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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8FECC7 it is the complementary color #701338. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8FECC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8FECC7 shade: #94ECC2, #A5FED5, #B6FFE8, #C7FFFB and #D8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8FECC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8FECC7 shade: #8FECC7, #7EDAB4, #6DC8A1, #5CB68E and #4BA47B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8FECC7 shade: #8EECC6, #8EECAD, #8EEC94, #A1EC8E and #BAEC8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8FECC7 shade: #8EECC6, #8EECE0, #8EDEEC, #8EC5EC and #8EACEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8FECC7 shade matches the following richer shades: #8EECC6 and #83F7C9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8FECC7 shade: #8EECC6, #98E1C4, #A3D6C2, #AECCC0 and #B9C1BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8FECC7 shade: #8EEC94, #8EECAD, #8EECC6, #8EECDF and #8EDFEC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8FECC7 shade: #47E0A3, #6AE6B5, #8EECC6, #B1F2D8 and #D4F8EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8FECC7 shade: #8FECC7, #8EA0EC and #ECA08E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8FECC7 shade: #8FECC7, #C68EEC and #ECC68E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8FECC7 shade: #8FECC7, #8EA0EC, #EC8EB3 and #ECD98E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8FECC7 shade: #8FECC7, #978EEC, #EC8EB3 and #E2EC8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 16 / 7

HEX #8FECC7

RGB 143 236 199

HSL 156.13, 0.71%, 0.74%

LAB 86.97, -35.88, 9.3

 

Complementary color

CMYK 0 / 83 / 50 / 56

HEX #701338

RGB 112 19 56

HSL 336.13, 0.71%, 0.26%

LAB 24.31, 41.93, 2.2

 

CMYK 37 / 0 / 18 / 7

HEX #94ECC2

RGB 148 236 194

HSL 151.36, 0.7%, 0.75%

LAB 87.09, -35.54, 12.1

 

CMYK 35 / 0 / 16 / 0

HEX #A5FED5

RGB 165 254 213

HSL 152.36, 0.98%, 0.82%

LAB 93.31, -35.3, 11.23

 

CMYK 29 / 0 / 9 / 0

HEX #B6FFE8

RGB 182 255 232

HSL 161.1, 1%, 0.86%

LAB 94.86, -27.14, 3.78

 

CMYK 22 / 0 / 2 / 0

HEX #C7FFFB

RGB 199 255 251

HSL 175.71, 1%, 0.89%

LAB 96.26, -18.31, -3.87

 

CMYK 15 / 0 / 0 / 0

HEX #D8FFFF

RGB 216 255 255

HSL 180, 1%, 0.92%

LAB 97.36, -12.41, -4.18

 

CMYK 39 / 0 / 16 / 7

HEX #8FECC7

RGB 143 236 199

HSL 156.13, 0.71%, 0.74%

LAB 86.97, -35.88, 9.3

 

CMYK 42 / 0 / 17 / 15

HEX #7EDAB4

RGB 126 218 180

HSL 155.22, 0.55%, 0.67%

LAB 80.67, -36.1, 10.2

 

CMYK 46 / 0 / 20 / 22

HEX #6DC8A1

RGB 109 200 161

HSL 154.29, 0.45%, 0.61%

LAB 74.27, -36.3, 11.16

 

CMYK 49 / 0 / 22 / 29

HEX #5CB68E

RGB 92 182 142

HSL 153.33, 0.38%, 0.54%

LAB 67.79, -36.48, 12.19

 

CMYK 54 / 0 / 25 / 36

HEX #4BA47B

RGB 75 164 123

HSL 152.36, 0.37%, 0.47%

LAB 61.2, -36.6, 13.33

 

CMYK 40 / 0 / 16 / 7

HEX #8EECC6

RGB 142 236 198

HSL 155.74, 0.71%, 0.74%

LAB 86.91, -36.36, 9.72

 

CMYK 40 / 0 / 27 / 7

HEX #8EECAD

RGB 142 236 173

HSL 139.79, 0.71%, 0.74%

LAB 86.38, -41.23, 21.98

 

