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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FED3E it is the complementary color #7012C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FED3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FED3E shade: #94ED39, #A5FF4C, #B6FF5F, #C7FF72 and #D8FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FED3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FED3E shade: #8FED3E, #7EDB2B, #6DC918, #5CB705 and #4BA500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FED3E shade: #90ED40, #BFED40, #EDED40, #EDBE40 and #ED8F40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FED3E shade: #90ED40, #61ED40, #40ED4D, #40ED7C and #40EDAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FED3E shade matches the following richer shades: #90ED40 and #8FFE2F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FED3E shade: #90ED40, #91DC51, #93CB62, #94BA72 and #95AA83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FED3E shade: #EDED40, #BFED40, #91ED40, #62ED40 and #40ED4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FED3E shade: #66C813, #7AEA1A, #90ED40, #A6F165 and #BCF48B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FED3E shade: #8FED3E, #40EDBF and #ED40D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FED3E shade: #8FED3E, #4091ED and #ED4091

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FED3E shade: #8FED3E, #40EDBF, #9C40ED and #ED406E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FED3E shade: #8FED3E, #40E7ED, #9C40ED and #ED4540

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 74 / 7

HEX #8FED3E

RGB 143 237 62

HSL 92.23, 0.83%, 0.59%

LAB 85.38, -54.7, 71.04

 

Complementary color

CMYK 42 / 91 / 0 / 24

HEX #7012C1

RGB 112 18 193

HSL 272.23, 0.83%, 0.41%

LAB 33.41, 66.09, -70.21

 

CMYK 38 / 0 / 76 / 7

HEX #94ED39

RGB 148 237 57

HSL 89.67, 0.83%, 0.58%

LAB 85.58, -53.33, 72.88

 

CMYK 35 / 0 / 70 / 0

HEX #A5FF4C

RGB 165 255 76

HSL 90.17, 1%, 0.65%

LAB 91.7, -53.78, 72.93

 

CMYK 29 / 0 / 63 / 0

HEX #B6FF5F

RGB 182 255 95

HSL 87.38, 1%, 0.69%

LAB 92.7, -46.61, 67.11

 

CMYK 22 / 0 / 55 / 0

HEX #C7FF72

RGB 199 255 114

HSL 83.83, 1%, 0.72%

LAB 93.83, -38.96, 60.66

 

CMYK 15 / 0 / 48 / 0

HEX #D8FF85

RGB 216 255 133

HSL 79.18, 1%, 0.76%

LAB 95.08, -30.93, 53.82

 

CMYK 40 / 0 / 74 / 7

HEX #8FED3E

RGB 143 237 62

HSL 92.23, 0.83%, 0.59%

LAB 85.38, -54.7, 71.04

 

CMYK 42 / 0 / 80 / 14

HEX #7EDB2B

RGB 126 219 43

HSL 91.7, 0.71%, 0.51%

LAB 79.2, -54.11, 70.59

 

CMYK 46 / 0 / 88 / 21

HEX #6DC918

RGB 109 201 24

HSL 91.19, 0.79%, 0.44%

LAB 72.95, -53.28, 69.16

 

CMYK 50 / 0 / 97 / 28

HEX #5CB705

RGB 92 183 5

HSL 90.67, 0.95%, 0.37%

LAB 66.64, -52.14, 66.39

 

CMYK 55 / 0 / 100 / 35

HEX #4BA500

RGB 75 165 0

HSL 92.73, 1%, 0.32%

LAB 60.25, -50.57, 61.71

 

CMYK 39 / 0 / 73 / 7

HEX #90ED40

RGB 144 237 64

HSL 92.25, 0.83%, 0.59%

LAB 85.44, -54.25, 70.45

 

CMYK 19 / 0 / 73 / 7

HEX #BFED40

RGB 191 237 64

HSL 75.95, 0.83%, 0.59%

LAB 87.98, -37.42, 73.79

 

