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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FEE6B it is the complementary color #701194. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FEE6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FEE6B shade: #94EE66, #A5FF79, #B6FF8C, #C7FF9F and #D8FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FEE6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FEE6B shade: #8FEE6B, #7EDC58, #6DCA45, #5CB832 and #4BA61F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FEE6B shade: #90ED6C, #B3ED6C, #D5ED6C, #EDE36C and #EDC06C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FEE6B shade: #90ED6C, #6DED6C, #6CED8F, #6CEDB1 and #6CEDD4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FEE6B shade matches the following richer shades: #90ED6C and #8AFB5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FEE6B shade: #90ED6C, #96E07A, #9CD387, #A2C694 and #A8B9A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FEE6B shade: #D6ED6C, #B3ED6C, #91ED6C, #6FED6C and #6CED8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FEE6B shade: #58E523, #74E948, #90ED6C, #ACF291 and #C8F6B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FEE6B shade: #8FEE6B, #6CEDE3 and #ED6CC5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FEE6B shade: #8FEE6B, #6C91ED and #ED6C91

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FEE6B shade: #8FEE6B, #6CEDE3, #C96CED and #ED6C77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FEE6B shade: #8FEE6B, #6CD1ED, #C96CED and #ED886C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 55 / 7

HEX #8FEE6B

RGB 143 238 107

HSL 103.51, 0.79%, 0.68%

LAB 86.03, -51.38, 53.95

 

Complementary color

CMYK 24 / 89 / 0 / 42

HEX #701194

RGB 112 17 148

HSL 283.51, 0.79%, 0.32%

LAB 29.37, 56.84, -49.75

 

CMYK 38 / 0 / 57 / 7

HEX #94EE66

RGB 148 238 102

HSL 99.71, 0.8%, 0.67%

LAB 86.21, -50.32, 56.44

 

CMYK 35 / 0 / 53 / 0

HEX #A5FF79

RGB 165 255 121

HSL 100.3, 1%, 0.74%

LAB 92.09, -49.92, 55.04

 

CMYK 29 / 0 / 45 / 0

HEX #B6FF8C

RGB 182 255 140

HSL 98.09, 1%, 0.77%

LAB 93.17, -42.16, 47.72

 

CMYK 22 / 0 / 38 / 0

HEX #C7FF9F

RGB 199 255 159

HSL 95, 1%, 0.81%

LAB 94.38, -33.99, 40.27

 

CMYK 15 / 0 / 30 / 0

HEX #D8FFB2

RGB 216 255 178

HSL 90.39, 1%, 0.85%

LAB 95.72, -25.51, 32.8

 

CMYK 40 / 0 / 55 / 7

HEX #8FEE6B

RGB 143 238 107

HSL 103.51, 0.79%, 0.68%

LAB 86.03, -51.38, 53.95

 

CMYK 43 / 0 / 60 / 14

HEX #7EDC58

RGB 126 220 88

HSL 102.73, 0.65%, 0.6%

LAB 79.8, -51.3, 54.98

 

CMYK 46 / 0 / 66 / 21

HEX #6DCA45

RGB 109 202 69

HSL 101.95, 0.56%, 0.53%

LAB 73.49, -51.09, 55.84

 

CMYK 50 / 0 / 73 / 28

HEX #5CB832

RGB 92 184 50

HSL 101.19, 0.57%, 0.46%

LAB 67.12, -50.66, 56.34

 

CMYK 55 / 0 / 81 / 35

HEX #4BA61F

RGB 75 166 31

HSL 100.44, 0.69%, 0.39%

LAB 60.66, -49.93, 56.14

 

CMYK 39 / 0 / 54 / 7

HEX #90ED6C

RGB 144 237 108

HSL 103.26, 0.78%, 0.68%

LAB 85.8, -50.55, 53.23

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

CMYK 10 / 0 / 54 / 7

HEX #D5ED6C

RGB 213 237 108

HSL 71.16, 0.78%, 0.68%

LAB 89.77, -25.94, 58.86

 

