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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FEEE7 it is the complementary color #701118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FEEE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FEEE7 shade: #94EEE2, #A5FFF5, #B6FFFF, #C7FFFF and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FEEE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FEEE7 shade: #8FEEE7, #7EDCD4, #6DCAC1, #5CB8AE and #4BA69B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FEEE7 shade: #90EEE7, #90EECE, #90EEB4, #90EE9B and #9EEE90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FEEE7 shade: #90EEE7, #90DBEE, #90C2EE, #90A9EE and #9090EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FEEE7 shade matches the following richer shades: #90EEE7 and #85F8F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FEEE7 shade: #90EEE7, #9AE4DE, #A4D9D5, #AFCFCD and #B9C5C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FEEE7 shade: #90EEB4, #90EECD, #90EEE6, #90DDEE and #90C3EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FEEE7 shade: #48E3D8, #6CE9DF, #90EEE7, #B3F3EF and #D7F9F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FEEE7 shade: #8FEEE7, #9B90EE and #EEC090

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FEEE7 shade: #8FEEE7, #E690EE and #EEE690

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FEEE7 shade: #8FEEE7, #9B90EE, #EE9097 and #E3EE90

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FEEE7 shade: #8FEEE7, #B790EE, #EE9097 and #C7EE90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 3 / 7

HEX #8FEEE7

RGB 143 238 231

HSL 175.58, 0.74%, 0.75%

LAB 88.33, -29.73, -5.47

 

Complementary color

CMYK 0 / 85 / 79 / 56

HEX #701118

RGB 112 17 24

HSL 355.58, 0.74%, 0.25%

LAB 23.38, 40.33, 22.8

 

CMYK 38 / 0 / 5 / 7

HEX #94EEE2

RGB 148 238 226

HSL 172, 0.73%, 0.76%

LAB 88.42, -29.63, -2.71

 

CMYK 35 / 0 / 4 / 0

HEX #A5FFF5

RGB 165 255 245

HSL 173.33, 1%, 0.82%

LAB 94.36, -29.03, -3.76

 

CMYK 29 / 0 / 0 / 0

HEX #B6FFFF

RGB 182 255 255

HSL 180, 1%, 0.86%

LAB 95.45, -22.28, -7.23

 

CMYK 22 / 0 / 0 / 0

HEX #C7FFFF

RGB 199 255 255

HSL 180, 1%, 0.89%

LAB 96.36, -17.48, -5.78

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 40 / 0 / 3 / 7

HEX #8FEEE7

RGB 143 238 231

HSL 175.58, 0.74%, 0.75%

LAB 88.33, -29.73, -5.47

 

CMYK 43 / 0 / 4 / 14

HEX #7EDCD4

RGB 126 220 212

HSL 174.89, 0.57%, 0.68%

LAB 82.04, -29.8, -4.81

 

CMYK 46 / 0 / 4 / 21

HEX #6DCAC1

RGB 109 202 193

HSL 174.19, 0.47%, 0.61%

LAB 75.66, -29.85, -4.11

 

CMYK 50 / 0 / 5 / 28

HEX #5CB8AE

RGB 92 184 174

HSL 173.48, 0.39%, 0.54%

LAB 69.19, -29.85, -3.35

 

CMYK 55 / 0 / 7 / 35

HEX #4BA69B

RGB 75 166 155

HSL 172.75, 0.38%, 0.47%

LAB 62.62, -29.79, -2.53

 

CMYK 39 / 0 / 3 / 7

HEX #90EEE7

RGB 144 238 231

HSL 175.53, 0.73%, 0.75%

LAB 88.38, -29.48, -5.41

 

CMYK 39 / 0 / 13 / 7

HEX #90EECE

RGB 144 238 206

HSL 159.57, 0.73%, 0.75%

LAB 87.74, -35.07, 6.75

 