CMYK 40 / 0 / 37 / 7

HEX #8EEC94

RGB 142 236 148

HSL 123.83, 0.71%, 0.74%

LAB 85.95, -45.45, 34.14

 

CMYK 32 / 0 / 40 / 7

HEX #A1EC8E

RGB 161 236 142

HSL 107.87, 0.71%, 0.74%

LAB 86.76, -40.45, 38.37

 

CMYK 21 / 0 / 40 / 7

HEX #BAEC8E

RGB 186 236 142

HSL 91.91, 0.71%, 0.74%

LAB 88.15, -31.96, 40.44

 

CMYK 40 / 0 / 16 / 7

HEX #8EECC6

RGB 142 236 198

HSL 155.74, 0.71%, 0.74%

LAB 86.91, -36.36, 9.72

 

CMYK 40 / 0 / 5 / 7

HEX #8EECE0

RGB 142 236 224

HSL 172.34, 0.71%, 0.74%

LAB 87.54, -30.66, -2.97

 

CMYK 40 / 6 / 0 / 7

HEX #8EDEEC

RGB 142 222 236

HSL 188.94, 0.71%, 0.74%

LAB 83.99, -20.97, -14.57

 

CMYK 40 / 17 / 0 / 7

HEX #8EC5EC

RGB 142 197 236

HSL 204.89, 0.71%, 0.74%

LAB 77.12, -8.09, -24.96

 

CMYK 40 / 27 / 0 / 7

HEX #8EACEC

RGB 142 172 236

HSL 220.85, 0.71%, 0.74%

LAB 70.39, 5.55, -35.32

 

CMYK 40 / 0 / 16 / 7

HEX #8EECC6

RGB 142 236 198

HSL 155.74, 0.71%, 0.74%

LAB 86.91, -36.36, 9.72

 

CMYK 47 / 0 / 19 / 3

HEX #83F7C9

RGB 131 247 201

HSL 156.21, 0.88%, 0.74%

LAB 89.66, -43.45, 12.02

 

CMYK 40 / 0 / 16 / 7

HEX #8EECC6

RGB 142 236 198

HSL 155.74, 0.71%, 0.74%

LAB 86.91, -36.36, 9.72

 

CMYK 32 / 0 / 13 / 12

HEX #98E1C4

RGB 152 225 196

HSL 156.16, 0.55%, 0.74%

LAB 84.23, -28.84, 7

 

CMYK 24 / 0 / 9 / 16

HEX #A3D6C2

RGB 163 214 194

HSL 156.47, 0.38%, 0.74%

LAB 81.72, -20.57, 4.51

 

CMYK 15 / 0 / 6 / 20

HEX #AECCC0

RGB 174 204 192

HSL 156, 0.23%, 0.74%

LAB 79.61, -12.38, 2.61

 

CMYK 4 / 0 / 2 / 24

HEX #B9C1BE

RGB 185 193 190

HSL 157.5, 0.06%, 0.74%

LAB 77.38, -3.32, 0.54

 

CMYK 40 / 0 / 37 / 7

HEX #8EEC94

RGB 142 236 148

HSL 123.83, 0.71%, 0.74%

LAB 85.95, -45.45, 34.14

 

CMYK 40 / 0 / 27 / 7

HEX #8EECAD

RGB 142 236 173

HSL 139.79, 0.71%, 0.74%

LAB 86.38, -41.23, 21.98

 

CMYK 40 / 0 / 16 / 7

HEX #8EECC6

RGB 142 236 198

HSL 155.74, 0.71%, 0.74%

LAB 86.91, -36.36, 9.72

 

CMYK 40 / 0 / 6 / 7

HEX #8EECDF

RGB 142 236 223

HSL 171.7, 0.71%, 0.74%

LAB 87.52, -30.89, -2.48

 

CMYK 40 / 6 / 0 / 7

HEX #8EDFEC

RGB 142 223 236

HSL 188.3, 0.71%, 0.74%

LAB 84.27, -21.47, -14.16

 