CMYK 0 / 4 / 54 / 7

HEX #EDE36C

RGB 237 227 108

HSL 55.35, 0.78%, 0.68%

LAB 88.93, -11.56, 58.38

 

CMYK 0 / 19 / 54 / 7

HEX #EDC06C

RGB 237 192 108

HSL 39.07, 0.78%, 0.68%

LAB 80.06, 6.32, 47.96

 

CMYK 39 / 0 / 54 / 7

HEX #90ED6C

RGB 144 237 108

HSL 103.26, 0.78%, 0.68%

LAB 85.8, -50.55, 53.23

 

CMYK 54 / 0 / 54 / 7

HEX #6DED6C

RGB 109 237 108

HSL 119.53, 0.78%, 0.68%

LAB 84.43, -60.41, 51.28

 

CMYK 54 / 0 / 40 / 7

HEX #6CED8F

RGB 108 237 143

HSL 136.28, 0.78%, 0.68%

LAB 84.86, -55.66, 34.98

 

CMYK 54 / 0 / 25 / 7

HEX #6CEDB1

RGB 108 237 177

HSL 152.09, 0.78%, 0.68%

LAB 85.47, -49.4, 18.44

 

CMYK 54 / 0 / 11 / 7

HEX #6CEDD4

RGB 108 237 212

HSL 168.37, 0.78%, 0.68%

LAB 86.26, -41.64, 1.3

 

CMYK 39 / 0 / 54 / 7

HEX #90ED6C

RGB 144 237 108

HSL 103.26, 0.78%, 0.68%

LAB 85.8, -50.55, 53.23

 

CMYK 45 / 0 / 62 / 2

HEX #8AFB5F

RGB 138 251 95

HSL 103.46, 0.95%, 0.68%

LAB 89.5, -59.22, 63.01

 

CMYK 39 / 0 / 54 / 7

HEX #90ED6C

RGB 144 237 108

HSL 103.26, 0.78%, 0.68%

LAB 85.8, -50.55, 53.23

 

CMYK 33 / 0 / 46 / 12

HEX #96E07A

RGB 150 224 122

HSL 103.53, 0.62%, 0.68%

LAB 82.49, -41.43, 42.66

 

CMYK 26 / 0 / 36 / 17

HEX #9CD387

RGB 156 211 135

HSL 103.42, 0.46%, 0.68%

LAB 79.27, -31.72, 32.08

 

CMYK 18 / 0 / 25 / 22

HEX #A2C694

RGB 162 198 148

HSL 103.2, 0.3%, 0.68%

LAB 76.2, -21.34, 21.21

 

CMYK 9 / 0 / 13 / 27

HEX #A8B9A1

RGB 168 185 161

HSL 102.5, 0.15%, 0.68%

LAB 73.28, -10.36, 10.2

 

CMYK 10 / 0 / 54 / 7

HEX #D6ED6C

RGB 214 237 108

HSL 70.7, 0.78%, 0.68%

LAB 89.83, -25.55, 58.96

 

CMYK 24 / 0 / 54 / 7

HEX #B3ED6C

RGB 179 237 108

HSL 86.98, 0.78%, 0.68%

LAB 87.6, -38.71, 55.8

 

CMYK 39 / 0 / 54 / 7

HEX #91ED6C

RGB 145 237 108

HSL 102.79, 0.78%, 0.68%

LAB 85.84, -50.24, 53.29

 

CMYK 53 / 0 / 54 / 7

HEX #6FED6C

RGB 111 237 108

HSL 118.6, 0.78%, 0.68%

LAB 84.5, -59.91, 51.37

 

CMYK 54 / 0 / 41 / 7

HEX #6CED8D

RGB 108 237 141

HSL 135.35, 0.78%, 0.68%

LAB 84.83, -55.99, 35.94

 