CMYK 39 / 0 / 24 / 7

HEX #90EEB4

RGB 144 238 180

HSL 142.98, 0.73%, 0.75%

LAB 87.18, -40.27, 19.48

 

CMYK 39 / 0 / 35 / 7

HEX #90EE9B

RGB 144 238 155

HSL 127.02, 0.73%, 0.75%

LAB 86.72, -44.62, 31.65

 

CMYK 34 / 0 / 39 / 7

HEX #9EEE90

RGB 158 238 144

HSL 111.06, 0.73%, 0.75%

LAB 87.21, -42.02, 37.93

 

CMYK 39 / 0 / 3 / 7

HEX #90EEE7

RGB 144 238 231

HSL 175.53, 0.73%, 0.75%

LAB 88.38, -29.48, -5.41

 

CMYK 39 / 8 / 0 / 7

HEX #90DBEE

RGB 144 219 238

HSL 192.13, 0.73%, 0.75%

LAB 83.32, -18.46, -16.63

 

CMYK 39 / 18 / 0 / 7

HEX #90C2EE

RGB 144 194 238

HSL 208.09, 0.73%, 0.75%

LAB 76.49, -5.45, -27

 

CMYK 39 / 29 / 0 / 7

HEX #90A9EE

RGB 144 169 238

HSL 224.04, 0.73%, 0.75%

LAB 69.81, 8.3, -37.31

 

CMYK 39 / 39 / 0 / 7

HEX #9090EE

RGB 144 144 238

HSL 240, 0.73%, 0.75%

LAB 63.38, 22.61, -47.38

 

CMYK 39 / 0 / 3 / 7

HEX #90EEE7

RGB 144 238 231

HSL 175.53, 0.73%, 0.75%

LAB 88.38, -29.48, -5.41

 

CMYK 46 / 0 / 3 / 3

HEX #85F8F0

RGB 133 248 240

HSL 175.83, 0.89%, 0.75%

LAB 90.97, -34.62, -6.32

 

CMYK 39 / 0 / 3 / 7

HEX #90EEE7

RGB 144 238 231

HSL 175.53, 0.73%, 0.75%

LAB 88.38, -29.48, -5.41

 

CMYK 32 / 0 / 3 / 11

HEX #9AE4DE

RGB 154 228 222

HSL 175.14, 0.58%, 0.75%

LAB 85.82, -24.12, -4.39

 

CMYK 24 / 0 / 2 / 15

HEX #A4D9D5

RGB 164 217 213

HSL 175.47, 0.41%, 0.75%

LAB 83.08, -17.8, -3.59

 

CMYK 15 / 0 / 1 / 19

HEX #AFCFCD

RGB 175 207 205

HSL 176.25, 0.25%, 0.75%

LAB 80.82, -11, -2.58

 

CMYK 6 / 0 / 1 / 23

HEX #B9C5C4

RGB 185 197 196

HSL 175, 0.09%, 0.75%

LAB 78.6, -4.29, -0.93

 

CMYK 39 / 0 / 24 / 7

HEX #90EEB4

RGB 144 238 180

HSL 142.98, 0.73%, 0.75%

LAB 87.18, -40.27, 19.48

 

CMYK 39 / 0 / 14 / 7

HEX #90EECD

RGB 144 238 205

HSL 158.94, 0.73%, 0.75%

LAB 87.72, -35.28, 7.24

 

CMYK 39 / 0 / 3 / 7

HEX #90EEE6

RGB 144 238 230

HSL 174.89, 0.73%, 0.75%

LAB 88.35, -29.72, -4.92

 

CMYK 39 / 7 / 0 / 7

HEX #90DDEE

RGB 144 221 238

HSL 190.85, 0.73%, 0.75%

LAB 83.87, -19.47, -15.8

 

CMYK 39 / 18 / 0 / 7

HEX #90C3EE

RGB 144 195 238

HSL 207.45, 0.73%, 0.75%

LAB 76.76, -5.99, -26.59

 