CMYK 0 / 0 / 73 / 7

HEX #EDED40

RGB 237 237 64

HSL 60, 0.83%, 0.59%

LAB 91.21, -19.04, 77.99

 

CMYK 0 / 20 / 73 / 7

HEX #EDBE40

RGB 237 190 64

HSL 43.7, 0.83%, 0.59%

LAB 79.16, 4.63, 66.49

 

CMYK 0 / 40 / 73 / 7

HEX #ED8F40

RGB 237 143 64

HSL 27.4, 0.83%, 0.59%

LAB 68.04, 29.41, 55.31

 

CMYK 39 / 0 / 73 / 7

HEX #90ED40

RGB 144 237 64

HSL 92.25, 0.83%, 0.59%

LAB 85.44, -54.25, 70.45

 

CMYK 59 / 0 / 73 / 7

HEX #61ED40

RGB 97 237 64

HSL 108.55, 0.83%, 0.59%

LAB 83.69, -67.49, 68.14

 

CMYK 73 / 0 / 68 / 7

HEX #40ED4D

RGB 64 237 77

HSL 124.51, 0.83%, 0.59%

LAB 83.02, -72.77, 62.5

 

CMYK 73 / 0 / 48 / 7

HEX #40ED7C

RGB 64 237 124

HSL 140.81, 0.83%, 0.59%

LAB 83.5, -67, 42.36

 

CMYK 73 / 0 / 28 / 7

HEX #40EDAB

RGB 64 237 171

HSL 157.11, 0.83%, 0.59%

LAB 84.28, -58.32, 19.73

 

CMYK 39 / 0 / 73 / 7

HEX #90ED40

RGB 144 237 64

HSL 92.25, 0.83%, 0.59%

LAB 85.44, -54.25, 70.45

 

CMYK 44 / 0 / 81 / 0

HEX #8FFE2F

RGB 143 254 47

HSL 92.17, 0.99%, 0.59%

LAB 90.29, -61.96, 79.86

 

CMYK 39 / 0 / 73 / 7

HEX #90ED40

RGB 144 237 64

HSL 92.25, 0.83%, 0.59%

LAB 85.44, -54.25, 70.45

 

CMYK 34 / 0 / 63 / 14

HEX #91DC51

RGB 145 220 81

HSL 92.37, 0.67%, 0.59%

LAB 80.63, -45.73, 59.12

 

CMYK 28 / 0 / 52 / 20

HEX #93CB62

RGB 147 203 98

HSL 92, 0.5%, 0.59%

LAB 75.94, -35.92, 46.19

 

CMYK 20 / 0 / 39 / 27

HEX #94BA72

RGB 148 186 114

HSL 91.67, 0.34%, 0.59%

LAB 71.3, -25.56, 32.42

 

CMYK 12 / 0 / 23 / 33

HEX #95AA83

RGB 149 170 131

HSL 92.31, 0.19%, 0.59%

LAB 67.11, -14.56, 17.73

 

CMYK 0 / 0 / 73 / 7

HEX #EDED40

RGB 237 237 64

HSL 60, 0.83%, 0.59%

LAB 91.21, -19.04, 77.99

 

CMYK 19 / 0 / 73 / 7

HEX #BFED40

RGB 191 237 64

HSL 75.95, 0.83%, 0.59%

LAB 87.98, -37.42, 73.79

 

CMYK 39 / 0 / 73 / 7

HEX #91ED40

RGB 145 237 64

HSL 91.91, 0.83%, 0.59%

LAB 85.48, -53.93, 70.51

 

CMYK 59 / 0 / 73 / 7

HEX #62ED40

RGB 98 237 64

HSL 108.21, 0.83%, 0.59%

LAB 83.72, -67.25, 68.18

 

CMYK 73 / 0 / 68 / 7

HEX #40ED4B

RGB 64 237 75

HSL 123.82, 0.83%, 0.59%

LAB 83, -72.95, 63.25

 