CMYK 62 / 0 / 85 / 10

HEX #58E523

RGB 88 229 35

HSL 103.61, 0.79%, 0.52%

LAB 80.87, -68.45, 73.51

 

CMYK 50 / 0 / 69 / 9

HEX #74E948

RGB 116 233 72

HSL 103.6, 0.79%, 0.6%

LAB 83.16, -60.64, 64.96

 

CMYK 39 / 0 / 54 / 7

HEX #90ED6C

RGB 144 237 108

HSL 103.26, 0.78%, 0.68%

LAB 85.8, -50.55, 53.23

 

CMYK 29 / 0 / 40 / 5

HEX #ACF291

RGB 172 242 145

HSL 103.3, 0.79%, 0.76%

LAB 89.07, -39.1, 39.99

 

CMYK 19 / 0 / 26 / 4

HEX #C8F6B6

RGB 200 246 182

HSL 103.13, 0.78%, 0.84%

LAB 92.38, -26.16, 26.09

 

CMYK 40 / 0 / 55 / 7

HEX #8FEE6B

RGB 143 238 107

HSL 103.51, 0.79%, 0.68%

LAB 86.03, -51.38, 53.95

 

CMYK 54 / 0 / 4 / 7

HEX #6CEDE3

RGB 108 237 227

HSL 175.35, 0.78%, 0.68%

LAB 86.65, -37.95, -6

 

CMYK 0 / 54 / 17 / 7

HEX #ED6CC5

RGB 237 108 197

HSL 318.6, 0.78%, 0.68%

LAB 63.97, 59.92, -22.83

 

CMYK 40 / 0 / 55 / 7

HEX #8FEE6B

RGB 143 238 107

HSL 103.51, 0.79%, 0.68%

LAB 86.03, -51.38, 53.95

 

CMYK 54 / 39 / 0 / 7

HEX #6C91ED

RGB 108 145 237

HSL 222.79, 0.78%, 0.68%

LAB 61.27, 13.32, -50.33

 

CMYK 0 / 54 / 39 / 7

HEX #ED6C91

RGB 237 108 145

HSL 342.79, 0.78%, 0.68%

LAB 62.32, 53.27, 4.4

 

CMYK 40 / 0 / 55 / 7

HEX #8FEE6B

RGB 143 238 107

HSL 103.51, 0.79%, 0.68%

LAB 86.03, -51.38, 53.95

 

CMYK 54 / 0 / 4 / 7

HEX #6CEDE3

RGB 108 237 227

HSL 175.35, 0.78%, 0.68%

LAB 86.65, -37.95, -6

 

CMYK 15 / 54 / 0 / 7

HEX #C96CED

RGB 201 108 237

HSL 283.26, 0.78%, 0.68%

LAB 61.01, 57, -50.23

 

CMYK 0 / 54 / 50 / 7

HEX #ED6C77

RGB 237 108 119

HSL 354.88, 0.78%, 0.68%

LAB 61.71, 50.72, 18.5

 

CMYK 40 / 0 / 55 / 7

HEX #8FEE6B

RGB 143 238 107

HSL 103.51, 0.79%, 0.68%

LAB 86.03, -51.38, 53.95

 

CMYK 54 / 12 / 0 / 7

HEX #6CD1ED

RGB 108 209 237

HSL 193.02, 0.78%, 0.68%

LAB 78.99, -21.84, -22.8

 

CMYK 15 / 54 / 0 / 7

HEX #C96CED

RGB 201 108 237

HSL 283.26, 0.78%, 0.68%

LAB 61.01, 57, -50.23

 

CMYK 0 / 43 / 54 / 7

HEX #ED886C

RGB 237 136 108

HSL 13.02, 0.78%, 0.68%

LAB 67.05, 35.83, 31.77

 

Description

Color code: HEX #8FEE6B | qconv.com Color code: HEX #8FEE6B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 238 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 238 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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