51.57, 53.41

 

CMYK 55 / 0 / 4 / 6

HEX #6CEFE6

RGB 108 239 230

HSL 175.88, 0.8%, 0.68%

LAB 87.31, -38.1, -6.61

 

CMYK 0 / 55 / 18 / 6

HEX #EF6CC3

RGB 239 108 195

HSL 320.15, 0.8%, 0.68%

LAB 64.17, 60.22, -21.36

 

CMYK 40 / 0 / 54 / 6

HEX #8FEF6D

RGB 143 239 109

HSL 104.31, 0.8%, 0.68%

LAB 86.34, -51.57, 53.41

 

CMYK 55 / 40 / 0 / 6

HEX #6C8FEF

RGB 108 143 239

HSL 223.97, 0.8%, 0.68%

LAB 60.84, 15.13, -52.11

 

CMYK 0 / 55 / 40 / 6

HEX #EF6C8F

RGB 239 108 143

HSL 343.97, 0.8%, 0.68%

LAB 62.56, 53.72, 5.94

 

CMYK 40 / 0 / 54 / 6

HEX #8FEF6D

RGB 143 239 109

HSL 104.31, 0.8%, 0.68%

LAB 86.34, -51.57, 53.41

 

CMYK 55 / 0 / 4 / 6

HEX #6CEFE6

RGB 108 239 230

HSL 175.88, 0.8%, 0.68%

LAB 87.31, -38.1, -6.61

 

CMYK 15 / 55 / 0 / 6

HEX #CC6CEF

RGB 204 108 239

HSL 283.97, 0.8%, 0.68%

LAB 61.48, 58.17, -50.57

 

CMYK 0 / 55 / 51 / 6

HEX #EF6C75

RGB 239 108 117

HSL 355.88, 0.8%, 0.68%

LAB 61.96, 51.24, 20.05

 

CMYK 40 / 0 / 54 / 6

HEX #8FEF6D

RGB 143 239 109

HSL 104.31, 0.8%, 0.68%

LAB 86.34, -51.57, 53.41

 

CMYK 55 / 13 / 0 / 6

HEX #6CD0EF

RGB 108 208 239

HSL 194.2, 0.8%, 0.68%

LAB 78.77, -20.77, -24.2

 

CMYK 15 / 55 / 0 / 6

HEX #CC6CEF

RGB 204 108 239

HSL 283.97, 0.8%, 0.68%

LAB 61.48, 58.17, -50.57

 

CMYK 0 / 42 / 55 / 6

HEX #EF8B6C

RGB 239 139 108

HSL 14.2, 0.8%, 0.68%

LAB 67.95, 35.05, 32.98

 

Description

Color code: HEX #8FEF6D | qconv.com Color code: HEX #8FEF6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 239 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 239 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 54 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 54% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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