CMYK 49 / 0 / 91 / 22

HEX #66C813

RGB 102 200 19

HSL 92.49, 0.83%, 0.43%

LAB 72.35, -55.2, 69.4

 

CMYK 48 / 0 / 89 / 8

HEX #7AEA1A

RGB 122 234 26

HSL 92.31, 0.83%, 0.51%

LAB 83.47, -61.6, 77.89

 

CMYK 39 / 0 / 73 / 7

HEX #90ED40

RGB 144 237 64

HSL 92.25, 0.83%, 0.59%

LAB 85.44, -54.25, 70.45

 

CMYK 31 / 0 / 58 / 5

HEX #A6F165

RGB 166 241 101

HSL 92.14, 0.83%, 0.67%

LAB 87.95, -45.69, 59.1

 

CMYK 23 / 0 / 43 / 4

HEX #BCF48B

RGB 188 244 139

HSL 92, 0.83%, 0.75%

LAB 90.44, -35.3, 44.84

 

CMYK 40 / 0 / 74 / 7

HEX #8FED3E

RGB 143 237 62

HSL 92.23, 0.83%, 0.59%

LAB 85.38, -54.7, 71.04

 

CMYK 73 / 0 / 19 / 7

HEX #40EDBF

RGB 64 237 191

HSL 164.05, 0.83%, 0.59%

LAB 84.7, -53.81, 9.91

 

CMYK 0 / 73 / 10 / 7

HEX #ED40D6

RGB 237 64 214

HSL 307.98, 0.83%, 0.59%

LAB 58.53, 79.37, -40.89

 

CMYK 40 / 0 / 74 / 7

HEX #8FED3E

RGB 143 237 62

HSL 92.23, 0.83%, 0.59%

LAB 85.38, -54.7, 71.04

 

CMYK 73 / 39 / 0 / 7

HEX #4091ED

RGB 64 145 237

HSL 211.91, 0.83%, 0.59%

LAB 59.39, 5.83, -53.42

 

CMYK 0 / 73 / 39 / 7

HEX #ED4091

RGB 237 64 145

HSL 331.91, 0.83%, 0.59%

LAB 55.8, 70.95, -5.12

 

CMYK 40 / 0 / 74 / 7

HEX #8FED3E

RGB 143 237 62

HSL 92.23, 0.83%, 0.59%

LAB 85.38, -54.7, 71.04

 

CMYK 73 / 0 / 19 / 7

HEX #40EDBF

RGB 64 237 191

HSL 164.05, 0.83%, 0.59%

LAB 84.7, -53.81, 9.91

 

CMYK 34 / 73 / 0 / 7

HEX #9C40ED

RGB 156 64 237

HSL 271.91, 0.83%, 0.59%

LAB 48.07, 67.38, -71.31

 

CMYK 0 / 73 / 54 / 7

HEX #ED406E

RGB 237 64 110

HSL 344.05, 0.83%, 0.59%

LAB 54.86, 67.91, 14.34

 

CMYK 40 / 0 / 74 / 7

HEX #8FED3E

RGB 143 237 62

HSL 92.23, 0.83%, 0.59%

LAB 85.38, -54.7, 71.04

 

CMYK 73 / 3 / 0 / 7

HEX #40E7ED

RGB 64 231 237

HSL 182.08, 0.83%, 0.59%

LAB 84.15, -39.19, -15.11

 

CMYK 34 / 73 / 0 / 7

HEX #9C40ED

RGB 156 64 237

HSL 271.91, 0.83%, 0.59%

LAB 48.07, 67.38, -71.31

 

CMYK 0 / 71 / 73 / 7

HEX #ED4540

RGB 237 69 64

HSL 1.73, 0.83%, 0.59%

LAB 54.69, 63.57, 40.94

 

Description

Color code: HEX #8FED3E | qconv.com Color code: HEX #8FED3E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 237 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 237 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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