CMYK 68 / 0 / 27 / 12

HEX #47E0A3

RGB 71 224 163

HSL 156.08, 0.71%, 0.58%

LAB 80.35, -53.97, 18.45

 

CMYK 54 / 0 / 21 / 10

HEX #6AE6B5

RGB 106 230 181

HSL 156.29, 0.71%, 0.66%

LAB 83.44, -46.03, 13.5

 

CMYK 40 / 0 / 16 / 7

HEX #8EECC6

RGB 142 236 198

HSL 155.74, 0.71%, 0.74%

LAB 86.91, -36.36, 9.72

 

CMYK 27 / 0 / 11 / 5

HEX #B1F2D8

RGB 177 242 216

HSL 156, 0.71%, 0.82%

LAB 90.69, -25.6, 6

 

CMYK 15 / 0 / 6 / 3

HEX #D4F8EA

RGB 212 248 234

HSL 156.67, 0.72%, 0.9%

LAB 94.77, -14.25, 2.82

 

CMYK 39 / 0 / 16 / 7

HEX #8FECC7

RGB 143 236 199

HSL 156.13, 0.71%, 0.74%

LAB 86.97, -35.88, 9.3

 

CMYK 40 / 32 / 0 / 7

HEX #8EA0EC

RGB 142 160 236

HSL 228.51, 0.71%, 0.74%

LAB 67.24, 12.33, -40.24

 

CMYK 0 / 32 / 40 / 7

HEX #ECA08E

RGB 236 160 142

HSL 11.49, 0.71%, 0.74%

LAB 72.84, 26.11, 20.88

 

CMYK 39 / 0 / 16 / 7

HEX #8FECC7

RGB 143 236 199

HSL 156.13, 0.71%, 0.74%

LAB 86.97, -35.88, 9.3

 

CMYK 16 / 40 / 0 / 7

HEX #C68EEC

RGB 198 142 236

HSL 275.74, 0.71%, 0.74%

LAB 67.58, 38.19, -39.35

 

CMYK 0 / 16 / 40 / 7

HEX #ECC68E

RGB 236 198 142

HSL 35.74, 0.71%, 0.74%

LAB 81.93, 6, 33.08

 

CMYK 39 / 0 / 16 / 7

HEX #8FECC7

RGB 143 236 199

HSL 156.13, 0.71%, 0.74%

LAB 86.97, -35.88, 9.3

 

CMYK 40 / 32 / 0 / 7

HEX #8EA0EC

RGB 142 160 236

HSL 228.51, 0.71%, 0.74%

LAB 67.24, 12.33, -40.24

 

CMYK 0 / 40 / 24 / 7

HEX #EC8EB3

RGB 236 142 179

HSL 336.38, 0.71%, 0.74%

LAB 69.78, 40.26, -4

 

CMYK 0 / 8 / 40 / 7

HEX #ECD98E

RGB 236 217 142

HSL 47.87, 0.71%, 0.74%

LAB 86.71, -3.8, 39.3

 

CMYK 39 / 0 / 16 / 7

HEX #8FECC7

RGB 143 236 199

HSL 156.13, 0.71%, 0.74%

LAB 86.97, -35.88, 9.3

 

CMYK 36 / 40 / 0 / 7

HEX #978EEC

RGB 151 142 236

HSL 245.74, 0.71%, 0.74%

LAB 63.33, 25.04, -46.33

 

CMYK 0 / 40 / 24 / 7

HEX #EC8EB3

RGB 236 142 179

HSL 336.38, 0.71%, 0.74%

LAB 69.78, 40.26, -4

 

CMYK 4 / 0 / 40 / 7

HEX #E2EC8E

RGB 226 236 142

HSL 66.38, 0.71%, 0.74%

LAB 90.83, -17.18, 44.4

 

Description

Color code: HEX #8FECC7 | qconv.com Color code: HEX #8FECC7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 236 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 236 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 16 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 16% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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