CMYK 68 / 0 / 5 / 11

HEX #48E3D8

RGB 72 227 216

HSL 175.74, 0.73%, 0.59%

LAB 82.53, -42.23, -6.4

 

CMYK 54 / 0 / 4 / 9

HEX #6CE9DF

RGB 108 233 223

HSL 175.2, 0.74%, 0.67%

LAB 85.4, -37.13, -5.75

 

CMYK 39 / 0 / 3 / 7

HEX #90EEE7

RGB 144 238 231

HSL 175.53, 0.73%, 0.75%

LAB 88.38, -29.48, -5.41

 

CMYK 26 / 0 / 2 / 5

HEX #B3F3EF

RGB 179 243 239

HSL 176.25, 0.73%, 0.83%

LAB 91.65, -20.74, -4.57

 

CMYK 14 / 0 / 1 / 2

HEX #D7F9F6

RGB 215 249 246

HSL 174.71, 0.74%, 0.91%

LAB 95.52, -11.5, -2.26

 

CMYK 40 / 0 / 3 / 7

HEX #8FEEE7

RGB 143 238 231

HSL 175.58, 0.74%, 0.75%

LAB 88.33, -29.73, -5.47

 

CMYK 35 / 39 / 0 / 7

HEX #9B90EE

RGB 155 144 238

HSL 247.02, 0.73%, 0.75%

LAB 64.23, 25.47, -45.99

 

CMYK 0 / 19 / 39 / 7

HEX #EEC090

RGB 238 192 144

HSL 30.64, 0.73%, 0.75%

LAB 80.68, 10.15, 30.41

 

CMYK 40 / 0 / 3 / 7

HEX #8FEEE7

RGB 143 238 231

HSL 175.58, 0.74%, 0.75%

LAB 88.33, -29.73, -5.47

 

CMYK 3 / 39 / 0 / 7

HEX #E690EE

RGB 230 144 238

HSL 294.89, 0.73%, 0.75%

LAB 71.52, 46.97, -34.07

 

CMYK 0 / 3 / 39 / 7

HEX #EEE690

RGB 238 230 144

HSL 54.89, 0.73%, 0.75%

LAB 90.22, -9.37, 42.84

 

CMYK 40 / 0 / 3 / 7

HEX #8FEEE7

RGB 143 238 231

HSL 175.58, 0.74%, 0.75%

LAB 88.33, -29.73, -5.47

 

CMYK 35 / 39 / 0 / 7

HEX #9B90EE

RGB 155 144 238

HSL 247.02, 0.73%, 0.75%

LAB 64.23, 25.47, -45.99

 

CMYK 0 / 39 / 37 / 7

HEX #EE9097

RGB 238 144 151

HSL 355.53, 0.73%, 0.75%

LAB 69.72, 36.32, 11.6

 

CMYK 5 / 0 / 39 / 7

HEX #E3EE90

RGB 227 238 144

HSL 67.02, 0.73%, 0.75%

LAB 91.46, -17.55, 44.23

 

CMYK 40 / 0 / 3 / 7

HEX #8FEEE7

RGB 143 238 231

HSL 175.58, 0.74%, 0.75%

LAB 88.33, -29.73, -5.47

 

CMYK 23 / 39 / 0 / 7

HEX #B790EE

RGB 183 144 238

HSL 264.89, 0.73%, 0.75%

LAB 66.66, 33.2, -42

 

CMYK 0 / 39 / 37 / 7

HEX #EE9097

RGB 238 144 151

HSL 355.53, 0.73%, 0.75%

LAB 69.72, 36.32, 11.6

 

CMYK 16 / 0 / 39 / 7

HEX #C7EE90

RGB 199 238 144

HSL 84.89, 0.73%, 0.75%

LAB 89.54, -27.98, 41.39

 

Description

Color code: HEX #8FEEE7 | qconv.com Color code: HEX #8FEEE7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 238 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 238 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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